First chapter in the trilogy of synth composer Charles Cohen retrospective works, transcending polyrhythmic, ambient and cosmic territory!
The Morphosis' Morphine imprint delves into the archives of Philadephia's best kept secret, Charles Cohen! Focusing on Cohen's early works, with these tracks taken from his Philadelphia’s “No Man’s Land” Art Installment, the “University Of Texas in El Paso” and “The Painted Bride” Art Center performances - recorded between 1979 and 1988.