Incredible Bongo Band Bongo Rock

Reissue of the original soundtrack to the Japanese mystery and suspense movie from 1979, 'Devil's Flute'. Hozan Yamamoto was invited to compose the soundtrack directly by the producer of the film, Haruki Kadokawa. Mr Kadokawa also hired keyboard player and producer Yu Imai as assistant producer on the project, resulting in a stunning cosmic, breaks and beats-laden, funk, fusion, disco soundtrack extravaganza!

Glenn Fallows & Mark Treffel's 'The Globeflower Masters Vol. 1' takes its inspiration from classic soundtrack and cinematic composers such as Axelrod, Morricone, Gainsbourg, Jean-Claude Vannier and Piero Umiliani. An album an album that leant on the influence of soundtrack and library composers - particularly of the late 60s and early 70s.

Superb, widescreen, cinematic funk and 70s library music vibes from Oz band The Pro-Teens! Features members of Surprise Chef and Karate Boogaloo and highly recommended if you're into both these bands and the likes of Mildlife, Sven Wunder etc.

Features a cover version of The Jacksons 'Shake Your Body (Down To The Ground)'. Plus the funky instrumental 'Harmony Cats’ Theme' - CHECK THAT BREAK! Two tracks of pure Brazilian disco joy!

A monster Brazilian funk / samba rock double-sider from of the mighty Golden Boys and Silvio C Sar. Both tracks produced by the great Milton Miranda.

Wicked, Brazilian boogie obscurity from 1981 by Josan backed with a killer MPB / funk rock cut from the illustrious singer Bart Galeno’s self-titled 1977 album.

Wild, psychedelic, cinematic funk vibes from the huge talent, Sven Wunder! Huge recommendation for the psych and prog enthusiasts; folk or jazz aficionados and gourmet hip hop connoisseurs!

A beautiful, tripped out mellow groove from 1977 with amazing spacey keys and flute lines - a true Brazilian underground classic! Backed with the catchy samba rock number 'Gueri-Gueri'.

Main Source’s paean to the simple pleasures of relaxing with friends is built over two tried-and-tested samples. The dreamy, swoony sounds of Vanessa Kendrick’s timeless ‘90% of Me is You’ is ever-present during this stone-cold classic, while Sister Nancy’s unmistakeable ‘Bam Bam’ lends several elements to the mix. Throw in some Skull Snaps and Sweet Charles and you’ve got the perfect soundtrack for a roll call of Large Professor’s nearest and dearest.

We’ll Get To The Vocal Content In A Second, But First It’s Time To Acknowledge What A Patchwork Tapestry Of Genius ‘Peace Is Not The Word To Play’ Is In Terms Of Production.

The Album Version Makes Its Point Pithily In A Single Verse, While The Remix, Included On The Flip Of This First Ever 7” Release, Expands On The Topic With New Verses And Some New Samples Too.

Engineered by the late, esteemed Paul C, ‘Think’ is a study in how to turn well-worn samples into something new. ‘Atom’ is arguably even better, built around a brace of elements from Marvin Gaye and Tammi Terrell’s 1967 duet ‘Little Ole Boy, Little Ole Girl’. On it, Large Pro gives the first real hints that he’ll not just be a super-producer, but a committed MC to watch.

Mr Bongo reissue this under-the-radar soul gem by Al Muntzie’ which was produced by the legendary "Sir" Joe Quarterman in 1976 .'Die Happy' has a crossover vibe finding the sweet spot between modern soul, funk, and proto-disco. Essential!

Reissue of the UK only 45 of this stone cold, hip hop classic from '91!

1991 hip hop CLASSIC taken from their game-changing album 'A Wolf in Sheep's Clothing'!

The standout, Incredible Bongo Band-sampling cut from Nas' 2002 'God's Son' album get the Mr Bongo reissue treatment on a 45!

Mr Bongo reissue this Sly and the Family Stone sampling hip hop classic from 1993 - it's only official 7" issue since a rare and massively sought-after Philippines release!

Reproduction of the sought-after UK only 45 of this hip hop classic from 1993!

Classic late 80s NYC hip-hop reissued!

Reissue of the rare UK 7" picture sleeve release of this hip hop classic!

Mr Bongo reissue this classic hip hop jam from '91 by one group of NYC-based, Native Tongues Collective, Black Sheep!

From the ‘Mantra Moderne’ sessions are two previously unreleased tracks in the duo's signature contemporary style: a fusion of Anatolian Psychedelia, Brazilian Tropicalia, 60’s European pop and American jazz. A must for fans of Khruangbin, Portishead, Arthur Verocai, Goat, Caetano Veloso, Tom Ze etc.!

It's the bomb - don't miss this chance to only one of the finest and rarest Japanese-only-released albums ever!

Dee Dee Bridgewater's 1974 album ‘Afro Blue’ features an exquisite collaboration of American and Japanese musicians,such as Cecil & Ron Bridgewater, Motohiko Hino and producer Takao Ishizuka. The result is a sublime deep soul-jazz masterpiece with timeless versions of ‘People Make The World Go Round’, ‘Love From The Sun’, and ‘Afro Blue’. It is arguably one of the finest albums in its genre and has long been a sought-after item for DJs and collectors alike,

Modiehi' was originally released in 1982 and covers a wide number of genres from Sotho soul, Mbaqanga, disco-funk, gospel and bubblegum. Tracks have been popular spins in the sets of Motor City Drum Ensemble, Invisible City Editions and Floating Points.

'Visions' is a new collaborative album from BADBADNOTGOOD co-founders, Matthew Tavares and Leland Whitty. Conceptually the album is a canvas for a combination of composition and group free-form improvisation. Tavares and Whitty are the sole composers, but with some tracks collectively improvised, there is also a group dynamic running through the album. The outcome is a sublime melting pot of modern jazz, impressionist classical music and Arthur Verocai-esque arrangements.

'Braziliance!' takes things back to the early heady days of Marcos' career with the bright and optimistic sound of Rio's Bossa Nova scene. It includes an instrumental version of 'Crickets Sing For Anamaria' or 'Os Grilos' in Portuguese, which would also be re-recorded with vocals. Though only in his early twenties at the time, 'Braziliance!' depicts very sophisticated production for a musician so young. Recorded in 1966, produced by Louis Oliveira and Ray Gilberts with arrangements by the legendary, Emir Deodato.

2LP (coloured vinyl)

This is the new compilation by TSTD/DJ Supermarkt with Soul/Funk Coverversions of Westcoast/AOR/Yachtpop gems!TSTD returns with another trip into the musical past of the sundrenched Westcoast: This time DJ Supermarkt unearthed 17 Soul & Funk Coverversions of original Westcoast/AOR/Yachtpop gems. As slightly expected, the The Afro-American musicians add a heavy dose of Funk and heavenly Soul to the game. The original tracks are covered by big Soul & Funk acts like Aretha Franklin, Chaka Khan, Quincy Jones, Brothers Johnson, but also forgotten acts like The Ebonys, Leslie Smith, Side Effect. And you can find tracks originally performed by the big league of the Westcoast, like The Doobie Brothers, Fleetwood Mac, Hall & Oates, Steely Dan, Wings, and even The Beach Boys, alongside lesser known acts like Ned Doheny, Bill LaBounty, Airplay!Most tracks are from the late 70s/early 80s, but failed to become big hits and fell under the radar. Like Chaka Khan doing a seriously funky version of Fleetwood Mac’s „Everywhere“ (from an unreleased album recording), next to obscure reworks like Leslie Smith’s version of „Nothin’ You Can Do About It“ by the overlooked Airplay (Jay Graydon and David Foster). There are especially surprising versions here, like Millie Jackson’s gospel-like rendering of „This Is It“ by Kenny Loggins/Michael McDonald, or Billy Paul’s „Black Power“-influenced version of Paul McCartney/Wings’ „Let Em In“ and the rare cover of The Beach Boys’ „God Only Knows“ by Betty Everett. Overall another TSTD collection of smooth, sunny, extremely soulful and funky tracks, that needed to be dug-out to be heard again. This is Bottled Sunshine!Vinyl comes as usual in gatefold sleeve with liner notes, download code and 180g heavy orange double vinyl.

BOOGIE FUNK CLASSIC! AS GOOD AS IT GETS!

Hand Numbered. There are two versions of an iconic 'rare groove' track back to back. The first is a reissue of an in demand US mix, not reissued since 1980. Originally pressings have sold for £100. The second is a brand new extended version of a mix that came out in the UK in 1980.

20th anniversary edition !!!! YELLOW VINYL SUPER LIMITED!

More classic Reggae from Jamaica's most important label ever .

Studio One Soul tracks the link between American Funk and Soul and Jamaican Reggae at the legendary Studio One Records.

Curtis Mayfield, Aretha Franklin, Otis Redding, The Temptations, King Floyd, Booker T and The MGs - all these artists had a huge influence on Jamaican artists and this CD contains versions of songs by all of them. Featuring classic and rare Reggae Funk and Soul cuts from the Reggae giants alongside rarer cuts, Studio One Soul spans over 20 years of classic Reggae from the Rocksteady Funk through to the deep Roots music.

Following on from Studio One Rockers, this second journey into the vaults of Studio One tells the story of the important link between American Funk and Soul and Jamaican Reggae. Ranging from music taken from the mid-1960s (and the arrival of Rocksteady) through to the beginning of the 1980s, Studio One Soul features versions of US Funk and Soul hits (many rarely heard before) from some of the many classic artists who recorded at Studio One. American Soul music has always been an important influence on Jamaican Reggae.

The beginning of the Jamaican recording industry at the end of the 1950s started with Clement "Coxsone" Dodd (owner of Studio One) and a group of select in-house musicians (originally The Skatalites) recording their own version of American R'n'B. Playing on the off-beat this music became Ska. As American R'n'B progressed through Funk, Soul and Disco, Jamaican music was going through its own musical changes, from Rocksteady throught to Reggae and Roots music. The house-band at Studio One recorded on a daily basis behind all Studio One vocalists as well as recording instrumentally in its own right.

Soul singers such as Curtis Mayfield and The Impressions (Queen Of The Minstrels) had a profound influence on Jamaican artists and many other US artists were constantly re-interpreted and re-worked. Artists such as Aretha Franklin (Respect), Charles Wright (Express Yourself), King Floyd (Groove Me), Otis Redding (How Strong) were all very popular in Jamaica in the 1960s. At the end of the 1960s Black Consciousness became an important part of American Soul music. At the same time many Jamaican artists were starting to look to their roots. Many artists would shortly become involved in Rastafarianism. The "conscious" lyrics of American Funk and Soul again struck a chord with Jamaican artists. "Message From A Blackman" (originally by The Temptations) and "Is It Because I'm Black" (Syl Johnson) are examples of this. Through the 1970s Soul/Disco artists such as Barry White ("Can't Get Enough" and "Deeper and Deeper") and The Detroit Spinners ("I'll Be Around") became the flavour of the day. This CD finishes with Willie William's interpretation of Ashford and Simpson's classic "Ain't No Stopping Us Now".

"Compilation of the month" MOJO "Another essential purchase from Soul Jazz" SEVEN "Latest in Soul Jazz's indespensible compilations" I-D "Near perfect" JOCKEY SLUT

SUPER RARE BOOGIE FUNK SOULFUL UPLIFTING MASTERPIECE!

Hand Numbered. Only once before on 7" in 1979. Extremely rare now with originals have a collectors value of £200

"Steve Reid played with Sun Ra, knew Coltrane, played at Motown. I mean this is a guy who at 19 was playing drums with Fela Kuti in Africa. He is a musical genius. It’s a creative joy and honour to work with him."Kieran Hebden (Fourtet) After a number of groundbreaking live shows between Kieran Hebden (Fourtet) and legendary New York drummer Steve Reid, these two artists have embarked on two amazing new recording projects.

The first release is the Steve Reid Ensemble (featuring Kieran Hebden) "Spirit Walk". This will be followed by a second album by Kieran Hebden and Steve Reid which will be released by Domino Records at the beginning of 2006. Both albums blend electronic experimentation within the frame-work of Steve Reid’s musical heritage. Gilles Peterson will be touring the UK in November alongside The Steve Reid Ensemble. An ardent fan of the music, Peterson has contributed the sleeve-notes to "Spirit Walk" along with another long-time musical admirer Val Wilmer. Steve Reid is a true pioneer of boundary-breaking music.

This latest project/collaboration is a continuation of a musical path that stretches back to the late 1960s. A self-taught master jazz drummer Steve Reid played in Sun Ra’s Arkestra as well as being a session musician at both Motown Records (he plays on for instance Martha and The Vandella’s "Heatwave") and in James Brown’s in-house band at the legendary Harlem Apollo. In the mid-60s Reid went to West Africa, playing and learning the music of Ghana, Nigeria (playing with Fela Kuti), Liberia, Sierra Leone, Senegal. On returning to New York he joined Sun Ra’s The Science Myth Solar Arkestra.

In 1968 as a conscientious objector to the Vietnam war he was sentenced to 4 years in prison where he then taught a Black history course to his fellow inmates. In the 1970’s Reid formed the Legendary Master Brotherhood as well as running his own record company, Mustevic Sound, which released a series of his albums (2 of which have earlier been released by Soul Jazz Records). In a career now spanning over 40 years Steve Reid has worked with artists such as Lester Bowie, Miles Davis, Charles Tyler, Arthur Blythe, Ornette Coleman, Gary Bartz, Chief Bey, Archie Shepp, Sam Rivers, Dee Dee Bridgewater, Leon Thomas and more. This new project is the latest part in Steve Reid’s musical odyssey.

"A truly phenomenal artist. This is the album we've all been waiting a long time for. Steve Reid is steeped in musical history and yet this album has a modernity all of it's own." Gilles Peterson.

Deep, deep, Pharoah Sanders-inspired, spiritual jazz music from LA based quartet, Phi-Psonics! Huge recommendation from us

RSD 2021 DROP 1. Available online from 6pm Sat June 12

£17

7"

First-ever release of Suzanne Ciani’s groundbreaking musical effects for Xenon, in their isolated form, for the first time ever heard outside of the confines of the machine which recently earned the composer her own induction to the Pinball Expo Hall Of Fame. Xenon bumper blue vinyl 7" singel in die-cut 7' sleeve