Explosive Rock SteadyExpanded Edition

Analog Africa focuses on a DIY scene in the African country’s capital Yaoundé during the 1970s. Recorded in haste in an adventist church and distributed by the DIY network set up by French label Sonafric. Launching the careers of several Cameroonian artists represented in this essential compilation!

Gone back from 2021-06-18 to 27/08/2021

Second part of MOV's Trojan compilation series, which celebrates the best works from the legendary reggae label Trojan Records. It was compiled by Laurence Cane-Honeysett, who also wrote the linernotes. Some of Trojan’s finest are featured on this compilation; as there are The Gladiators, The Melodians, The Gladiators, Ken Boothe a.o. 750 individually numbered copies on orange vinyl. The package also includes an exclusive Trojan / Music On Vinyl coaster.

Soul Jazz Records’ new Studio One collection ‘Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio One’ features a stellar selection of 70s roots music – classic and rare tracks recorded at Clement Dodd’s musical empire at 13 Brentford Road in the 1970s.

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Rastafarian-inspired Roots music was an ever-important aspect of Studio One’s output from the start of the 1970s onwards and this album features many of the ground-breaking groups and artists that established the sound of Jamaica during this decade and beyond.

Featured here are seminal artists such as Freddie McGregor, The Wailing Souls, The Gladiators, Horace Andy, Devon Russell, Cedric Brooks, Count Ossie, Judah Eskender Tafari alongside a host of lesser-known rare cuts made at Studio One from artists such as The Prospectors, Viceroys and Pablove Black.

Studio One and founder Clement Dodd’s connection with Rastafarianism dates back to the early 1960s, with Dodd accompanying members of the Skatalites up to the hills of Kingston to listen to the music of the Rastafarianism Count Ossie and his drummers. The album sleevenotes discuss how Clement Dodd’s musical links, as well as his role in heading the most important record label in Reggae, are in many ways linked to the beliefs of Rastafarianism.

This album is released as a heavyweight black vinyl double-album with gatefold sleeve, full notes and download code, deluxe CD with full booklet and slipcase and digital album.

The Lost Maestros Collection is a collaboration between Deviation Records and the independent Malian label Mieruba, which has been working since 2010 to ensure that this golden age of Mande music does not fall into obscurity.

'The Lost Maestros Collection' focuses on musical riches of Mali, and more particularly the music of the Mandé region, cradle of the great griot families,. Highly recommended!

**Featuring amazing music from British jazz legends such as Don Rendell, Michael Garrick, Neil Ardley, Ian Carr, Dick Morrissey, Harry Beckett and more!**

A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the 60s and 70s, a time when British jazz began to find its own identity. Drawn from the iconic labels of Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury and Philips.

Compilation of seldom heard tracks from UK tape label Mindscan Tapes covering late 80's and early 90's experiments with house, techno and industrial.

"The very personal vision of a young Englishman who would spend all of his dole money on the production of underground compilation cassettes spanning across electro, early techno, ambient, experimental, house and industrial music."

Tramp Records' top 'Can You Feel It?' series continues with some rare and obscure modern soul, disco and boogie originating from countries as diverse as Barbados, Guyana, Germany, and the US.

Cold Wave #2

Ltd. Edn. Dayglo sleeve + PURPLE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

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Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

This is the second release of Soul Jazz Records’ new Cold Wave overview.

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This second edition Cold Wave #2 comes in two vinyl editions – a one-off pressing purple coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

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These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

Most of the featured artists are based in Europe and include Krikor from France, Beta Evers and L.F.T. from Germany, Lena Willikens, Job Siffre and De Ambassade from the Netherlands, Toulouse Low Trax from Germany, Dave I.D. and Broken English Club from the UK, and V.C.V.S from Georgia

All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.

Some of the rarest gospel funk records from Greg Belson’s amazing collection featuring everything from the laid back breakbeat laced “I Don’t Want to Be Alone by Allen Gauff Jr to the high octane and socially-on-point take of the Gospel classic ‘This Little Light Of Mine’ by the Gospel Ambassadors to drum break funk of the Wearyland Singers ‘If You See Me Doing Wrong” to the sublime soulfulness of Zella Jackson’s “Days Are Just People.

Ltd. Edn. Dayglo sleeve + ORANGE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

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Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

This is the first release of Soul Jazz Records’ new Cold Wave overview and a second volume will be released just four weeks later.

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This first edition of Cold Wave comes in two vinyl editions – a one-off pressing orange coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

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These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

Most of the featured artists are based in Europe and include Krikor, Dissemblance and VQOA from France, De Ambassade from the Netherlands, Moisture from Sweden, Kriedler from Germany, Céline Gillain and Carcass Identity from Belgium. One exception is FIT Siegel out of Detroit, connecting the electronic pathways of Europe to the Motor City.

All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.

'Oz Echoes' peels away another layer of Australia’s ‘80s DIY hive mind. The Oz Waves successor exposes a deeper circuit of micro-run cassettes, community radio archives and irrationally abandoned studio sessions, as Steele Bonus sequences a 10-track compendium of drone pop, psycheelectronics and agitated tape cut-ups. Highly recommended!

'Strong Love' explores the first wave of openly gay songwriting that emerged after New York's Stonewall Riots kickstarted the modern gay rights movement in 1969. It took just a few years for the defiant chanting and interlocked arms of early 70s pride marches to reverberate onto record, and Strong Love begins with one of the earliest known recordings of openly gay songwriting, 1972's 'A Gay Song' by London hippie collective Everyone Involved. Across 15 tracks, the compilation takes in disarmingly personal folk, uplifting soul, outsider country and dark synth-rock.

Expanded version of the best-selling TV advertised album from 1973, comprising 55 of the biggest reggae hits of the late Sixties and early Seventies.

The double disc collection includes numerous chart-busting hits and dancefloor-fillers, performed by some of the greatest Jamaican performers of the era, including such legendary artists as Desmond Dekker, the Maytals, Dave & Ansel Collins, the Pioneers, John Holt, Greyhound and Bob & Marcia.

Guaranteed to bring a touch of warm Jamaican sunshine to even the coldest of days, “The Best Of Reggae” is sure to brighten up any occasion, 365 days of the year!

UNBELIEVABLE new compilation of deep spiritual music by John Coltrane, Charles Mingus, Oliver Nelson, Pharoah Sanders, Archie Shepp and other groundbreaking Impulse Artists.

"Orange and black. Fire and ebony. Fury and pride. Wearing its signature colors proudly and raising its exclamation point high, Impulse! Records was the go-to label for music that harnessed the searching and political stand-taking of the Sixties. Launched in 1961, Impulse grew to become an inherent part of the era’s velocity as well as its volume, pulling jazz into the age of Black Power, Afrocentricity, and Spiritual Expansion. In its balance of tradition and transition, it bridged the golden age of jazz, that brief window from the late Fifties to the Seventies when players representing every jazz era were alive and active—from Louis Armstrong to Albert Ayler, from the legends of lore to a new generation of energy players. Impulse treated all its musicians as innovators, revolutionaries even—from swing and bebop, to free and Afrofuturist. The performances on Impulse Records: Music, Message and the Moment draw their staying power from a wide embrace of styles and sounds, as well as a tight focus on a historic moment when the promise of change was in the air and the message of racial harmony was in the music. Today that music has lost none of its relevance: the promise still deferred, the message still on time."

LAST COPIES

This is the new 20th anniversary edition of one of Soul Jazz Records’ classic Studio One releases now available as a one-off pressing special blue vinyl very limited-edition pressing ( 2000 copies worldwide).

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Studio One Roots set the standard for Soul Jazz Records’ long-standing series of Studio One collections and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae.

This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining crack-session men groups of Jamaican reggae history - The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. As ever the album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.

Stand-out tracks include Alton Ellis’s Blackish White, a surreal and powerful Afro-centric dream, Count Ossie Nyabinghi and Rastafarian drummers genre-defying interpretation of Booker T and The MGs ‘Meditation’, Willie Williams awe-inspiring versioning of the Skatalites' seminal Rastafari anthem Addis Ababa and many, many more.

This album has been fully digitally remastered, analog cut and packaged complete with the following: Original sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Honest Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves.

REVIEWS:

"Having established himself as one of Jamaica's top producers the day Studio One opened its doors in the early '60s, Clement "Coxsone" Dodd was unable to maintain his status during the roots era of the subsequent decade. This can be attributed to a couple of factors. One was Dodd's apparent reluctance to record the new, overtly Rasta-inspired music. The other was an infusion of new blood into the Jamaican music business. Eager to make a name for themselves, producers like Joe Gibbs, Bunny Lee, Lee "Scratch" Perry, and Winston "Niney" Holness managed to supplant the island's "big three" (Dodd, Duke Reid, and Prince Buster) in the process, driving the music's evolution in the '70s.

There isn't a weak number across these 16 tracks, from the Gaylads' ode to "Africa" and Devon Russell's version of the heavyweight "Drum Song" rhythm, to a trio of stunning instrumentals: Jackie Mittoo and the Cyclones with nyahbinghi drummer Count Ossie on "Meditation," Lenny Hibbert's sparkling vibe work over Mittoo's "Ghetto Organ" ("More Creation"), and Sound Dimension's "Congo Rock."

The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection." All Music

Mid-90s classics from Strictly's golden era feat. essentials from the likes of Mole People (Aramand Van Helden), DJ Sneak, Wamdue Project, Barbara Tucker and more!

It was in Benin City, in the heart of Nigeria, that a new hybrid of intoxicating highlife music known as 'Edo Funk' was born. It first emerged in the late 1970s when a group of musicians began to experiment with different ways of integrating elements from their native Edo culture and fusing them with new sound effects coming from West Africa´s night-clubs. Unlike the rather polished 1980's Nigerian disco productions coming out of the international metropolis of Lagos, Edo Funk was raw and reduced to its bare minimum.

Analog Africa focus on this style with an essential, 12 track compilation with extended notes and photos.

Featuring boogie, house and modern disco vibes (check the killer version of the Dusty Springfield classic 'That's The Kind of Love I've Got for You' by Prospect Park) from the likes of The Sunburst Band and label boss Joey Negro with remixes from Andres (!), Jimpster, The Vision and Jkriv!

In 1970 Miles Davis released “Bitches Brew”, which crystalised the trumpeter and bandleader’sexperiments in rhythm, electronics and musical structure which he had been building on over the previous three years. The album has since become one of the most influential in musical history and was joined over the next couple of years by “Jack Johnson and “On The Corner” in defining the future of music.

Miles was the master bandleader and his LPs at the time declared that these were his ‘Directions In Music’, but he forged them with the help of a hand-picked group of musicians who proved themselves good enough to share his space on stage and in the studio. These players would all become central to jazz’s continued relevance and many would go on the record best-selling jazz records of their own. This compilation looks at the records that they made around the time they played with Miles and how they fed into or were fed by their time in his group.

So we have Wayne Shorter and Joe Zawinul with versions of tracks they cut with Miles. Herbie Hancock’s journey into the electronic instruments that Miles convinced him to play, and Keith Jarrett’s firm rejection of them. Lonnie Liston Smith borrows the Indian percussion from “On The Corner” for his take on electronic funk. Chick Corea, John McLaughlin and Gary Bartz all show their distinctive talents that were allowed to shine in Miles’ band. As a bonus, we have Miles’ musicians alongside Betty Davis (his wife at the time) on a take of Cream’s ‘Politician Man’ and Miles’ 1970 group live at The Cellar Door on Joe Zawinul’s ‘Directions’.

New York Rave Flyers from 1990 to 1995 - 88 page groovy small book. Well nice! Limited copies

**Upfront SOTU exclusive!**

Undercurrents is a stellar selection of moods, styles and MONSTER breaks from the albums recorded for the these UK music libraries between the late 1960’s and mid-1980s.

There are shimmering synth arpeggios/kosmiche by Tim Cross (Mike Oldfield, Hall & Oates, The Adverts); fretless ambient grooves by bassist and producer Mo Foster (Scott Walker, Dusty Springfield); fuzzy orchestral funk by German library don Peter Thomas; a tough, funky fusion jam by library supergroup Midas Touch; a bold as brass porno-Moog theme by Pete Smith (used in 1970’s skin flick Highway Hookers - check those breaks!) plus film-noir suspense and percussive jams by avant-garde UK jazzer Bob Downes and more!

Disco Hamam is back with their sixth, essential volume of Turkish and Middle Eastern disco edits - prowling disco sleaze with expert adjustments from the likes of Hotaru, Red Lebanese and Cornelius Doctor & Tushen Rai. Don't miss!

OUT NOW!

Soul Jazz Records new ‘Two Synths, A Guitar (and) A Drum Machine’ is a new collection of current D-I-Y post-punk bands shaped by the mutant sounds of no wave, punk funk and New York Noise bands from the late 70s and early 80s that collided with the world of underground dance music found at the Paradise Garage, Mudd Club in New York City (ESG, Arthur Russell, Bush Tetras, Talking Heads, Suicide, Liquid Liquid).

Other influences cited here include Manchester and Sheffield’s industrial post-punk sounds of the 1980s (Joy Division, Cabaret Voltaire, Gang of Four) as well as the 1970s German electronic experimentalism of Cluster, Neu!, Harmonia and Can.

Featured artists from around the globe include Los Angeles D-I-Y band Automatic, New Fries from Toronto, artist/music collaborators Toresch from Germany, Susumu Makai from Japan/UK, Vex Ruffin from the Phillipines/California and Madmadmad, Gramme, Tom of England and other UK groups

That all the bands featured here manage to make distinctive contemporary music out of these 80s roots is testament to the wide range of other musics that are seamlessly absorbed into a modern melting pot of sound – hip-hop, the electronic European avant-garde, rave culture, and more.

The double vinyl comes in two editions:

1) Limited edition indies EXCLUSIVE heavyweight green double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

2) Limited edition heavyweight black double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

The album is also available as a CD and digital release

Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state of Cuba.

The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

The album is released to coincide with the massive new deluxe large format book Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90, published in November, which is also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), and which features the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba – and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states.

The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

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REVIEWS:

"It may only be January, but we already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

"It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

"Priceless comp goes beyond Buena Vista" UNCUT

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*Please note the vinyl sticker of this album says "+download code" but it's a mistake! There is no download with this particular album due to legal reasons. Sorry for this error!

**RIYL the classic 'Personal Space Electronic Soul 1974-1984' compilation!**

Backatcha Records presents 'Swave Villi Us', a collection of sixteen sought after independent soul cuts, recorded between 1971-1984 from across the US and beyond.

The album comes as a 2xLP, complete with extensive sleeve notes, featuring top-shelf rarities end-to-end. Whilst soul 45 aficionados will be familiar with the titles, obtaining them has always been a problem until now.

From 70s Californian psych-folk, to downtempo ballads from the Southern states, to mid-tempo gems and sweet soul from the Midwest, to 80s Sunshine State talent show entries and Bahamian dreamy percussion-led guitar jams, the selection showcases essential top-shelf regional sounds spanning the broader soul spectrum across nearly two decades. Also featured are two previously unreleased versions of Nature’s Choice ‘Never Get A Chance’ and Watch Tower’s ‘Forever, Together’ led by Ohio talent Maurice Moore, from original session tapes and exclusive to this compilation.

Released in 1972 on Trojan Records’ Attack subsidiary label and, in Jamaica, on Sonia Pottinger’s Gay Feet label, Errol Dunkley’s debut album “Darling Ooh” provided the first opportunity for an international audience to discover the noted singer-songwriter’s talents.

Unavailable on CD for 30 years, this classic collection is finally made available once more; its original track-listing bolstered by 35 bonus tracks from Pottinger’s esteemed High Note/Gay Feet catalogue. Among these are numerous major Jamaican hits and obscurities, of which 19 recordings make their CD debut.

And as an added bonus, the second disc features the long-lost Trojan album, “Joy To The World”, which after almost half a century makes its very long overdue debut release!

* Previously unavailable on CD

Long overdue expanded edition of the hugely sought-after Lee ‘Scratch’ Perry-produced album from 1973, “Silver Bullets” features the entirety of the Silvertones’ work for the widely acclaimed music maker.

The collection was one of the first to be produced at Perry’s newly opened Black Ark studio in Washington Gardens, with the vocal tracks added at King Tubby’s equally illustrious establishment in Dromilly Avenue.

Unavailable on CD for over a quarter of a century, this hugely collectable album has now been expanded to include Silvertones’ remaining output for the Upsetter, as well as solo sides by the vocal trio’s original lead singer, Delroy Denton.

Annotated by Lee Perry’s biographer, David Katz, “Silver Bullets” is an essential collection for fans of the producer’s work as well as anyone wishing to own and hear some of the very finest vintage reggae sounds from the late Sixties and early Seventies.

Expanded version of the best-selling TV advertised album from 1973, comprising 55 of the biggest reggae hits of the late Sixties and early Seventies.

The double disc collection includes numerous chart-busting hits and dancefloor-fillers, performed by some of the greatest Jamaican performers of the era, including such legendary artists as Desmond Dekker, the Maytals, Dave & Ansel Collins, the Pioneers, John Holt, Greyhound and Bob & Marcia.

Guaranteed to bring a touch of warm Jamaican sunshine to even the coldest of days, “The Best Of Reggae” is sure to brighten up any occasion, 365 days of the year!

Arguably the greatest Jamaican vocal group to emerge on the reggae scene during the latter half of the Seventies, the Joseph Hill-led trio Culture wrote and performed some of the finest roots music of the era, initially making their mark with producer Joe Gibbs before joining the revered roster of Sonia Pottinger’s High Note Records.

The first two discs of this long overdue triple CD set collect the ‘A’ and ‘B’ sides of all the group’s Jamaican 7” and 12” High Note singles, with disc 3 comprising rare and previously unreleased 12” mixes from the vaults.

Featuring some of the finest roots reggae recordings of the late Seventies, this collection superbly demonstrates why Culture remain held in such high esteem by reggae aficionados, and with 20 tracks new to CD and five previously unissued, will even satisfy the exacting demands of the group’s long-standing fans.

With extensive sleeve notes and rare photos plus a great front cover featuring members of Culture and The Abyssinians!

By the early Seventies, Derrick Harriott was firmly established as one of the leading lights on the Jamaican music scene, writing, performing and producing for his Crystal and Move & Groove labels, while also operating the hugely popular Music Chariot disco and managing his shop in Kings Street, Kingston.

The high standard of his work is reflected in the quality of his productions from this period, with the likes of the Ethiopians, Augustus Pablo, I Roy, Junior Murvin, the Mighty Diamonds, Big Youth and Horace Andy all benefitting from his considerable talents in the recording studio.

“Earthly Sounds” demonstrates the immensity of Harriott’s production skills, drawing together the very best of his output from 1971 to 1973. Featuring numerous Jamaican classics from the era, including along 20 tracks new to CD, this double disc set is an essential acquisition for all self-respecting fans of high-quality reggae sounds.

Now, at long last, Scotty’s ‘School-Days’ album is finally reissued in its original artwork on CD, with its track-listing bolstered by the remainder of Scotty’s singles for Harriott, plus the B-sides of each of his 7” singles, all of which make their CD debut.

“School-Days” is a welcome reminder of this hugely popular artist’s talent as a DJ and should be an essential purchase for fans of vintage reggae, cool rock steady and classic Jamaican toasting sounds.

The first ever comprehensive collection of Treasure Isle discomixes, comprising virtually every 12” single issued, plus 4 previously unissued recordings from the vaults.

The dancehall phenomenon of the late Seventies resulted in renewed interest in the sounds and rhythms of rock steady and early reggae; a development that prompted noted producer Sonia Pottinger to revisit many of the classic recordings in Duke Reid’s legendary Treasure Isle catalogue that she now owned.

The Duke had been a dominant force on the Jamaican music scene during the Sixties and early Seventies, when he had produced an array of hugely popular sides from his famed Treasure Isle studio on Bond Street, Kingston. Upon his premature demise in 1976, Pottinger inherited the business, although it was not until the close of the decade that that the true value of Reid’s work began to be appreciated once more.

Aside from re-releasing numerous classic Treasure Isle sides on 7” and a trio of “Hottest Hits” long players, Pottinger also had Treasure Isle sound engineer, Errol Brown, remix many of Reid’s most significant sides, updating the sound to fit the new dancehall style. The result was a series of 12” singles that saw issue in Jamaica on either the Treasure Isle or her own High Note label.

Virtually all of these recordings, along with four previously unreleased sides, feature on this essential collection. And with all but a few of the tracks making their CD debut, this 3CD set is a must for all fans of rock steady, dub and dancehall, as well as admirers of Duke Reid’s inimitable Treasure Isle sound.

* Tracks New To CD

+ Previously Unreleased Tracks

36 tracks new to CD Three 1970s High Note albums new to CD Showcases Jamaica’s most popular mento artists of the 1970s

Over the past few decades interest in vintage Jamaican mento music has steadily grown, with the genre attracting increasing numbers of fans worldwide. Despite this development, precious little material in the style that was recorded during the Seventies has seen reissue.

This 2CD set aims to address that oversight by showcasing three of the most popular mento collections of the decade – all making their long overdue CD debut here. First released on Sonia Pottinger’s High Note label between 1976 and 1978, “King Vupp”, “Live At Club Caribbean” and “Ram Jam” highlight the respective talents of leading Jamaican performers, King Vupp, the Jolly Boys and the Prince Brothers, with the original LP track-listings bolstered by an array of relevant bonus tracks.

An immensely enjoyable and enlightening listen, “The High Note Mento Collection” effectively demonstrates that there was considerably more to the Jamaican music scene of mid-to-the late Seventies than just roots reggae

By the close of the Sixties, record retailer and jukebox businessman Karl ‘J.J.’ Johnson was firmly established as one of Jamaica’s leading record producers, having released a string of best-selling rock steady and proto-reggae 45s by such noted local acts as Lee ‘Scratch’ Perry, the Rulers, Carl Dawkins, the Kingstonians and the Ethiopians.

Early in 1969, a lucrative agreement with British record label, Trojan, emboldened the ambitious entrepreneur to release an album comprising a dozen of his latest recordings in the new reggae style. Entitled “Reggae Power”, the LP was dominated by regular hit-makers, the Ethiopians, whose recent singles had proved so popular in Britain that the group had been prompted to make a promotional tour of the country. Their trip led to Trojan dramatically reworking the ‘Reggae Power’ long-player for its UK release, replacing all but two non-Ethiopians tracks with further J.J.-produced works by the trio, before issuing it in new artwork.

But with the Ethiopians collection already available on the Doctor Bird CD, “Reggae Power & Woman Capture Man”, it is the Jamaican version of the album that provides the inspiration for this exciting double-disc compilation, which collects the bulk of J.J. Johnson’s output from 1968 to 1972, including numerous reggae hits and 17 recordings new to CD.

Almost five decades since their original release, these two popular albums finally see reissue with this collection, which as a special bonus, collects the original vocal and instrumental versions on disc two.

An unexpected best-seller for the Trojan Records following its release in 1972, “Reggae Strings” demonstrated the-then widespread appeal of ‘commercial reggae’, primarily among more mature record buyers whose musical tastes veered towards the relaxing and romantic.

Featuring orchestrated instrumental versions of major hits alongside equally appealing cuts of lesser known tracks from the Trojan catalogue, the prolonged popularity of the set prompted a second volume two years later, which sold almost as strongly, despite the prevailing sound of roots reggae.

Although uncredited, both volumes showcased the talents of leading British-based arrangers Johnny Arthey and Tony King, whose work graced numerous best-selling British recordings from the period, including many tracks now widely regarded as reggae classics.

Now, almost five decades since their original release, these two popular albums finally see reissue with this collection, which as a special bonus, collects the original vocal and instrumental versions on disc two.

• 13 TRACKS PREVIOUSLY UNAVAILABLE ON CD• INCLUDES 6 PREVIOUSLY UNRELEASED RECORDINGS• THE ALBUM’S FIRST GLOBAL REISSUE ON CD

Originally released by Creole Records in 1978, “Roots, Rock Reggae” primarily served as a showcase vehicle for the most recent productions of Phil Mathias and his Big Phil label. Comprising 14 tracks of the highest quality, the album featured some of Jamaica’s leading talent, notably the In Crowd, Cornel Campbell, Sugar Minott, Delroy Wilson and Leroy Smart.

Released in a number of countries around the globe, the LP proved a best-seller, but despite its popularity and rich musical content, it subsequently remained unavailable until the early 1990s when it was re-issued in Germany in limited numbers.

Now, at long last, this superb collection of high quality roots reggae is made available once more, with its original track-listing augmented by the best of Mathias’s remaining productions from the period.

Clancy Eccles influential rock steady and proto-reggae recordings provide the focus for this brand new collection.

Recorded between mid-1967 and late 1968, the tracks range from major Jamaican hits to painfully rare obscurities, performed by an equally diverse assortment of performers that include virtual unknowns alongside such eminent artists as Alton Ellis, Eric ‘Monty’ Morris, Ernest Ranglin and Eccles’s long-standing friend and associate, Lee ‘Scratch’ Perry.

With 17 tracks unavailable on any format for decades, this fascinating compilation is a must for fans of rock steady and boss reggae, with the set superbly demonstrating the ever-developing sound of Jamaican music over a period now widely regarded as the most compelling in its history.

First issued in 1973, “Like A Bolt” is today widely regarded as one of the finest albums to showcase the inestimable talents of Jamaican singing legend, John Holt.

Comprising a dozen of the performer’s most popular solo recordings for Duke Reid’s Treasure Isle label from the previous five years, the LP first saw issue in limited numbers on the small UK independent, Magnet.

Over the years since, it has become one of the most sought-after long players from the early 1970s, yet has remained unavailable on CD for almost 20 years.

Now, the album is finally available once more, with the original track-listing augmented by the remainder of Holt’s solo work for the Duke, so bringing together numerous major reggae hits alongside long-lost obscurities, which include a 12” mix of ‘Ali Baba’, that makes its CD debut.

First official reissue of two classic 1970 Trojan albums Six tracks previously unreleased 25 tracks unavailable digitally.

By the close of the Sixties, Ecliston Adolph Elanza ‘Clancy’ Eccles was at the vanguard of the Jamaican music scene, having produced many of the island’s most popular and influential recordings since launching his New Beat and Clandisc labels in 1967.

Reflecting his standing in Jamaica, London-based reggae giant Trojan not only launched their own version of his Clandisc label, but also issued a pair of collections entirely comprising the singer-songwriter-producer’s work, both of which were collected on the recently released 2CD set, “Freedom & Fire Corner”.

The popularity of these albums spurred the company to swiftly put together the two best-selling Clancy Eccles-produced albums that provide the focus of this follow-up compilation: “Foolish Fool” and “Herbsman”.

Including a mix of major Jamaican hits and rarities performed by an equally eclectic mix of artists, the track-listings from this pair of boss reggae long-players have now been augmented by an impressive 34 bonus recordings, which include six previously unissued tracks and a further 19 currently unavailable digitally.

The dawning of the rock steady sound, late in 1966, eliminated the need for record producers to employ horn sections, a consequence of which was to significantly reduce studio costs. The development enabled a new generation of young, dynamic music makers to make a mark upon Jamaica’s recording industry and of these, few proved more successful or influential than Clancy Eccles. By the late Sixties, Eccles had become firmly established as one of the island’s premiere producers, having been a pivotal figure in the development of reggae during the latter half of 1968. The following year he scored his biggest hit, the rambunctious ‘Fattie Fattie’, which sold in huge amounts both at home and the UK, where a chart placing for the disc was only denied by the lack of recognition of sales from Jamaican music retailers. The single’s popularity prompted Trojan Records to issue Eccles’s debut long-player, “Freedom”, which gathered the best of his self-produced recordings as a singer. The album’s release coincided with a second LP of his work that showcased his most recent instrumental productions with top session crew, the Dynamites, along with a trio of tracks featuring pioneering DJ toaster, King Stitt, whose ground-breaking hit, ‘Fire Corner’, provided the collection’s title. Both of these seminal boss reggae sets feature on this essential 2CD compilation, which is further enhanced by 13 additional vocal sides from the late Sixties along with the remaining recorded works of both King Stitt and the Dynamites, from 1969: the year reggae went outernational.

For any female to make their mark in the male dominated music industry, prolonged success has always been a struggle, and back in the Sixties and Seventies, the challenge was even greater. Yet in this harsh environment, Sonia Pottinger proved time and again that talent and determination could overcome almost any obstacle, remaining one of Jamaica’s leading record producers for two glorious decades.

Unsurprisingly, Pottinger’s High Note Records became a magnet for aspiring female talent during the golden age of reggae, with almost every female artiste of note looking to record for her esteemed label.

Of these performers, Sonya Spence achieved significant success from the mid-Seventies through to the dawn of the 1980s, securing a series of hit singles and two best-selling albums. Since then, both “In The Dark” and “Sings Love” have become sought-after collectors’ items among a wide spectrum of music fans, with her ‘Let Love Flow On’ 45 proving a particular favourite among soul connoisseurs.

At last, both of these superb LPs have been brought together for this long overdue collection, which is further enhanced by 21 sublime Sonia Pottinger-produced female-led tracks from the period, 13 of which make their CD debut!

At the close of the 1970s, a new, strident style of reggae developed that by the close of the year had supplanted the roots sound, continuing to dominate Jamaica’s musical landscape through to the mid-Eighties: dancehall.

Few producers embraced the genre with more skill than Linval Thompson, who between 1982 and 1983 delivered four superb dancehall collections to Trojan Records, with each showcasing a major talent of the era. All but one of this quartet of LPs appear on CD for the first time in the UK, with Tristan Palma’s “Settle Down Girl” making its full digital debut.

The 2CD set is further bolstered by four Linval Thompson-produced bonus tracks, ensuring a musical feast for fans of the original dancehall sound.

Today, almost half a century since its emergence in Jamaica, dub still continues to exert a profound influence upon popular music globally, although it was the golden era of mid-to-late Seventies that undoubtedly produced its finest examples.

During this time a host of sublime collections in the style saw issue in Jamaica and the UK, and of these, few have been more sought-after than the two LPs showcased on this CD.

First released by Trojan Records in 1978 and 1979, respectively, both of these Linval Thompson-produced albums were cut at Jo Jo Hoo Kim’s famed Channel One studio, with musical backing supplied by celebrated session crew, the Revolutionaries, which featured within its ranks Jamaica’s illustrious riddim twins, Sly & Robbie.

Given the array of talent that contributed to the 20 recordings presented here, it is hardly surprising that the musicianship, riddims and hard and heavy mixes are all of the highest order. And with neither of these essential long-players previously issued on CD, this 2-on-1 set is a dub-lovers dream come true.

Dub has rarely sounded this good!

By the mid-1960s, ska was in full swing, but while the driving, energetic sound dominated Jamaica’s musical landscape, other genres, such as rhythm & blues, calypso and thLordfe home-grown style of mento were also widely popularised by local acts. And of these performers, few proved more popular and versatile than Joseph Gordon, a singer-songwriter who, as Lord Tanamo, had been at the forefront of the island’s music scene since the Fifties.

Yet despite his popularity, it was not until mid-Sixties that a long-player dedicated to his output finally saw issue. Released by leading Kingston-based producer Lindon Pottinger, the musically varied “Festival Jump-Up” provides the focus for disc one of this collection, with its original 12 tracks augmented by Tanamo’s best-loved ska recordings from the period, including his oft-imitated rendering of the standard, ‘I’m In The Mood For Love’

Disc 2 collects 28 of the most popular ska and r&b sides issued between 1963 and 1964 on Pottinger’s revered Gaydisc and SEP labels, their number including numerous significant Jamaican hits by the likes of Jimmy James, Roy Panton & Millie Small, Winston Samuels and Dobby Dobson.

The result is a musical cornucopia of rare, high quality authentic early-Sixties Jamaican sounds, many of which have remained widely unavailable on any format until now.

By the late Seventies, increasing numbers of Jamaican performers were turning their hand to studio production work, and of these few made the transition more effectively than Linval Thompson.

Having already made his mark as one of the island’s premier roots performers, the singer-songwriter launched his Thompson Sound label in 1977, finding immediate success with a series of best-selling recordings, all produced at Kingston’s revered Channel One studio, where he enlisted the services of celebrated in-house band, the Revolutionaries.

Among the first artistes to benefit from Thompson’s talents as a producer were leading dee-jays, Big Joe and Trinity, whose work spawned two popular long- players, African Princess and Rock In The Ghetto.

Released by Trojan Records in 1978 and 1979, respectively, both of these lauded collections finally see their official reissue with this 2CD set, which also includes Thompson’s own best-selling album, I Love Marijuana, and ten bonus tracks, first issued by the famed London-based reggae company on its Attack subsidiary.

By the close of the 1970s, dub was firmly established as a favourite sub-genre of the reggae canon, with every Jamaican-based producer of note releasing albums dedicated to the style. Sonia Pottinger was no exception and in Treasure Isle studios sound engineer, Errol Brown, she had one of the finest exponents in the business, his talents as a dub master reflected in a number of sought-after long-players, including “Culture Dub” and “‘Medley Dub”, two exceptional collections that form the basis of this 2CD set.

“Culture Dub” on Disc One, comprises compelling dub mixes of tracks lifted from “Harder Than The Rest”, the first LP cut by seminal roots vocal trio Culture for Pottinger’s High Note Records. The remainder of the disc comprises further superior dubs of Culture’s recordings during their sojourn with the producer, between 1978 and 1979.

CD2 showcases the equally rare “Medley Dub” LP, which had seen issue a few years earlier. The set demonstrates Errol Brown’s unerring ability to transform even vintage sounds into dub classics, with the repertoire comprising mixes of an array of recordings first cut in the late Sixties and early Seventies. The bonus material dates from the mid-to-late 1970s, with all 15 tracks making their CD debut!

The rock steady era that dominated Jamaica’s musical landscape between late-1966 and mid-1968 is today widely acknowledged as the most influential period in the island’s history. Not only did the sound lay the foundations upon which reggae subsequently developed, its structure favoured small combos rather than the large ensembles that dominated the ska years, resulting in significantly reduced recording costs. The development provided cash-strapped music makers with the opportunity to make records and one who took full advantage was enterprising local singing sensation, Derrick Morgan.

A major recording star throughout Jamaica since the late Fifties, Morgan established his Hop Records label around the summer of 67, thereafter releasing a series of popular 7” singles, including the immensely popular ‘Red Rum Ball’ by vocal duo, Lloyd & Devon, and his own best sellers, ‘Conquering Ruler’ and ‘Gimme Back’.

Distributed in the UK by Island Records, the popularity of these works ultimately led to the company releasing the now impossibly rare long-player, “Derrick Morgan And His Friends”, a 12-track collection largely comprising previously unissued material. Now, at long last, this hugely desirable album is available once more, with its contents supplemented by the remainder of Derrick Morgan’s rock steady productions.

Recorded at Jamaica’s premiere recording studio, WIRL, and featuring the musicianship of leading session crews, the Carib Beats and Lyn Taitt & the Jets, the quality of the tracks remains consistently high, and with a handful of these enjoyable sides making their CD debut, this stunning 2 disc set is a dream come true for any self-respecting rock steady fan!

By the close of the Sixties, Lee ‘Scratch’ Perry was firmly established as one of Jamaica’s most popular and innovative producers. His frequently quirky approach to music-making resulted in him becoming a firm favourite among British skinheads, with demand for his output satisfied by both of the UK’s two leading reggae companies, Trojan and Pama Records.

In 1969, the latter issued “Clint Eastwood”, a 12 track LP comprising a dozen sides from the producer’s recent catalogue, the majority of which had seen issue in the UK over the previous months as 7” singles on the company’s Camel and Punch subsidiary labels.

An instant best-seller, Pama needed little incentive to release a second collection of Perry’s work and the following year issued “The Many Moods Of the Upsetters”, a similarly styled collection, featuring a mix of instrumental and vocal material.

Both of these best-selling albums feature on this must-have double disc set that also includes all of the producer’s work released in the UK by Pama and Doctor Bird Records between 1969 and early 1970 – their number including a handful of tracks previously unavailable on CD.

This is an essential purchase for all fans of the musical genius that is Lee ‘Scratch’ Perry and followers of the immensely popular boss reggae sound!

Among the first major recording stars to emerge in Jamaica, Derrick Seymour Morgan first made his mark in the studio in the late 1950s, becoming the island’s premier performer soon after. By 1969 he had secured an unprecedented number of ska, rock steady and early reggae hits, with his success prompting an approach from London-based Afro- Caribbean music-company, Pama Records.

The relationship that ensued spawned dozens of popular 45s, many of which were produced by Morgan in the UK, notably the rousing ‘Moon Hop’, written in celebration of the Apollo 11 moon landing in July ’69. After becoming a firm favourite on the London club scene, the single cracked the British pop charts early the following year, with Pama releasing the suitably titled “Moon Hop” LP soon after.

This immensely popular album makes its CD debut on disc 1 of this set, with the LP’s original track-listing bolstered by the remainder of the singer’s UK- produced output for Pama from 1969 to 1970. The second disc on this 2CD collection comprises Morgan’s other Pama long-player from the period, “In London”, the contents of which are supplemented by the remainder of his Jamaican-produced recordings from the late Sixties.

Making his mark on the international recording scene with a series of global hits in the late Sixties and early Seventies, Desmond Dekker enjoyed success on a scale no other Jamaican act had experienced.

So in 1972, when the singer left the world’s leading reggae record company, Trojan Records, to join the newly launched rival Creole, the move sent shockwaves through the UK’s music industry.

In response, Trojan gathered some of the singer’s biggest hits alongside rare and previously unreleased material from the archive, which they issued on the aptly-titled double LP set, “Double Dekker”.

Much to the chagrin of Creole, the collection swiftly became one of Trojan’s biggest selling long players of 1973, its release eclipsing the singer’s recently recorded work for his new label.

Now, 45 years after its original release, “Double Dekker” is finally available once more, with the track- listing augmented with six rare bonus tracks.

Released in 1972 on Trojan Records’ Attack subsidiary label and, in Jamaica, on Sonia Pottinger’s Gay Feet label, Errol Dunkley’s debut album “Darling Ooh” provided the first opportunity for an international audience to discover the noted singer-songwriter’s talents.

Unavailable on CD for 30 years, this classic collection is finally made available once more; its original track-listing bolstered by 35 bonus tracks from Pottinger’s esteemed High Note/Gay Feet catalogue. Among these are numerous major Jamaican hits and obscurities, of which 19 recordings make their CD debut.

And as an added bonus, the second disc features the long-lost Trojan album, “Joy To The World”, which after almost half a century makes its very long overdue debut release!

* Previously unavailable on CD

SEALED ORIGINAL OUT OF PRINT & DELETED TROJAN VINYL!!!!!

Classic compilation from the Trojan archive. Ten tracks of Original Dancehall from the likes of Dennis Brown, Junior Murvin, John Holt, Gregory Isaacs and Cornell Campbell.

SEALED ORIGINAL OUT OF PRINT & DELETED TROJAN VINYL!!!!!

Rude boy tunes!

SEALED ORIGINAL OUT OF PRINT & DELETED TROJAN VINYL!!!!!

Twelve classic Ska tracks from the legendary Trojan Records. Essential gems from Desmond Dekker & The Aces, Stranger Cole, Alton Ellis & The Flames and more.

SEALED ORIGINAL OUT OF PRINT & DELETED TROJAN VINYL!!!!!

Trojan Records present ten classic Roots tracks from their classic catalogue. Culture, Dennis Brown, Gregory Isaacs, Junior Delgado, Lee "Scratch' Perry and other artists all feature.

KILLER RARITY!! Bargain priced!

Very rare Upsetters & Vin Gordon album 'Musical Bones' was first released in the U.K. in 1975 only on a white-label pressing without a sleeve on Dip records (£400+). Only 300 were made at the time.

Superb Studio One rhythm recuts, deep, deep funk cuts - sparse, raw and edgy - CLASSIC Lee Perry!

The title is a play on word 'Trombone' being the instrument of the lead artist Vin Gordon. Produced by Lee Perry at The Black Ark, Kingston, raw Jamaican roots music 1975. Don't miss..

SEALED ORIGINAL OUT OF PRINT & DELETED TROJAN VINYL!!!!!

In the mid-1970s, many British Reggae fans found musical fulfilment in the first home-produced style to be successfully exported to Jamaica. This romantic style was known as Lover Rock. This compilation collects ten of the very best from that scene including tracks from John Holt, The J Sisters, Ruddy Thomas, Louisa Mark and others.

The funky, atmospheric, evocative and sometimes downright weird output of companies such as DeWolfe, Cavendish, Burton and the ubiquitous KPM have always been a guiding inspiration for ATA Records. The label assembles a team of musicians from the label's roster for the second part of their brilliant 'The Library Archive' series!

Rare and unreleased roots recordings from The Black Ark and producer Lee Perry with various singers & players featuring two dubplate cuts from Junior Murvin & Jimmy Riley, Lord Creator's killer 2nd cut of "Such Is Life", Henrick Nicholson 12" mix of "Brotherly Love" and many more. Highly recommended!

**Deep, spiritual material from 1982 by Alice Coltrane!!!! INCREDIBLE LOST ALBUM!!

'Kirtan: Turiya Sings' features Alice Coltrane at peak spirituality and is presented in this arrangement for the first time in any format. Turyia Sings was originally released in 1982 on cassette as a collection of devotional songs including vocals, organ, strings, and synthesizers available only at Alice’s Sai Anantam Ashram. Kirtan: Turiya Sings features a sparser arrangement of organ and chanting, produced by Ravi Coltrane.

This is intentional, devotional music created with the purpose of connecting to a higher power. The pared back arrangements on this new release are enchantingly haunting and encourage the listener to reach a "meditative headspace so as to channel connectiveness to a greater spirit."

Soul Jazz Records are releasing Studio One Ska Fire Box Set, a limited-edition one-off pressing exclusive for Record Store Day 2021, collectors seven-inch box set featuring 10 amazing and super-rare Studio One ska tracks on five 7” singles, all produced here in deluxe hard form box each single with separate inner sleeves.

Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing from Hamburg, Germany, are back with 'Expansions', an album covering songs that span genres and range from mega hits to album cuts, they make them their own with their unique approach to the traditional steel pans of Trinidad and Tobago. Check their killer versions of Sylvester, Ike Turner, Minnie Riperton, Grace Jones, Slum Village and more!

It's hard to ask more from a 45: an absolute scorcher of an A-side in "Over You" and the soft plead on the B-side in 'Have Mercy'. 'Over You' is inspired by "the legendary northern soul 45s that electrified dance floors across the UK in the 1960s," says Aaron. "Breakneck speeds and breakbeat drums challenged even the best dancers to pull out all the stops!"