Baden Powell Sarava / Canto De Ossanha

    SABA / Wallen Bink
    • 7"£15.00
      • First ever release on 7” 45 single
      • AAA Transfers from analogue mastertapes
      • Audiophile-grade vinyl – single one-off batch limited-edition pressing
      • New artwork authentically recreated on heavyweight gloss sleeves
      • Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee
      • Manufactured at Pallas Group GmbH, Germany
      • Metallic hype sticker
      In stockAdd to Bag
    • Baden Powell – Sarava
    • Baden Powell – Canto De Ossanha
    • 1. Sarava
    • 2. Canto De Ossanha

    SABA developed ‘world music’ beyond its jazz label remit, the eclectic ‘Jazz Meets The World’ series brought together artists from Japan, India, Tunisia, Indonesia and Brazil. Producer Joachim-Ernst Berendt travelled to Rio in 1966 to create SABA’s first Brazilian release with a giant of the scene, guitarist Baden Powell. The resulting album, one of Baden’s greatest, bore two deeply rhythmic, spiritual titles found on this 45. ‘Sarava’ is a trance-like ritualistic number designed to whip dancers into frenzied possession. ‘Canto De Ossanha’ is another offering to the gods and an equally hypnotic dancer.

    Other Releases on SABA / Wallen Bink

    Orchester Roland KovacBlue Dance / Milky WaySABA / Wallen Bink

    Original created by Roland Kovac’s studio band for an industrial commercial, Hans Georg Brunner Schwer, an admirer of Kovac’s work, released the recordings as a full length SABA album in 1968 under the title ‘Trip To The Mars’. The recording has a sound somewhere between atmospheric soundtrack, library and modal jazz. Sort after for the modal waltz dancer ‘Blue Dance’, presented here in it’s ultimate sonic form – AAA analogue mastered and cut to 45rpm. Side 2’s ‘Milky Way’ is a heady trip mixing jazz elements with floating brass harmonies and sensuous horn solos.

    • – Blue Dance
    • – Milky Way
    • 7"£15.00
      • First ever release on 7” 45 single
      • AAA Transfers from analogue mastertapes
      • Audiophile-grade vinyl – single one-off batch limited-edition pressing
      • New artwork authentically recreated on heavyweight gloss sleeves
      • Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee
      • Manufactured at Pallas Group GmbH, Germany
      • Metallic hype sticker
      In stockAdd to Bag
    Nathan Davis QuintetCarmell's Black Forest Waltz / B's BluesSABA / Wallen Bink

    Nathan Davis recorded ‘The Hip Walk’ in 1965 alongside his school mate, trumpeter Carmell Jones (who a month later went on to record the Song for My Father album with Horace Silver). The quintet is backed by the tightest of rhythm sections: Francy Boland on piano, Jimmy Woode on bass and Kenny Clarke on drums. One of the most beautiful, swinging jazz pieces ever captured on tape, ‘Carmell’s Black Forest Waltz’ is presented in all-analogue richness on 45 single format for the first time. On side 2, ‘B’s Blues’ finds Davis on soprano trading fours with Jones, driven irresistibly by the Clarke-Boland rhythm section, a highlight of the Hip Walk date.

    • – Carmell's Black Forest Waltz
    • – B's Blues
    • 7"£15.00
      • First ever release on 7” 45 single
      • AAA Transfers from analogue mastertapes
      • Audiophile-grade vinyl – single one-off batch limited-edition pressing
      • New artwork authentically recreated on heavyweight gloss sleeves
      • Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee
      • Manufactured at Pallas Group GmbH, Germany
      • Metallic hype sticker
      In stockAdd to Bag
    Fats SadiEnsadinado / Night LadySABA / Wallen Bink

    Recorded in 1966, Fats Sadi’s ‘Ensadinado’ was his second recording as leader, his first album had been an early Blue Note 10”. Essentially comprising the Clarke-Boland rhythm section, with Sadi on vibes, Francy Boland on piano, Jimmy Woode on bass and Kenny Clarke on drums, this 45 features the two standout tracks from this rare SABA LP, which remains unissued on vinyl since its release in 1966. ‘Ensadinado’ finds the quartet playing a latin oriented title penned by Jimmy Woode. Boland’s ‘Night Lady’, a standard for the band and the highlight from this collectable album, has a hard, swinging percussive groove driven by the irrepressible pulse of Kenny Clarke.

    • – Ensadinado
    • – Night Lady
    • 7"£15.00
      • First vinyl release since 1966 and never before released on 7” single
      • AAA Transfers from analogue mastertapes
      • Audiophile-grade vinyl – single one-off batch limited-edition pressing
      • New artwork authentically recreated on heavyweight gloss sleeves
      • Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee
      • Manufactured at Pallas Group GmbH, Germany
      • Metallic hype sticker
      In stockAdd to Bag
    Mark MurphySconsolato / Just Give Me TimeSABA / Wallen Bink

    Although considered to be the greatest jazz singer the world has ever known, Mark Murphy remained underground with a cult status. Perhaps the pinnacle of his recording career was Midnight Mood released by SABA in 1968, aligning his unique vocal skills with the Clarke-Boland Octet. With the arrangements of Francy Boland, Kenny Clarke playing offbeats and between-beats, and individualists like Sahib Shihab and Ake Persson, the backing on this date provided a unique dialogue for Murphy. After the latin touch of Jimmy Woode’s ‘Sconsolato’, the mood switches on side 2’s ‘Just Give Me Time’ – a hot, uptempo jazzy bossa dancer, with a rich sound and room-filling low end on this all-analogue 45.

    • – Sconsolato
    • – Just Give Me Time
    • 7"£15.00
      • First ever release on 7” 45 single
      • AAA Transfers from analogue mastertapes
      • Audiophile-grade vinyl – single one-off batch limited-edition pressing
      • New artwork authentically recreated on heavyweight gloss sleeves
      • Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee
      • Manufactured at Pallas Group GmbH, Germany
      • Metallic hype sticker
      In stockAdd to Bag
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    Another highly collectable Nathan Davis release on SABA, also recorded in 1965, ‘Happy Girl’ has remained unissued on vinyl since the 1960s. The date gathers together another top drawer line-up, with Woody Shaw on Trumpet and Larry Young, the Coltrane of the organ, uniquely found on piano for this session. Jimmy Woode again supports on bass, with a furious Billy Brooks on drums. ‘Theme From Zoltan’, a fierce modal original by Shaw, was recorded by Young the following year on his classic Blue Note album ‘Unity’. Side 2 maintains the unstoppable tempo with ‘Mister E’, penned by Davis, featuring blistering solos by Davis, Shaw and Young.

    • – Theme From Zoltan
    • – Mister E
    • 7"£15.00
      • First vinyl release since the 60s and never before released on 7” single
      • AAA Transfers from analogue mastertapes
      • Audiophile-grade vinyl – single one-off batch limited-edition pressing
      • New artwork authentically recreated on heavyweight gloss sleeves
      • Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee
      • Manufactured at Pallas Group GmbH, Germany
      • Metallic hype sticker
      In stockAdd to Bag

    People also bought

    Orchester Roland KovacBlue Dance / Milky WaySABA / Wallen Bink

    Original created by Roland Kovac’s studio band for an industrial commercial, Hans Georg Brunner Schwer, an admirer of Kovac’s work, released the recordings as a full length SABA album in 1968 under the title ‘Trip To The Mars’. The recording has a sound somewhere between atmospheric soundtrack, library and modal jazz. Sort after for the modal waltz dancer ‘Blue Dance’, presented here in it’s ultimate sonic form – AAA analogue mastered and cut to 45rpm. Side 2’s ‘Milky Way’ is a heady trip mixing jazz elements with floating brass harmonies and sensuous horn solos.

    • – Blue Dance
    • – Milky Way
    • 7"£15.00
      • First ever release on 7” 45 single
      • AAA Transfers from analogue mastertapes
      • Audiophile-grade vinyl – single one-off batch limited-edition pressing
      • New artwork authentically recreated on heavyweight gloss sleeves
      • Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee
      • Manufactured at Pallas Group GmbH, Germany
      • Metallic hype sticker
      In stockAdd to Bag
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    Another highly collectable Nathan Davis release on SABA, also recorded in 1965, ‘Happy Girl’ has remained unissued on vinyl since the 1960s. The date gathers together another top drawer line-up, with Woody Shaw on Trumpet and Larry Young, the Coltrane of the organ, uniquely found on piano for this session. Jimmy Woode again supports on bass, with a furious Billy Brooks on drums. ‘Theme From Zoltan’, a fierce modal original by Shaw, was recorded by Young the following year on his classic Blue Note album ‘Unity’. Side 2 maintains the unstoppable tempo with ‘Mister E’, penned by Davis, featuring blistering solos by Davis, Shaw and Young.

    • – Theme From Zoltan
    • – Mister E
    • 7"£15.00
      • First vinyl release since the 60s and never before released on 7” single
      • AAA Transfers from analogue mastertapes
      • Audiophile-grade vinyl – single one-off batch limited-edition pressing
      • New artwork authentically recreated on heavyweight gloss sleeves
      • Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee
      • Manufactured at Pallas Group GmbH, Germany
      • Metallic hype sticker
      In stockAdd to Bag
    Nathan Davis QuintetCarmell's Black Forest Waltz / B's BluesSABA / Wallen Bink

    Nathan Davis recorded ‘The Hip Walk’ in 1965 alongside his school mate, trumpeter Carmell Jones (who a month later went on to record the Song for My Father album with Horace Silver). The quintet is backed by the tightest of rhythm sections: Francy Boland on piano, Jimmy Woode on bass and Kenny Clarke on drums. One of the most beautiful, swinging jazz pieces ever captured on tape, ‘Carmell’s Black Forest Waltz’ is presented in all-analogue richness on 45 single format for the first time. On side 2, ‘B’s Blues’ finds Davis on soprano trading fours with Jones, driven irresistibly by the Clarke-Boland rhythm section, a highlight of the Hip Walk date.

    • – Carmell's Black Forest Waltz
    • – B's Blues
    • 7"£15.00
      • First ever release on 7” 45 single
      • AAA Transfers from analogue mastertapes
      • Audiophile-grade vinyl – single one-off batch limited-edition pressing
      • New artwork authentically recreated on heavyweight gloss sleeves
      • Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee
      • Manufactured at Pallas Group GmbH, Germany
      • Metallic hype sticker
      In stockAdd to Bag
    Mark MurphySconsolato / Just Give Me TimeSABA / Wallen Bink

    Although considered to be the greatest jazz singer the world has ever known, Mark Murphy remained underground with a cult status. Perhaps the pinnacle of his recording career was Midnight Mood released by SABA in 1968, aligning his unique vocal skills with the Clarke-Boland Octet. With the arrangements of Francy Boland, Kenny Clarke playing offbeats and between-beats, and individualists like Sahib Shihab and Ake Persson, the backing on this date provided a unique dialogue for Murphy. After the latin touch of Jimmy Woode’s ‘Sconsolato’, the mood switches on side 2’s ‘Just Give Me Time’ – a hot, uptempo jazzy bossa dancer, with a rich sound and room-filling low end on this all-analogue 45.

    • – Sconsolato
    • – Just Give Me Time
    • 7"£15.00
      • First ever release on 7” 45 single
      • AAA Transfers from analogue mastertapes
      • Audiophile-grade vinyl – single one-off batch limited-edition pressing
      • New artwork authentically recreated on heavyweight gloss sleeves
      • Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee
      • Manufactured at Pallas Group GmbH, Germany
      • Metallic hype sticker
      In stockAdd to Bag
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    Recorded in 1966, Fats Sadi’s ‘Ensadinado’ was his second recording as leader, his first album had been an early Blue Note 10”. Essentially comprising the Clarke-Boland rhythm section, with Sadi on vibes, Francy Boland on piano, Jimmy Woode on bass and Kenny Clarke on drums, this 45 features the two standout tracks from this rare SABA LP, which remains unissued on vinyl since its release in 1966. ‘Ensadinado’ finds the quartet playing a latin oriented title penned by Jimmy Woode. Boland’s ‘Night Lady’, a standard for the band and the highlight from this collectable album, has a hard, swinging percussive groove driven by the irrepressible pulse of Kenny Clarke.

    • – Ensadinado
    • – Night Lady
    • 7"£15.00
      • First vinyl release since 1966 and never before released on 7” single
      • AAA Transfers from analogue mastertapes
      • Audiophile-grade vinyl – single one-off batch limited-edition pressing
      • New artwork authentically recreated on heavyweight gloss sleeves
      • Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee
      • Manufactured at Pallas Group GmbH, Germany
      • Metallic hype sticker
      In stockAdd to Bag
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      RSD 2021 DROP 2. Available online from 6pm Sat 17th July

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          RSD 2021 DROP 2. Available online from 6pm Sat 17th July
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          Out of stock
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        RSD 2021 DROP 2. Available online from 6pm Sat 17th July

        £11

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            RSD 2021 DROP 2. Available online from 6pm Sat 17th July
            Out of stock
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            Carly SimonWhyMirage

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                RSD 2021 DROP 2. Available online from 6pm Sat 17th July
                Out of stock