99015

    Tony Thorpe Presents: Post-Punk Theory - AlphaVarious Artists

    Musique Pour La Danse
    • – Basement 5 - Silicon Chip
    • – Disconnection - Bali Ha'i (US Discomix)
    • – A Certain Ratio - Shack Up
    • – 23 Skidoo - Language
    • – PIL - Home Is Where The Heart Is
    • – Mark Stewart And The Maffia - Jerusalem
    • – The Unknown Cases - Masimbabele (The Original Version)
    • – Allez Allez - She's Stirring Up (Dub)
    • – Animal Magic - Standard Man
    • – Lifetones - Distance No Object
    • – Snakefinger - I Gave Myself To You
    • – Startled Insects - Overzoom
    • – Maximum Joy - Silent Street / Silent Dub
    • – African Head Charge - Throw It Away
    • – EP-4 - Tide Gauge
    • – 400 Blows - Declaration Of Intent
    • 1. Basement 5 - Silicon Chip
    • 2. Disconnection - Bali Ha'i (US Discomix)
    • 3. A Certain Ratio - Shack Up
    • 4. 23 Skidoo - Language
    • 5. PIL - Home Is Where The Heart Is
    • 6. Mark Stewart And The Maffia - Jerusalem
    • 7. The Unknown Cases - Masimbabele (The Original Version)
    • 8. Allez Allez - She's Stirring Up (Dub)
    • 9. Animal Magic - Standard Man
    • 10. Lifetones - Distance No Object
    • 11. Snakefinger - I Gave Myself To You
    • 12. Startled Insects - Overzoom
    • 13. Maximum Joy - Silent Street / Silent Dub
    • 14. African Head Charge - Throw It Away
    • 15. EP-4 - Tide Gauge
    • 16. 400 Blows - Declaration Of Intent

    Defining post-punk is no easy task. While punk was defined by a raw, rebellious simplicity, post-punk (1978 - 1986) expanded into a diverse array of sounds and ideas. It maintained punk's independent spirit but embraced experimentation, incorporating influences from various musical and cultural traditions, resulting in a movement far more eclectic and fragmented than its predecessor.

    At its core, post-punk broke away from traditional rock structures, blending genres like industrial, goth, and punk-funk with emerging dance music cultures. This era's spirit of innovation and defiance against musical norms continues to inspire, making post-punk a pivotal moment in music history that defies easy categorization.

    Growing up in a vibrant musical environment in South London, Thorpe was deeply influenced by the eclectic sounds around him, from jazz-funk to Brit-Funk, and later, the post-punk records he discovered. As Thorpe recalls, "Post-punk was a mishmash of different cultures and ideas. Out of post-punk came dance music culture. That period was the most creative time because the culture was in its experimental phase."

    This compilation captures that innovative spirit, offering a glimpse into the era that shaped Thorpe's musical journey.

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                                        • – Platico Chino - Afrosound
                                        • – La China María - Los Destellos
                                        • – Te Gusta Como Azucar - Los Orientales de Paramonga
                                        • – Cumbia Candelosa - Francisco Zapata
                                        • 1. – Afro Oriental - Lucho Burbano
                                        • 2. – Cumbia De Los Bee Gees - Cumbia Machuca
                                        • 3. – El Tequilazo / Canelazo - Lucho Gavilanes
                                        • View full info and tracklisting
                                        Ayo Manuel1983-90Soundway
                                        Soundway Records presents Ayo Manuel '1983-1990', a collection of selected works by one of Nigeria's DIY pioneers. This mini compilation selects the stand...
                                          The Yoruba SingersOjinga's OwnSoundway
                                          The 1974 debut album Ojinga's Own (along with the single Basa Bongo/Black Pepper) by Guyanese Afro-Folk band The Yoruba Singers has been remastered for...
                                          • – Ojinga's Own
                                          • – No Intention