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The title track, a slow-building vamp, showcases Szabó’s minimalist phrasing and rhythmic sensitivity. The record’s standout moment is a reimagining of Sonny Bono’s “Bang Bang (My Baby Shot Me Down),” which Szabó transforms into a darkly lyrical modal meditation. Elsewhere, the group blurs the lines between jazz improvisation and global rhythms, bridging bop vocabulary with the expanding musical frontiers of the mid-1960s.