G-Spots The Spacey Folk Electro-Horror Sounds Of The Studio G Library

• Douglas wood – Icicles
• Douglas wood – Boy On Space
• Paul lewis – Waiting For Nina
• Eric peters – Deformed Theme
• P willsher/t kelly – Foggy Dock

• 1. Douglas wood – Icicles
• 2. Douglas wood – Folk Ghost
• 3. Douglas wood – Boy On Space
• 4. Douglas wood – Moon Nightclub
• 5. Paul lewis – Waiting For Nina
• 6. Douglas wood – Silhouettes
• 7. Douglas wood – Kids Stuff
• 8. Douglas wood – Soul Riff
• 9. Douglas wood – Five To A Bar
• 10. Douglas wood – Romantic Sway
• 11. James harpham – Moving Parts
• 12. Ivor raymond – Wild Cat Walk
• 13. Harry pitch – Elephants Dance
• 14. James harpham – Visions Of 2000AD 4
• 15. Eric peters – Deformed Theme
• 16. P willsher/t kelly – Foggy Dock
• 17. P willsher/t kelly – Dangerous Voyage
• 18. James harpham – Voodoo Tronics
• 19. James asher – Cosmic Dust
• 20. James asher – Liquid Gold
• 21. Frederick judd – Sprockets
• 22. F afzelius – Cosmic Blues
• 23. Eric peters – Planet Travel
• 24. Eric peters – Space Service
• 25. Eric peters – Freak Blues
• 26. Cliff johns – Goofy

G-Spots is the first ever retrospective of Studio G, one of the smallest,but finest music libraries to come out of the UK. It was started in London, in the late 1960s by advertising man John Gale. He realised that most library music at the time was still very much "light orchestral".  He decided to change things and across 48 albums between 1969 and 1982 made quite an extraordinary impact. With a small stable of talented and versatile musicians, Studio G produced albums covering all major library music genres - Horror, Pop, Industrial, Children, Jazz, Avant Garde.
The results were a stunning collection of stripped down, simple but extremely effective compositions across a variety of genres, many employing heavy delay, reverb, echo boxes and early synthesis.

G-Spots begins with humble tracks with treated guitars and musical jaunts into outer space; then moving through jazz, easy listening and oddball sounds into weird, dark and often quite unsettling future music.There are drifting synthesiser soundscapes, unsettling vocal tapeloops, even the odd bit of electro voodoo.  With music this interesting and different it's understandable that bands like The Chemical Brothers and Unkle have sample some of the more obscure corners
of the catalogue. It will also come as no surprise that originals of the rarer Studio G albums fetch huge amounts of money when they come up for sale.

Highly Recommended!!!!