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    • The Awakening – Awakening - Prologue Spring Thing
    • The Awakening – Convulsions
    • The Awakening – Kera's Dance
    • The Awakening – Brand New Feeling
    • 1. Awakening - Prologue Spring Thing
    • 2. When Will It Ever End
    • 3. Convulsions
    • 4. Kera's Dance
    • 5. Jupiter
    • 6. Brand New Feeling
    • 7. Awakening - Epilogue

    The Awakening are the heaviest of all the groups to release on Black Jazz Records - this is simply a spiritual jazz classic album - every track is superb. This is also one of the RAREST of all Black Jazz albums - never reissued and super deep - 100% ESSENTIAL PURCHASE!

    A spiritual jazz classic from The Awakening that sees the group making sidesteps into the freer jazz zones - quite natural for band pianist Ken Chaney and saxophonist-flautist Ari Brown, given their involvement with the Afro-centric AACM (Association for the Advancement of Creative Music) - essential!

    Other Releases by The Awakening

    The AwakeningMirage (Remastered Edition)Black Jazz Records

    **First time reissued on vinyl!**

    The only “group” on the Black Jazz roster, The Awakening today should be heralded as one of the great bands in early ‘70s jazz. That they’re not is the result of the Black Jazz label’s distribution woes; witness the fact that original copies of both of their records for the imprint command prices in the hundreds of dollars if you can find them at all. Mirage is their second (1973) album, the last one they made together; it boasts the same Chicago-based, AACM-centric line-up as the first, with the notable addition of bassist Rufus Reid on a couple of tracks. Spiritual jazz, free jazz, soul jazz, fusion jazz, you name it—The Awakening take all those threads common to early ‘70s African-American music and, like any great ensemble, weave them into a beautiful sonic garment that’s greater than the sum of its parts. The Mirage is a bit less political/pan-African than Hear, Sense and Feel, its predecessor, which definitely owed some of its feel to the band’s Art Ensemble of Chicago/AACM roots; this record is a little more abstract, a little more varied in its moods and textural coloring, yet no less powerful and transporting.

    • – Mode for D.D.
    • – Slinky
    • – Mirage
    • – March On

    Other Releases on Black Jazz Records

    The AwakeningMirage (Remastered Edition)Black Jazz Records

    **First time reissued on vinyl!**

    The only “group” on the Black Jazz roster, The Awakening today should be heralded as one of the great bands in early ‘70s jazz. That they’re not is the result of the Black Jazz label’s distribution woes; witness the fact that original copies of both of their records for the imprint command prices in the hundreds of dollars if you can find them at all. Mirage is their second (1973) album, the last one they made together; it boasts the same Chicago-based, AACM-centric line-up as the first, with the notable addition of bassist Rufus Reid on a couple of tracks. Spiritual jazz, free jazz, soul jazz, fusion jazz, you name it—The Awakening take all those threads common to early ‘70s African-American music and, like any great ensemble, weave them into a beautiful sonic garment that’s greater than the sum of its parts. The Mirage is a bit less political/pan-African than Hear, Sense and Feel, its predecessor, which definitely owed some of its feel to the band’s Art Ensemble of Chicago/AACM roots; this record is a little more abstract, a little more varied in its moods and textural coloring, yet no less powerful and transporting.

    • – Mode for D.D.
    • – Slinky
    • – Mirage
    • – March On
    Henry FranklinThe Skipper At Home (Remastered Edition)Black Jazz Records

    Bassist Henry Franklin’s 1972 release for Black Jazz, The Skipper, is one of the highlights in a label catalog full of many, and his 1974 follow-up, The Skipper at Home (“The Skipper” is Franklin’s nickname), lives up to its predecessor’s high standard and might even surpass it. Which is no surprise given that a lot of the same players are on it, including trumpeter/flugelhornist Oscar Brashear, tenor/soprano saxophonist Charles Owens, and pianist Bill Henderson (here billed as Kemang Sunduza). But The Skipper at Home also boasts ace talents like keyboardist Kirk Lightsey (memorably featured on the Roland Haynes Black Jazz release 2nd Wave), trombonist Al Hall, Jr. (who appeared on Black Jazz releases from Doug Carn, Chester Thompson, and Calvin Keys), and drummer Leon “Ndugu” Chancler, who’s played with everyone from Miles Davis to Joe Henderson. The result is an album that, like The Skipper, is rooted in bop but one that nods to some of the currents that were swirling in jazz at the time; it’s a little freer, a little more electric. And, as is true of just about every Black Jazz release, the ensemble work is remarkably intuitive and swinging, driven by Franklin’s melodic, inventive bass playing.

    • – Blue Lights
    • – The Magic Boy
    Gene RussellNew DirectionBlack Jazz Records

    The first album released from the most sought-after label, bar none, among jazz collectors! Black Jazz was started by keyboardist / producer Gene Russell for Dick Schory's Ovation Records. Active from only 1971 to 1975, and reputed to be the first jazz label started by an African-American since Sunshine Records in 1921, Black Jazz sought to expand minds as well as hearts, releasing spiritual, socially conscious music that explored such burgeoning genres of the era as funk, soul jazz, and free jazz. 'New Directions' set the tone for the entire label with its modal and soul jazz explorations. Real Gone's reissue includes new liner notes by Pat Thomas, the author of 'Listen Whitey! The Sounds of Black Power 1965-1975'

    • – Black Orchid
    • – Listen Here
    Henry FranklinThe SkipperBlack Jazz Records

    SUPER- RARE deep jazz - First time in print for nearly 50 years! Heavy b-lines, tough horn lines, fender rhodes - essential Black Jazz rarity finally on vinyl!

    Classic 1972 Black Jazz album release from bassist Henry "The Skipper" Franklin! Featuring the incredible cuts 'Plastic Creek Stomp', 'Beauty And The Electric Tub' (check the break!) and 'The Skipper'!

    • – Plastic Creek Stomp
    • – Beauty And The Electric Tub
    • – The Skipper
    • LP£25.00
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    • CD£16.00
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    Gene RussellTalk To My LadyBlack Jazz Records

    SUPER- RARE deep jazz - First time in print for nearly 50 years! This is super laid back fender rhodes deepness - another essential Black Jazz rarity finally on vinyl!

    Classic Black Jazz 1973 album release from keyboard player and producer, Gene Russell! Check the funky jazz cut 'Get Down' (what a bassline!) and an insane Fender Rhodes version of Coltrane's 'My Favorite Things'!

    • – Get Down
    • – My Favorite Things
    • LP£25.00
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    • CD£16.00
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    Calvin KeysShawn-NeeqBlack Jazz Records

    RARE & HEAVY spiritual jazz from LA guitarist Calvin Keys - like a an early precursor to Horace Tapscott, and later Thundercat and the deep LA jazz scene! ESSENTIAL!

    -----------------------------------------------------------------------------------------------------------

    Calvin Keys’s 1971 debut album for the Black Jazz Records label announced the arrival of a new star in the jazz guitar firmament. Keys had spent the ‘60s backing up the crème de la crème of jazz organists—Jimmy Smith, Jimmy McGriff, Jack McDuff, Richard “Groove” Holmes—but for his first record as a leader, he was eager to play with a piano player instead. So he recruited one of the best—Larry Nash, who, besides being a member of the L.A. Express, played with everybody from Eddie Harris to Bill Withers to Etta James. Bassist Lawrence Evans, drummer Bob Braye, and flautist-songwriter Owen Marshall rounded out the group on Shawn-Neeq, which might remind some of Pat Metheny’s early work (Metheny acknowledges Keys as an influence), or Grant Green. But what gives Shawn-Neeq extra depth is that it comes from the heart; as Keys says in Pat Thomas’ liner notes, which feature an interview with the artist: “My thing was, I write about some of the experiences that I’ve had in my life.” Keys has since become a fixture in the Bay Area jazz scene; this is the album that started his journey.

    • – B. E.
    • – Criss Cross
    • – Shawn-Neeq
    • – Gee-Gee
    Rudolph JohnsonSpring RainBlack Jazz Records

    Wicked rare Black Jazz includes the MASSIVE 'Diswa' - big tune! + loads more deep stuff!

    ----------------------------------------------------------------------------------------------------

    Columbus, Ohio’s Rudolph Johnson drew comparisons to John Coltrane during his career; like the jazz legend in his later years, Johnson eschewed drugs or alcohol and spent his time every day either meditating and rehearsing on his horn. You can definitely hear a little bit of Coltrane in Johnson’s playing on this, his 1971 debut release for the Black Jazz label, the first of two he recorded for the imprint and the first he recorded as a leader after some sideman work (most notably for organist Jimmy McGriff); his ability to explore the upper registers and overtones of his tenor sax while retaining control is quite striking. Of course, this being a Black Jazz release, along with the bebop sounds of “Sylvia Ann” and the mid-‘60s Blue Note stylings of “Sylvia Ann,” there’s the soul jazz of “Diswa” and the groove funk of “Devon Jean,” all played by, as is typical on Black Jazz releases, by top-notch sidemen including drummer Raymond Pounds, who’s played with everybody from Stevie Wonder to Pharoah Sanders to Bob Dylan, and pianist John Barnes, whose work is very familiar to Motown fans (Supremes, Temptations, Marvin Gaye). Bassist Reggie Jackson, who appeared on the Walter Bishop, Jr. Coral Keys record we previously released, rounds out the quartet.

    • – Diswa
    • LP£28.00
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    Cleveland EatonPlenty Good EatonBlack Jazz Records

    HEAVY RARE DEEP FUNK/JAZZ BLACK JAZZ ALBUM!

    ----------------------------------------------------------------------------------------------------------

    Super rare deep 1975 jazz/funk album from Cleveland Eaton! Some wild styles going on here ranging from the Blaxploitation soundtrack stylings of “Keena,” “All Your Lover All Day All Night,” and “Hamburg 302,” all of which incorporate disco-style strings into funky soul-jazz vamps, to the almost trad-jazz of “Kaiser 405,” to the Philly soul of “Are You Out There Somewhere Caring,” to the out-and-out party anthem “Moe Let’s Have a Party.” KILLER, KILLER ALBUM!

    • – Chi-Town Theme
    • – Keena
    • – Moe Let’s Have a Party
    • – Are You Out There Somewhere Caring
    • – Kaiser 405
    • – All Your Love All Day All Night
    • – Hamburg 302
    • LP£28.00
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    • CD£17.00
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    Roland Haynes2nd WaveBlack Jazz Records

    Incredible album! Powerful synth-led heavy experimental 70s Afro-futurist jazz on Black Jazz Records. Very rare album released for the first time in many, many years. Check the audio.

    One of the most powerful of Black Jazz Records releases (alongside The Awakening)

    • – Second Wave
    • – Kirstn's Play
    • – Descent
    • – Funky Mama Moose
    Kellee PattersonMaiden VoyageBlack Jazz Records

    Fantastic album on Black Jazz, originally released in 1974 and featuring the seminal vocal version of Herbie Hancock's 'Maiden Voyage' - powerful, uplifting gem on Black Jazz. AWESOME!

    Produced by Gene Russell, accompanied by George Harper's sprightly flute and a subdued rhythm section, Patterson's lovely, sure-pitched voice fits the love song "Magic Wand of Love" and the boogaloo 'Soul Daddy' well, as does her interpretation of lyrics specially fashioned for the Herbie Hancock instrumental 'Maiden Voyage'.

    • – Maiden Voyage
    Walter Bishop, Jr.Coral KeysBlack Jazz Records

    Superb spiritual deepness once more channelling Coltrane, Tyner et al with the great Idris Muhammed on drums - this is a super tight set, wicked super rare Black Jazz deepness!

    Walter Bishop, Jr. (piano), Idris Muhammed (drums), Reggie Johnson (bass), Harold Vick (flute & soprano), Alan Schwartz Benger (drums), Woody Shaw (trumpet).

    • – Coral Keys
    • – Waltz For Zweetie
    Doug Carn feat. The Voice of Jean CarnSpirit Of The New LandBlack Jazz Records

    Untouchable deep, spiritual jazz once more on Black Jazz from Doug Carn, with the soaring vocals of his then wife Jean Carn. Untouchable stuff!

    Of all the artists who recorded for the Black Jazz label, keyboardist and composer Doug Carn was the most prolific, releasing four albums for the label. 1972's 'Spirit of the New Land' was his second Black Jazz release, but the first one (of two) to co-feature his wife, vocalist Jean Carn. Features trumpeter Charles Tolliver, co-founder of the Strata-East label; saxophonist George Harper, who played with Herbie Hancock and Jimmy Smith among others; trombonist Garnett Brown and drummer Alphonse Mouzon (founding member of Weather Report). This is beautiful, uplifting, spiritual jazz classic!

    • – My Spirit
    • – Arise And Shine
    • – Trance Dance
    • LP£26.00
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    People also bought

    Chester ThompsonPowerhouseBlack Jazz Records

    With long-standing stints in Tower of Power and Santana, Chester Thompson just might be the most decorated and distinguished keyboardist in all of rock and R&B, let alone of the Bay Area musical scene.

    It's little wonder that this 1971 album, then, is one of the rarest and most coveted albums on the highly collectible Black Jazz Records label—it's Thompson's debut record, cut a couple of years before he joined Tower of Power, with a smokin' band featuring fellow Black Jazz recording artist Rudolph Johnson on sax along with ace drummer Raymond Pounds (Pharoah Sanders, Stevie Wonder, Pointer Sisters) and trombonist Al Hall (Johnny Hammond, Freddie Hubbard, Eddie Harris). And, yes, Powerhouse comes by its title honestly…it's jazz, all right, but injected with a jolt of electricity courtesy of Thompson's Hammond B-3, and with just four tunes spread out over two sides, it's pretty much a nonstop groove.

    Newly remastered, and with liner notes featuring quotes from fellow Tower of Power member Dave Garibaldi and Bay Area keyboardist Todd Cochran a.k.a. Bayete that testify as to Chester Thompson's greatness, this is another long-lost triumph from the Black Jazz label. First-ever vinyl reissue!

    • – Mr. T
    • – Weird Harold
    • LP£25.00
      Out of stock
    • CD£17.00
      Out of stock
    Doug Carn feat. The Voice of Jean CarnSpirit Of The New LandBlack Jazz Records

    Untouchable deep, spiritual jazz once more on Black Jazz from Doug Carn, with the soaring vocals of his then wife Jean Carn. Untouchable stuff!

    Of all the artists who recorded for the Black Jazz label, keyboardist and composer Doug Carn was the most prolific, releasing four albums for the label. 1972's 'Spirit of the New Land' was his second Black Jazz release, but the first one (of two) to co-feature his wife, vocalist Jean Carn. Features trumpeter Charles Tolliver, co-founder of the Strata-East label; saxophonist George Harper, who played with Herbie Hancock and Jimmy Smith among others; trombonist Garnett Brown and drummer Alphonse Mouzon (founding member of Weather Report). This is beautiful, uplifting, spiritual jazz classic!

    • – My Spirit
    • – Arise And Shine
    • – Trance Dance
    • LP£26.00
      Out of stock
    • CD£17.00
      In stockAdd to Bag
    Gene RussellNew DirectionBlack Jazz Records

    The first album released from the most sought-after label, bar none, among jazz collectors! Black Jazz was started by keyboardist / producer Gene Russell for Dick Schory's Ovation Records. Active from only 1971 to 1975, and reputed to be the first jazz label started by an African-American since Sunshine Records in 1921, Black Jazz sought to expand minds as well as hearts, releasing spiritual, socially conscious music that explored such burgeoning genres of the era as funk, soul jazz, and free jazz. 'New Directions' set the tone for the entire label with its modal and soul jazz explorations. Real Gone's reissue includes new liner notes by Pat Thomas, the author of 'Listen Whitey! The Sounds of Black Power 1965-1975'

    • – Black Orchid
    • – Listen Here
    Rudolph JohnsonSpring RainBlack Jazz Records

    Wicked rare Black Jazz includes the MASSIVE 'Diswa' - big tune! + loads more deep stuff!

    ----------------------------------------------------------------------------------------------------

    Columbus, Ohio’s Rudolph Johnson drew comparisons to John Coltrane during his career; like the jazz legend in his later years, Johnson eschewed drugs or alcohol and spent his time every day either meditating and rehearsing on his horn. You can definitely hear a little bit of Coltrane in Johnson’s playing on this, his 1971 debut release for the Black Jazz label, the first of two he recorded for the imprint and the first he recorded as a leader after some sideman work (most notably for organist Jimmy McGriff); his ability to explore the upper registers and overtones of his tenor sax while retaining control is quite striking. Of course, this being a Black Jazz release, along with the bebop sounds of “Sylvia Ann” and the mid-‘60s Blue Note stylings of “Sylvia Ann,” there’s the soul jazz of “Diswa” and the groove funk of “Devon Jean,” all played by, as is typical on Black Jazz releases, by top-notch sidemen including drummer Raymond Pounds, who’s played with everybody from Stevie Wonder to Pharoah Sanders to Bob Dylan, and pianist John Barnes, whose work is very familiar to Motown fans (Supremes, Temptations, Marvin Gaye). Bassist Reggie Jackson, who appeared on the Walter Bishop, Jr. Coral Keys record we previously released, rounds out the quartet.

    • – Diswa
    • LP£28.00
      Out of stock
    • CD£17.00
      In stockAdd to Bag
    Walter Bishop, Jr.Coral KeysBlack Jazz Records

    Superb spiritual deepness once more channelling Coltrane, Tyner et al with the great Idris Muhammed on drums - this is a super tight set, wicked super rare Black Jazz deepness!

    Walter Bishop, Jr. (piano), Idris Muhammed (drums), Reggie Johnson (bass), Harold Vick (flute & soprano), Alan Schwartz Benger (drums), Woody Shaw (trumpet).

    • – Coral Keys
    • – Waltz For Zweetie
    Trees SpeakPostHumanSoul Jazz Records

    This is incredibly Trees Speak’s third album on Soul Jazz Records to be released in the space of one year – and it’s amazing!

    Trees Speak’s new album ‘Post-Human’ once again blends 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New York No Wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!

    The new album ‘Post-Human’ draws further upon German krautrock high-concept albums from the likes of Tangerine Dream and Klaus Schulze from the 1970s, as Trees Speak create their own powerful new landscapes of sound that manage to be at once contemporary as well as both timeless and with a sense of science-fiction futurism.

    Trees Speak’ seamlessly segue together all these musical elements into ‘Post-Human,’ a conceptually expansive album which follows on from their critically-acclaimed debut LP ‘Ohms,’ and the follow-up ‘Shadow Forms’ released on Soul Jazz Records less than six months ago.

    This powerful new album is a high-concept collage of retro-futurist science-fiction music, which is fantastically illustrated by a specially commissioned cover design by the artist Eric Lee, a dramatic vision of life after humanity.

    Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

    The album includes an INDIES ONLY exclusive bonus 45 single with two extra tracks ‘Machine Vision’ and ‘Seventh Mirror’ available with the vinyl edition of this amazing and ground-breaking new album.

    With ‘Post-Human,’ Trees Speak take the listener deep into their unique musical world of unknown visions of the past and the future.

    ABOUT Ohms: Album of the Month - Splintered Eye /50 Best albums 2020 - Pop Matters / Favourite albums 2020 -The Soap Company / Albums of the Year 2020 -Bear Tree Records / Independent Albums of the Year 2020-Love Records / Albums of the Year 2020-Concrete Islands

    ABOUT Shadow Forms: Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year 2020 -South / Albums of the Year 2020 - Concrete Island / Albums of the month - Reveal / Albums of the Year 2020 -Piccadilly / Albums of the Year 2020-Buzzsaw / About Shadow forms / Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year-South / Albums of the Year-Concrete Island / Albums of the month-Reveal / Albums of the Year-Piccadilly /Albums of the Year-Buzzsaw

    About Ohms:

    “This might well be the Dark Side of the Moon of the XXI century” Discogs


    • Trees Speak – Double Slit
    • Trees Speak – Glass
    • Trees Speak – Chamber of Frequencies
    • Trees Speak – Divided Light
    • Trees Speak – Elements of Matter
    • Trees Speak – Magic Transistor
    • Trees Speak – Scheinwelt
    • Trees Speak – PostHuman
    • Trees Speak – Synthesis
    • Trees Speak – X Zeit
    • Trees Speak – Incandescent Sun
    • Trees Speak – Healing Rods
    • Trees Speak – Steckdose
    • Trees Speak – Amnesia Transmitter
    • Trees Speak – Quantize Humanize
    • Trees Speak – Gläserner Mensch
    • Trees Speak – Machine Vision
    • Trees Speak – Hidden Machine
    Cleveland EatonPlenty Good EatonBlack Jazz Records

    HEAVY RARE DEEP FUNK/JAZZ BLACK JAZZ ALBUM!

    ----------------------------------------------------------------------------------------------------------

    Super rare deep 1975 jazz/funk album from Cleveland Eaton! Some wild styles going on here ranging from the Blaxploitation soundtrack stylings of “Keena,” “All Your Lover All Day All Night,” and “Hamburg 302,” all of which incorporate disco-style strings into funky soul-jazz vamps, to the almost trad-jazz of “Kaiser 405,” to the Philly soul of “Are You Out There Somewhere Caring,” to the out-and-out party anthem “Moe Let’s Have a Party.” KILLER, KILLER ALBUM!

    • – Chi-Town Theme
    • – Keena
    • – Moe Let’s Have a Party
    • – Are You Out There Somewhere Caring
    • – Kaiser 405
    • – All Your Love All Day All Night
    • – Hamburg 302
    • LP£28.00
      Out of stock
    • CD£17.00
      In stockAdd to Bag
    Kellee PattersonMaiden VoyageBlack Jazz Records

    Fantastic album on Black Jazz, originally released in 1974 and featuring the seminal vocal version of Herbie Hancock's 'Maiden Voyage' - powerful, uplifting gem on Black Jazz. AWESOME!

    Produced by Gene Russell, accompanied by George Harper's sprightly flute and a subdued rhythm section, Patterson's lovely, sure-pitched voice fits the love song "Magic Wand of Love" and the boogaloo 'Soul Daddy' well, as does her interpretation of lyrics specially fashioned for the Herbie Hancock instrumental 'Maiden Voyage'.

    • – Maiden Voyage
    Charles RouseTwo Is One (1974)Strata-East

    Heavyweight Strata-East deep and heavy funky jazz bomb - Hopscotch is a KILLER tune + loads more. Airto in the line-up as well as Stanley Clarke with some heavy b-lines!

    • – Bitchin'
    • – Hopscotch
    • – Two Is One
    Star Feminine BandStar Feminine BandBorn Bad Records

    Without warning, this group of young girls from a remote region of Benin is shaking up the world of garage rock with breathtaking freshness, ingenuity, energy and playing!

    • – Peba
    • – Rew Be Me
    • – Femme Africaine
    • – Montealla
    • – La Musique
    • – Idesouse
    • – Iseo
    • – Timtitu
    • LP£19.00
      Out of stock
    • CD£14.00
      Out of stock
    Kendrick LamarUntitled Unmastered.Top Dawg Entertainment

    Woah! Amazing 8-track album dropped out of the blue by Kendrick! Outtakes of tracks from 'Pimp A Butterfly', we're so glad saw the light of day - these tracks are way to good to be archived! Jazz injections, and fierce solos, every bit as good as 'Pimp A Butterfly'!!!! All of the tracks are untitled, save for the date they were recorded.

    • – Untitled 01 | 08.19.2014.
    • – Untitled 02 | 06.23.2014.
    • – Untitled 03 | 05.28.2013.
    • – Untitled 04 | 08.14.2014.
    • – Untitled 05 | 09.21.2014.
    • – Untitled 06 | 06.30.2014.
    • – Untitled 07 | 2014 - 2016
    • – Untitled 08 | 09.06.2014.
    • LP£21.99
      Out of stock
    • CD£11.99
      Out of stock
    Count Ossie & The Mystic Revelation Of RastafariTales Of MozambiqueSoul Jazz Records

    Soul Jazz Records are releasing Count Ossie and The Mystic Revelation’s seminal 1975 album Tales of Mozambique in an expanded double album/single CD/digital format, fully remastered and with the inclusion of two bonus rare single-only tracks, full sleevenotes, exclusive photographs and interview.

    Count Ossie is the central character in the development of Rastafarian roots music, nowadays an almost mythical and iconic figure. His importance in bringing Rastafarian music to a populist audience is matched only by Bob Marley’s promotion of the faith internationally in the 1970s.

    Count Ossie’s drummers performed on the first commercially released single to integrate Rastafarian traditional music with popular music: the vocal group The Folkes Brothers’ groundbreaking song ‘Oh Carolina’, recorded for producer Prince Buster in 1959. In 1966 his drummers greeted the momentous arrival of Haile Selassie at Kingston airport.

    His legendary jam sessions up in his Rastafarian compound in the hills of Wareika, Kingston, are famous for the many Jamaican musicians who attended including The Skatalites players – Roland Alphonso, Don Drummond, Johnny Moore, Lloyd Knibbs – and many others.

    The Mystic Revelation of Rastafari formed in Kingston, Jamaica, in 1970, a union of Count Ossie’s Rastafarian drummers – variously known as his African Drums, Wareikas or his Afro-Combo – and the saxophonist Cedric Im Brooks’ horns group, The Mystics.

    The Mystic Revelation of Rastafari are the defining group in bringing authentic Rastafarian rhythms into the collective consciousness of popular music, their unique music is at once rooted in the deep traditions and rituals of traditional drumming and chanting alongside a forward-thinking, even avant-garde, artistry influenced by the likes of John Coltrane, Sun Ra, Pharoah Sanders and other pioneering African-American jazz artists radicalised and charged by the civil rights movement of the 1960s.

    Tales of Mozambique is a truly unique and fascinating ground-breaking album.

    Count Ossie and The Mystic Revelation of Rastafari are the central group featured on Soul Jazz Records recent "Rastafari - The Dreads Enter Babylon” a collection showing the influence of Rastafari in Reggae and Jamaican popular culture.

    Soul Jazz Records will also be releasing Count Ossie and The Rasta Family 'Man From Higher Heights’ in the near future.

    * Bonus tracks

    REVIEWS

    " All roads in Rastafarian roots music lead to Count Ossie.He’s the lead character in this compelling subplot, the musician who was one of the first to put Rasta tenets into the heart of popular music.

    He did so from his camp in the hills above Kingston, Count Ossie and his drummers casting a spell on the musicians who gathered to check him out and then went on to spread the word about the powerful nyabinghi rhythms and mesmerising percussion.

    This is a reissue of the 1975 album Count Ossie made with his Rastafarian drummers and saxaphonist Cedric ‘Im’ Brooks’s group The Mystics.

    It’s a groundbreaking, majestic work, by turns righteous in tone and joyous in execution. It’s the sound of Ossie and his ensemble narrating a history lesson and you’d be daft not to want to find out more."  IRISH TIMES

    • – Sam's Intro
    • – Tales Of Mozambique
    • – Selam Nna Wadada (Peace & Love)
    • – No Night In Zion
    • – I Am A Warrior
    • – Wicked Babylon
    • – Let Freedom Reign
    • – Lock, Stock And Barrel
    • – Nigerian Reggae
    • – Run One Mile
    • – Rasta Reggae*
    • – Samia*
    Sun Ra ArkestraSwirlingStrut

    Marshall Allen directs the Arkestra's first studio album in over twenty years, ‘Swirling'! This new recording represents the "continuation of a heartfelt rebirth of the Arkestra under Allen’s guidance since Sun Ra left the planet in 1993"; a big band line-up featuring long-standing Arkestra members including Danny Ray Thompson, Michael Ray, Vincent Chancey, Knoel Scott, Cecil Brooks, Atakatune, Elson Nascimento and Tyler Mitchell, the album is a full-blooded, cosmic celebration of Sun Ra’s legacy.

    • – Satellites Are Spinning/Lights On A Satellite
    • – Seductive Fantasy
    • – Swirling
    • – Angels And Demons At Play
    • – Sea Of Darkness/Darkness
    • – Rocket No. 9
    • – Astro Black
    • – Infinity/I'll Wait For You
    • – Sunology
    • – Door Of The Cosmos/Say
    • New 2×LP (Coloured Vinyl)£25.00
      Limited gold vinyl edition
      Out of stock
    • CD£12.00
      Out of stock
    Studio One SoulSoul Jazz Records

    More classic Reggae from Jamaica's most important label ever .

    Studio One Soul tracks the link between American Funk and Soul and Jamaican Reggae at the legendary Studio One Records.

    Curtis Mayfield, Aretha Franklin, Otis Redding, The Temptations, King Floyd, Booker T and The MGs - all these artists had a huge influence on Jamaican artists and this CD contains versions of songs by all of them. Featuring classic and rare Reggae Funk and Soul cuts from the Reggae giants alongside rarer cuts, Studio One Soul spans over 20 years of classic Reggae from the Rocksteady Funk through to the deep Roots music.


    Following on from Studio One Rockers, this second journey into the vaults of Studio One tells the story of the important link between American Funk and Soul and Jamaican Reggae. Ranging from music taken from the mid-1960s (and the arrival of Rocksteady) through to the beginning of the 1980s, Studio One Soul features versions of US Funk and Soul hits (many rarely heard before) from some of the many classic artists who recorded at Studio One. American Soul music has always been an important influence on Jamaican Reggae.

    The beginning of the Jamaican recording industry at the end of the 1950s started with Clement "Coxsone" Dodd (owner of Studio One) and a group of select in-house musicians (originally The Skatalites) recording their own version of American R'n'B. Playing on the off-beat this music became Ska. As American R'n'B progressed through Funk, Soul and Disco, Jamaican music was going through its own musical changes, from Rocksteady throught to Reggae and Roots music. The house-band at Studio One recorded on a daily basis behind all Studio One vocalists as well as recording instrumentally in its own right.

    Soul singers such as Curtis Mayfield and The Impressions (Queen Of The Minstrels) had a profound influence on Jamaican artists and many other US artists were constantly re-interpreted and re-worked. Artists such as Aretha Franklin (Respect), Charles Wright (Express Yourself), King Floyd (Groove Me), Otis Redding (How Strong) were all very popular in Jamaica in the 1960s. At the end of the 1960s Black Consciousness became an important part of American Soul music. At the same time many Jamaican artists were starting to look to their roots. Many artists would shortly become involved in Rastafarianism. The "conscious" lyrics of American Funk and Soul again struck a chord with Jamaican artists. "Message From A Blackman" (originally by The Temptations) and "Is It Because I'm Black" (Syl Johnson) are examples of this. Through the 1970s Soul/Disco artists such as Barry White ("Can't Get Enough" and "Deeper and Deeper") and The Detroit Spinners ("I'll Be Around") became the flavour of the day. This CD finishes with Willie William's interpretation of Ashford and Simpson's classic "Ain't No Stopping Us Now".

    "Compilation of the month" MOJO "Another essential purchase from Soul Jazz" SEVEN "Latest in Soul Jazz's indespensible compilations" I-D "Near perfect" JOCKEY SLUT

    • Leroy Sibbles – Express Yourself
    • Norma Fraser – Respect
    • Leroy Sibbles – Groove Me
    • Sound Dimension – Time Is Tight
    • The Heptones – Message From A Black Man
    • Otis Gayle – I'll Be Around
    • Jerry Jones – Still Water
    • Sound Dimension – Soulful Strut
    • Richard Ace – Can't Get Enough
    • The Eternals – Queen Of The Minstrels
    • Ken Parker – How Strong
    • Ken Boothe – Set Me Free
    • Senior Soul – Is It Because I'm Black
    • Jackie Mittoo – Deeper And Deeper
    • Willie Williams – No One Can Stop Us
    Willie WilliamsArmagideon Time (Discomix Vocal / Version)Soul Jazz Records

    MASSIVE STUDIO ONE ANTHEM ALERT!!!

    Willie Williams' roots rock reggae classic Armagideon Time – the rare 12" extended Discomix version split into two sublime heavyweight slices and cut super-loud on a 12" single.

    Produced by Studio One supremo Coxsone Dodd this is a huge Reggae anthem on the classic 'Real Rock' rhythm, famously covered by The Clash and sampled by KRS One, The Fugees and many more.

    A dancefloor devastating Reggae party bomb!

    • Willie Williams – Armagideon Time (Discomix Vocal)
    • Willie Williams – Armagideon Time (Discomix Version)
    Hustle! Reggae Disco (Expanded Edition)Soul Jazz Records

    Expanded edition which now features five extra tracks!

    This ground-breaking album features non-stop killer reggae versions of original funk and soul classics in a disco style. Reggae disco updates of seminal classics by Anita Ward (‘Ring My Bell’), Chaka Khan (‘I’m Every Woman’), Michael Jackson ‘Don’t Stop ‘til You Get Enough,’ Sugarhill Gang (‘Rappers Delight’ here performed by Derrick Laro & Trinity for producer Joe Gibbs) and more, all showing the hidden but inseparable link between the dance floors of New York, Kingston and London.

    New bonus tracks to this collection include Derrick Harriott’s funky take on Eddie Drennon’s ‘Do It Nice and Easy’, the classic disco reggae of Risco Connection’s performing McFadden and Whitehead’s ‘Ain’t No Stopping Us Now’ and the London rare groove lovers rock of Charmaine Burnett singing Barbara Acklin’s soul classic ‘Am I The Same Girl’.

    ‘Hustle! Reggae Disco’ has been one of Soul Jazz Records’ best-selling releases since its first release 15 years ago (and subsequently featured heavily in the early Grand Theft Auto games!). This new edition comes complete fully re-mastered and with all original titles plus new tracks. This new expanded edition now comes as a triple album (+ download code), CD and digital album.

    ‘The effect of American R&B and soul music on Jamaican reggae is well documented, but the story doesn't stop there, for disco (and more so now for rap and hip-hop) have also been subsumed into the reggae mix, and while one might suspect that the resulting hybrid would die of its own implausibility, the feral mix of disco with reggae rhythms is so darn infectious that it hardly matters. Once you take your brain out of the frame and just let your feet go, this collection is a dancer's delight all done up in full-blown disco style, but with huge dub-style rhythm tracks … if you're looking for an impossibly infectious dance collection, this is it.’ All Music

    • Blood Sisters – Ring My Bell
    • Derrick Laro and Trinity – Don't Stop Til You Get Enough
    • Chariot Riders – Do It Nice & Easy
    • Black Harmony – Don't Let It Go To Your Head
    • Latisha – I'm Every Woman
    • Ernest Ranglin – In The Rain
    • Family Choice – Reggae Beat Goes On
    • Risco Connection – Ain't No Stopping Us Now
    • Xanadu and Sweet Lady – Rappers Delight
    • Sharon Forrester – Love Don't Live Here Any More
    • Carol Cool – Upside Down
    • One Blood – Be Thankful For What You've Got
    • Charmaine Burnett – Am I The Same Girl
    • 1. Blood Sisters – Ring My Bell
    • 2. Derrick Laro and Trinity – Don't Stop Til You Get Enough
    • 3. Chariot Riders – Do It Nice & Easy
    • View full info and tracklisting
    Penny PennyYogo YogoAwesome Tapes From Africa

    The rags-to-riches chronicle of Penny Penny's life would be remarkable if he had only released his smash debut Shaka Bundu and packed houses for a few years. But the inimitable South African singer and dancer known for his trademark top ponytail and emphatic anthems was no one-hit wonder. In the aftermath of Shaka Bundu's nationwide explosion, far beyond his country the album resonated with ever bigger audiences. He performed up and down the continent, building fanbases in more than a dozen countries. So his sophomore album Yogo Yogo - released in 1996 - solidified Penny Penny's standing in pop music nationally and provided new energy to his pan-African stadium-filling adventures. "I was very busy between Shaka Bundu and Yogo Yogo. Shows every week, local and outside the country. There was no relaxing from 1995 until 1999." The album also reflects the era in which it emerged. If Shaka Bundu arrived triumphantly amid newfound political freedom in South Africa with the end of Apartheid and Nelson Mandela's election, Yogo Yogo was a next level expression for the maturing artist. He wanted to get a message out. Composed with Joe Shirimani, who also produced the album, the sound and compositional style echoes the earlier recording but the topical nature of the lyrics became more deliberate, more didactic. In the song "Ingani" Penny proclaims, we are all one people even though we may speak different languages, we are all Nguni—a larger historical grouping that includes many of the ethnic groups in modern South Africa. "Kulani Kulani," which means grow up, urges young people to say no to drugs and yes to education. Ama Owners, referring to the public transport drivers involved in violent rumbles, asks the nation's drivers to relax because we need them for our safe arrival. Penny's success as a Xitsonga artist should not be under-estimated in the context of popular music at the time in South Africa.

    • – Ibola Aids
    • – Ingani
    • – Amarumasi
    • – Kulani Kulani
    • – Hai Kamina
    • – Yogo Yogo
    • – Ti Samboko
    • – Ama Owners
    • LP + Download Code£20.00
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    • CD£12.00
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    • Cassette Tape £9.00
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    TenderloniousThe Shakedown feat. The 22archestra22a

    Long awaited debut LP from Tenderlonious featuring the 22archestra!

    Listeners are exposed to the full breadth of the 22a leaders technical and compositional skills, ranging from subtly meandering jazz, to hip-hop, afrobeat, latin and exhilarating free form jazz. If you picked up any of the limited 7" promos over the last 6 months from us, you'll know what to expect here.

    Features Yussef Dayes (Yussef Kamaal) on drums, Fergus Ireland on bass, Hamish Balfour on keys, and Reginald Omas Mamode IV and Jeen Bassa on percussion.

    Essential stuff - don't sleep!

    • – Expansions
    • – Yussef's Groove
    • – Togo
    • – SV Interlude
    • – The Shakedown
    • – Maria
    • – You Decide
    • – SV Disco
    • – Red Sky At Night
    • 2×LP£23.00
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    • CD£11.00
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    Trees SpeakOhmsSoul Jazz Records

    Super-limited new 1000 copies special white vinyl edition!

    -------------------------------------------------------------------------------------------------------------

    When the band Trees Speak, coming out of nowhere, released an exclusive one-off 100-pressing white label 45, described as CAN/NEU! meets LIQUID LIQUID, it sold out so quickly (in less than 30 mins - one for sale on Discogs now at £400!) that Soul Jazz Records decided to release their album almost immediately.

    Here it is! And it's awesome!

    Soul Jazz Records rarely release new music but found the music of TREES SPEAK’s album ‘OHMS’ so stunning and to have so many elements of music that they admired that they felt compelled to release it.

    The group Trees Speak are from Tucson, Arizona and create new music that sounds like GERMAN KRAUTROCK meets NO WAVE/POST-PUNK and PSYCH ROCK – music for fans of CLUSTER, TANGERINE DREAM, CAN, NEU!, SILVER APPLES and early KRAFTWERK.

    The album ‘OHMS’ sounds at times like a tripped out & moody JOHN CARPENTER/GOBLIN/MORRICONE soundtrack that seamlessly segues into propulsive, ‘motorik’ Krautrock instrumentals loaded with fuzzy, hypnotic mellotron, synths and analogue effects, as well as elements of ART ENSEMBLE free jazz, and all at times reaching a kind of post-rave psychedelia. More recent comparisons would include BEAK and GHOST BOX who draw upon similar themes and styles.

    Trees Speak are Daniel Martin Diaz and Damian Diaz plus musicians from the Tucson, Arizona scene such as Giant Sand, XIXA and James Hunter. ‘Trees Speak’ relates to the idea of future technologies storing information and data in Trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

    Trees Speak - Ohms :

    Album of the Month - Splintered Eye/50 Best albums 2020 - Pop Matters/Favourite albums 2020 -The Soap Company/Albums of the Year 2020 -Bear Tree Records/Independent Albums of the Year -Love Records/Albums of the Year -Concrete Islands

    • Trees Speak – Soul Sequencer
    • Trees Speak – Nitrous Cross
    • Trees Speak – Shadow Circuit
    • Trees Speak – Blame Shifter
    • Trees Speak – Spirit Duplicator
    • Trees Speak – Nobody Knows
    • Trees Speak – Sadness In Wires
    • Trees Speak – State Of Clear
    • Trees Speak – Sleep Crime
    • Trees Speak – Knowing
    • Trees Speak – Splendid Sun
    • Trees Speak – Ohms
    • Trees Speak – Out Of View
    • Trees Speak – Psychic Wounds
    • Trees Speak – Silicone Emotions
    • Trees Speak – Octave Cycle
    • Trees Speak – Witch Wound
    Space Funk - Afro Futurist Electro Funk In Space 1976-84Soul Jazz Records

    ‘Space Funk – Afro Futurist Electro Funk in Space 1976-84’, is an intergalactic journey into black space, fuelled by funk, powered by computers.

    ‘Space Funk’ is a lovingly compiled collection of superb, rare and off-the-wall space funk and electro releases mostly released on small independent labels in the late 1970s and 1980s.

    Reactors are reacting, boosters are boosting, pack your funk and shake your booty! Computer funk … makes you jump! This is the space funk program!

    The album comes in deluxe artwork and three formats – digipack + slipcase CD, a very limited deluxe 2xLP + bonus 7” single + download vinyl version, and a standard 2xLP + download standard vinyl version.

    Features music by Jamie Jupitor, Solaris, Robotron 4, Juju & the Space Rangers and many more intergalactic space warriors!

    The shuttle program has been altered – there is no Star Wars only electro funk jam joyriders in Space – hold tight!


    • L E O – Fee Fi Fo Fum
    • The Sonarphonic – Super Breaker
    • Santiago – Bionic Funk
    • Frank Cornilius – Computer Games
    • JUJU & The Space Rangers – Plastic
    • Jamie Jupitor – Computer Power
    • Solaris – Space Invaders
    • Copperfield – Make It Good To Me Baby
    • Robotron 4 – Electro-?
    • Ernest Flippin II – Supersonic Space Lady
    • Funk Machine – Funk Machine
    • Ramsey 2C-3D – Fly Guy and The Unemployed
    • Osé – Computer Funk
    • 7 Below Zero Band – Seven (We Are)
    • Rodney Stepp – Break-Out
    When Jah Shall ComePressure Sounds

    Bunny Lee recorded a massive volume of remarkably consistent music in the 70s. This compilation brings together rare and unreleased cuts that put the listener bang in the middle of a typical recording session, complete with false starts and studio banter.

    Linval Thompson is represented by two unreleased tunes, and is also heard in the runup to 'Tommy's Vibration'. Once the 'flying cymbal' sound had taken off, Bunny often recorded a 'flyers' and a straight version of the same rhythm: 'Tommy's Vibration' is a classic but little known Tommy McCook instrumental on the flyers cut of Linval's 'Jah Jah A The Conqueror'. 'Ethiopian Rock' is a total scorcher, the only recorded tune by the deejay Jah Smile, before Bunny persuaded him to turn to singing and changed his name to Barry Brown.

    In a healthy spirit of competition, Bunny often tried out different singers on tunes that he thought would hit, hence Ronnie Davis's soulful take on Johnny Clarke's 'Every Knee Shall Bow', Johnny's version of Horace Andy's 'Better Collie', and Johnny and Horace sharing vocals on 'No Man Is An Island', all unreleased until now. 'No Babylon Shall Escape In This Time' has Johnny Clarke and 'Bongo' Herman Davis recorded over the original version side of Johnny's 'None Shall Escape The Judgement'. 'Life Of My Own' is a beautifully constructed lament by a singer who neither Bunny nor various expert ears have managed to identify: at Bunny's suggestion he is credited as 'The Raver'. 'War Zone' and 'Keep On Running' are examples of Tubby's mixes that have had further effects dubbed on elsewhere; sound systems and foreign record labels occasionally did this to manufacture their own specials from existing mixes. 'Jamaican Fruit Of African Roots' has recently been the subject of the fascinating documentary 'Shella Record: A Reggae Mystery'; the Lennox Brown cut here has only just been discovered. Also included are two stinging dubplates by Cornell Campbell: the first is aimed straight to the head of Arrows sound system, while the second, recorded in the early 80s, sums up the vital partnership of two of Jamaica's musical giants:



    * previously unreleased ** CD bonus track

    • Tommy McCook – Tommy's Vibes
    • Johnny Clarke – No Babylon Shall Escape In This Time *
    • Jah Smile – Ethiopian Rock
    • Lennox Brown – Jamaican Fruit Of African Roots *
    • Ronnie Davis – Every Knee Shall Bow *
    • Cornell Campbell – King Tubby's vs Arrows Dubplate *
    • Al Campbell – One Room Shack
    • John Forbes – War Zone
    • Linval Thompson – Look How Long Nyabinghi Calling You *
    • The Raver – Life Of My Own *
    • The Aggrovators – Bell Road Rock *
    • Cornell Campbell – Keep On Running
    • U-Roy – The Right To Live
    • Al Campbell – Wicked A Go Feel It
    • Tommy McCook – Joe Frazier *
    • Johnny Clarke – No Man Is An Island *
    • Linval Thompson – Go Jah Jah Pickney *
    • Johnny Clarke – Better Collie *
    Studio One Soul 2Soul Jazz Records

    BACK IN PRINT!!!!!!! 2xLP now with bonus download code!

    Studio One Soul 2 is the long awaited second volume of one of the largest selling Soul Jazz/Studio One titles, Studio One Soul.

    Studio One Soul 2 takes us further into Jamaican music’s fascination with American Soul and Funk music. Featuring a host of classic Reggae artists – Horace Andy, The Heptones, Ken Boothe, Jackie Mittoo, Jacob Miller and many more covering equally classic American Soul and Funk tunes by the likes of Curtis Mayfield, The Five Stairsteps, Marvin Gaye, The Stylistics, Lee Dorsey, Al Green and Syl Johnson.

    Studio One Soul 2 will appeal as much as an introduction to classic reggae as to connoisseurs and is another essential Studio One release. This selection features a mixture of classics, super-rare and unreleased tracks from Studio One, few of which have ever been on CD - all lovingly digitally re-mastered for this release. The vinyl edition also comes on super-loud double vinyl.

    REVIEWS

    "90% of the reggae music I own is contained on a handful of compilation albums from the phenomenal Soul Jazz Records stable. After eulogizing Morgan Khan’s Street Sounds series in my last post, I would have to add that Soul Jazz have done what Khan did for electro for reggae, by doing the hard work for the listener and releasing one quality compilation after another, all packed with the finest reggae songs around." WHITE NOISE

    "Studio One was modeled on the record labels that had their own crack studio house bands, labels and studios like Stax in Memphis, Motown in Detroit, Muscle Shoals in Alabama and Criteria in Florida, so it was natural that at Studio One versions of some of the most influential soul records would be reworked in a Jamaican idiom for playing on the powerful sound systems" SOUNDS STAGE

    • Jacob Miller – Westbound Train
    • Hortense Ellis – People Make The World Go Round
    • Horace Andy – Ain't No Sunshine
    • Soul Vendors – Swing Easy
    • The Heptones – Choice Of Colours
    • Jackie Mittoo & The Brentford Disco Set – Choice Of Music Part 2
    • Prinze Jazzbo – Fool For Love
    • Cornell Campbell – Ten To One
    • Winston Francis – Don't Change
    • Jackie Mittoo – Jumping Jehosophat
    • Tony Gregory – Get Out Of My Life Woman
    • Dub Specialist – Darker Block
    • Little Joe – Red Robe
    • Devon Russell – Make Me Beleive In You
    • Jerry Jones – Compared To What
    • Ken Boothe – Thinking
    • Anthony Creary – Land Call Africa
    • Jackie Mittoo – Fancy Pants
    Bobby KondersHouse RhythmsGroovin Recordings

    **Classic NYC house music from the legendary Bobby Konders w/ the great Peter Daou on keys, originally released on Nu Groove records!**

    Features the ESSENTIALS 'The Poem' and the NYC acid house classic 'Nervous Acid' - don't miss!

    • – THE POEM feat. Mutaburaka
    • – VERSION
    • – NERVOUS ACID
    • – LET THERE BE HOUSE
    • – DUB MASSAI STYLE
    • – MASSAI WOMEN
    • 2×12"£25.00
      Out of stock
    Billy BrooksWindows Of The MindWewantsounds

    Wewantsounds reissue this killer, in-demand, funky jazz rarity from trumpeter, Billy Brooks, featuring that classic break on 'Forty Days', as sampled by Tribe Called Quest on 'Luck of Lucien'!

    • – Fourty Days
    Tony Allen plays with Afrika 70No Accommodation For LagosComet Records

    Reissue of 1978's 'No Accommodation for Lagos', Tony Allen's third solo album, is an effortless Afrobeat masterpiece. The Afrika 70 band floats through two of Tony's heaviest and most churning compositions. With this album, we start to hear Tony Allen's unique style of Afro-Funk that he would explore for decades to come as a solo artist - it is groove-focused, a rolling meditation on rhythm. Essential release!

    • – No Accommodation For Lagos
    • – African Message
    • LP£22.00
      Tip-on sleeve
      Out of stock