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On the leading edge of NYC’s underground music scene, Vito Ricci produced only a handful of self-released cassettes and one LP between 1983-1985 with most of his work being recorded for experimental theatre and performance art pieces. Working alongside such luminary musicians as Rashied Ali, Byard Lancaster, Peter Zummo and Yousef Yancey, Ricci became involved in the avant-garde scene with spoken word performances, film scores for independent movies and even playing in punk bands with performances at venues such as CBGB’s and Mudd Club, Vito’s compositions blend his unique use of intricate percussion with a wide sphere of musical influences to create a world of hypnotising ambient, meditative minimal-synth through to dubbed out electronic funk and even left-field boogie.