• David Lee Jr. – Revelation
      • David Lee Jr. – Spirit Voice
      • David Lee Jr. – Cosmic Vision
      • David Lee Jr. – Wymbo-Ngoma
      • David Lee Jr. – Regeneration
      • David Lee Jr. – Freedom Bells
      • David Lee Jr. – Acknowledgement
      • David Lee Jr. – Love Parable
      • David Lee Jr. – Nola Reflex
      • David Lee Jr. – Evolution
      • David Lee Jr. – Cosmopolitan
      • David Lee Jr. – Second Line March
      • David Lee Jr. – Constant Search
      • David Lee Jr. – Mystic Sound
      • 1. Revelation
      • 2. Spirit Voice
      • 3. Cosmic Vision
      • 4. Wymbo-Ngoma
      • 5. Regeneration
      • 6. Freedom Bells
      • 7. Acknowledgement
      • 8. Love Parable
      • 9. Nola Reflex
      • 10. Evolution
      • 11. Cosmopolitan
      • 12. Second Line March
      • 13. Constant Search
      • 14. I Want Our Love To Always Last
      • 15. Mystic Sound

      Soul Jazz Records/Universal Sound are releasing this ‘lost classic’ radical deep spiritual jazz album from David Lee Jr.

      Originally released in New York in 1974 (400 copies only ever pressed!), ‘Evolution’ is composer and drummer David Lee Jr’s extraordinary one-off solo album, pressed on the artist’s own Supernal Records, a record company whose slogan ‘seeking creative progress’ and dedication ‘to peace and freedom’ clearly displayed artistic intent over any commercial or market-led forces.

      Dave Lee Jr was born in New Orleans and the deep experimental drum-compositions featured on ‘Evolution’ are as rooted in this southern city rhythmically as they are in the spiritual and metaphysical musical ideas of John Coltrane, Sun Ra and other futurist soul-searchers.

      In the early 1970s Lee headed off to New York, playing in Roy Ayers’ Ubiquity for a couple of years before immersing himself in the thriving loft deep jazz scene playing with Leon Thomas, Lonnie Liston Smith, Harold Alexander, Charles Rouse and recording for independent labels such as the classic Strata-East, India Navigation and Flying Dutchman.

      New York left-field jazz meets New Orleans syncopation and military parade rhythms to produce an avant-garde drum suite as hypnotic as Roy Ayers circa ‘We Live in Brooklyn’, as radical as fellow drummer Steve Reid or Rashied Ali’s musical excursions in the early 1970s.

      Other Releases on Universal Sound

      Jackie MittooThe Keyboard King At Studio OneUniversal Sound

      SUPER NEW 20th anniversary special one-off pressing BLUE coloured vinyl gatefold sleeve edition of Soul Jazz Records’ seminal Jackie Mittoo – The Keyboard King at Studio One

      ----------------------------------------------------------------------------------------------------

      Jackie Mittoo is one of the defining figureheads of reggae music !

      From forming The Skatalites, at age 15, alongside Don Drummond, Roland Alphonso, Tommy McCook and others, to his work as writer, arranger, producer at Studio One records during the sixties, writing and playing for artists such as Alton Ellis, Ken Boothe, Marcia Griffiths and The Heptones (to name a few), to his career as a solo artist as well as leader of bands such as The Soul Brothers, Soul Vendors and The Sound Dimension, Jackie Mittoo is at the heart of reggae music. He was one of the instigators of Ska, Rocksteady and Reggae. In the seventies, DJ music and Dancehall were based upon classic rhythms of the sixties, many using the instrumental tracks that Jackie Mittoo created at Studio One at this time.

      This compilation features the work of Jackie Mittoo at Studio One. It features music recorded as a solo artist (as opposed to the numerous singers that he accompanied). Most of these are taken from his recordings in the mid-sixties where he was recording on an almost daily basis at Studio One's Brentford Road studios developing the funky reggae sound that was his trademark.

      Jackie Mittoo is as much an icon of Reggae as he is to fans of Funk music. He is without doubt the funkiest keyboard player ever to come out of Jamaica!

      Reviews:

      " The coolest man who ever lived" THE GUARDIAN***** "

      “Named by MOJO as one of the 100 cult heroes of all time, this is a lovingly curated compilation" THE INDEPENDENT

      • Jackie Mittoo – Get Up And Get It
      • Jackie Mittoo – Black Organ
      • Jackie Mittoo – Killer Diller
      • Jackie Mittoo – Totally Together
      • Jackie Mittoo – Hot Tamale
      • Jackie Mittoo – Reggae Rock
      • Jackie Mittoo – Oboe
      • Jackie Mittoo – Juice Box
      • Jackie Mittoo – Summer Breeze
      • Jackie Mittoo – Drum Song
      • Jackie Mittoo – P. Cafe
      • Jackie Mittoo – Henry The Great
      • Jackie Mittoo – Stereo Freeze
      • Jackie Mittoo – Wall Street
      • Jackie Mittoo – Darker Shade Of Black
      • New LP (Coloured Vinyl)£27.99
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      • CD£12.00
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      • MP3 Release£7.99
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      Lloyd McNeill and Marshall HawkinsTanner SuiteUniversal Sound

      Soul Jazz Records/Universal Sound are releasing here the third album from deep jazz flautist and composer Lloyd McNeill (alongside the earlier ‘Asha’ and ‘Washington Suite’ - both now sold out).

      Tanner Suite is one of the most beautiful and by far the rarest of all of McNeill’s records, a unique piece of music especially commissioned by the Smithsonian National Gallery Of Art in the late 1960s to accompany an exhibition of the work of Henry Ossawa Tanner, the first African-American painter ever to gain international success.

      Tanner Suite was originally released in 1969 as a private individually numbered pressing of 1000 copies on McNeill’s own Asha Record company and has never been issued since. Soul Jazz Records new pressing of this album is also limited to 1000 copies each on vinyl and CD. Both editions come in heavyweight exact-replica hard tip-on USA card sleeve original artwork.

      This beautiful and intense set of pieces based around improvisation was the soundscape to the significant exhibition of Tanner's work, created at an important point in post-civil rights African-American self-definition. The music is both profound and spiritual.

      Lloyd McNeill is flautist, composer and painter. As musician he studied with Eric Dolphy, played with Nina Simone, Mulatu Astatke, Nana Vasconceles, Ron Carter, Dom um Romao and Sabu Martinez. In the mid-1960s McNeill headed to Paris and became friends with Pablo Picasso. 

      • – Black Expatriate
      • – Tanner Blue
      • – Daniel In The Lion's Den
      • – The Banjo Lesson
      • Reissue LP£24.00
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      • CD£12.00
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      • MP3 Release£7.99
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      Gilberto GilLouvacaoUniversal Sound

      NOW ON CD as deluxe Jap-style hard-cased exact repro digitally remastered box edition with Obi-card.

      also:

      Superb collectors edition very limited deluxe (1000 copies worldwide ) VINYL ONLY  release on Soul Jazz Records/Universal Sound. bespoke 180gsm remastered audiophile vinyl, w/jap obi strip and thick card sleeve.

      This is the extremely rare debut first album from Gilberto Gil, first released in Brazil in 1967, at a time when Gil was a man already at the height of his creative powers and yet barely a few years into his career. 

      In 1967 Gil was already established as a Bossa Nova star in Brazil and had helped launch Musica Popular Brasileira, introducing traditional northern folkloric styles into the urban bossa nova style to create a new hybrid that effectively defined Brazilian popular music for the next 25 years.

      Just around the corner the musical and cultural anarchy of the Tropicalia movement was about to be created by Gilberto Gil, Caetano Veloso, Tom Ze and Os Mutantes. 

      Gil had first met Caetano Veloso in Bahia in the early 1960s. Alongside Maria Bethania, Gal Costa and Tom Ze they had formed the Group from Bahia. In 1965 he moved to Sao Paulo to launch his solo career after Elis Regina had a hit with Gil's own composition Louvacao.

      This debut 1967 album showed how confident Gil was in his musical inventiveness. As well as the title track, the album includes seminal tracks that have become classics of Brazilian contemporary music. 

      Viramundo (later covered by Sergio Mendes) effortlessly blended the north-eastern accordion baiao and xaxado rhythms of Luiz Gonzaga. Procissao, in contrast, took its starting point as the religious processions found in the Afro-Brazilian centre of Salvador. Songs such as Roda, instantly became classics of Brazilian popular music.

      Add to this the lyricism of poets and artists Chico Buarque, Torquato Neto, Capinam, Caetano Veloso, Tom Ze and Gil himself and we are presented with one of the most significant debut albums of Brazilian music from one of the most important artists in Brazil to this day.

      • – Louvacao
      • – Beira Mar
      • – Lunik 9
      • – Ensaio Geral
      • – Me Perdoe Maria
      • – A Rua
      • – Roda
      • – Rancho Da Rosa Encarnada
      • – Viramundo
      • – Mancada
      • – Água De Meninos
      • – Procissao
      • – Minha Senora
      • – A Moreninha
      Donald Alexander Strachan and The Freedom EnsembleSoul Translation: A Spiritual SuiteUniversal Sound

      Soul Jazz Records/Universal Sound are releasing “Soul Translation: A Spiritual Suite" a superb lost USA deep jazz independent private-press album originally self-published by Donald Alexander Strachan and the Freedom Ensemble on Triad Music Concepts in 1975.

      This great soulful/spiritual jazz album was the only album that Strachan released and consequently has become a lost rarity -  a must for fans of Tribe, Strata-East and other conscious jazz from the 1970s and features in Gilles Peterson/Soul Jazz Records' Freedom, Rhythm and Sound book.

      Donald Alexander Strachan is composer, conductor, guitarist, vocalist and more leading a large 11-piece line-up that includes Jay Hoggard on vibes.

      Strachan studied in New York City in the 1970s with composer/saxophonist Sam Rivers and Ghanaian Drum-master Abraham Adzenyah as well as avant-garde guitarist/composer Bruce Johnson all of who helped shape his unique sound.

      In the 1980s Strachan entered into the collaborative world of cinema by composing musical scores and has been involved in cinema ever since both musically, as a scriptwriter and director. Donald Alexander Strachan and the Freedom Ensemble’s “Soul Translation: A Spiritual Suite" is a unique product of Strachan’s multicultural and African-American heritage and aesthetic - polyrhythmically complex and spiritually intense.

      This is a bespoke high quality hardback-cased Japanese thick card CD edition with exact-reproduction artwork from the original album.

      The 180-gram vinyl thick card exact-reproduction artwork is strictly limted to 1000 copies wordwide. 

      • – Temptation
      • – The Word
      • – Song of Searching
      • – Spiritual Travelers
      • – Masters of The Bourchakoun
      • – Silent Jubilation
      • – Tenth Door
      • – Aquarian Voices
      • – Soul Release
      Oliver LakeNtu: Point From Which Creation Begins (1971)Universal Sound

      VINYL COMES WITH FREE DIGITAL DOWNLOAD VOUCHER FROM OUR WEBSITE ONLY!

      Soul Jazz Records/Universal Sound are reissuing jazz composer Oliver Lake's Ntu: The Point From Which Creation Begins, his stunning rhythmical Afro-centric deep spiritual jazz debut album originally recorded in 1971. This classic spiritual deep jazz album digitally remastered and cased in bespoke original artwork exact reproduction on hardboard Jap-style box case CD and a very limited (1000 worldwide) heavyweight 180gm audiophile vinyl edition.

      This album features in Gilles Peterson/Soul Jazz Records’ own Freedom, Rhythm and Sound large-format book of revolutionary jazz.

      Saxophonist Oliver Lake’s unique career path includes working with Lou Reed, A Tribe Called Quest, Bjork, composing for the Brooklyn Philharmonic and as long time member of the avant-garde jazz group World Saxophone Quartet. This genre-defying, wide-ranging and cross-pollinating creativity is a consequence of Lake’s musical roots in the radical Black Arts Movement of 1960s Afro-America.

      Oliver Lake’s career began in a creatively charged time and place. In the late 1960s, Lake alongside Julius Hemphill and Charles ‘Bobo’ Shaw, co-founded The Black Artists Group (BAG), the St Louis-based equivalent to Chicago’s Art Ensemble of Chicago/Association for the Advancement of Creative Musicians collective.

      Out of this BAG collective came many other variant groups and arts projects which included The Human Arts Ensemble, Red Black & Green Solidarity Unit, Onawali Dancers, Malinque Rhythm Tribe, BAG Drama Dept., Great Black Music Orchestra of St. Louis, Fire-Earth-Air-Water, Me We & Them and the Julius Hemphill Quartet.

      The first recordings from Oliver Lake and the Black Artist Group collective, true to keeping with the era’s radicalism, self-definition and economical empowerment value system, kept a wide birth from the mainstream music industry and were released on the private pressing record label, Universal Justice, self-distributed at concerts and events.

      In 1971, after appearing on two collective projects by The Human Art Ensemble and Children of The Sun, Oliver Lake recorded his own debut album Ntu: The Point From Which Creation Begins, self-financed for release on his own Passin Thru’ record company. However, shortly afterwards the tape of this album was put in storage, as Lake and the other BAG members headed off to Europe in the path of The Art Ensemble of Chicago and other free jazz African-American musicians, many of whom were finding a new open-minded audience across the Atlantic.

      Ntu: The Point From Which Creation Begins remained unreleased until 1976 when an association with major label Arista/Freedom issued a number of Lake and the Black Artists Group’s early releases and unreleased tapes. Long unavailable, this album has now itself become a rarity.

      Heavily progressive, rhythmical and intense, the album features Lake alongside an all-star cast of St. Louis’s finest radical, avant-garde and deep jazz musicians which includes Joe Bowie (Lester’s brother, who also later formed Defunkt and worked with James White and The Blacks), Don Moye (on loan from the Art Ensemble of Chicago), and regulars such as Charles Bobo Shaw.

      Lake returned from Europe to live in New York in the second-half of the 1970s to firmly ensconce himself in the emerging Loft Jazz scene, which soon became the dominant avant-garde movement of this era, and Lake an intrinsic member. At this time Lake also formed the World Saxophone Quartet alongside Julius Hemphill, Hamiet Bluiett and David Murray, which continues it’s own radical path to this day.

      • – Africa
      • – Tse'lane
      • – Electric Freedom Colors
      • – Eriee
      • – Zip
      Voodoo DrumsDrummers Of The Societe Absolument Guinin (Haiti)Universal Sound

      Unique collection containing authentic rhythms of Haitian Voodoo drumming. Recorded in Port-au-Prince, Haiti by Soul Jazz Records, this album features The Drummers of the Societe Absolument Guinen.

      Voodoo is the African religion at the heart of Haitian life. The complex rhythms of the drums are used to bring down African spirits in Voodoo ceremonies. These drums are the link between the music of Africa and the Caribbean. With links to Cuban Santeria, Jamaican and Trinidadian Afro-religions, Voodoo rhythms are the heaviest, most intense of all. Soul Jazz Records.

      REVIEWS

      "Soul Jazz yet again come correct with the roots and culture. This amazing set of ritual breakbeats Haitian style has to be the most phenomenal, left field battle breaks album you could imagine. The rhythms used cause spirits to manifest themselves in the physical world, all powerful, some benevolent, others less so. Enjoyable and really quite mind expanding, this is recommended to anyone who thinks traditional music is not for them. Really unparallelled, both in terms of quality and the competition." Boomkat

      "Haitian Voodoo is a religion of the new world that came about during the 16th century African slave trade. During their rituals they use drums to bring spirits down to the earth, faccilitating a possession of a worshipper by a specific spirit. Soul Jazz released these pristine recordings and I think it’s one of the best recordings of a drum ensemble I’ve ever heard. It documents the broad tonal range of these drums. I had to check the liner notes to make sure there wasn’t a bass guitar or synthesizer in the mix!" Type

      "This record, which consists entirely of recordings of voudou drumming made in Port-Au-Prince, is one of a series of Soul Jazz releases exploring Haitian music, all of which are worth your attention. Nonetheless there's something about the intensity and virtuosity of this particular drums-based album that's particularly transportive. Beautifully recorded so each strike of each drum punches with all the force of an electronic dance music kickdrum, it captures the extraordinary complexity and sophistication of these ceremonial rhythms, which shift, interlock and switch angle of attack with a logic that's near-indecipherable as a listener unable to see visually how they unfold. These drum rituals are central to Haitian voudou, whose roots lie in closely related religions on the West Coast of Africa, and which originated in the 18th century when Haiti was a French slave colony. Their roles in ceremonies seem as complex and detailed as the rhythms themselves, involved in drawing participants together through the shared pulse of the beat and inciting spiritual possession. Yet their power to awe and mesmerise isn't dimmed through being relatively unfamiliar with the traditions that underlie them; these recordings are dynamic and riveting in their intricacy and power." Quietus

      "I haven't heard anything quite like this; the rhythms are very deeply orchestrated yet it also sounds like improvisation. There are tonalities and textures coming from this album like I've never heard. A great album by Soul Jazz, it's very well recorded, the drums sound so warm and nuanced, a great representation of each drum in the mix. Some of the sounds I have no idea how they are getting them. I would love to see this group play! As a drummer, this album is bending my ear and setting off the dancing devils in my soul!! Unreal!" Guardian Guide

      • – Yanvalou
      • – Africanadou
      • – Rongol
      • – Zepol
      • – Dahome
      • – Congo
      • – Mai
      • – Parigol
      • – Contredance
      • – Afranchi
      • – Juba
      • – Petro
      • – Kita
      • – Boumba
      • – Koye
      • – Zepol
      • – Areyen
      • – Mas Karon
      • – Ibo
      • 2×LP£17.99
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      • CD£12.00
        Out of stock
      • MP3 Release£7.99
        In stockAdd to Bag
      Elis ReginaSamba, Eu Canto Assim !Universal Sound

      Soul Jazz Original Brazil Classics:

      In 1965, Elis Regina dominated the world of Brazilian music. Riding high on her success, the powerfully-voiced singer was the star of her own television show (O Fino da Bossa), winner of the first national broadcast musical competition (for TV Excelsior) and a stunning live performer on stage.

      Having emerged out of the Bossa Nova wave of the early 1960s, Elis Regina's stunning theatrical mixture of boss nova, samba, jazz and other music styles placed her at the top of her profession and her unique style effectively launched MPB (Musica Popular Brasileira), the new post-bossa nova modern musical movement in Brazil that would reign supreme for the next 20 years, as singers such as Gal Costa, Caetano Veloso, Jorge Ben, Chico Buarque and others embraced this new style.

      Artistically Elis Regina surrounded herself with only the finest songwriters and musicians such as Edu Lobo, Carlos Lyra, Marcos Valle, Vinicius de Moraes, Baden Powell.

      Whilst her music was apolitical, her criticism of the military dictatorship ( from a coup in 1964), led to persecution by the state, at one point the authorities forcing her to sing the Brazilian national anthem at a stadium concert, under threat of her family's safety.

      Elis was married twice, first to boss nova songwriter Ronaldo Boscoli and secondly to the musician Cesar Mariano. She tragically died in 1986, aged 36.

      Samba, Eu Canto Assim is one of Elis Regina's definitive albums recorded at the height of her career and long regarded as a classic release in Brazil. This is a bespoke high quality box-edition hardback-cased card CD edition of this seminal album with exact-reproduction artwork from the original album. 

      • Elis Regina – Reza
      • Elis Regina – Menino Das Laranjas
      • Elis Regina – Por Um Amor Maior
      • Elis Regina – Joao Valentao
      • Elis Regina – Maria Do Maranhao
      • Elis Regina – Resolucao
      • Elis Regina – Sou Sem Paz
      • Elis Regina – Pot - Pourri: Consolacao / Berimbau / Tem Do
      • Elis Regina – Aleluia
      • Elis Regina – Eternidade
      • Elis Regina – Preciso Aprender A Ser So
      • Elis Regina – Ultimo Canto
      Tamba TrioTempoUniversal Sound

      Soul Jazz Records/Universal Sounds Original Brazil Classics series.

      Following on from our earlier release ‘Avanco’ comes Tempo – an album blending bossa nova and jazz with an unparalleled experimentalism. Originally released in Brazil in 1964, The Tamba Trio’s third album Tempo is a deep bossa jazz masterpiece.

      The group were centred around the genius pianist/composer Luiz Eca, alongside Bebeto on flute and bass and Helcio Milito on drums. Emerging out of Brazil’s new Bossa Nova scene at the start of the 1960s, they became the key group of musicians associated with all the major singers of the period - Carlos Lyra, Edu Lobo, Nara Leão, Sylvia Telles and more - as well as a stunning body of work as a group in their own right.

      This is a bespoke high quality box-edition CD of this seminal album with exact-reproduction artwork of the original album.

      There is also a very collectable limited edition (1000 worldwide), exact-repro vinyl edition with hardback American-pressed sleeve and heavyweight 180 gm vinyl.

      • – Boranda
      • – Nuvens
      • – Se Eu Pudesse Voltar
      • – Barumba
      • – Pregao
      • – Danielle
      • – Berimbau
      • – O Amor Em Paz
      • – A Morte De Um Deus De Sal
      • – Yansa
      • – Consolacao
      • – Moto Continuo
      Steve Colson & The Unity TroupeTriumph!Universal Sound

      In the early 1970s pianist and composer Adegoke Steve Colson and vocalist Iqua Colson were both members of The Association for Advancement of Creative Musicians (AACM), the radical home of jazz music in Chicago, and spiritual home of the Art Ensemble of Chicago.

      In 1980, Colson released ‘Triumph!’, recorded in Chicago with a stellar line-up of Art Ensemble and AACM members in the group including Joseph Jarman and Doug Ewart. This album was released on the private-press Silver Sphinx label, and distributed mainly in the local Chicago area. Universal Sound/Soul Jazz Records are releasing this extremely rare deep spiritual jazz album for the first time ever as a hardback edition CD and a very limited edition of 1000 –copy exact reproduction vinyl.

      • – Lateen
      • – Cidigie - Dicesui
      • – For Paul
      • – Unknown
      • – Temple at Dendera
      • – Triumph of the Outcasts, Coming
      Pheeroan ak LaffHouse of Spirit : MirthUniversal Sound

      American composer and drummer Pheeroan AkLaff's celebrated ‘House of Spirit:Mirth’ features in our recent revolutionary jazz records book (compiled by Gilles Peterson and Stuart Baker).

      This album was originally released in 1979 on the composer Oliver Lake's bespoke private-press label Passin Thru' Inc., a not for profit label 'dedicated to fostering, promoting and advancing the knowledge, understanding and appreciation of the arts'.  Consequently 'House of Spirit' remains one of the most elusive deep jazz releases of its time to collectors.

      Aklaff was an original of the Detroit jazz scene of the early 70s alongside musicians of the Tribe (Wendell Harrison, Phil Ranelin, Doug Hammond) and Strata collective (Kenny Cox and Charles Moore) and local luminaries such as Travis Biggs before moving to New York in the mid-1970s to work at the centre of the vibrant Loft/radical jazz scene. Here he worked and recorded with original greats such as Oliver Lake,  Wadada Leo Smith, Anthony Davis (with numerous releases on India Navigation and other radical NY avant-jazz labels). At this time Coltrane drummer Rashied Ali became mentor to AkLaff, with Aklaff practically living at Ali's legendary club/live space 'Ali's Alley'.

      In the 1980s Aklaff continued his solo career with releases such as 'Fits Like A Glove' (1985), and 'Sonogram' (1989) featuring the cream of the New York 80s avant-garde players (Sonny Sharrock, Geri Allen etc) as well his continued work alongside artists of the calibre of Don Byron, Anne Claudine Myers, Julius Hemphill, Henry Threadgill and Oliver Lake.

      ‘House of Spirit: Mirth’ is one of the most radical of deep jazz releases of its time. Avant-garde beyond a doubt but with an Afro-centric rhythmical intensity hard to find in the myriad of independent free/loft jazz recorded in New York at the time.

      Influenced by Alice Coltrane, Sun Ra, Duke Ellington and Rahsaan Roland Kirk, AkLaff also studied African drumming travelling to and working in the Ivory Coast, Togo, Swaziland, Malawi, Liberia as well as Nigeria, where he performed with Fela Kuti.

      Pheeroan AkLaff currently performs as a solo artist in New York and as part of the Cecil Taylor group. In 2006 he also co-founded Seed Artists Inc. for Artists and Communities, a non-profit organisation promoting inter-generational activities, concerts and music lessons, based in Brooklyn.

      This bespoke perfect replica reissue comes in a limited edition hardback box-case CD edition and a very limited  heavyweight vinyl and gatefold sleeve edition of 1000 copies worldwide.

      • – Ayin of Love
      • – Tzaddi Vau
      • – Michelle Del
      • – Jarawa
      • – Freedom
      • – 3 in 1
      Travis BiggsChallengeUniversal Sound

      Following on from their recent New Thing album of Deep Jazz in USA (Sun Ra, Art Ensemble of Chicago, Alice Coltrane, Archie Shepp), Soul Jazz Records are re-issuing this lost classic album.

      Travis Biggs' "Challenge" is a boogie/jazz-funk/jazz lp originally recorded in Detroit in 1975.

      This one off-album initially came out on his own tiny T & C label with a pressing of 500 copies and was used by Travis as a demo.

      This is the second of 3 lost albums that Soul Jazz Records are re-issuing following on from first appearing on New Thing. As well as the track "Tibetan Serenity" (as featured on "New Thing" album), the album also includes super-rare versions of Stevie Wonder's "I Wish" and a cover of the Loft/Paradise Garage classic track, Steve Miller's "Fly Like An Eagle".

      • Travis Biggs – I Wish
      • Travis Biggs – Autumn Jewel
      • Travis Biggs – Fly Like An Eagle
      • Travis Biggs – Ven A. Bailar Conmigo
      • Travis Biggs – Solar Funk
      • Travis Biggs – The Do-Do Walk
      • Travis Biggs – Stone Country
      • Travis Biggs – Tibetan Serenity
      OchoOcho 2Universal Sound

      The second of three albums by Ocho, one of the defining bands of the Latin New York Funk sound. Led by Chico Mendoza, Ocho have been featured heavily in Soul Jazz Records "Nu Yorica" series and these re-issues are the three definitive albums by the group. Along with other artists such as Ray Barretto, Eddie Palmieri, Joe Bataan and Tito Puente, Ocho mixed Latin, Funk and Jazz in equal measure. The music of Ocho has never been fully available in this country before and Soul Jazz Records are releasing them in their entirety for the first time. These releases come on CD and luxury vinyl. Ocho 1 includes "Coco May May" as featured on Nu Yorica. Ocho 2 includes "What are you Doing For The Rest Of Your Life" also featured on the "Nu Yorica" series. And Ocho 3 includes the Latin Funk classic "Hot Pants Road".

      • Ocho – Oye Mi Son Cha Cha Cha
      • Ocho – La Batanga

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      Soul Jazz Records presents Eddie RussFresh Out (1974)Soul Jazz Records

      Soul Jazz Records are re-releasing keyboardist Eddie Russ’s seminal debut deep jazz LP Fresh Out (and the first album ever released on Soul Jazz Records!) in a new limited edition COLOURED vinyl 1000 copies worldwide (+ free download code) and new CD edition.

      Eddie Russ's Fresh Out was independently released in Detroit in 1974 and has remained a collector's item ever since. Russ was an important figure to emerge from the vibrant underground jazz scene that thrived in Detroit in the early 1970s, existing in the cultural and economic desolation of the city after the departure of Motown in the late 1960s.

      This scene included the musical collective Tribe (including members Wendell Harrison, Marcus Belgrave, Phil Ranelin, Harold McKinney and Doug Hammond) and Kenny Cox’s Strata Records. Eddie Russ’s Fresh Out was first released in 1974 on the independent Jazz Masters record label.

      As well as including the classic jazz dance cut The Lope Song, Eddie Russ’s Fresh Out featured the debut of the group The Mixed Bag who subsequently recorded for both Tribe and Strata Records. Eddie Russ released two further classic jazz funk albums in the late 1970s, See the Light and Take a Look at Yourself.

      • Eddie Russ – The Lope Song
      • Eddie Russ – All But Blind
      • Eddie Russ – Shamading
      • Eddie Russ – Hill Where The Lord Hides
      • Eddie Russ – You Are The Sunshine Of My Life
      • Eddie Russ – Watergate Blues
      Lloyd McNeill QuartetWashington Suite (1970)Soul Jazz Records

      Soul Jazz Records’ new ox-blood red coloured vinyl limited-edition 1000-copies worldwide LP (+ download code) issue of this very rare deep spiritual jazz album first released as a private-press album in 1970 on flautist Lloyd McNeill’s own Asha Record label in Washington, DC.

      --------------------------------------------------------------------------------------------------------------

      CLASSIC! DEEP Jazz includes the wicked 'Home Rule'

      Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

      McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.


      • – Home Rule
      • – Just 71% Moor
      • – 2504 Cliffbourne Pl.
      • – Fountain In The Circle
      • – City Tryptych
      • – Fountain In The Circle
      Donald Alexander Strachan and The Freedom EnsembleSoul Translation: A Spiritual SuiteUniversal Sound

      Soul Jazz Records/Universal Sound are releasing “Soul Translation: A Spiritual Suite" a superb lost USA deep jazz independent private-press album originally self-published by Donald Alexander Strachan and the Freedom Ensemble on Triad Music Concepts in 1975.

      This great soulful/spiritual jazz album was the only album that Strachan released and consequently has become a lost rarity -  a must for fans of Tribe, Strata-East and other conscious jazz from the 1970s and features in Gilles Peterson/Soul Jazz Records' Freedom, Rhythm and Sound book.

      Donald Alexander Strachan is composer, conductor, guitarist, vocalist and more leading a large 11-piece line-up that includes Jay Hoggard on vibes.

      Strachan studied in New York City in the 1970s with composer/saxophonist Sam Rivers and Ghanaian Drum-master Abraham Adzenyah as well as avant-garde guitarist/composer Bruce Johnson all of who helped shape his unique sound.

      In the 1980s Strachan entered into the collaborative world of cinema by composing musical scores and has been involved in cinema ever since both musically, as a scriptwriter and director. Donald Alexander Strachan and the Freedom Ensemble’s “Soul Translation: A Spiritual Suite" is a unique product of Strachan’s multicultural and African-American heritage and aesthetic - polyrhythmically complex and spiritually intense.

      This is a bespoke high quality hardback-cased Japanese thick card CD edition with exact-reproduction artwork from the original album.

      The 180-gram vinyl thick card exact-reproduction artwork is strictly limted to 1000 copies wordwide. 

      • – Temptation
      • – The Word
      • – Song of Searching
      • – Spiritual Travelers
      • – Masters of The Bourchakoun
      • – Silent Jubilation
      • – Tenth Door
      • – Aquarian Voices
      • – Soul Release
      Lloyd McNeill QuartetAsha (1969)Soul Jazz Records

      New edition of this very rare deep spiritual jazz album, the debut release from flautist Lloyd McNeill released on his private-press Asha Record label and recorded in Washington, DC in 1969 (originally only 500 copies were ever made).  First reissued on Soul Jazz Records’ Universal Sound sub-label in 2011 (long deleted) and now available newly digitally remastered on Soul Jazz Records main label.

      Lloyd McNeill is a multidisciplinary artist – a painter who lived in Paris in 1965 and was a friend of Picasso, a musician who has worked with Nina Simone, Nana Vasconceles, Ron Carter, Cecil McBee and many more and a music anthropologist, poet and teacher.

      In the 1960s he was involved in the civil-rights movement and produced music for ballet, paintings and installations. His music mixes jazz with Latin, Brazilian and African rhythms that McNeill learnt was studying anthropology in his travels through much of Africa and Brazil (where he joined with Dom Salvador, Paulinho da Viola, Paulo Maura and Martinho da Vila).

      The album comes with extensive sleevenotes and interview with Lloyd McNeill as well as exclusive photos and text. Vinyl is heavyweight vinyl pressing + download code limited to 1000 worldwide.

      Lloyd McNeill features on two earlier Soul Jazz releases, 'New Thing' and 'Freedom, Rhythm and Sound". Soul Jazz Records have also recently reissued Lloyd McNeill's stunning 'Washington Suite' album recorded in 1970.

      • – Asha
      • – As A Matter Of Fact
      • – Two Thirds Pleasure
      • – Dig Where Dat's At
      • – St. Margaret's Church
      • – Effervescence
      • – Warmth Of A Sunny Day
      • LP + Download Code£23.00
        Out of stock
      • CD£12.00
        In stockAdd to Bag
      • MP3 Release£7.99
        In stockAdd to Bag
      Elis Regina In LondonUniversal Sound

      Soul Jazz Records/Universal Sounds Original Brazil Classics series.

      Legendary Brazilian vocalist Elis Regina's stunning 1969 landmark London album.

      An amazing, unique and highly successful mix of bossa nova, MPB, swinging funky orchestral grooves and more as Elis Regina hits the London studio scene, with UK musical direction by Peter Knight (arranger for Scott Walker). ‘Elis in London’ is a stunning and unique album mixing Brazilian and late 1960s British music sensibilities, from the queen of Brazilian music.

      Featuring definitive versions of classic tunes such as Edu Lobo’s Upa Neguinho as well as songs by Jorge Ben, Tom Jobim and Menescal. Elis Regina is perhaps the greatest talent ever to come out of Brazil - and this unique album was recorded at the height of her career.

      Brazilian musician legends Wilson das Neves, Meirelles and Antonio Adolfo alongside an absolutely on-fire set of Britain’s studio musicians creates one of the most successful meetings of musical worlds.

      This is a bespoke high quality box-edition CD of this seminal album with exact-reproduction artwork of the original album, never before released outside Brazil. Their is also a very collectable limited edition (1000 worldwide), exact-repro vinyl edition with hardback American-pressed sleeve and heavyweight 180 gm vinyl.

      • Elis Regina – Corrida De Jangada
      • Elis Regina – A Time For Love
      • Elis Regina – Se Voce Pensa
      • Elis Regina – Giro
      • Elis Regina – A Volta
      • Elis Regina – Zazueira
      • Elis Regina – Upa Neguinho
      • Elis Regina – Watch What Happens
      • Elis Regina – Wave
      • Elis Regina – How Insensitive
      • Elis Regina – Voce
      • Elis Regina – O Barquinho
      • CD£12.00
        Out of stock
      Pheeroan ak LaffHouse of Spirit : MirthUniversal Sound

      American composer and drummer Pheeroan AkLaff's celebrated ‘House of Spirit:Mirth’ features in our recent revolutionary jazz records book (compiled by Gilles Peterson and Stuart Baker).

      This album was originally released in 1979 on the composer Oliver Lake's bespoke private-press label Passin Thru' Inc., a not for profit label 'dedicated to fostering, promoting and advancing the knowledge, understanding and appreciation of the arts'.  Consequently 'House of Spirit' remains one of the most elusive deep jazz releases of its time to collectors.

      Aklaff was an original of the Detroit jazz scene of the early 70s alongside musicians of the Tribe (Wendell Harrison, Phil Ranelin, Doug Hammond) and Strata collective (Kenny Cox and Charles Moore) and local luminaries such as Travis Biggs before moving to New York in the mid-1970s to work at the centre of the vibrant Loft/radical jazz scene. Here he worked and recorded with original greats such as Oliver Lake,  Wadada Leo Smith, Anthony Davis (with numerous releases on India Navigation and other radical NY avant-jazz labels). At this time Coltrane drummer Rashied Ali became mentor to AkLaff, with Aklaff practically living at Ali's legendary club/live space 'Ali's Alley'.

      In the 1980s Aklaff continued his solo career with releases such as 'Fits Like A Glove' (1985), and 'Sonogram' (1989) featuring the cream of the New York 80s avant-garde players (Sonny Sharrock, Geri Allen etc) as well his continued work alongside artists of the calibre of Don Byron, Anne Claudine Myers, Julius Hemphill, Henry Threadgill and Oliver Lake.

      ‘House of Spirit: Mirth’ is one of the most radical of deep jazz releases of its time. Avant-garde beyond a doubt but with an Afro-centric rhythmical intensity hard to find in the myriad of independent free/loft jazz recorded in New York at the time.

      Influenced by Alice Coltrane, Sun Ra, Duke Ellington and Rahsaan Roland Kirk, AkLaff also studied African drumming travelling to and working in the Ivory Coast, Togo, Swaziland, Malawi, Liberia as well as Nigeria, where he performed with Fela Kuti.

      Pheeroan AkLaff currently performs as a solo artist in New York and as part of the Cecil Taylor group. In 2006 he also co-founded Seed Artists Inc. for Artists and Communities, a non-profit organisation promoting inter-generational activities, concerts and music lessons, based in Brooklyn.

      This bespoke perfect replica reissue comes in a limited edition hardback box-case CD edition and a very limited  heavyweight vinyl and gatefold sleeve edition of 1000 copies worldwide.

      • – Ayin of Love
      • – Tzaddi Vau
      • – Michelle Del
      • – Jarawa
      • – Freedom
      • – 3 in 1
      Oliver LakeNtu: Point From Which Creation Begins (1971)Universal Sound

      VINYL COMES WITH FREE DIGITAL DOWNLOAD VOUCHER FROM OUR WEBSITE ONLY!

      Soul Jazz Records/Universal Sound are reissuing jazz composer Oliver Lake's Ntu: The Point From Which Creation Begins, his stunning rhythmical Afro-centric deep spiritual jazz debut album originally recorded in 1971. This classic spiritual deep jazz album digitally remastered and cased in bespoke original artwork exact reproduction on hardboard Jap-style box case CD and a very limited (1000 worldwide) heavyweight 180gm audiophile vinyl edition.

      This album features in Gilles Peterson/Soul Jazz Records’ own Freedom, Rhythm and Sound large-format book of revolutionary jazz.

      Saxophonist Oliver Lake’s unique career path includes working with Lou Reed, A Tribe Called Quest, Bjork, composing for the Brooklyn Philharmonic and as long time member of the avant-garde jazz group World Saxophone Quartet. This genre-defying, wide-ranging and cross-pollinating creativity is a consequence of Lake’s musical roots in the radical Black Arts Movement of 1960s Afro-America.

      Oliver Lake’s career began in a creatively charged time and place. In the late 1960s, Lake alongside Julius Hemphill and Charles ‘Bobo’ Shaw, co-founded The Black Artists Group (BAG), the St Louis-based equivalent to Chicago’s Art Ensemble of Chicago/Association for the Advancement of Creative Musicians collective.

      Out of this BAG collective came many other variant groups and arts projects which included The Human Arts Ensemble, Red Black & Green Solidarity Unit, Onawali Dancers, Malinque Rhythm Tribe, BAG Drama Dept., Great Black Music Orchestra of St. Louis, Fire-Earth-Air-Water, Me We & Them and the Julius Hemphill Quartet.

      The first recordings from Oliver Lake and the Black Artist Group collective, true to keeping with the era’s radicalism, self-definition and economical empowerment value system, kept a wide birth from the mainstream music industry and were released on the private pressing record label, Universal Justice, self-distributed at concerts and events.

      In 1971, after appearing on two collective projects by The Human Art Ensemble and Children of The Sun, Oliver Lake recorded his own debut album Ntu: The Point From Which Creation Begins, self-financed for release on his own Passin Thru’ record company. However, shortly afterwards the tape of this album was put in storage, as Lake and the other BAG members headed off to Europe in the path of The Art Ensemble of Chicago and other free jazz African-American musicians, many of whom were finding a new open-minded audience across the Atlantic.

      Ntu: The Point From Which Creation Begins remained unreleased until 1976 when an association with major label Arista/Freedom issued a number of Lake and the Black Artists Group’s early releases and unreleased tapes. Long unavailable, this album has now itself become a rarity.

      Heavily progressive, rhythmical and intense, the album features Lake alongside an all-star cast of St. Louis’s finest radical, avant-garde and deep jazz musicians which includes Joe Bowie (Lester’s brother, who also later formed Defunkt and worked with James White and The Blacks), Don Moye (on loan from the Art Ensemble of Chicago), and regulars such as Charles Bobo Shaw.

      Lake returned from Europe to live in New York in the second-half of the 1970s to firmly ensconce himself in the emerging Loft Jazz scene, which soon became the dominant avant-garde movement of this era, and Lake an intrinsic member. At this time Lake also formed the World Saxophone Quartet alongside Julius Hemphill, Hamiet Bluiett and David Murray, which continues it’s own radical path to this day.

      • – Africa
      • – Tse'lane
      • – Electric Freedom Colors
      • – Eriee
      • – Zip
      Soul Jazz Records presents Steve ReidRhythmatism (1976)Soul Jazz Records


      Soul Jazz Records are issuing the awesome deep jazz album Rhythmatism (1976) from the legendary Steve Reid long out of print in a new edition very limited 1000-copies COLOURED vinyl (+download code) and CD.

      -----------------------------------------------------------------------------------------------

      ‘Steve Reid is one of the greatest drummers.

      He is a musical genius’ KIERAN HEBDEN (Four Tet)

      ‘A truly phenomenal artist.’ GILLES PETERSON

      ‘Steve Reid reflects the spirit of a generation- Art Ensemble of Chicago, John Coltrane, Pharoah Sanders, the Black Artists Group.’ THE WIRE


      -------------------------------------------------------------------------------------------

      Drummer and composer extraordinaire Steve Reid’s Rhythmatism is one of his deepest and most radical of albums of all time and features some of the heaviest jazz players - Arthur Blythe ‘AKA Black Arthur’, Charles Tyler, David Wertman and others – joining Reid. The album was originally released on Reid’s own Mustevic Sound label in 1976

      As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, , Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver!

      Reid was born in the South Bronx, and grew up in Queens, New York. He played in the house band at Harlem's Apollo Theatre, accompanying James Brown, as well as playing in Sun Ra's Arkestra. He lived next to John Coltrane, worked in a department store with Ornette Coleman, had a son who played drums with NWA. He began his career as a teenager in the 1960s as a drummer at Motown when he played on Martha and The Vandellas "Heatwave" (aged 14).

      At the end of the 1960s Reid was sentenced to four years in jail as a conscientious objector of the Vietnam war. On his release from prison in 1974, he formed the Legendary Master Brotherhood and started the independent record label, Mustevic Sound, to release his debut LP in 1976. Rhythmatism is released in its entirety and with full original cover art here and is one of a series of stunning independent records he released in the 1970s.

      At the start of the 21st century, his career took a new twist when Steve Reid began a successful collaboration with Kieran Hebden (Four Tet). Hebden referred to Reid as his ‘musical soul mate’, resulting in a number of joint albums.

      Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.

      • Steve Reid – Kai
      • Steve Reid – Rocks (for Cannonball)
      • Steve Reid – Center Of The Earth
      • Steve Reid – C You Around
      • Steve Reid – One Minute Please
      New Thing!Deep Jazz in the USASoul Jazz Records

      New Thing! tells the story of Deep Jazz in the USA. Post-Civil Rights, Post- Martin Luther King and Malcolm X, Post-John Coltrane, this album shows how radical musicians developed musically, politically and spiritually at this time. 

      New Thing! shows how these musicians redefined themselves and their music to present a new Black American music that encompassed Jazz with Eastern music and philosophies, space travel, classical music, ballet and African music alongside other American musics such as Gospel, Funk, Soul and Blues. The period of music covered on New Thing is from 1970-1985. (One exception and a forerunner to much of this music, the Sun Ra track "Angels and Demons at Play" is from 1957! and clearly shows a man ahead of his time in his music and ideas). New Thing! features heavyweight Jazz artists such as Alice Coltrane, Art Ensemble of Chicago, Sun Ra and Archie Shepp alongside many other less-well known, but equally important artists such as Rashied Ali (who played alongside John Coltrane) and Stanley Cowell (who started one of the first independent labels for this music, Strata-East Records, along with Charles Tolliver). 

      The music on New Thing! ranges from the deep street funk of "Street Rap" and "Funky AECO" to hypnotic eastern-influenced tracks such as "Tibetan Serenity" and radical left-field tracks such as Rashied Ali and Frank Lowe’s "Duo Exchange". The album comes with extensive sleevenotes and exclusive photos (many by celebrated photographer Val Wilmer, herself an important chronicler of this period in music).

      • – Maulawi - Street Rap
      • – Travis Biggs - Tiebetan Serenity
      • – Lloyd Mcneil - Home Rule
      • – Stanley Cowell - El Space-o
      • Deluxe 2×CD£12.99
        Out of stock
      Travis BiggsChallengeUniversal Sound

      Following on from their recent New Thing album of Deep Jazz in USA (Sun Ra, Art Ensemble of Chicago, Alice Coltrane, Archie Shepp), Soul Jazz Records are re-issuing this lost classic album.

      Travis Biggs' "Challenge" is a boogie/jazz-funk/jazz lp originally recorded in Detroit in 1975.

      This one off-album initially came out on his own tiny T & C label with a pressing of 500 copies and was used by Travis as a demo.

      This is the second of 3 lost albums that Soul Jazz Records are re-issuing following on from first appearing on New Thing. As well as the track "Tibetan Serenity" (as featured on "New Thing" album), the album also includes super-rare versions of Stevie Wonder's "I Wish" and a cover of the Loft/Paradise Garage classic track, Steve Miller's "Fly Like An Eagle".

      • Travis Biggs – I Wish
      • Travis Biggs – Autumn Jewel
      • Travis Biggs – Fly Like An Eagle
      • Travis Biggs – Ven A. Bailar Conmigo
      • Travis Biggs – Solar Funk
      • Travis Biggs – The Do-Do Walk
      • Travis Biggs – Stone Country
      • Travis Biggs – Tibetan Serenity
      Black Fire ! New Spirits !Soul Jazz Records

      Soul Jazz Records’ new release Black Fire! New Spirits! is a deluxe double CD (and limited triple LP) exploring deep, radical and spiritual jazz in the USA in the period 1957-1975.

      In the 1960s and into the 1970s jazz music in the USA was in an almost constant state of revolution, with the music and lives of African-American artists radicalised by the advent of the civil rights movement, Black Power, and a new spiritual awakening.

      For over 20 years now Soul Jazz Records have been exploring this rich area of deep and spiritual jazz music with an array of albums such as Freedom, Rhythm and Sound, Universal Sounds of America, New Thing, Soul Jazz Love Strata East and more. Soul Jazz Records have also released a steady stream of reissues of lost and classic deep jazz releases over the years from artists such as Art Ensemble of Chicago, Steve Reid, Pharaoh Sanders and others.

      This new album features groundbreaking and revolutionary artists such as Don Cherry, Archie Shepp, The Last Poets and Yusef Lateef as well as many rare and deep lost tracks from lesser known artists such as Creative Artists Ensemble, Granchan Moncur, Lloyd McNeill, Tyrone Washington and others.

      This album coincides with the recent ‘Black Fire! New Spirits! Images of A Revolution: Radical Jazz in the USA 1960-75’ book, published by Soul Jazz Books, which as well as including pioneering artists such as John Coltrane, Miles Davis, Roland Kirk and Alice Coltrane also features many of the artists included in this album. 

      REVIEWS

      "This double-disc set is the companion soundtrack to Soul Jazz's book of the same name. It documents 14 wide-ranging tracks by well-known foundational artists and those who followed the New Thing path to other realms during a fertile period during and after the Civil Rights Era. Soul Jazz has always done an admirable job both in curation and presentation." All Music

      Read full All Music review here

      • Yusef Lateef – Chang, Chang, Chang
      • The Last Poets – It's A Trip
      • Don Cherry – Utopia and Visions
      • Richard Davis – Dealin'
      • Archie Shepp and Jeanne Lee – Blase
      • Harold McKinney and The Creative Profile – In The Moog
      • Grachan Moncur III and The Jazz Composers Orchestra – Angela's Angel
      • Creative Arts Ensemble – Flashback Of Time
      • David Lee Jr – Second Line March
      • Lloyd McNeill and Marshall Hawkins – The Banjo Lesson
      • Tyrone Washington – Universal Spiritual Revolt
      • Pheeroan Ak Laff – Tzaddi Vau (Part 1)
      • Joe Henderson – Black Narcissus
      • Doug Hammond – Spaces and Things
      Steve ReidNova (1976)Soul Jazz Records

      New edition of this seminal album available as a 1000 copies edition only on new premium RED vinyl!

      --------------------------------------------------------------------------------------------------------------

      'A truly phenomenal artist.' GILLES PETERSON

      'Steve Reid is one of the greatest drummers. He is a musical genius' KIERAN HEBDEN (Four Tet)

      --------------------------------------------------------------------------------------------------------------

      As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, , Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver!

      Reid was born in the South Bronx, and grew up in Queens, New York. He played in the house band at Harlem's Apollo Theatre, accompanying James Brown, as well as playing in Sun Ra's Arkestra. He lived next to John Coltrane, worked in a department store with Ornette Coleman, had a son who played drums with NWA. He began his career as a teenager in the 1960s as a drummer at Motown when he played on Martha and The Vandellas "Heatwave" (aged 14).

      At the end of the 1960s Reid was sentenced to four years in jail as a conscientious objector of the Vietnam war. On his release from prison in 1974, he formed the Legendary Master Brotherhood and started the independent record label, Mustevic Sound, to release his debut LP Nova in 1976. This album is released in its entirety and with full original cover art here. Nova was the first in a series of stunning independent records he released in the 1970s.

      At the start of the 21st century, his career took a new twist when Steve Reid began a successful collaboration with Kieran Hebden (Four Tet). Hebden referred to Reid as his ‘musical soul mate’, resulting in a number of joint albums.

      Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.

      • Steve Reid – Nova
      • Steve Reid – Lions Of Juda
      • Steve Reid – Free Spirits-Unknown
      • Steve Reid – Long Time Black
      • Steve Reid – Sixth House
      Pharoah SandersKarma (1969)Impulse!

      Over half an hour of "The Creator Has A Master Plan"! Leon Thomas on vocals joins the Pharoah for one of the greatest collaborations in deep, spiritual jazz ever! Essential!

      original= 1980 mca pressing

        Boombox 2Soul Jazz Records

        Soul Jazz Records’ new Boombox 2 is a new selection of early rap music from the period 1979-83, with barely a household name in sight. Featured here are some the earliest hip-hop records that came out of New York City following the enormous commercial success of the first ever rap record, ‘Rapper’s Delight’ by the Sugarhill Gang, in September 1979. Artists and producers alike tried to jump aboard the new commercial possibilities of hip-hop. By the end of the year there were 30 hip-hop singles, all released by independent New York labels. The following year there were over 100 more, and so on.

        Boombox 2 tells the story of how hip-hop went from its evolutionary roots in the Bronx through DJs Kool Herc, Grandmaster Flash and Afrika Bambaataa through to this second phase where veteran music producers – Paul Winley, Peter Brown, Joe Robinson and others – all based in Harlem, began to put rap on vinyl for the first time.

        Harlem is also where the separate worlds of disco and hip-hop met through the styles and influence of earlier ‘uptown’ DJs - DJ Hollywood and Eddie Cheba. In similar fashion these veteran Harlem-based producers instinctively tapped into a long lineage of African-American rhythm and blues, soul and disco.

        The album features many early and rare cuts from the first generation of early rap artists including Lovebug Starski (as Little Starsky), Busy Bee, Eddie Cheba, Kool DJ AJ as well as many other little known artists.

        Boombox 2 is a triple-vinyl set (+ download code) LP and double CD pack that features extensive text, exclusive interviews and stunning photography by Jamel Shabazz, Martha Cooper and others.

        Reviews of Boombox 1:

        ‘The vital launch pad between hip-hop’s birth and its worldwide impact’   THE WIRE

        ‘This compilation of early rap is a legit party in a box, one of the best Soul Jazz Records releases in years.’   FACT

        ‘A brilliant compilation of first wave underground rap records made in New York circa 1979-83'   TWISTED SOUL

        • Harlem World – Let's Rock
        • Lonnie Love – Young Ladies
        • Kool DJ A.J. – Ah, That's The Joint
        • Terry Lewis and Wild Flower – The Peoples Message Take Two
        • Rappers Rapp Group – Rappin' Partee Groove (Club Version)
        • Eddie Cheba – Lookin' Good
        • MC Rock Lovely – One Time Two Time Blow Your Mind
        • Little Starsky – Dancin' Party People
        • Manujothi – Shake Your Body
        • Busy Bee – School Days
        • TJ Swann, Pee Wee Mel and Swann Controllers – Maximus Party
        • Margo's Kool Out Crew – Death Rap
        • Grand Master Chilly T and Stevie G – Rock The Message Rap
        • Zoot II – Dr. Ice Rap
        Voodoo DrumsDrummers Of The Societe Absolument Guinin (Haiti)Universal Sound

        Unique collection containing authentic rhythms of Haitian Voodoo drumming. Recorded in Port-au-Prince, Haiti by Soul Jazz Records, this album features The Drummers of the Societe Absolument Guinen.

        Voodoo is the African religion at the heart of Haitian life. The complex rhythms of the drums are used to bring down African spirits in Voodoo ceremonies. These drums are the link between the music of Africa and the Caribbean. With links to Cuban Santeria, Jamaican and Trinidadian Afro-religions, Voodoo rhythms are the heaviest, most intense of all. Soul Jazz Records.

        REVIEWS

        "Soul Jazz yet again come correct with the roots and culture. This amazing set of ritual breakbeats Haitian style has to be the most phenomenal, left field battle breaks album you could imagine. The rhythms used cause spirits to manifest themselves in the physical world, all powerful, some benevolent, others less so. Enjoyable and really quite mind expanding, this is recommended to anyone who thinks traditional music is not for them. Really unparallelled, both in terms of quality and the competition." Boomkat

        "Haitian Voodoo is a religion of the new world that came about during the 16th century African slave trade. During their rituals they use drums to bring spirits down to the earth, faccilitating a possession of a worshipper by a specific spirit. Soul Jazz released these pristine recordings and I think it’s one of the best recordings of a drum ensemble I’ve ever heard. It documents the broad tonal range of these drums. I had to check the liner notes to make sure there wasn’t a bass guitar or synthesizer in the mix!" Type

        "This record, which consists entirely of recordings of voudou drumming made in Port-Au-Prince, is one of a series of Soul Jazz releases exploring Haitian music, all of which are worth your attention. Nonetheless there's something about the intensity and virtuosity of this particular drums-based album that's particularly transportive. Beautifully recorded so each strike of each drum punches with all the force of an electronic dance music kickdrum, it captures the extraordinary complexity and sophistication of these ceremonial rhythms, which shift, interlock and switch angle of attack with a logic that's near-indecipherable as a listener unable to see visually how they unfold. These drum rituals are central to Haitian voudou, whose roots lie in closely related religions on the West Coast of Africa, and which originated in the 18th century when Haiti was a French slave colony. Their roles in ceremonies seem as complex and detailed as the rhythms themselves, involved in drawing participants together through the shared pulse of the beat and inciting spiritual possession. Yet their power to awe and mesmerise isn't dimmed through being relatively unfamiliar with the traditions that underlie them; these recordings are dynamic and riveting in their intricacy and power." Quietus

        "I haven't heard anything quite like this; the rhythms are very deeply orchestrated yet it also sounds like improvisation. There are tonalities and textures coming from this album like I've never heard. A great album by Soul Jazz, it's very well recorded, the drums sound so warm and nuanced, a great representation of each drum in the mix. Some of the sounds I have no idea how they are getting them. I would love to see this group play! As a drummer, this album is bending my ear and setting off the dancing devils in my soul!! Unreal!" Guardian Guide

        • – Yanvalou
        • – Africanadou
        • – Rongol
        • – Zepol
        • – Dahome
        • – Congo
        • – Mai
        • – Parigol
        • – Contredance
        • – Afranchi
        • – Juba
        • – Petro
        • – Kita
        • – Boumba
        • – Koye
        • – Zepol
        • – Areyen
        • – Mas Karon
        • – Ibo
        • 2×LP£17.99
          Out of stock
        • CD£12.00
          Out of stock
        • MP3 Release£7.99
          In stockAdd to Bag
        Tropicalia: The Definitive 1968 Classic Brazilian Album Ou Panis et CircencisUniversal Sound

        This is the definitive Tropicalia concept album, originally released in 1968 and featuring all the key players in the movement: Caetano Veloso, Gilberto Gil, Gal Costa, Os Mutantes, Tom Ze and Nara Leao. If you have the Soul Jazz Records' 'Tropicalia' compilation then this is the perfect accompaniment.

        Here you will find the original, groundbreaking mix of psychedelic rock combined with with boleros, sambas, bossa nova and jazz into a carnival-esque parade which redefined and first announced the new global sound of Brazilian music.

        What is stunning is that this anarchic and groundbreaking release was recorded at the height of the Brazilian military dictatorship, during an era where censorship, repression and the threat of violence was a constant in all (musical and) daily life inside the country.

        Rolling Stone magazine in Brazil has voted this album no.2 in the 100 Best Brazilian albums of all-time.

        This classic album is Tropicália’s manifesto - a fantastical syncretic fusing of psychedelic rock & pop, Brazilian traditional music and the avant-garde. Soul JAzz Records are proud to be presenting this original album in full exact reproduction glorious cover art and fully remastered sound.

        Essential!

        • Gilberto Gil – Misere Nobis
        • Caetano Veloso – Corocao Materno
        • Os Mutantes – Panis et Circencis
        • Nara Leao – Lindoneia
        • Gilberto Gil, Caetano Veloso, Gal Costa & Os Mutantes – Parque Industrial
        • Gilbero Gil – Geleia Geral
        • Gal Costa & Caetano Veloso – Baby
        • Caetano Veloso & Gilberto Gil – Tres Caravelas
        • Caetano Veloso – Enquanto Seu Lobo Nao Vem
        • Gal Costa – Mamae Coragem
        • Gilberto Gil – Batmacumba
        • Gilberto Gil, Caetano Veloso, Gal Costa & Os Mutantes – Hino Ao Senhor Do Bonfim Da Bahia
        • CD£12.00
          Out of stock