Yabby You & The Prophets Conquering Lion (Expanded Edition)

Second installment from Pressure Sounds of deep roots & dub rarities from the archives of  Yabby You. Killer unreleased dub plate mixes with vocalist's Tony Tuff, Wayne Wade, Samuel Patterson and the man himself Vivian Jackson. With excellent sleeve notes from Pete Holdsworth giving us an personal insight into the world of Yabby You.

Heavyweight roots classic from the late 70s with this unreleased dub plate mix and a killer drum heavy dub on the flip. 

Vivian Jackson, aka Yabby You, was the living embodiment of the struggling, but highly spiritually attuned, Rasta brethren of Kingston during the peak of roots reggae. 'Deeper Roots' celebrates his unique partnership with King Tubby and reflects the very core of Rasta in the 1970's. Culled from rare singles and dub plates 'Deeper Roots' serves to heighten the legacy of Yabby You as artist, producer and visionary.

Rare and unreleased roots recordings from The Black Ark and producer Lee Perry with various singers & players featuring two dubplate cuts from Junior Murvin & Jimmy Riley, Lord Creator's killer 2nd cut of "Such Is Life", Henrick Nicholson 12" mix of "Brotherly Love" and many more. Highly recommended!

6 tracks featuring Jimmy Riley & Bunny Rugs including a couple of edits mixes from Paolo Baldini 'Dubfiles'. Upsetter magic at its finest. Comes in a grey custom bag. Because Upsetter does it better!!

Sound Clip To Follow..

Bunny Lee recorded a massive volume of remarkably consistent music in the 70s. This compilation brings together rare and unreleased cuts that put the listener bang in the middle of a typical recording session, complete with false starts and studio banter.

Linval Thompson is represented by two unreleased tunes, and is also heard in the runup to 'Tommy's Vibration'. Once the 'flying cymbal' sound had taken off, Bunny often recorded a 'flyers' and a straight version of the same rhythm: 'Tommy's Vibration' is a classic but little known Tommy McCook instrumental on the flyers cut of Linval's 'Jah Jah A The Conqueror'. 'Ethiopian Rock' is a total scorcher, the only recorded tune by the deejay Jah Smile, before Bunny persuaded him to turn to singing and changed his name to Barry Brown.

In a healthy spirit of competition, Bunny often tried out different singers on tunes that he thought would hit, hence Ronnie Davis's soulful take on Johnny Clarke's 'Every Knee Shall Bow', Johnny's version of Horace Andy's 'Better Collie', and Johnny and Horace sharing vocals on 'No Man Is An Island', all unreleased until now. 'No Babylon Shall Escape In This Time' has Johnny Clarke and 'Bongo' Herman Davis recorded over the original version side of Johnny's 'None Shall Escape The Judgement'. 'Life Of My Own' is a beautifully constructed lament by a singer who neither Bunny nor various expert ears have managed to identify: at Bunny's suggestion he is credited as 'The Raver'. 'War Zone' and 'Keep On Running' are examples of Tubby's mixes that have had further effects dubbed on elsewhere; sound systems and foreign record labels occasionally did this to manufacture their own specials from existing mixes. 'Jamaican Fruit Of African Roots' has recently been the subject of the fascinating documentary 'Shella Record: A Reggae Mystery'; the Lennox Brown cut here has only just been discovered. Also included are two stinging dubplates by Cornell Campbell: the first is aimed straight to the head of Arrows sound system, while the second, recorded in the early 80s, sums up the vital partnership of two of Jamaica's musical giants:

* previously unreleased ** CD bonus track

‘Walls of Jerusalem’ is a unique musical collaboration between the producer Yabby You and the legendary dub master King Tubby. The two were close friends, frequent collaborators and deep admirers of each other’s artistry. ‘Walls of Jerusalem’ was the last full-length project they worked on together. For years this release lay buried in obscurity: original copies came out, in minute quantities, on the Prophets Label in a blank, white sleeve. A later issued even misnamed the artist. Yet the music within is deep roots of the highest quality – mesmerizing tracks that illustrate Yabby You’s particular sound and spiritual vision. Disc One presents the album in its original form, showcasing King Tubby’s virtuosity as an engineer, deliberately shaping a sophisticated stereo mix to aid in the creation of a bold, artistic statement. Disc Two includes a number of never-released studio outtakes, alternate mixes and instrumental cuts of some of Yabby You’s most classic tunes. These mixes put the listener right there in the studio, complete with “chatter” between the musicians, Tubby and Yabby discovered on the master tapes, and included between the tracks of this reissue. Together, the two discs of Walls Of Jerusalem are dub and roots music of the finest order and and a major celebration of the creative genius of Yabby You and King Tubby. This Double LP is lovingly packaged with extensive sleeve notes by Diggory Kenrick. * previously unreleased + CD has two bonus tracks.

One off stocking of rare Pressure Sound 7" from 2014, superb reissue of mid 70s soulful female roots vocal with killer Jimmy Radway dub on the flip. Comes in hand stamped brown card sleeve.

Sly and Robbie created the rhythm as Yabby You name checks the tough neighbourhoods scattered around Kingston’s ghetto areas. Mixing biblical quotations as he moves between his own unique spiritual sermon and mid 70s JA politics. Not been available for some time on the Prophet label. Version on the flipside. Comes in a Custom Yabby 7’ sleeve.

Lee Perry’s playful nature credited this 45 to Jane Fonda’s character in Klute!! About as Post Modern as you can get. The music is a storming up tempo joy ride. ‘I may forget your name but not your face’ possibly relates to the story of ‘Klute’ which obviously caught ‘Scratch’s’ attention. Comes with a lush version on the flipside. A custom printed sleeve as well. ‘You build me up and get me high’ Killer

Ska Baby by Bobby Ellis. Produced and Directed by the Upsetter. Subtle Black Ark instrumental. Comes with a lovely dub on the flipside. In a custom bag. Nice tune.

Since it first appeared in 1976, King Tubby's dub-wise reworking of tracks by Yabby You's Prophets project has become a sought after item amongst reggae aficionados. Remarkably, it has never been reissued before, making this first vinyl edition in 23 years a must-have for those addicted to weighty bass, heavy riddims and echoing effects. There's much to enjoy from start to finish, including the delay-laden horns and gentle grooves of "Fair Lady", the surprisingly cheery skank of "Tear Gas In Waterhouse", the seductive solos of "Tradition Skank" and the low-slung, bass-heavy throb of "Serious Rebellion", a stripped back dub straight from the top drawer.

Frankie Jones’ “Gun Fever” is a dark and heavy piece of digital roots; a rare representation of 80s Jamaican music that appealed equally to the UK roots and dancehall crowds. Originally released in 1986 on a Third World 12”, the record was limited in distribution and became a heavily sought after tune by serious collectors and selectors alike. This Pressure Sounds release on a crisp, newly mastered 45 is the first time “Gun Fever” has been reissued; and the first time it has appeared on 7” vinyl. Comes in a hand stamped bag.

Essential up-tempo roots classic from Yabby You aka Vivian Jackson and the Prophets. “Judgment Time” layers heavy bass and horn arrangements against driving, “militant” style drums to create the perfect backdrop for deep, conscious lyrics and The Prophets’ gorgeous harmonies. The B-side is a heavyweight dub that finds King Tubby expertly using his vaunted talents to create a “Judgment Time” version as powerful as the original vocal side.

For years, Diggory Kenrick has been re-energizing classic roots and rocksteady through his musical collaborations with original source material taken from master tape. For “Vengeance,” Kenrick crafts a welcome, new addition to the Yabby You catalog with a sax-led, scorching take of “Jah Vengeance.” On the B-Side Kenrick takes to the mixing board for a vital dub mix of the A-side.

Bunny Lee as producer. Prince Jammy as engineer. The Aggrovators making the tracks. It is the Holy Trinity of Jamaican Music. Throughout the years, recorded music has been shaped by some enduring partnerships between producer and engineer, such as Teo Macero and Fred Plautt for Miles Davis, Jerry Wexler and Tom Dowd for Atlantic Records, and George Martin and Geoff Emerick for the Beatles. But possibly none were as prolific as the collaboration between Bunny ‘Striker’ Lee and Prince Jammy at King Tubby’s Studio between 1976 and 1982.

In 1977 and 1982 respectively, Conflict Dub and Dubbing In The Front Yard were released in London as white labels in extremely limited quantities. The two LPs found the triumvirate of Lee, Jammy and The Aggrovators in perfect form with driving instrumentals, flashes of vocal beauty and mixes that ripped apart and rebuilt traditional notions of sonic structure. Due to the nature of their limited release (not to mention the lack of artwork and even titles) the two dub LPs quickly disappeared into that mythic realm of records whispered about by only the most hard-core reggae collectors. This release is the first-ever reissue of these sought after LPs, and contains all the original songs in both vinyl form (double LP set with both albums on the original labels) and a lush double pack cd with 3 extra bonus tracks. The sleeve notes are by Diggory Kenrick with amazing photos by Howard Johnson, director of the influential Channel 4 documentary ‘Deep Roots Music’.

The 3 CD bonus tracks are all remixes. Two from Paolo ‘Dubfiles’ Baldini for the Dubbing in the Front Yard set. One for Conflict Dub by Diggory Kenrick.

1979 roots vocal cut from Phillip Fullwood, 1st time reissued since the time..

The 100th release on Pressure Sounds is the brilliant set of ‘Rockers from the land of reggae’ this album was originally released in 1982 and has never been re-released since. Its some what amazing that this album has never been made available since its first release. Now re-mastered and with bonus tracks. An essential release for all fans of roots music. I Mo Jah only ever made one album and it was exceptional. The sleeve was a hand drawn illustration by Magnus Johnson a prime mover in the Boston hip hop scene and cult radio Dj. He later went on to be celebrated artist in the Boston area.

Pressure Sounds 100th release!

Double CD Pack with both albums 'Rockers From The Land Of Reggae' and 'Words In Dub' plus six bonus tracks spread over the two CDs. Extensive sleeve notes and lovingly packaged!

A prodigy of the Alpha boys school Owen Gray deliver a heartfelt roots vocal on a rhythm most likely supplied by Sly Dunbar and Lloyd Parks. This is a top tune and Phil Pratts production is sympathetic to Owen Grays voice. The rhythm was remixed at London’s Easy street studio and used on the ‘War is on dub style’ set. There is a distinct Roots Radics feel to the rhythm and the veteran Owen Gray handles it perfectly. A rootsy that is well worthy of being re-issued. ‘Why did you kill your brother for a dollar’ as appropriate now as it was when it was released. Bobby Kalphat .makes an appearance on melodica in the second half of the track.

Two crisp and crunchy Phill Pratt productions. The A side has an extended version of the song Strange things. Ronnie Davis takes the lead vocal on this version of the song that was written by Horace Andy and made famous by John Holt. ‘Black Cinderella’ on the Flip side was cut by Errol Dunkley for Jimmy Radway and Ronnie Davis’s version is an updated cut that was recorded in Jamaica with Sly and Robbie as the rhythm section. These songs were remixed in the Uk as dubs for ‘The war is on dub style’ set. Both sides of the ten inch are extended versions.

Very rare Phil Pratt produced dub album "The War Is On Dub Style" gets reissued for the first time with original tunes on the vinyl and with 3 extra vocal and one dub track on the CD. Early 80s rhythm tracks recorded in Jamaica then dubbed at Easy Street studio in Bethnal Green east London.

The original cut of the Althea and Donna ‘Gone to Negril’ track. Released by Pressure Sounds in 2005 and then deleted. Now on the Talent 77 label, produced by Tommy Cowan and in a hand stamped bag. Much more on the roots tip than the playful Althea and Donna cut.

Originally released in 1979 on West London label "Jamaica Sound" Superb dub album mixed at King Tubby's & Channel One. Vinyl is single vinyl and the CD is as below..

Double Cd with the Super Disco Style with 3 bonus tracks on the CD. The Tommy McCook 'Super Star Disco Rockers' set is a free bonus CD. There are a couple of bonus tracks thrown in on the second Tommy McCook set for good measure. Comes with extensive notes by Diggory Kenrick a deluxe digital pack for the price of a single CD.

Self produced set By Lloyd Parks. Recorded at Joe Gibbs with a stellar support cast. The CD comes with 6 bonus tracks and the vinyl single vinyl LP is as it was on its original release. Sleeve notes by Diggory Kenrick and comes with the usual booklet and photos. * CD bonus Tracks Please note: VINYL NOW IN STOCK..

A real classic of its kind. Al Browns cover of Bobby Blands inspired Blues/soul refections on urban living had been a staple of his set at Kingstons popular ‘Tit for Tat’ nightclub. Brown had cut his first tunes for Studio One as Irving Brown before fronting the Skin Flesh and Bones band and had made a feature of covering R/B pop tunes in a reggae style. His biggest hit was his cover of Al Greens ‘Here I am’. 'Ain't No Love' has not been available on 45 since its first pressing on Tommy Cowans Arab label although it was produced by Al Brown. Comes in a hand stamped bag

Producer Tommy Cowans cut the first version of the ‘Gone to Negril’ rhythm for Devon Irons to voice the song ‘Jersualem’ on. He then returned to the same rhythm for the follow to the pop hit ‘Up Town Top Ranking’ with Althea and Donna for ‘Gone to Negril’. 

Some where along the line prompted by Bob Marley Tommy Cowans took the tapes up to the Black Ark . Anyone who was coming from another planet who wanted to know what Lee Perry was about would be well advised to listen to the all out audio assault of ‘Crazy Negril’. 

Like a careering car that Perry just about maintains control off ‘Crazy Negril’ screeches whirls and zooms from one side to the other of the musical track. Possibly because it was a ‘mix’ that he was asked to do for someone else from the outside Perry throws caution to the wind and adds a simple rhythm box as well as whistles and a cow bell to amazing effect. It's a an inspired version and adds to the slightly commercial song on the A side. Although ‘Gone to Negril’ has its lyrical moments as well. Anyone who rhymes ‘Adam and Eve without their leaves’ and ‘Femine gender ranking agenda’ is alright by me.
credits

NOW ON VINYL...1st Time..

Once upon a time at King Tubbys captures from start to finish the full story of the most well known,and certainly the wittiest of all the war of words that the highly competitive Kingston music scene ever produced. I Roy and Prince Jazzbo were the main players with Derrick Morgan, Johnny Clarke, Bunny Lee and King Tubby getting in the mix.

Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state of Cuba.

The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

The album is released to coincide with the massive new deluxe large format book Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90, published in November, which is also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), and which features the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba – and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states.

The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

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REVIEWS:

"It may only be January, but we already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

"It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

"Priceless comp goes beyond Buena Vista" UNCUT

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*Please note the vinyl sticker of this album says "+download code" but it's a mistake! There is no download with this particular album due to legal reasons. Sorry for this error!

Back in stock!

Soul Jazz Records new Studio One release Rocksteady Got Soul is a collection of uplifting and superb rocksteady and soulful reggae from the late 1960s and early 1970s. Studio One is the number one label in the history of reggae and he album features - as ever with Studio One - an impeccable and unbeatable line-up of reggae superstars all soaring at the height of their creative powers. Alton Ellis, John Holt, The Heptones, Jackie Mittoo, The Ethiopians, Lee Perry and more.

The album is a mix of classic tunes and rhythms alongside super-rarities that were released in a dazzlingly complex web of Studio One labels and issues, deftly navigated with new sleevenotes from author and Studio One authority Rob Chapman. But enough with the chatter, just spin the platter - these tunes rule the town, hands down!

This Soul Jazz/Studio One album is released as deluxe gatefold double-vinyl + house inners + download code. Also as jewel case CD housed in card slipcase. Both formats come with full sleeve notes/discography and exclusive photography. (The album is also available digitally on day of release onwards)

Its a MONSTER!!! Just back in stock... CD only compilation from Earth Sound Records of Prince Buster's late 60s early 70s militant early roots recordings. 12 tracks featuring "Earthquake" "Message To The Black Man" "Sata Masa Gana" "Seven Wonders Of The World" and many more. Superb sleeve notes on fold out digipak case. Prince of peace not a prince of war!

Listen and dance but please Don't Miss...

Classic dub album from the late 70s featuring the Channel One house band The Revolutionaires released and produced by Alvin Ranglin for his label GG's. Great sleeve even greater music! Check "Let Dub Abide"

A stunning reinterpretation inna rootsy rocksteady vibe of the Marvin Gaye classic "Let's Get It On" by Spain's Gramophone Allstars. Roberto Sanchez at the controls, check the dub..don't leave! limited press

Capricorn records with the posse - Greg Allman, Roger Hawkins, Johnny Sandlin etc

Underrated roots band Well Pleased & Satisfied get a welcome repress of two of their best tunes, all with killer dubs and backing by The Revolutionaires.

SUPER- RARE deep jazz - First time in print for nearly 50 years! This is super laid back fender rhodes deepness - another essential Black Jazz rarity finally on vinyl!

Classic Black Jazz 1973 album release from keyboard player and producer, Gene Russell! Check the funky jazz cut 'Get Down' (what a bassline!) and an insane Fender Rhodes version of Coltrane's 'My Favorite Things'!

Bunny Lee as producer. Prince Jammy as engineer. The Aggrovators making the tracks. It is the Holy Trinity of Jamaican Music. Throughout the years, recorded music has been shaped by some enduring partnerships between producer and engineer, such as Teo Macero and Fred Plautt for Miles Davis, Jerry Wexler and Tom Dowd for Atlantic Records, and George Martin and Geoff Emerick for the Beatles. But possibly none were as prolific as the collaboration between Bunny ‘Striker’ Lee and Prince Jammy at King Tubby’s Studio between 1976 and 1982.

In 1977 and 1982 respectively, Conflict Dub and Dubbing In The Front Yard were released in London as white labels in extremely limited quantities. The two LPs found the triumvirate of Lee, Jammy and The Aggrovators in perfect form with driving instrumentals, flashes of vocal beauty and mixes that ripped apart and rebuilt traditional notions of sonic structure. Due to the nature of their limited release (not to mention the lack of artwork and even titles) the two dub LPs quickly disappeared into that mythic realm of records whispered about by only the most hard-core reggae collectors. This release is the first-ever reissue of these sought after LPs, and contains all the original songs in both vinyl form (double LP set with both albums on the original labels) and a lush double pack cd with 3 extra bonus tracks. The sleeve notes are by Diggory Kenrick with amazing photos by Howard Johnson, director of the influential Channel 4 documentary ‘Deep Roots Music’.

The 3 CD bonus tracks are all remixes. Two from Paolo ‘Dubfiles’ Baldini for the Dubbing in the Front Yard set. One for Conflict Dub by Diggory Kenrick.

Two killer 1970 tunes from King Horror aka Baldhead Growler Lord Davey with production by Laurel Aitken.

Contemporary soul music hero, Jordan Rakei, delivers a killer selection of tunes that have a personal importance. Includes gems and exclusives from the likes of Joe Armon-Jones, Connan Mockasin, Charlotte Day Wilson, Alfa Mist, Snowpoet and more!

LAST COPIES

This is the new 20th anniversary edition of one of Soul Jazz Records’ classic Studio One releases now available as a one-off pressing special blue vinyl very limited-edition pressing ( 2000 copies worldwide).

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Studio One Roots set the standard for Soul Jazz Records’ long-standing series of Studio One collections and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae.

This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining crack-session men groups of Jamaican reggae history - The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. As ever the album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.

Stand-out tracks include Alton Ellis’s Blackish White, a surreal and powerful Afro-centric dream, Count Ossie Nyabinghi and Rastafarian drummers genre-defying interpretation of Booker T and The MGs ‘Meditation’, Willie Williams awe-inspiring versioning of the Skatalites' seminal Rastafari anthem Addis Ababa and many, many more.

This album has been fully digitally remastered, analog cut and packaged complete with the following: Original sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Honest Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves.

REVIEWS:

"Having established himself as one of Jamaica's top producers the day Studio One opened its doors in the early '60s, Clement "Coxsone" Dodd was unable to maintain his status during the roots era of the subsequent decade. This can be attributed to a couple of factors. One was Dodd's apparent reluctance to record the new, overtly Rasta-inspired music. The other was an infusion of new blood into the Jamaican music business. Eager to make a name for themselves, producers like Joe Gibbs, Bunny Lee, Lee "Scratch" Perry, and Winston "Niney" Holness managed to supplant the island's "big three" (Dodd, Duke Reid, and Prince Buster) in the process, driving the music's evolution in the '70s.

There isn't a weak number across these 16 tracks, from the Gaylads' ode to "Africa" and Devon Russell's version of the heavyweight "Drum Song" rhythm, to a trio of stunning instrumentals: Jackie Mittoo and the Cyclones with nyahbinghi drummer Count Ossie on "Meditation," Lenny Hibbert's sparkling vibe work over Mittoo's "Ghetto Organ" ("More Creation"), and Sound Dimension's "Congo Rock."

The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection." All Music

More cosmic transmissions from the one and only Panoram! Scoring killer releases for the likes of Firecracker, he returns with that signature, smudged, colourful sound that mixes up fusion vibes with Boards of Canada style melody. So good!

Killer selection from Pressure Sounds of Bunny 'Striker' Lee's late 60s early 70s productions in the new faster style of reggae. Featuring Delroy Wilson, Rico, Stranger Cole, Dave Barker, U Roy and many more. Ranging from vocal reggae cuts to early roots and funky instrumentals 21 tracks of some rare tunes back to back with classic Bunny Lee productions.

Classic Skinhead reggae from the growler King Horror 1969/70 produced by Laurel Aitken. One of two new limited 7' only represses.

**Classic breaks!**

Reissue of these two rare groove classic from Tommy Stewart, originally released on the highly sought-after, self-titled album from 1976.

Get down with the get down! Fantastic new season colours in Soul Jazz Records' classic 12" & 7" Record Bags (holds about 30 LPs). Fantastic for DJing, impressing your stylish friends or just 'carrying stuff'.

As well as the classic blue bag with white strap and stripes these are now available in limited edition red, green, cyan and more with matching straps - 'nuff colours!

Yabby You's classic roots anthem gets a serious remix. One long mix by Martin Harrison. Martin worked with This Heat and On u sound as well as many others. 2 cuts on the other side by Paolo Baldini 'Dubfiles'. Comes in a lovely National Bird sleeve

Delving into the vaults of Jamaican producer Bunny Lee once again with some superb choice unreleased cuts from 1971-74 featuring legendary artists as Slim Smith, Augustus Pablo, Cornell Campbell, King Tubby, I Roy and many more. 

Two great slabs of Jamaican funk from Lee Perry's Upsetters, recorded in 1970..can your speakers handle it? won't be around long...

MONSTER deep jazz with vocals from Jean Carn. Essential reissue!

Over stock 7" only copies from the Pressure Sounds limited "Songs Of Unity & Love" dubplate 2017 Box Set...Blink and there gone...

Originally released in 1979 on West London label "Jamaica Sound" Superb dub album mixed at King Tubby's & Channel One. Vinyl is single vinyl and the CD is as below..

Double Cd with the Super Disco Style with 3 bonus tracks on the CD. The Tommy McCook 'Super Star Disco Rockers' set is a free bonus CD. There are a couple of bonus tracks thrown in on the second Tommy McCook set for good measure. Comes with extensive notes by Diggory Kenrick a deluxe digital pack for the price of a single CD.

Reissue of this CLASSIC Detroit techno masterpiece from 'second wave' legend, Kenny Larkin! Originally released on Warp in 1994, this expanded edition features the two tracks that were on the bonus 7". Remastered and reissued via his own Art Of Dance label, this is 'blacktechnosoul' at it's very, very best, featuring awesome moments such as 'Track', 'Tedra', 'Azimuth', 'Q' and more!

Wicked funky jazz from the Black Jazz label's keyboard great, featuring strident vocals from Doug's wife Jean Carn, predating her Philly disco era! A timeless classic.