Saturday Night: South African Disco Pop Hits '81-'87Various Artists

Analog Africa focuses on a DIY scene in the African country’s capital Yaoundé during the 1970s. Recorded in haste in an adventist church and distributed by the DIY network set up by French label Sonafric. Launching the careers of several Cameroonian artists represented in this essential compilation!

Gone back from 2021-06-18 to 27/08/2021

Second part of MOV's Trojan compilation series, which celebrates the best works from the legendary reggae label Trojan Records. It was compiled by Laurence Cane-Honeysett, who also wrote the linernotes. Some of Trojan’s finest are featured on this compilation; as there are The Gladiators, The Melodians, The Gladiators, Ken Boothe a.o. 750 individually numbered copies on orange vinyl. The package also includes an exclusive Trojan / Music On Vinyl coaster.

Soul Jazz Records’ new Studio One collection ‘Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio One’ features a stellar selection of 70s roots music – classic and rare tracks recorded at Clement Dodd’s musical empire at 13 Brentford Road in the 1970s.

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Rastafarian-inspired Roots music was an ever-important aspect of Studio One’s output from the start of the 1970s onwards and this album features many of the ground-breaking groups and artists that established the sound of Jamaica during this decade and beyond.

Featured here are seminal artists such as Freddie McGregor, The Wailing Souls, The Gladiators, Horace Andy, Devon Russell, Cedric Brooks, Count Ossie, Judah Eskender Tafari alongside a host of lesser-known rare cuts made at Studio One from artists such as The Prospectors, Viceroys and Pablove Black.

Studio One and founder Clement Dodd’s connection with Rastafarianism dates back to the early 1960s, with Dodd accompanying members of the Skatalites up to the hills of Kingston to listen to the music of the Rastafarianism Count Ossie and his drummers. The album sleevenotes discuss how Clement Dodd’s musical links, as well as his role in heading the most important record label in Reggae, are in many ways linked to the beliefs of Rastafarianism.

This album is released as a heavyweight black vinyl double-album with gatefold sleeve, full notes and download code, deluxe CD with full booklet and slipcase and digital album.

The Lost Maestros Collection is a collaboration between Deviation Records and the independent Malian label Mieruba, which has been working since 2010 to ensure that this golden age of Mande music does not fall into obscurity.

'The Lost Maestros Collection' focuses on musical riches of Mali, and more particularly the music of the Mandé region, cradle of the great griot families,. Highly recommended!

**Featuring amazing music from British jazz legends such as Don Rendell, Michael Garrick, Neil Ardley, Ian Carr, Dick Morrissey, Harry Beckett and more!**

A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the 60s and 70s, a time when British jazz began to find its own identity. Drawn from the iconic labels of Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury and Philips.

Compilation of seldom heard tracks from UK tape label Mindscan Tapes covering late 80's and early 90's experiments with house, techno and industrial.

"The very personal vision of a young Englishman who would spend all of his dole money on the production of underground compilation cassettes spanning across electro, early techno, ambient, experimental, house and industrial music."

Tramp Records' top 'Can You Feel It?' series continues with some rare and obscure modern soul, disco and boogie originating from countries as diverse as Barbados, Guyana, Germany, and the US.

Cold Wave #2

Ltd. Edn. Dayglo sleeve + PURPLE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

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Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

This is the second release of Soul Jazz Records’ new Cold Wave overview.

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This second edition Cold Wave #2 comes in two vinyl editions – a one-off pressing purple coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

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These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

Most of the featured artists are based in Europe and include Krikor from France, Beta Evers and L.F.T. from Germany, Lena Willikens, Job Siffre and De Ambassade from the Netherlands, Toulouse Low Trax from Germany, Dave I.D. and Broken English Club from the UK, and V.C.V.S from Georgia

All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.

Some of the rarest gospel funk records from Greg Belson’s amazing collection featuring everything from the laid back breakbeat laced “I Don’t Want to Be Alone by Allen Gauff Jr to the high octane and socially-on-point take of the Gospel classic ‘This Little Light Of Mine’ by the Gospel Ambassadors to drum break funk of the Wearyland Singers ‘If You See Me Doing Wrong” to the sublime soulfulness of Zella Jackson’s “Days Are Just People.

Ltd. Edn. Dayglo sleeve + ORANGE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

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Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

This is the first release of Soul Jazz Records’ new Cold Wave overview and a second volume will be released just four weeks later.

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This first edition of Cold Wave comes in two vinyl editions – a one-off pressing orange coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

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These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

Most of the featured artists are based in Europe and include Krikor, Dissemblance and VQOA from France, De Ambassade from the Netherlands, Moisture from Sweden, Kriedler from Germany, Céline Gillain and Carcass Identity from Belgium. One exception is FIT Siegel out of Detroit, connecting the electronic pathways of Europe to the Motor City.

All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.

'Oz Echoes' peels away another layer of Australia’s ‘80s DIY hive mind. The Oz Waves successor exposes a deeper circuit of micro-run cassettes, community radio archives and irrationally abandoned studio sessions, as Steele Bonus sequences a 10-track compendium of drone pop, psycheelectronics and agitated tape cut-ups. Highly recommended!

'Strong Love' explores the first wave of openly gay songwriting that emerged after New York's Stonewall Riots kickstarted the modern gay rights movement in 1969. It took just a few years for the defiant chanting and interlocked arms of early 70s pride marches to reverberate onto record, and Strong Love begins with one of the earliest known recordings of openly gay songwriting, 1972's 'A Gay Song' by London hippie collective Everyone Involved. Across 15 tracks, the compilation takes in disarmingly personal folk, uplifting soul, outsider country and dark synth-rock.

Expanded version of the best-selling TV advertised album from 1973, comprising 55 of the biggest reggae hits of the late Sixties and early Seventies.

The double disc collection includes numerous chart-busting hits and dancefloor-fillers, performed by some of the greatest Jamaican performers of the era, including such legendary artists as Desmond Dekker, the Maytals, Dave & Ansel Collins, the Pioneers, John Holt, Greyhound and Bob & Marcia.

Guaranteed to bring a touch of warm Jamaican sunshine to even the coldest of days, “The Best Of Reggae” is sure to brighten up any occasion, 365 days of the year!

UNBELIEVABLE new compilation of deep spiritual music by John Coltrane, Charles Mingus, Oliver Nelson, Pharoah Sanders, Archie Shepp and other groundbreaking Impulse Artists.

"Orange and black. Fire and ebony. Fury and pride. Wearing its signature colors proudly and raising its exclamation point high, Impulse! Records was the go-to label for music that harnessed the searching and political stand-taking of the Sixties. Launched in 1961, Impulse grew to become an inherent part of the era’s velocity as well as its volume, pulling jazz into the age of Black Power, Afrocentricity, and Spiritual Expansion. In its balance of tradition and transition, it bridged the golden age of jazz, that brief window from the late Fifties to the Seventies when players representing every jazz era were alive and active—from Louis Armstrong to Albert Ayler, from the legends of lore to a new generation of energy players. Impulse treated all its musicians as innovators, revolutionaries even—from swing and bebop, to free and Afrofuturist. The performances on Impulse Records: Music, Message and the Moment draw their staying power from a wide embrace of styles and sounds, as well as a tight focus on a historic moment when the promise of change was in the air and the message of racial harmony was in the music. Today that music has lost none of its relevance: the promise still deferred, the message still on time."

LAST COPIES

This is the new 20th anniversary edition of one of Soul Jazz Records’ classic Studio One releases now available as a one-off pressing special blue vinyl very limited-edition pressing ( 2000 copies worldwide).

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Studio One Roots set the standard for Soul Jazz Records’ long-standing series of Studio One collections and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae.

This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining crack-session men groups of Jamaican reggae history - The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. As ever the album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.

Stand-out tracks include Alton Ellis’s Blackish White, a surreal and powerful Afro-centric dream, Count Ossie Nyabinghi and Rastafarian drummers genre-defying interpretation of Booker T and The MGs ‘Meditation’, Willie Williams awe-inspiring versioning of the Skatalites' seminal Rastafari anthem Addis Ababa and many, many more.

This album has been fully digitally remastered, analog cut and packaged complete with the following: Original sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Honest Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves.

REVIEWS:

"Having established himself as one of Jamaica's top producers the day Studio One opened its doors in the early '60s, Clement "Coxsone" Dodd was unable to maintain his status during the roots era of the subsequent decade. This can be attributed to a couple of factors. One was Dodd's apparent reluctance to record the new, overtly Rasta-inspired music. The other was an infusion of new blood into the Jamaican music business. Eager to make a name for themselves, producers like Joe Gibbs, Bunny Lee, Lee "Scratch" Perry, and Winston "Niney" Holness managed to supplant the island's "big three" (Dodd, Duke Reid, and Prince Buster) in the process, driving the music's evolution in the '70s.

There isn't a weak number across these 16 tracks, from the Gaylads' ode to "Africa" and Devon Russell's version of the heavyweight "Drum Song" rhythm, to a trio of stunning instrumentals: Jackie Mittoo and the Cyclones with nyahbinghi drummer Count Ossie on "Meditation," Lenny Hibbert's sparkling vibe work over Mittoo's "Ghetto Organ" ("More Creation"), and Sound Dimension's "Congo Rock."

The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection." All Music

Mid-90s classics from Strictly's golden era feat. essentials from the likes of Mole People (Aramand Van Helden), DJ Sneak, Wamdue Project, Barbara Tucker and more!

It was in Benin City, in the heart of Nigeria, that a new hybrid of intoxicating highlife music known as 'Edo Funk' was born. It first emerged in the late 1970s when a group of musicians began to experiment with different ways of integrating elements from their native Edo culture and fusing them with new sound effects coming from West Africa´s night-clubs. Unlike the rather polished 1980's Nigerian disco productions coming out of the international metropolis of Lagos, Edo Funk was raw and reduced to its bare minimum.

Analog Africa focus on this style with an essential, 12 track compilation with extended notes and photos.

Featuring boogie, house and modern disco vibes (check the killer version of the Dusty Springfield classic 'That's The Kind of Love I've Got for You' by Prospect Park) from the likes of The Sunburst Band and label boss Joey Negro with remixes from Andres (!), Jimpster, The Vision and Jkriv!

In 1970 Miles Davis released “Bitches Brew”, which crystalised the trumpeter and bandleader’sexperiments in rhythm, electronics and musical structure which he had been building on over the previous three years. The album has since become one of the most influential in musical history and was joined over the next couple of years by “Jack Johnson and “On The Corner” in defining the future of music.

Miles was the master bandleader and his LPs at the time declared that these were his ‘Directions In Music’, but he forged them with the help of a hand-picked group of musicians who proved themselves good enough to share his space on stage and in the studio. These players would all become central to jazz’s continued relevance and many would go on the record best-selling jazz records of their own. This compilation looks at the records that they made around the time they played with Miles and how they fed into or were fed by their time in his group.

So we have Wayne Shorter and Joe Zawinul with versions of tracks they cut with Miles. Herbie Hancock’s journey into the electronic instruments that Miles convinced him to play, and Keith Jarrett’s firm rejection of them. Lonnie Liston Smith borrows the Indian percussion from “On The Corner” for his take on electronic funk. Chick Corea, John McLaughlin and Gary Bartz all show their distinctive talents that were allowed to shine in Miles’ band. As a bonus, we have Miles’ musicians alongside Betty Davis (his wife at the time) on a take of Cream’s ‘Politician Man’ and Miles’ 1970 group live at The Cellar Door on Joe Zawinul’s ‘Directions’.

New York Rave Flyers from 1990 to 1995 - 88 page groovy small book. Well nice! Limited copies

**Upfront SOTU exclusive!**

Undercurrents is a stellar selection of moods, styles and MONSTER breaks from the albums recorded for the these UK music libraries between the late 1960’s and mid-1980s.

There are shimmering synth arpeggios/kosmiche by Tim Cross (Mike Oldfield, Hall & Oates, The Adverts); fretless ambient grooves by bassist and producer Mo Foster (Scott Walker, Dusty Springfield); fuzzy orchestral funk by German library don Peter Thomas; a tough, funky fusion jam by library supergroup Midas Touch; a bold as brass porno-Moog theme by Pete Smith (used in 1970’s skin flick Highway Hookers - check those breaks!) plus film-noir suspense and percussive jams by avant-garde UK jazzer Bob Downes and more!

Disco Hamam is back with their sixth, essential volume of Turkish and Middle Eastern disco edits - prowling disco sleaze with expert adjustments from the likes of Hotaru, Red Lebanese and Cornelius Doctor & Tushen Rai. Don't miss!

OUT NOW!

Soul Jazz Records new ‘Two Synths, A Guitar (and) A Drum Machine’ is a new collection of current D-I-Y post-punk bands shaped by the mutant sounds of no wave, punk funk and New York Noise bands from the late 70s and early 80s that collided with the world of underground dance music found at the Paradise Garage, Mudd Club in New York City (ESG, Arthur Russell, Bush Tetras, Talking Heads, Suicide, Liquid Liquid).

Other influences cited here include Manchester and Sheffield’s industrial post-punk sounds of the 1980s (Joy Division, Cabaret Voltaire, Gang of Four) as well as the 1970s German electronic experimentalism of Cluster, Neu!, Harmonia and Can.

Featured artists from around the globe include Los Angeles D-I-Y band Automatic, New Fries from Toronto, artist/music collaborators Toresch from Germany, Susumu Makai from Japan/UK, Vex Ruffin from the Phillipines/California and Madmadmad, Gramme, Tom of England and other UK groups

That all the bands featured here manage to make distinctive contemporary music out of these 80s roots is testament to the wide range of other musics that are seamlessly absorbed into a modern melting pot of sound – hip-hop, the electronic European avant-garde, rave culture, and more.

The double vinyl comes in two editions:

1) Limited edition indies EXCLUSIVE heavyweight green double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

2) Limited edition heavyweight black double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

The album is also available as a CD and digital release

Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state of Cuba.

The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

The album is released to coincide with the massive new deluxe large format book Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90, published in November, which is also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), and which features the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba – and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states.

The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

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REVIEWS:

"It may only be January, but we already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

"It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

"Priceless comp goes beyond Buena Vista" UNCUT

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*Please note the vinyl sticker of this album says "+download code" but it's a mistake! There is no download with this particular album due to legal reasons. Sorry for this error!

**RIYL the classic 'Personal Space Electronic Soul 1974-1984' compilation!**

Backatcha Records presents 'Swave Villi Us', a collection of sixteen sought after independent soul cuts, recorded between 1971-1984 from across the US and beyond.

The album comes as a 2xLP, complete with extensive sleeve notes, featuring top-shelf rarities end-to-end. Whilst soul 45 aficionados will be familiar with the titles, obtaining them has always been a problem until now.

From 70s Californian psych-folk, to downtempo ballads from the Southern states, to mid-tempo gems and sweet soul from the Midwest, to 80s Sunshine State talent show entries and Bahamian dreamy percussion-led guitar jams, the selection showcases essential top-shelf regional sounds spanning the broader soul spectrum across nearly two decades. Also featured are two previously unreleased versions of Nature’s Choice ‘Never Get A Chance’ and Watch Tower’s ‘Forever, Together’ led by Ohio talent Maurice Moore, from original session tapes and exclusive to this compilation.

Some of the rarest gospel funk records from Greg Belson’s amazing collection featuring everything from the laid back breakbeat laced “I Don’t Want to Be Alone by Allen Gauff Jr to the high octane and socially-on-point take of the Gospel classic ‘This Little Light Of Mine’ by the Gospel Ambassadors to drum break funk of the Wearyland Singers ‘If You See Me Doing Wrong” to the sublime soulfulness of Zella Jackson’s “Days Are Just People.

Reissue of Don Laka's in-demand, second album from 1984. Features floor-filling classics such as 'Let's Move The Night'; the silky-smooth stepper 'Need to Love' and the killer title track - a South African disco classic!

Reissue of a sought-after disco album from South African group, The Space Cats! The raw, stripped back style of 'Something New' was originally released in 1981. Killer release via Cultures Of Soul!

The Yoruba Singers released several recordings during their imperial period in the nineteen 70s and 80s, but what is broadly regarded as the group’s magnum opus is the 1981 album 'Fighting for Survival'. The album sums up the group’s first decade of operation, serving up a heavy mix of calypso, jazzy funk, reggae and afrobeat. Reissued via Cultures Of Soul.

Formed by confederates who met at the Berklee School of Music and led by the creatively restless saxophonist and jazz educator Arni Cheatham, Thing were a regular fixture in Boston clubs in the seventies, as comfortable plying the rock and funk idioms as they were in jazz. Their 1972 LP documents two of their live sets, showcasing their simmering, funky and spiritual
freeform jazz, very much in the vein of early seventies jazz-rock experiments by Miles Davis, Weather Report and the Mahavishnu Orchestra.

The two suites featured on the album are fully improvised, featuring the musicians spontaneously generating and developing musical motifs in real time, bouncing ideas off each other in a communion that is equally suitable for meditating...or dancing like tomorrow will never arrive...

THING is a worthy glimpse into the experimentation and adventurousness that made the seemingly uptight city of Boston a magnet for musical mavericks.

Although gospel and disco music seem like polar opposites, one is secular while the other has embraced a hedonistic culture, the marriage of the two genres has birthed the uplifting spirituality and dance floor thump found in gospel disco. By the mid-' 70s many established and independent gospel artists started creating records with a tight four-on-the-floor beat that touched both churchgoers as well as patrons of the drug-fueled establishments of the ' 70s. Cultures of Soul Records is proud to present the second installment of Greg Belson' s Divine Disco. Belson is one of the world' s leading authorities on the funky gospel sound; for this collection he dug deep into his crates to undercover the rarest independent and private press gospel disco records ever recorded. Greg Belson' s Divine Disco sound is one that' s been heard around the world from his DJ appearances at Glastonbury' s NYC Donwlow stage to LA' s Funky Sole to soul nights across Europe. Many tracks are under the radar or recently discovered such as Harrison Jones - On that Other Shore, Converters, I' ve Been Converted and the super limited self-released 45 by Mr Jesse R. McGuire - Jesus Is On the Mainline. Only 50 copies were ever pressed. This volume even includes gospel disco from the UK with Paradise' s brilliant "Keep the Fire." This compilation also includes remixes and edits by Steve Cobby (who was a member of Fila Brazillia) and the Divine Situation production duo of Greg Belson and Paulo Fulci.

SJOB Movement's Friendship Train was the second LP by the Nigerian group and one which saw the group rise to new heights. It's a masterpiece of African music with it's fluid afro beat grooves and spaced out Moog synthesizer sounds...all killer and no filler here - Check it!

Jagger Botchway is most famous for his work with the Hedzoleh Soundz and Hugh Masekela, and is a driving force in the world of afro-funk and afro-disco. Now Jagger returns to the studio on "Odze Odze", which features a unique blend of soca and highlife sounds, with a thick layer of percussion, synth stabs, smooth guitar licks, and soaring African voices.

Features remixes from Africaine 808., Ruf Dug and morre!!!!

OUT NOW!

Soul Jazz Records new ‘Two Synths, A Guitar (and) A Drum Machine’ is a new collection of current D-I-Y post-punk bands shaped by the mutant sounds of no wave, punk funk and New York Noise bands from the late 70s and early 80s that collided with the world of underground dance music found at the Paradise Garage, Mudd Club in New York City (ESG, Arthur Russell, Bush Tetras, Talking Heads, Suicide, Liquid Liquid).

Other influences cited here include Manchester and Sheffield’s industrial post-punk sounds of the 1980s (Joy Division, Cabaret Voltaire, Gang of Four) as well as the 1970s German electronic experimentalism of Cluster, Neu!, Harmonia and Can.

Featured artists from around the globe include Los Angeles D-I-Y band Automatic, New Fries from Toronto, artist/music collaborators Toresch from Germany, Susumu Makai from Japan/UK, Vex Ruffin from the Phillipines/California and Madmadmad, Gramme, Tom of England and other UK groups

That all the bands featured here manage to make distinctive contemporary music out of these 80s roots is testament to the wide range of other musics that are seamlessly absorbed into a modern melting pot of sound – hip-hop, the electronic European avant-garde, rave culture, and more.

The double vinyl comes in two editions:

1) Limited edition indies EXCLUSIVE heavyweight green double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

2) Limited edition heavyweight black double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

The album is also available as a CD and digital release

**RIYL the classic 'Personal Space Electronic Soul 1974-1984' compilation!**

Backatcha Records presents 'Swave Villi Us', a collection of sixteen sought after independent soul cuts, recorded between 1971-1984 from across the US and beyond.

The album comes as a 2xLP, complete with extensive sleeve notes, featuring top-shelf rarities end-to-end. Whilst soul 45 aficionados will be familiar with the titles, obtaining them has always been a problem until now.

From 70s Californian psych-folk, to downtempo ballads from the Southern states, to mid-tempo gems and sweet soul from the Midwest, to 80s Sunshine State talent show entries and Bahamian dreamy percussion-led guitar jams, the selection showcases essential top-shelf regional sounds spanning the broader soul spectrum across nearly two decades. Also featured are two previously unreleased versions of Nature’s Choice ‘Never Get A Chance’ and Watch Tower’s ‘Forever, Together’ led by Ohio talent Maurice Moore, from original session tapes and exclusive to this compilation.

Ostinato Records focus on the grand Archives of Radiodiffusion-Télévision de Djibouti (RTD), a vault of secrets and stories from East Africa. The first result in their 'Djibouti Archives' series is a seminal anthology of 4 Mars, a 40-member Somali supergroup behind one of the key tracks from their essential 'Sweet As Broken Dates' compilation.

Turkish synths, Jamaican Reggae, American brass, Bollywood vocals, Egyptian and Yemeni rhythms, and Chinese and Mongolian flutes all rendezvous in a corner of East Africa that for centuries served as the world's most brisk trading hub, the midway point connecting Africa, Asia, and the Mediterranean; this is Somali music at its most sassy, soulful and synthesized best!

Another essential primer for those with an interest in Japanese popular music culture and, specifically, the 'Wamono' sound - the cream of the Japanese funk, soul, rare groove and disco music developed throughout the 70s in Japan. A exemplary selection by Japanese super diggers and Wamono specialists DJ Yoshizawa Dynamite & Chintam!

Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state of Cuba.

The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

The album is released to coincide with the massive new deluxe large format book Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90, published in November, which is also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), and which features the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba – and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states.

The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

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REVIEWS:

"It may only be January, but we already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

"It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

"Priceless comp goes beyond Buena Vista" UNCUT

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*Please note the vinyl sticker of this album says "+download code" but it's a mistake! There is no download with this particular album due to legal reasons. Sorry for this error!

Awale Jant Band's album 'Yewoulen' features a rousing mix of horns, trumpets, sax, electric guitar and traditional Senegalese drums, bringing together Afro-Latin, funk and soul elements with a signature Senegalese twist! Highly recommended!

Reissue of this sought-after US disco gem from 1978! Incredible production (comparable to Love Unlimited Orchestra and Rinder & Lewis), beautifully orchestrated and a generous amount of high gloss. Includes the rare-groove nugget 'Reverie' and a high camp version of the Barbra Streisand classic 'The Way We Were'!

‘Conquering Lion’ stands as one of the few truly essential albums of the roots era. As devotional as anything by Burning Spear, as polemical as Bob Marley, and as militant as the Mighty Diamonds, the album also communicates a haunting spiritual quality that is uniquely its own. Amazingly, for such a coherent work, the tracks were recorded over a period of at least four years, yet come together to present a single coherent vision. The album was first issued in Jamaica by Micron, and in the UK with a different tracklisting as ‘Ram-A-Dam’ on the Lucky label in 1976. Here the album is presented for the first time in expanded form, together with its dub counterpart. Vivian ‘Yabby You’ Jackson is often portrayed as a strange, otherworldly figure. Yet his life was filled with two opposing forces, the spiritual and the earthly. Even as Yabby was yearning for a higher plane of existence, he was scratching out a difficult living in the ghetto. Whilst warning of sinful secular behaviour, he was working at the race track taking bets. As well as creating some of the most powerful and heartfelt music to come out of Jamaica, Yabby was busy cutting deals with studios and musicians, and hustling round the record shops to sell his products. And these contradictions seem to have fuelled some of his best music, pushing him into places that other artists shied away from.

* CD Bonus Tracks

Debut 45 single from bassist and composer Shay Hazan and his quintet from Tel-Aviv on Jazzman singles offshoot, Jazz45! Berber's Cha Cha' is an uptempo piano-led waltz, redolent of classic Prestige Records soul-jazz and is backed with the more sombre tone of 'Old Tart'. Ace.

Back in stock!

Soul Jazz Records new Studio One release Rocksteady Got Soul is a collection of uplifting and superb rocksteady and soulful reggae from the late 1960s and early 1970s. Studio One is the number one label in the history of reggae and he album features - as ever with Studio One - an impeccable and unbeatable line-up of reggae superstars all soaring at the height of their creative powers. Alton Ellis, John Holt, The Heptones, Jackie Mittoo, The Ethiopians, Lee Perry and more.

The album is a mix of classic tunes and rhythms alongside super-rarities that were released in a dazzlingly complex web of Studio One labels and issues, deftly navigated with new sleevenotes from author and Studio One authority Rob Chapman. But enough with the chatter, just spin the platter - these tunes rule the town, hands down!

This Soul Jazz/Studio One album is released as deluxe gatefold double-vinyl + house inners + download code. Also as jewel case CD housed in card slipcase. Both formats come with full sleeve notes/discography and exclusive photography. (The album is also available digitally on day of release onwards)

This is the new instalment of Soul Jazz Records’ ground-breaking Deutsche Elektronische Musik series, ‘A near-definitive guide to some of the world's most extraordinary music’ (The Guardian).

This latest edition features many of the classic German electronic and Krautrock groups from the 1970s & 80s – including Can, Amon Duul II, Harmonia, Conrad Schnitzler, Agitiation Free, Roedelius – as well as a host of lesser known artists such as Dzyan, Klauss Weiss, Gruppe Between and many more.

Deutsche Elektronische rarities unearthed on the album include Kalacakra (whose fan-base included the great Moondog!) and their superb ‘Nearby Shiras,’ taken from their super-rare spiritual/psychedelic private press concept album Crawling to Lhasa, from 1972.

Deutsche Elektronische 4 includes a wealth of German electronic experimental artists – the seminal pioneering group Harmonia (Roedelius, Moebius and Michael Rother), avant-garde guru Conrad Schnitzler as well as lesser known synthetic artists such as Klauss Weiss, Deutsche Wertarbeit, E.M.A.K. (Electronische Musik Aus Koln), Gunter Schickert and others.

Finally, the album also features an array of heavy and progressive German cosmic rock groups – Dzyan, Virus and the amazing Turkish/German tripped out sound of Alex’s ‘Patella Black’, recorded at Can’s Inner Space in 1973, produced by Holger Czukay and Jackie Liebezeit.

Deutsche Elektronische 4 comes with extensive newly commissioned sleevenotes by David Stubbs, author of the seminal books ‘Future Days: Krautrock and the building of Modern Germany’, ‘Mars By 1980: The story of Electronic Music’, and ‘Krautrock: Cosmic Rock and its Legacy’.

This album comes as a heavyweight triple vinyl edition with full colour inner sleeves, as well as a deluxe double CD edition with outsize booklet and slipcase. Both formats include full liner notes and extensive rare photography.

This latest instalment in Soul Jazz Records’ successful Deutsche Elektronische Musik series delves deeper into the German nation’s vaults to bring a fascinating new collection that again brings together a selection of classic German electronic and rock groups, including Neu!, Cluster, Popol Vuh, La Düsseldorf, Agitation Free, alongside a host of rare tracks by lesser known artists which includes Michael Bundt, Bröselmaschine, Dronsz, Achim Reichel and others.

The music of Deutsche Elektronische Musik 3 ranges from the introverted pastoralism of Hans Joachim Roedelius and Bröselmaschine, to the angular and futuristic electronic experimentations of Klauss Weiss, Pyrolator, Deuter, Michael Bundt and others, to the proto-punk of La Düsseldorf and the heavy space, progressive and cosmic rock of Missus Beastly, Niagara and Dyzan.

The music on Deutsche Elektronische Musik 3 was all recorded in the 1970s up to the early 1980s, at a time when forward-thinking German electronic and rock groups were searching for a new musical identity in order to separate themselves from both the cultural legacy of post-world war two Germany as well the ‘cultural imperialism’ of USA and UK rock. In this process German groups created some of the most unique and inspired music, the defining motorik beat alongside a host of ethno-musical influences from far afield – including Turkey, India, Brazil – as well as the musical and futurist possibilities of developments in electronics and technology itself.

Deutsche Elektronische Musik 3 is released as a heavyweight 3xLP, deluxe double CD pack and digital release. The new extensive sleevenotes are by David Stubbs, who is the author of the acclaimed book, ‘Future Days: Krautrock and the Building of Modern Germany’ (Faber & Faber).

“A near-definitive guide to some of the world’s most extraordinary music’’ ***** The Guardian

"There are many potential futures contained within this exemplary Soul Jazz compilation" The Quietus

It was in Benin City, in the heart of Nigeria, that a new hybrid of intoxicating highlife music known as 'Edo Funk' was born. It first emerged in the late 1970s when a group of musicians began to experiment with different ways of integrating elements from their native Edo culture and fusing them with new sound effects coming from West Africa´s night-clubs. Unlike the rather polished 1980's Nigerian disco productions coming out of the international metropolis of Lagos, Edo Funk was raw and reduced to its bare minimum.

Analog Africa focus on this style with an essential, 12 track compilation with extended notes and photos.

DON'T MISS OUT on this ESSENTIAL book! An extensive, informative book on main man Andy Weatherall from those who knew him best including ... Bobby Gillespie, Danny Rampling, David Holmes, Keith Tenniswood, Terry Farley and many more!

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Andrew Weatherall was the acid house generation’s most inspiring DJ and producer, renowned for his work on Primal Scream’s epoch-defining ‘Screamadelica’ and his own bands Sabres Of Paradise and Two Lone Swordsmen. As a DJ he was peerless and unpredictable, helming club nights that played techno, rockabilly or music that “never knowingly exceeded 122 bpm.”

Weatherall featured in seminal dance music magazine Jockey Slut many times during its lifetime. All his interviews from the publication are included within this tribute to The Guv’nor. Further articles cover the tenure of his professional life from the mid-80s to 2020. They include his beginnings at the influential Boy’s Own fanzine, his DJ sets at landmark nights Shoom and Sabresonic, and the plethora of ventures he still had running including the Woodleigh Research Project, A Love From Outer Space and festival Convenanza.

Jockey Slut magazine ran from 1993 - 2004. The influential club culture publication was started by John Burgess and Paul Benney as a self published Manchester based fanzine. It became a monthly when it moved to London in 1999. Jockey Slut was notable for being more music-centric, left-field and irreverent than other dance music magazines. It also bagged some real exclusives during its tenure giving first ever interviews to The Chemical Brothers, Daft Punk and The Avalanches.

Included in the 160 page, perfect bound book edited by founding Jockey Slut editor John Burgess is:

- All Andrew Weatherall's Jockey Slut interviews collated (1993-2004) including Weatherall Gets His Tats Out, I’m A Classic Underachiever, Two Lone Swordsmen and An Audience With... and more.
- Further new features and classic articles from Luke Una, Richard Norris, Kris Needs, Joe Muggs, Jim Butler, Mandi James, Lee Brackstone and more.
- Brand new 10,000+ word oral history of Andrew Weatherall’s early years from Shoom & Screamadelica to Sabres of Paradise featuring interviews with Bobby Gillespie, Ed Simons, Danny Rampling, Justin Robertson, Andrew Innes, David Holmes, Keith Tenniswood, Anna Haigh, Terry Farley and more.
- Retrospective of Andrew Weatherall’s club nights Sabresonic, Bloodsugar, Double Gone Chapel, Wrong Meeting, A Love From Outer Space by John Burgess.
All proceeds from the book will go to the charities that were important to Andrew Weatherall: Amnesty International, Multiple Sclerosis Society, Thrombosis UK, Crisis.

Poolside disco and breezy Balearic vibes in this edition of the cult 'Too Slow To Disco' series. Sixteen EXCLUSIVE tunes from the likes of Yuksek, Luxxury, Kraak & Smaak, Satin Jackets and more.

Light In The Attic release 'Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988', a collection of tracks that were created “during Japan’s soaring bubble economy of the 1980s, an era in which aesthetic visions and consumerism merged. The music echoed the nation’s prosperity and with financial abundance, came the luxury to dream.”

“Thanks to the idyllic economic climate and innovations in domestically manufactured music gear, creators on the edges were empowered to focus on satisfying their artistic visions in the open headspace of home studios.”

“These tracks exist in a space of transition when the major label grip on the Japanese recording market began to give way to the escalation of independents

Across its 14-tracks, 'Somewhere Between' spans ambient, pop, electronic, minimal, and so-called “shadow sounds”, with music from Mkwaju Ensemble, Naoki Asai, Noriko Miyamoto, and more.

Superb collection of minimal synth, dark wave and EBM oddities compiled by Interstellar Funk! This 11-track compilation collects tracks made and released at different times over the last 40 years, with the earliest cut committed to tape in 1978 and the most recent in 2018. With music from the likes of cult 4AD band Clan Of Xymox, Liaisons Dangereuses, Chris & Cosey and more! Essential release!

Awesome Tapes From Africa releases another shining example (following Teno Afrika's 'Amapiano Selections') of 'amapiano' music from South Africa from young star, DJ Black Low. The past five years have seen this rapidly expanding dance music movement born in the townships of the country’s Gauteng province, that's evolved from an underground sound to a nationwide mainstream staple. Essential release!

Cult 'rainbow rock' duo Growing contributed one of the most incredible albums of the new millennium, 2008's mind-bogglingly overlooked 'All The Way' on maverick label, The Social Registry. Now they're back with their all new 'amplified ambient' sound that's equally beguiling. Ancestral minimalism/heavenly music experiment over two epic, 20 minute compositions, channeling a strong Popol Vuh/Laurie Spiegal/Iasos vibe with lush, Jordan Belson inspired sleeve art that only adds to the charm of this must have release!

Killer lebanese disco album reissued via BBE! Expect Moog-filled, heavy disco-funk tunes; swinging Beirut in full effect on this party-starting album - so good!

Crawling, bass-heavy techno dread from drum n bass heroes Calibre and DRS - and if that's not enough, Basic Channel's Mark Ernestus gets stuck in too! POW - what an absolute monster!

**Repressed!**

Following the remarkable rise of his celebrated debut album ‘Antiphon’, the gifted London-based pianist/composer Alfa Mist, returns with his latest offering ‘Structuralism’.

**180g & 140g vinyl represses pre-ordering now for 20th August release date!**

Surprise collaboration between Floating Points and the legendary, American, spritual jazz saxophonist Pharoah Sanders with The London Symphony Orchestra. One of this year's most anticipated releases via Luaka Bop!

**Repressed!**

Repress of this crucial, and very slept on, UK jazz album that blends melancholic melody around smoked-out soul and hip-hop instrumentals!

Mutant dancehall vibes from Low Khey! RIYL Duppy Gun, Low Jack, Simo Cell, Equiknoxx etc!