Soul Jazz Records are releasing Studio One Ska Fire Box Set, a limited-edition one-off pressing exclusive for Record Store Day 2021, collectors seven-inch box set featuring 10 amazing and super-rare Studio One ska tracks on five 7” singles, all produced here in deluxe hard form box each single with separate inner sleeves.

Soul Jazz Records are releasing Funk 70 Box Set, a limited-edition one-off pressing, exclusive for Record Store Day, collectors seven-inch box set, featuring ten superb, rare and classic funk cuts across five individual bespoke 7" singles housed in a hardbox set, with each single housed in individual innersleeves.

Seriously rare, killer and classic funk tunes brought together here in this unique one-off Record Store Day box-set edition.

This release features so many great singles. The super-rare Winstons MASSIVE 45 featuring Amen Brother (the drum break of all drum breaks for all jungle records ever!) as well as the soul anthem Color Him Father. A superb rare Detroit funk cut from Jackie Harris, Joe Bataan’s Latin Strut – the best latin funk tune ever made that helped launch Salsoul Records, rare groove hi-adrenalin funk from Untouchable Machine Shop and finally a KILLER slice of New Orleans funk produced by Eddie Bo with the amazing drums of James Black in the mix.

All tracks have been digitally re-mastered and the singles come housed in a thick, heavyweight deluxe card box.

This box set is a one-off pressing exclusively for Record Store Day.

20th anniversary edition !!!! YELLOW VINYL RSD 2022 SUPER LIMITED!

More classic Reggae from Jamaica's most important label ever .

Studio One Soul tracks the link between American Funk and Soul and Jamaican Reggae at the legendary Studio One Records.

Curtis Mayfield, Aretha Franklin, Otis Redding, The Temptations, King Floyd, Booker T and The MGs - all these artists had a huge influence on Jamaican artists and this CD contains versions of songs by all of them. Featuring classic and rare Reggae Funk and Soul cuts from the Reggae giants alongside rarer cuts, Studio One Soul spans over 20 years of classic Reggae from the Rocksteady Funk through to the deep Roots music.

Following on from Studio One Rockers, this second journey into the vaults of Studio One tells the story of the important link between American Funk and Soul and Jamaican Reggae. Ranging from music taken from the mid-1960s (and the arrival of Rocksteady) through to the beginning of the 1980s, Studio One Soul features versions of US Funk and Soul hits (many rarely heard before) from some of the many classic artists who recorded at Studio One. American Soul music has always been an important influence on Jamaican Reggae.

The beginning of the Jamaican recording industry at the end of the 1950s started with Clement "Coxsone" Dodd (owner of Studio One) and a group of select in-house musicians (originally The Skatalites) recording their own version of American R'n'B. Playing on the off-beat this music became Ska. As American R'n'B progressed through Funk, Soul and Disco, Jamaican music was going through its own musical changes, from Rocksteady throught to Reggae and Roots music. The house-band at Studio One recorded on a daily basis behind all Studio One vocalists as well as recording instrumentally in its own right.

Soul singers such as Curtis Mayfield and The Impressions (Queen Of The Minstrels) had a profound influence on Jamaican artists and many other US artists were constantly re-interpreted and re-worked. Artists such as Aretha Franklin (Respect), Charles Wright (Express Yourself), King Floyd (Groove Me), Otis Redding (How Strong) were all very popular in Jamaica in the 1960s. At the end of the 1960s Black Consciousness became an important part of American Soul music. At the same time many Jamaican artists were starting to look to their roots. Many artists would shortly become involved in Rastafarianism. The "conscious" lyrics of American Funk and Soul again struck a chord with Jamaican artists. "Message From A Blackman" (originally by The Temptations) and "Is It Because I'm Black" (Syl Johnson) are examples of this. Through the 1970s Soul/Disco artists such as Barry White ("Can't Get Enough" and "Deeper and Deeper") and The Detroit Spinners ("I'll Be Around") became the flavour of the day. This CD finishes with Willie William's interpretation of Ashford and Simpson's classic "Ain't No Stopping Us Now".

"Compilation of the month" MOJO "Another essential purchase from Soul Jazz" SEVEN "Latest in Soul Jazz's indespensible compilations" I-D "Near perfect" JOCKEY SLUT

Super special 20th anniversary SILVER vinyl!

Incredibly inspired electronic retro-futurists who were so ahead of their time that they eventually imploded. This is a classic album!

In the space of five short years (and as many albums) at the end of the 20th century Add N To X caused havoc with their unique retro-futurist electronic music. Add N To X’s musical intensity proved too much for the group who split up in 2002. Their album On The Wires of Our Nerves, complete with its classic cover image, recorded on Soul Jazz Records’ then new offshoot label Satellite Records, launched them into the spotlight and included two NME Singles of the Week ‘Black Regent’ and ‘King Wasp’. Over twenty years since it was first released and long out of print the album 'On The Wires of Our Nerves’ stands up one of the most forward-looking electronic albums of then and now.

This classic album is released in a very limited one-off pressing transparent vinyl edition as an Record Store Day exclusive title

LONG OUT OF PRINT One-off RSD 2021 special limited edition black vinyl

"Steve Reid played with Sun Ra, knew Coltrane, played at Motown. I mean this is a guy who at 19 was playing drums with Fela Kuti in Africa. He is a musical genius. It’s a creative joy and honour to work with him."Kieran Hebden (Fourtet) After a number of groundbreaking live shows between Kieran Hebden (Fourtet) and legendary New York drummer Steve Reid, these two artists have embarked on two amazing new recording projects.

The first release is the Steve Reid Ensemble (featuring Kieran Hebden) "Spirit Walk". This will be followed by a second album by Kieran Hebden and Steve Reid which will be released by Domino Records at the beginning of 2006. Both albums blend electronic experimentation within the frame-work of Steve Reid’s musical heritage. Gilles Peterson will be touring the UK in November alongside The Steve Reid Ensemble. An ardent fan of the music, Peterson has contributed the sleeve-notes to "Spirit Walk" along with another long-time musical admirer Val Wilmer. Steve Reid is a true pioneer of boundary-breaking music.

This latest project/collaboration is a continuation of a musical path that stretches back to the late 1960s. A self-taught master jazz drummer Steve Reid played in Sun Ra’s Arkestra as well as being a session musician at both Motown Records (he plays on for instance Martha and The Vandella’s "Heatwave") and in James Brown’s in-house band at the legendary Harlem Apollo. In the mid-60s Reid went to West Africa, playing and learning the music of Ghana, Nigeria (playing with Fela Kuti), Liberia, Sierra Leone, Senegal. On returning to New York he joined Sun Ra’s The Science Myth Solar Arkestra.

In 1968 as a conscientious objector to the Vietnam war he was sentenced to 4 years in prison where he then taught a Black history course to his fellow inmates. In the 1970’s Reid formed the Legendary Master Brotherhood as well as running his own record company, Mustevic Sound, which released a series of his albums (2 of which have earlier been released by Soul Jazz Records). In a career now spanning over 40 years Steve Reid has worked with artists such as Lester Bowie, Miles Davis, Charles Tyler, Arthur Blythe, Ornette Coleman, Gary Bartz, Chief Bey, Archie Shepp, Sam Rivers, Dee Dee Bridgewater, Leon Thomas and more. This new project is the latest part in Steve Reid’s musical odyssey.

"A truly phenomenal artist. This is the album we've all been waiting a long time for. Steve Reid is steeped in musical history and yet this album has a modernity all of it's own." Gilles Peterson.

"Must read Best Books of 2020" Financial Times

‘Cuba: Music and Revolution: Original Album Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90 ’ is a stunning new deluxe 250-page large format hardback book compiled and edited by Gilles Peterson and Stuart Baker (Soul Jazz Records) that features many 100s of stunning and unique Cuban record sleeve designs made since the Cuban Revolution led by Fidel Castro in 1959. These album covers have rarely been seen (nor heard) outside of Cuba and show a rich previously hidden history of both music and design.

‘Cuba: Music and Revolution’ is the first ever book about Cuban record sleeve design and has been five years in the making, made in full co-operation with the Cuban government. The record sleeve designs reflect both the rich cultural Latin musical legacy of Cuba, as well as the political and aesthetic influence of revolutionary Communism, which manifests itself both in the music created on the island and the artwork of the designs included here.

Cuban music is the source of much Latin music in the 20th century. Salsa, the all-encompassing Latin music that came out of New York in the 1970s, and soon spread across Colombia, Venezuela, Puerto Rico, the Dominican Republic and elsewhere, owes all of its success to the Cuban music on which it is fundamentally based.

These record sleeves help document the dramatic change in Cuba’s identity from that of 1950s tourist paradise to socialist state. Following the Cuban Revolution in 1959, the United States imposed a trade embargo which exists to this day, and as a consequence the many 100s of Cuban records featured here have rarely been seen outside of Cuba.

The book is edited and compiled by Gilles Peterson, BBC broadcaster, record label owner, DJ, record collector, founder of Worldwide FM and Stuart Baker, founder of Soul Jazz Records. Together they have edited two earlier critically-acclaimed music and design books ‘Freedom, Rhythm and Sound – Revolutionary Jazz Cover Art 1965-83’ and ‘Bossa Nova and The Rise of Brazilian Music in the 1960s’.

In conjunction with the deluxe book, Soul Jazz Records will be releasing an album also compiled by Gilles Peterson and Stuart Baker, charting the rise of Cuban music in the 1970s and featuring many of the artists who appear in this book.

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Out everywhere now or direct from us right now here!

*Paying for this by PAYPAL? Don't! Paypal will not let you buy this amazing book about Cuban music - use Mastercard, Visa etc*

New 10th anniversary edition on Soul Jazz Books/Soul Jazz Records of this now classic large format deluxe book - the definitive photography book and essential guide to Jamaican Dancehall in the 1980s featuring 100s and 100s of amazing photographs - all with accompanying text, interviews and biographies.

'Dancehall' is an essential reference book for anyone interested in Reggae and captures a previously unseen era of musical culture, fashion and lifestyle in stunning, vibrant colour.

Dancehall is a culture that encompasses music, fashion, drugs, guns, art, community, technology, and more. Born in the 1950s out of the neighbourhood soundsystems of Kingston, Dancehall grew to its height in the 1980s before a massive influx of drugs and guns made the scene too dangerous for many. Today Dancehall remains at the centre of Jamaican musical and cultural life. From its roots in Kingston in the 1950s to its heyday in the 1980s, Dancehall conquered the globe spreading to the USA, UK, Canada, Japan, Europe and beyond.

In the early 1980s Jamaica was in the throws of political and gang violence - photographer Beth Lesser ventured where few other dared and this book is a never-before-seen record of the exciting, dangerous and vibrant world of Dancehall.

Living in Jamaica in the late 70s and early 80s she photographed and documented a cultural explosion as producers, singers, DJs and soundsystems who all made a living out of the slums of Kingston. With unprecedented access to the incredibly vibrant music scene during this period, Beth Lesser’s photographs are a unique way into a previously hidden part of Jamaican culture.

REVIEWS:

“Lesser’s book is a vibrant anthology of all that mattered; the soundsystems, singers, producers, singers and deejays” THE GUARDIAN

“This superb book of Beth Lesser’s photographs, supplemented by her emphatic text and wonderful candid interviews with many of the main players gives us a unique view straight to the heart of dancehall reggae.” Steve Barrow, author of THE ROUGH GUIDE TO REGGAE

“This book features Dancehall and all its luminaries, with a back-drop of bass bins, heat-hazed colour and excellent knitwear, plus interviews, biographies and diversions into the music’s development.” MOJO

"I love when I find a book that investigates a particular scene or sub-culture. Beth Lesser's Dancehall captures the Jamaican Dancehall culture of the 1980s with the same level of sincerity and curiosity that Brassai exhibited while capturing Paris nightlife in the 1930s. " THE SARTORIALIST

"One of the Great Photo Books. Without a doubt one of the most important books published about the history of post independent Jamaican music." AMAZON

Large format (12" x 12") plexi-bound deluxe book, 180 page, 100s of killer sleeves!

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Soul Jazz Records are proud to present this amazing collection of sleeves from the deepest, deepest jazz music ever - compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records).

This is a unique collection of cover artwork of revolutionary jazz music between 1965-83. Martin Luther King, Malcolm X and the civil rights movement of the 1960s loom large as self-determination, economic power and musical freedom led to jazz artists finding new paths – both musical and economic.

Years before the D-I-Y cultural revolution of punk, Sun Ra, John Coltrane, Pharoah Sanders, Don Cherry, Ornette Coleman, the Art Ensemble of Chicago and others ‘took control’ of their own work by recording, releasing and distributing their own music themselves.

The record sleeves of this era are as iconic and historically unique as the music itself and a striking reflection of the time; pre-desktop publishing, pre-internet these small-run (sometimes as low as 500 copies), self-made sleeves are graphically bold and radical.

‘Freedom, Rhythm and Sound’ is the first ever collection of this fascinating goldmine of album art, which represents the first wave of inspired independent production within popular music.

‘Freedom, Rhythm and Sound’ includes a large introduction contextualising the music and artwork as well as features on many of the people involved. Alongside the musicians mentioned above these include Rashied Ali, Steve Reid, Mary Lou Williams, Horace Tapscott, Lloyd McNeil, Tribe, The Last Poets, The Pharoahs, Philip Cohran, Black Artists Group and many others.

Soul Jazz Records’ massive deluxe 400-page Punk 45s cover art book edited and compiled by Jon Savage (author of the seminal book on punk, England’s Dreaming) and Stuart Baker (founder of Soul Jazz Records).

The book includes introduction and text by Jon Savage, numerous interviews, features and articles from the likes of Richard Hell, Seymour Stein (Sire Records), Geoff Travis (Rough Trade), Peter Saville (Factory), Martin Mills (Beggars Banquet), Dave Robinson (Stiff Records), Richard H Kirk (Cabaret Voltaire), Martin Moscrop (A Certain Ratio) as well as exhaustive biographies, band line-ups and more to create an in-depth study of punk during its formative years.

This book features the original full-size singles cover art of hundreds of punk groups - everyone from the pre-punk roots of The Stooges, MC5 and New York Dolls on to punk's birth in New York (Ramones, Talking Heads, Voidoids, Dead Boys) and London (Pistols, Clash, Buzzcocks) and then its rapid growth around the world. Included are hundreds and hundreds of rare, classic and stunning sleeves that collected together for the first time chart the rise of punk between the years 1976-1980.

Fantastic new deluxe large format hardback 12" x 12" book from Soul Jazz Books featuring 100 years of photography in the Caribbean.

From Calypso to Vodou, Communism to Reggae, Colonialism and the Slave Trade, Rum and Revolution, Industry and Tourism – over 100 years of photographing the Caribbean is captured in this book.

The image of the Caribbean is as much a creation of the outsider as it is the complex identity of its people – a melting pot of races created out of the participants of the 400 year slave trade – enforced Africans, indigenous Americans and their colonisers – French, Spanish, Dutch, English.

From luscious and tropical backdrop of tourism and hedonism, to colonial outpost and revolutionary threat within North America’s own backyard the identity of the Caribbean stands at this intersection of tourism, the detritus of the slave trade and tropicality.

The regions politics span a hot bed of ideas and radicalism – from Castro’s Cuba, communist thorn in the side of North America, to the violent right-wing dictatorship of Haiti’s Papa Doc in the 1960s; also from Michael Manley’s Jamaica in the 1970s to Eric Williams’ Trinidad in the 1960s.

Hundreds of fascinating and unique photographs span more than one hundred years of Caribbean history, culture and industry as well as the subsequent diaspora of its people to America, England, Canada and elsewhere.

FOREWORD BY PAUL GILROY. EDITED BY STUART BAKER.

Paul Gilroy is the author of The Black Atlantic (1993),There Ain’t No Black in the Union Jack (1987), Black Britain - A Photographic History (2004) and more.

Stuart Baker is the founder of Soul Jazz Records.

FEATURES:

See Guardian newspaper cover story/4-page feature/gallery here

OUT NOW! New 400-page 12"x12" deluxe heavyweight book on Soul Jazz Records/Books.

Foreword by Tom Moulton and Nicky Siano (The Gallery).

Presented by Disco Patrick and Patrick Vogt.

Introduction and interviews by  Claes 'Discoguy' Widlund. 

This large-format deluxe hardback book features the amazing artwork of thousands of disco record cover designs from the 1970s up to the mid-1980s.

Together, the record cover designs gathered here create a unique visual history of disco culture. Featuring more than 2,000 album cover designs (including hundreds of full-size covers) as well as over 350 12-inch sleeves, this book is truly an encyclopedic document of disco music and the industry and culture attending it.

In addition to the visual documents from the era, the book includes interviews with a number of important disco figures such as Mel Cheren (West End Records), Henry Stone (TK Records), Ken Cayre (Salsoul), Marvin Schlachter (Prelude) and others, as well as histories, biographies and discographies of all the major disco record companies, plus sections on roller disco sleeves, disco instruction albums, 12-inch sleeves and a scrapbook of disco ads.

Among the many musicians featured here are Bohannon, James Brown, Jocelyn Brown, Cerrone, Dennis Coffey, Donna Summer, Chic, Fatback Band, Gino Soccio, Giorgio Moroder, Gloria Gaynor, Grace Jones, Isaac Hayes, Kool and the Gang, DC LaRue, Loleatta Holloway, MFSB, Ohio Players, Salsoul Orchestra and The Trammps.

This is the latest volume in Soul Jazz's deluxe series of books featuring full-size reproductions of record cover art designs. It is presented by Disco Patrick and Patrick Vogt, editors of the book Disco Patrick Presents: The Bootleg Guide to Disco Acetates, Funk, Rap and Disco Medleys.

See Independent newspaper four-page feature/gallery here.

Featuring: John Coltrane, Miles Davis, Pharoah Sanders, Albert Ayler, Ornette Coleman, Roland Kirk, Art Ensemble of Chicago, Alice Coltrane, Eric Dolphy, Leon Thomas, Cecil Taylor and more!

The 100s of stunning photographs in this new deluxe large format hardback book capture the radicalism and self- determination of pioneering jazz artists in the 1960s and early 1970s

During this era, jazz music in the USA was in an almost constant state of revolution with the music and lives of African-American artists radicalised by civil rights, the avant garde, Black Power and a new spiritual awakening. 

At the start of the 1960s, jazz entered a unique new period of revolution as African-American musicians re-defined the art form in the context of the civil rights movement, afro-centric rhythm and thought and an ideology of black economic empowerment.

John Coltrane, Ornette Coleman, Sun Ra, Pharoah Sanders, Albert Ayler and others developed a new cosmology of sound that was as revolutionary as the social and political changes that took place in America throughout the decade. From the musical explorations of John Coltrane, Cecil Taylor and Ornette Coleman, to the collective and community concerns of Chicagos Advancement for Creative Musicians and the black science fiction of Sun Ra, the new jazz musicians created a musical and cultural landscape from which jazz music never looked back.

This large-format deluxe hardback book features hundreds of stunning photographs of the new jazz musicians in the USA throughout the 1960s presented with introductory essay and biographies on the many artists included in the book.

Reggae Soundsystem 45! is a new stunning deluxe 500 page flexibound book that features over 1000  full size record label 45 rpm single designs that span the history of reggae music. 

The book is compiled by the renowned author and reggae expert Steve Barrow (Rough Guide to Reggae/Blood and Fire Records) and Stuart Baker (Soul Jazz Records). Text by Steve Barrow and Noel Hawks.

As well as the stunning full-size 45 designs, this book is ram-jam filled with text on many of the records, artists, producers and record companies featured in the book.

The 45rpm 7” single is at the heart of reggae music, the main tool in which reggae music has been communicated to the public by the deejays in the dancehalls of Kingston, through to its dissemination worldwide, over the last 50+years. 

These unique label designs give us a hidden history of design that is raw, innovative and hip. Ever since the birth of the Jamaican music industry  through to the present day, these idiosyncratic label designs have helped illustrate, signify and energise the music that they accompany.

Reggae 45 Soundsystem is released to coincide with the publication of a second large format hardback 12x12" book, Reggae Soundsystem which features original album cover art of reggae, also published by Soul Jazz Books.

Reggae Soundsystem! is a new deluxe 200 page hard-back 12”x12” book featuring hundreds of stunning full size record cover designs that span the history of reggae music. 

The book is compiled by the celebrated author and reggae expert Steve Barrow (Rough Guide to Reggae/ Blood and Fire Records) and Stuart Baker (Soul Jazz Records). 

Beginning in the 1950s, Jamaican music developed into one of the most important and influential music industries in the world. From its early Mento (Jamaican Calypso) beginnings through to the invention of Ska, Rocksteady, Roots, Dub and Dancehall, Jamaican music is also one of the richest and innovative veins in popular music.

This stunning hardback deluxe book looks at the endless visually creativity of  reggae record cover designs, iconic, classic, rare and unique artwork spanning sixty years of Jamaican sounds.

Available for limited period at special discount price!

100% Absolutely essential! Super-deluxe 12x12" hardback 200 page plus, hundreds of classic Studio One sleeves including loads of killer rarities!

Introduction by Steve Barrow.

This is a seriously heavyweight guide to the great Studio One Records, Reggae's greatest ever record label. From the extensive introduction by Steve Barrow (Author of the Rough Guide to Reggae/Founder of Blood & Fire Records), through hundreds of full size classic sleeves to the clossing 'collector's section' featuring rare silkscreens, alternate sleeves and more, Cover Art of Studio One brings you the artwork from Sir Coxsone's greatest achievement.

Features classic and rare sleeves from Horace Andy, The Skatalites, Jackie Mittoo, Ken Boothe, Alton Ellis, Bob Marley and The Wailers, Toots and The Maytals, Dillinger, Sugar Minott, Lone Ranger and many, many, many more. A goldmine of design, and a who's who of Reggae.

Features on the book:

The Quietus (A Guide to Soul Jazz and Studio One)

The Independent

BBC London - Robert Elms Radio Show (Steve Barrow and Stuart Baker talk about Studio One)

BACK IN PRINT!!! The ESSENTIAL book about Voguing featuring 200+ photographs, interviews and text on the LEGENDS of the House Ballroom Scene of New York City 1989-92.

Introductory essay is by Tim Lawrence, author of the seminal music books: 'Life and Death on The New York Dance Floor',‘Love Saves the Day: A History of American dance music culture, 1970-79’ and ‘Hold on to your Dreams: Arthur Russell and the Downtown Music Scene, 1973-92’.

Voguing came out of the extraordinary house ballroom scene that emerged in Harlem, New York in the 1980s where men competed against one another for their dancing skills, the realness of their drag and their ability to walk on a catwalk runway like a model.

These wild years of voguing and the house ballroom scene are vividly captured at its height in hundreds of amazing, previously unpublished photographs. A visual riot of fashion, gender, polysexuality and subversive style, Voguing and the House Ballroom Scene of New York 1989-92 is also a fascinating and timely document on sexuality and race.

In 2018 a new American TV drama series, Ryan Murphy's POSE premiered, set in the Voguing and House Ballroom world.

Photographer Chantal Regnault lived in New York between 1989-92, photographing the hidden and underground Voguing and House Ballroom Scene at its height – the book features the dancers Willi Ninja, Jose and Luis Xtravaganza (who all worked with Madonna) – LEGENDARY ‘mothers’ of the gay and transgender world – Avis Pendavis, Peppa LaBeija, Carmen Xtravaganza, Dorian Corey, Paris Dupree and more.

SELECT REVIEWS:

"Photographer Chantal Regnault immersed herself in the Voguing scene with passion, accumulating a treasure trove of unpublished photographs now gathered in this book. A beautiful subversive and rare document but also a sociological testimony of a musical movement undeniably linked to sexual and cultural identity." PARIS VOGUE

"Fabulous images documenting the phenomenon of Voguing in New York's house ballrooms in the 1980s and early 90s" THE GUARDIAN

"An amazing insight into the roots of music, polysexuality and subversive style that defined a party era." EVENING STANDARD

"This photography book captures all the fierce shade-throwing, catwalk-walking competition of gay ballroom culture in the 1980s ... 10,10,10." GAY TIMES

Read Quietus feature here

Read Guardian interview with Chantal Regnault here

See Guardian photo gallery here

200 page deluxe 24x30cm flexibound book,

Oh yes! 50 x 70cm KILLER poster!!

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Oh yes! 50 x 70cm KILLER poster!!

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Choose "Poster+Tube" if you want the poster rolled up and sent in a customised, protective tube (more expensive to cover postage)

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Oh yes! 50 x 70cm KILLER poster!!

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Oh yes! 50 x 70cm KILLER poster!!

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Oh yes! 50 x 70cm KILLER poster!!

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Large deep, spiritual jazz poster for your bedroom wall, innit.

Oh yes! 50 x 70cm KILLER poster!!

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Oh yes! slightly smaller than 50 x 70cm KILLER poster!!

Choose "Poster Freepost" if you want this poster sent with any other vinyl order item (LP/12" vinyl only) at NO extra postage charge (poster will be folded into six parts)

Choose "Poster+Tube" if you want the poster rolled up and sent in a customised, protective tube (more expensive to cover postage)

THIS ALSO means if you want more than one poster then you should only put 'Poster+Tube' for one of the posters and select 'Poster freepost' for any others as the rest will be free shipping.

Choose "Poster Freepost" if you want this poster sent with any other vinyl order item (LP/12" vinyl only) at NO extra postage charge (poster will be folded into six parts)

Choose "Poster+Tube" if you want the poster rolled up and sent in a customised, protective tube (more expensive to cover postage)

THIS ALSO means if you want more than one poster then you should only put 'Poster+Tube' for one of the posters and select 'Poster freepost' for any others as the rest will be free shipping.