Sounds Of The UniverseArt + Sound 2012-15

    Soul Jazz Records
    • Hieroglyphic Being – Shikaakwa
    • Tevo Howard – Summer Romance
    • Kassem Mosse – Staat Aus Glas
    • Andres – Ribena
    • Blludd Relations – Cold Like The Baron
    • AYBEE – Return To The Underground
    • Heatsick – Snakes and Ladders
    • Tenderlonious – Caramel
    • DJ Stingray – Cytokines
    • Mike Huckaby – Circles
    • Seven Davis Jr – Come and Go
    • Golden Teacher – Maladroit
    • Reginald Omas Mamode IV – Rare Love
    • Africans With Mainframes – Vibrations From The Serengeti II
    • Capracara – Hard Ticket To Hawaii
    • Lord Tusk – Average Cats
    • Ras G – Deep Space Nine
    • Ras G – Gloom Steez
    • Ras G – Taste This

    "Soul Jazz Records set Sounds of the Universe: Art + Sound 2012-15 features some of the heaviest Afrofuturistic producers out there:"  PITCHFORK

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    Soul Jazz Records new Sounds of the Universe: Art + Sound 2012-15 is a new double album CD (and two separate volumes of double-vinyl) featuring a line-up of some of the most forward-thinking and progressive artists and producers working with electronic music around the world today.

    This lovingly compiled collection features a stunning array of contemporary artists: Chicago’s Afro-futurist genius Hieroglyphic Being; Kaseem Mosse (aka Gunnar Wendell/Siege of Troy), one of the most talked-about, respected artists in underground house and techno; out of Detroit’s Moodyman stable comes Andres; also featured is Los Angeles-based Ras G, associated with the Brainfeeder label established by fellow producer Flying Lotus; and many more!

    This new collection features a first CD of tracks recorded exclusively for Soul Jazz Record’s bespoke Sounds of the Universe label. These were originally issued under their Art + Sound series between 2012 and 2015 as unique hand-etched and original commissioned art pieces (reproduced here) collectors’ 12” singles - all pressed in micro-editions of 250 copies for each artist’s release that were only ever available exclusively from Soul Jazz Records’ boutique Sounds of the Universe shop in Soho, London.

    The second CD features a fantastic set of all brand new exclusive tracks from the likes of Seven Davis Jr, Drexciya collaborator DJ Stingray, deep house virtuoso Mike Huckaby, Glaswegian noise-punk six-piece Golden Teacher, and lots more – all created and commissioned especially for this release. These songs are not available anywhere else in the world.

    Together these 2CDs comprise an amazing selection of new progressive electronic music.

    This album is released as double CD pack with slipcase and booklet. It is also available as two separate limited edition double vinyl editions in heavyweight vinyl and gatefold sleeves with full artwork + free download codes, and as a worldwide digital release.

    CD ONE/ RECORD A tr. 1-8

    CD TWO/RECORD B tr. 9-16

    NB

    The 3 Ras G tracks are CD only


    Other Releases by

    Cuba: Music and Revolution Vol.2 Compiled by Gilles Peterson and Stuart BakerSoul Jazz Records

    Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 2 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that takes off in exactly the same vein as the much-acclaimed Vol. 1 - exploring the many styles that came out of Cuba in the 1970s as Latin and Salsa mixed with heavy doses of Jazz, Funk, and Disco to create some of the most dancefloor-friendly music every made!

    The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

    Much of the music on this album is featured in the deluxe large format book ‘Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90’, released by Soul Jazz Books and also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), featuring the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

    The music on this new album features a host of rarities from legendary Cuban artists such as Los Van Van, alongside Grupo De Experimentación, Farah Maria, Ricardo Eddy Martinez, Juan Pablo Torres, Grupo Sintesis and Orquesta Riverside, most of whose names remain largely unknown outside of Cuba but have long been favourite club tracks and secret-weapons in Gilles Peterson and Stuart Baker's record boxes!

    The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – all searching for a new Cuban identity and new musical forms reflecting both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

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    Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

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    REVIEWS of CUBA: Music and Revolution vol. 1:

    "We already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

    "It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

    "Priceless comp that goes far beyond Buena Vista!" UNCUT

    • Juan Pablo Torres Y Algo Nuevo – Y Que Bien
    • Orquesta Los Van Van – Por Que Lo Haces
    • Los Latinos – Quemando
    • Farah María – Amame y No Pienses Mas
    • FA 5 – Muevete Con Las Fuerzas Del Corazon
    • Tambores De Enrique Bonne – Como Arrullos De Palma
    • Ricardo Eddy Martinez – Expreso Ritmico
    • Los Papines – Solo De Tumba y Bongo
    • Grupo Sintesis – Aqui Estamos
    • Los Van Van – Llegada
    • Grupo Raices Nuevas – Baila Mi Guaguancó
    • Luis Carbonell – La Rumba
    • Orquesta Riverside – En Casa Del Trompo No Bailes
    • Juan Formel & Los Van Van – Llegue, Llegue
    • Grupo Los Yoyi – Tu No Me Puedes Conquistar
    • Los Papines – Para Que Niegas ?
    • Grupo De Experimentación Sonora Del ICAIC – ¡ Cuba Va !
    • Raul Gomez – Luces En La Pista
    • Los Brito – El 4-5-6
    • Leo Brouwer – Tema de El Rancheador De La Naturaleza
    • Ricardo Eddy Martinez – La 132
    • Los Reyes 73 – Finalizo Un Amor
    • 3×LP + Download Code £28.00
      Expected 29 OctPreorder
    • 2×CD£13.00
      Expected 29 OctPreorder
    Deutsche Elektronische Musik 2 - SPECIAL 4-LP BOX SET EDITIONSoul Jazz Records

    Out-of print since its initial release over 8 years ago and not reissued and it features a monster 2 and a half hours of music!

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    Very Limited Edition Super Deluxe Heavyweight Box Edition (includes 4 LP + Insert + 2 Art prints + individual inners + download) + excellent extensive sleevenotes (by David Stubbs, writer for Wire/Guardian and author of the definitive ‘Krautrock’ book) + lots of exclusive photos. This is a one-off pressing of 500 in UK/1,500 copies worldwide.

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    Includes seminal German groups: Can, Faust, Neu, Amon Duul II as well as a host of lesser known groups and artists such as Agitation Free, Broselmachine, Niagara and many more! And as well as the original pioneers, Deutsche Electronische Musik 2 also features many of the second wave of German electronic artists and groups from the late 70s and early 80s (DAF, Asmus Tietchens, Rolf Trostel) who successfully connected new wave, minimal synth and a European post-punk avant-gardism with the earlier more established Krautrock pioneers who began at the start of the 70s.

    The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream society, the war in Vietnam, imperialism and bourgeois values. The birth of a counter-culture, drug experimentation and social change expanded musical worlds. Germany experienced its own cultural revolution fuelled by these worldwide student and worker revolts and by a generation’s desire to rid itself of the guilt of war.

    Many German youth turning their back on mainstream society. From the opening of the first collective/cooperative in 1967, Commune 1, in Berlin, to the formation of the Baader-Meinhof terrorist group and the bombings, kidnappings and killings of the Revolutionary Armed Forces (RAF), young Germans sought out new values and a lifestyle outside of ‘the system’. These cooperative and communal experiences led to a number of new radical German bands including Amon Duul, Faust and Can.

    Many artists and musicians believed a complete rejection of everything musically that had gone before was also necessary in order to build a new identity for German culture. At this time German music meant ‘schlager’ music – insipid pop music that hardly confronted the country’s recent historical events.

    Holger Czukay and Irmin Scmidt of Can studied music under the radical avant-garde composer Karheinz Stockhausen and Conrad Schnitzler studied art under the conceptual artist Joseph Beuys. German rock groups were as interested in musique concrète and serial compostion as they were in the psychedelia of Pink Floyd or the rock, soul and jazz music played by resident American forces.

    From this beginning German rock music began an evolutionary journey of experimentation. Electronic music became a pathway to notions of space and the cosmos. Conversely, the emergence of communal living led to a number of musicians setting up live/work spaces in rural areas and developing a ‘pastoral’ outlook, with musical ideas engaged closely with nature.

    German electronic music, kosmische music, cosmic rock, space music. The objectives were to create new music, ‘free’ from the past. A music that gave seed out of the cultural ‘nothingness’ that young Germans felt as a consequence of Germany’s role in the Second World War. A generation who grew up stifled by the recent history of Nazi atrocities, the guilt of their parents’ generation and their disillusionment at the reintegration of old Nazis into mainstream society.


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    Deutsche Elektronische Musik:

    "A near-definitive guide to some of the world's most extraordinary music." ***** The Guardian

    • A.R. & Machines – Globus
    • Can – Halleluwah
    • Roedelius – Le Jardin
    • Michael Rother – Karussell
    • Michael Hoenig – Sun and Moon
    • Agitation Free – You Play for Us Today
    • DAF – Co Co Pino
    • Harald Grosskopf – Emphasis
    • Amon Duul II – A Morning Excuse
    • Conrad Schnitzler & Wolf Sequenza – Fata Morgana
    • Broselmaschine – Nossa Bova
    • Eno, Moebius and Roedelius – Base & Apex
    • Gila – In A Sacred Manner
    • Wolfgang Riechmann – Himmelblau
    • A.R. & Machines – Als Hatt Ich Das Alles Schon Mal Gesehen
    • Gila – Sundance Chant
    • Neu – Isi
    • Pyrolator – Danger Cruising
    • Sergius Golowin – Die Weisse Alm
    • You – Electric Day
    • Niagara – Gibli
    • Rolf Trostel – Der Prophet
    • Electric Sandwich – China
    • Asmus Tietchens – Zeebrugge
    • Faust – Krautrock
    Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio OneSoul Jazz Records

    Soul Jazz Records’ new Studio One collection ‘Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio One’ features a stellar selection of 70s roots music – classic and rare tracks recorded at Clement Dodd’s musical empire at 13 Brentford Road in the 1970s.

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    Rastafarian-inspired Roots music was an ever-important aspect of Studio One’s output from the start of the 1970s onwards and this album features many of the ground-breaking groups and artists that established the sound of Jamaica during this decade and beyond.

    Featured here are seminal artists such as Freddie McGregor, The Wailing Souls, The Gladiators, Horace Andy, Devon Russell, Cedric Brooks, Count Ossie, Judah Eskender Tafari alongside a host of lesser-known rare cuts made at Studio One from artists such as The Prospectors, Viceroys and Pablove Black.

    Studio One and founder Clement Dodd’s connection with Rastafarianism dates back to the early 1960s, with Dodd accompanying members of the Skatalites up to the hills of Kingston to listen to the music of the Rastafarianism Count Ossie and his drummers. The album sleevenotes discuss how Clement Dodd’s musical links, as well as his role in heading the most important record label in Reggae, are in many ways linked to the beliefs of Rastafarianism.

    This album is released as a heavyweight black vinyl double-album with gatefold sleeve, full notes and download code, deluxe CD with full booklet and slipcase and digital album.

    • Freddie McGregor – I Am a Revolutionist
    • The Silvertones – Burning In My Soul
    • Wailing Souls – Without You
    • Devon Russell – Jah Jah Fire
    • Trevor Clarke – Sufferation
    • The Gladiators – Sonia
    • Judah Eskender Tafari – Always Trying
    • The Viceroys – Ya Ho
    • Im and Count Ossie – Give Me Back Me Language And Me Culture
    • The Gladiators – Serious Thing
    • The Prospectors – Glory For I
    • Wailing Souls – Things and Time
    • Pablove Black – Inner Peace
    • The Gladiators – Peace
    • Horace Andy – Mr. Jolly Man
    • Wailing Souls – Rock But Don't Fall
    • Albert Griffiths and The Gladiators – Righteous Man
    • The Viceroys – So Many Problems
    Cold Wave # 2Soul Jazz Records

    Cold Wave #2

    Ltd. Edn. Dayglo sleeve + PURPLE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

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    Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

    This is the second release of Soul Jazz Records’ new Cold Wave overview.

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    This second edition Cold Wave #2 comes in two vinyl editions – a one-off pressing purple coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

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    These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

    Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

    Most of the featured artists are based in Europe and include Krikor from France, Beta Evers and L.F.T. from Germany, Lena Willikens, Job Siffre and De Ambassade from the Netherlands, Toulouse Low Trax from Germany, Dave I.D. and Broken English Club from the UK, and V.C.V.S from Georgia

    All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.

    • Lena Willikens – Howlin Lupus
    • Beta Evers – Hiding
    • L.F.T. – Stay Away From The Light
    • Job Sifre – At Least We Try
    • De Ambassade – Niet Van Mij
    • Toulouse Low Trax – Rushing Into Water
    • V.C.V.S. – Hum
    • Dave I.D. – Help Starts
    • Broken English Club – Vacant Cars
    • Krikor Kouchian – Deserver Dub
    Cold WaveSoul Jazz Records

    Ltd. Edn. Dayglo sleeve + ORANGE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

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    Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

    This is the first release of Soul Jazz Records’ new Cold Wave overview and a second volume will be released just four weeks later.

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    This first edition of Cold Wave comes in two vinyl editions – a one-off pressing orange coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

    -------------------------------------------------------------------------------------------------------------

    These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

    Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

    Most of the featured artists are based in Europe and include Krikor, Dissemblance and VQOA from France, De Ambassade from the Netherlands, Moisture from Sweden, Kriedler from Germany, Céline Gillain and Carcass Identity from Belgium. One exception is FIT Siegel out of Detroit, connecting the electronic pathways of Europe to the Motor City.

    All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.


    • Dissemblance – Capture
    • Carcass Identity – Reflexion Ocean
    • FIT Siegel – Wayne County Stomp
    • De Ambassade – Standhouden
    • Wang Inc – Approdo
    • Krikor Kouchian – Niños Matadores
    • Céline Gillain – Fight or Flight
    • Kreidler – Kannibal
    • Moisture – Gammut
    • Violent Quand On Aime – Of Course I'm A Liar
    Studio One RootsSoul Jazz Records

    LAST COPIES!

    This is the new 20th anniversary edition of one of Soul Jazz Records’ classic Studio One releases now available as a one-off pressing special blue vinyl very limited-edition pressing ( 2000 copies worldwide).

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    Studio One Roots set the standard for Soul Jazz Records’ long-standing series of Studio One collections and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae.

    This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining crack-session men groups of Jamaican reggae history - The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. As ever the album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.

    Stand-out tracks include Alton Ellis’s Blackish White, a surreal and powerful Afro-centric dream, Count Ossie Nyabinghi and Rastafarian drummers genre-defying interpretation of Booker T and The MGs ‘Meditation’, Willie Williams awe-inspiring versioning of the Skatalites' seminal Rastafari anthem Addis Ababa and many, many more.

    This album has been fully digitally remastered, analog cut and packaged complete with the following: Original sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Honest Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves.

    REVIEWS:

    "Having established himself as one of Jamaica's top producers the day Studio One opened its doors in the early '60s, Clement "Coxsone" Dodd was unable to maintain his status during the roots era of the subsequent decade. This can be attributed to a couple of factors. One was Dodd's apparent reluctance to record the new, overtly Rasta-inspired music. The other was an infusion of new blood into the Jamaican music business. Eager to make a name for themselves, producers like Joe Gibbs, Bunny Lee, Lee "Scratch" Perry, and Winston "Niney" Holness managed to supplant the island's "big three" (Dodd, Duke Reid, and Prince Buster) in the process, driving the music's evolution in the '70s.

    There isn't a weak number across these 16 tracks, from the Gaylads' ode to "Africa" and Devon Russell's version of the heavyweight "Drum Song" rhythm, to a trio of stunning instrumentals: Jackie Mittoo and the Cyclones with nyahbinghi drummer Count Ossie on "Meditation," Lenny Hibbert's sparkling vibe work over Mittoo's "Ghetto Organ" ("More Creation"), and Sound Dimension's "Congo Rock."

    The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection." All Music

    • The Cyclones With Count Ossie – Meditation
    • Cornell Campbell & The Brentford Rockers – Natty Don't Go
    • Freddy Mcgregor With The Sound Dimension – Africa Here I Come
    • Bunny & Skitter – Lumumbo
    • Willie Williams & The All Stars – Addis A Baba
    • L.Crosdale With Drummond Bago & the Rebel Group – Set Me Free
    • Leroy Wallace & The New Establishment – Far Beyond
    • Lennie Hibbert – More Creation
    • Alton Ellis & The Sound Dimension – Blackish White
    • Winston Jarrett & The Sound Dimension – Fear Not
    • Devon Russell – Drum Song
    • The Gaylads – Africa
    • Black Brothers & The New Establishment – School Children
    • Linton Cooper & The Brentford Disco Set – You'll Get Your Pay
    • Sound Dimension – Congo Rock
    • Zoot Simms – African Challenge
    • 1. The Cyclones With Count Ossie – Meditation
    • 2. Cornell Campbell & The Brentford Rockers – Natty Don't Go
    • 3. Freddy Mcgregor With The Sound Dimension – Africa Here I Come
    • View full info and tracklisting
    • New 2×LP (Coloured Vinyl)£30.00
      Limited edition blue coloured vinyl + inners + download
      In stockAdd to Bag
    • CD£12.00
      In stockAdd to Bag
    • MP3 Release£9.99
      In stockAdd to Bag
    Two Synths, A Guitar (And) A Drum Machine - Soul Jazz Records #1 Post Punk DanceSoul Jazz Records

    OUT NOW!

    Soul Jazz Records new ‘Two Synths, A Guitar (and) A Drum Machine’ is a new collection of current D-I-Y post-punk bands shaped by the mutant sounds of no wave, punk funk and New York Noise bands from the late 70s and early 80s that collided with the world of underground dance music found at the Paradise Garage, Mudd Club in New York City (ESG, Arthur Russell, Bush Tetras, Talking Heads, Suicide, Liquid Liquid).

    Other influences cited here include Manchester and Sheffield’s industrial post-punk sounds of the 1980s (Joy Division, Cabaret Voltaire, Gang of Four) as well as the 1970s German electronic experimentalism of Cluster, Neu!, Harmonia and Can.

    Featured artists from around the globe include Los Angeles D-I-Y band Automatic, New Fries from Toronto, artist/music collaborators Toresch from Germany, Susumu Makai from Japan/UK, Vex Ruffin from the Phillipines/California and Madmadmad, Gramme, Tom of England and other UK groups

    That all the bands featured here manage to make distinctive contemporary music out of these 80s roots is testament to the wide range of other musics that are seamlessly absorbed into a modern melting pot of sound – hip-hop, the electronic European avant-garde, rave culture, and more.

    The double vinyl comes in two editions:

    1) Limited edition indies EXCLUSIVE heavyweight green double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

    2) Limited edition heavyweight black double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

    The album is also available as a CD and digital release

    • Automatic – Too Much Money
    • Zongamin – Underwater Paramid
    • New Fries – Lily
    • Vex Ruffin & Fab 5 Freddy – The Balance
    • Ixna – Somebody Said
    • Leroy Duncann – Dream River
    • Tom Of England – Neon Green
    • Toresch – Tocar
    • Becker & Mukai – La Rivière des Perles
    • Gramme – Discolovers
    • Niagara – Ida
    • Charles Manier – Sift Through Art Collecting People
    • Black Deer – Baseball Shorts
    • Madmadmad – Hot Disco
    • Wino D – Untitled
    Cuba: Music and Revolution - Compiled by Gilles Peterson and Stuart BakerSoul Jazz Records

    Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state of Cuba.

    The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

    The album is released to coincide with the massive new deluxe large format book Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90, published in November, which is also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), and which features the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

    The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba – and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states.

    The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

    Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

    -------------------------------------------------------

    REVIEWS:

    "It may only be January, but we already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

    "It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

    "Priceless comp goes beyond Buena Vista" UNCUT

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    *Please note the vinyl sticker of this album says "+download code" but it's a mistake! There is no download with this particular album due to legal reasons. Sorry for this error!

    • Grupo Irakere – Chequere Son
    • Conjunto Rumbavana – El Son Del Campeon
    • Juan Formell & Los Van Van – Mi Ritmo Caliente
    • Grupo Monumental – Mi Son Caridad
    • Grupo de Experimentación Sonora del ICAIC – Sondeando
    • Las D'Aida – Con Cadencia y Con Dulzura
    • Juan Formell & Los Van Van – Y No Le Conviene
    • Pablo Milanés – Te Quiero Porque Te Quiero
    • Emíliano Salvador – Luna Wanestain
    • Los Reyes 73 – Un Lamento Hecho Cancion
    • Eduardo Ramos – Vocación Revolución
    • Grupo Mounmental – Hasta Las Cuantas
    • Los 5 U 4 – Solo Esta Musica
    • Grupo de Experimentación Sonora del ICAIC – Canción Con Todos
    • Orquesta Los Van Van – Yo Se Que Van Van
    • Grupo Monumental – Nadie Se Siente Cansado
    • Orquesta Ritmo Oriental – Maria, Baila El Son
    • Juan Pablo Torres y Algo Nuevo – Rompe Cocorioco
    • Los Reyes 73 – Grandes Amigos
    • Paquito D'Rivera – La Patica
    • Grupo de Experimentación Sonora del ICAIC – Grifo
    • Raúl Gómez – Dacapo
    • Grupo Irakere – Juana 1600
    • 1. Grupo Irakere – Chequere Son
    • 2. Conjunto Rumbavana – El Son Del Campeon
    • 3. Juan Formell & Los Van Van – Mi Ritmo Caliente
    • View full info and tracklisting
    • 3×LP£28.00
      In stockAdd to Bag
    • 2×CD£13.00
      Out of stock
    Studio One Rockers (Black vinyl edition)Soul Jazz Records

    Owned and founded by Clement "Coxsone" Dodd, Studio One's output serves as a comprehensive guide to the history of Reggae music. The music on Studio One Rockers covers all areas of Reggae such as Ska, Rocksteady, Roots and Dancehall, all areas in which Studio One led the field.


    Studio One Rockers features many legendary Studio One tracks brought together for the first time by Soul Jazz Records. From the beginning of Reggae, when the Skatalites developed a new sound of Ska in 1962 up until today, Studio One has been the number one innovator in Jamaican music.


    Included in this compilation are classic Ska tracks ("Phoenix City"), Rocksteady ("Feel Like Jumping"), Roots music ("Truth and Rights"), Dancehall (Freddy McGregor, Michigan and Smiley) and many more.


    Featured here are many of the classic tracks from Studio One. From Dawn Penn's legendary "No, No, No" to classics such as Horace Andy's "Skylarking" and Marcia Griffith's "Feel Like Jumping".


    The Coxsone Soundsystem in the early 60s was one of the three main soundsystems operating in Jamaica alongside his competitors, Prince Buster and Duke Reid. The Studio One catalogue is possibly the largest in Jamaican music and this release is the first in a series of Studio One compilations on Soul Jazz Records.


    This album comes with an in depth interview with Mr C.S. Dodd, about how he set up and ran his record label in the 1960s and 1970s.


    "Compilation of the month. 100% Essential" SEVEN "Compilation of the month. A compilation of unbelievable quality. Awesome" MUZIK "A who's who of Jamaican music" MUSICWEEK "An essential slice of musical history" WAX "The most credible compilation of reggae you can 

    • Sound Dimension – Real Rock
    • Marcia Griffiths – Feel Like Jumping
    • Freddy Mcgregor – Bobby Babylon
    • Horace Andy – Skylarking
    • Lennie Hibbert – Village Soul
    • Brentford All-Stars – Greedy G
    • Johnny Osbourne – Truth And Rights
    • Ernest Ranglin – Surfin
    • Michigan & Smiley – Eye Of Danger
    • Dawn Penn – No, No, No
    • The Skatalites – Phoenix City
    • Prince Jazzbo – Crabwalking
    • Jackie Mittoo – Hot Milk
    • Lone Ranger – Badder Dan Dem
    • Cedric Brooks – Ethiopia
    Deutsche Elektronische Musik 4Soul Jazz Records

    This is the new instalment of Soul Jazz Records’ ground-breaking Deutsche Elektronische Musik series, ‘A near-definitive guide to some of the world's most extraordinary music’ (The Guardian).

    This latest edition features many of the classic German electronic and Krautrock groups from the 1970s & 80s – including Can, Amon Duul II, Harmonia, Conrad Schnitzler, Agitiation Free, Roedelius – as well as a host of lesser known artists such as Dzyan, Klauss Weiss, Gruppe Between and many more.

    Deutsche Elektronische rarities unearthed on the album include Kalacakra (whose fan-base included the great Moondog!) and their superb ‘Nearby Shiras,’ taken from their super-rare spiritual/psychedelic private press concept album Crawling to Lhasa, from 1972.

    Deutsche Elektronische 4 includes a wealth of German electronic experimental artists – the seminal pioneering group Harmonia (Roedelius, Moebius and Michael Rother), avant-garde guru Conrad Schnitzler as well as lesser known synthetic artists such as Klauss Weiss, Deutsche Wertarbeit, E.M.A.K. (Electronische Musik Aus Koln), Gunter Schickert and others.

    Finally, the album also features an array of heavy and progressive German cosmic rock groups – Dzyan, Virus and the amazing Turkish/German tripped out sound of Alex’s ‘Patella Black’, recorded at Can’s Inner Space in 1973, produced by Holger Czukay and Jackie Liebezeit.

    Deutsche Elektronische 4 comes with extensive newly commissioned sleevenotes by David Stubbs, author of the seminal books ‘Future Days: Krautrock and the building of Modern Germany’, ‘Mars By 1980: The story of Electronic Music’, and ‘Krautrock: Cosmic Rock and its Legacy’.

    This album comes as a heavyweight triple vinyl edition with full colour inner sleeves, as well as a deluxe double CD edition with outsize booklet and slipcase. Both formats include full liner notes and extensive rare photography.

    • Alex – Patella Black
    • Klaus Weiss – Driving Sequences
    • Can – I'm So Green
    • Agitation Free – Laila, Part II
    • Deutsche Wertarbeit – Guten Abend, Leute
    • Amon Düül II – Wolf City
    • Michael Rother – Flammende Herzen
    • Klaus Weiss – Pink Sails
    • Virus – My Strand-Eyed Girl
    • Conrad Schnitzler – Ballet Statique
    • Kalacakra – Nearby Shiras
    • EMAK – Tanz In Den Himmel
    • Et Cetera – Mellodrama 2a
    • Between – Triumphzug Kaiser Maximilian I
    • Roedelius – Halmharfe
    • Dzyan – Dragonsong
    • Harmonia – Deluxe (Immer Wieder)
    • Günter Schickert – Suleika
    • Witthüser & Westrupp – Schöpfung (1. Mose 1)
    KaleidoscopeSoul Jazz Records

    Soul Jazz Records’ new album ‘Kaleidoscope – New Spirits Known and Unknown’ brings together many of the ground-breaking artists involved in the new jazz scene that has developed in the UK over the last few years. Featured artists include Matthew Halsall, Yazmin Lacey, Ill Considered, Tenderlonious, Theon Cross, Emma-Jean Thackray and many, many more in this ground-breaking release.

    As well as sharing a pioneering spirit in these new artists’ approach to frontier-crossing musical boundaries, a further theme of this album is that many also share a determination to independent practices - and most of these artists’ recordings featured here are either self-published or released on independent labels. While the attention of this new wave of jazz artists has up until now has been London-based, this album shows how this movement is spread across the whole of Britain (and indeed beyond).

    ‘Kaleidoscope – New Spirits Known and Unknown’ shows that while there is commonality in these artists approach to music, there is a wide variety of styles – from deep spiritual jazz, electronic experimentalisation, punk-edged funk, uplifting modal righteousness, deep soulful vocals and much more.

    Soul Jazz Records’ new release comes as a superb one-off pressing special deluxe triple album edition which comes with a bonus limited-edition one-off pressing 7" single, a standard triple album, and a deluxe double CD pack. This album also comes with extensive sleevenotes, artist interviews and exclusive photography.

    --------------------------------------------------------------------------------------------------------------

    Soul Jazz records are also releasing an exclusive one-off pressing double-headed 12” single featuring Theon Cross and Pokus released on the same day as the ‘Kaleidoscope’ album release. These two tracks do not feature on the vinyl edition of the album - this 12" single will will also be deleted on day of release.

    • Matthew Halsall & The Gondwana Orchestra – When The World Was One
    • Yazmin Lacey – 90 Degrees
    • Hector Plimmer – Communication Control
    • Ill Considered – Long Way Home (Live At The Crypt)
    • The Expansions – Mosaic
    • Chip Wickham – Red Planet
    • Levitation Orchestra – Odyssey
    • Emma-Jean Thackray – Walrus
    • Tenderlonious and The 22archestra – The Shakedown
    • Pokus – Pokus One
    • Theon Cross – Candace Of Meroe
    • Joe Armon-Jones & Maxwell Owin – Tanner's Tango
    • Collocutor – Gozo
    • Makaya McCraven – Untitled
    • Nat Birchall – Ancient World
    • Ruby Rushton – Moonlight Woman
    • Ebi Soda – Dimmsdale
    • The Cromagnon Band – Thunder Perfect
    • SEED Ensemble – Mirrors
    • Ishmael Ensemble – Kito's Theme
    • Vels Trio – Yellow Ochre (Part 1)
    • 1. Matthew Halsall & The Gondwana Orchestra – When The World Was One
    • 2. Yazmin Lacey – 90 Degrees
    • 3. Hector Plimmer – Communication Control
    • View full info and tracklisting
    Space Funk - Afro Futurist Electro Funk In Space 1976-84Soul Jazz Records

    ‘Space Funk – Afro Futurist Electro Funk in Space 1976-84’, is an intergalactic journey into black space, fuelled by funk, powered by computers.

    ‘Space Funk’ is a lovingly compiled collection of superb, rare and off-the-wall space funk and electro releases mostly released on small independent labels in the late 1970s and 1980s.

    Reactors are reacting, boosters are boosting, pack your funk and shake your booty! Computer funk … makes you jump! This is the space funk program!

    The album comes in deluxe artwork and three formats – digipack + slipcase CD, a very limited deluxe 2xLP + bonus 7” single + download vinyl version, and a standard 2xLP + download standard vinyl version.

    Features music by Jamie Jupitor, Solaris, Robotron 4, Juju & the Space Rangers and many more intergalactic space warriors!

    The shuttle program has been altered – there is no Star Wars only electro funk jam joyriders in Space – hold tight!


    • L E O – Fee Fi Fo Fum
    • The Sonarphonic – Super Breaker
    • Santiago – Bionic Funk
    • Frank Cornilius – Computer Games
    • JUJU & The Space Rangers – Plastic
    • Jamie Jupitor – Computer Power
    • Solaris – Space Invaders
    • Copperfield – Make It Good To Me Baby
    • Robotron 4 – Electro-?
    • Ernest Flippin II – Supersonic Space Lady
    • Funk Machine – Funk Machine
    • Ramsey 2C-3D – Fly Guy and The Unemployed
    • Osé – Computer Funk
    • 7 Below Zero Band – Seven (We Are)
    • Rodney Stepp – Break-Out
    Nigeria Soul Power 70 (Expanded Double LP Set)Soul Jazz Records

    Seriously rare, killer and classic Nigerian 70s Afro-Funk, Afro-Disco & Afro-Rock tunes bought together.

    Originally released as a now-long-out-of-print collectors’ 7” RSD box, this fully expanded album release now also includes extra tracks from Sonny Okosuns, Wings, Chief Kollington Ayinla and more.

    Soul Jazz Records’ Nigeria Soul Power 70 album showcases the influence of funk, rock and disco on Nigerian music during the 1970s

    --------------------------------------------------------------------------------------------------------------

    While for many people the fusion of funk and jazz music with Nigerian rhythms and aesthetics began with Fela Kuti and his afro-beat sound, in fact this can be traced further back to the phenomena of the 1960s Nigerian artists and house bands in nightclubs and hotels who interpreted US soul and pop music with a local flavour and none more so than Geraldo Pino, the ‘African James Brown’ who features heavily in this collection. Other similarly inspired Nigerian funk and soul artists featured here included Tony Grey and his Ozimba Messengers and Don Bruce and The Angels.

    Nigeria Soul Power 70 includes a number of tracks from the group Wings originally known as BAF (Biafran Air Force) Wings, an army band formed during the Biafran civil war in Nigeria. The groups’ heavy mixture of funk, rock and African styles was popular among many Nigerian groups at the time.

    Beneath the shadow of the few Nigerian artists who signed international recording deals in the 1970s – Fela Kuti, King Sunny Ade, Chief Ebenezer Obey – lies a vast wealth of largely undiscovered musical transmutation and cultural cross-pollination, and included here are heavy afro-funk/rock and disco tracks from artists such as the legendary Sonny Okosuns as well as rare cuts from little-known outside of Nigeria - groups such as Colomach and MFB. Most of these obscure artists signed to major labels in Nigeria in the commercial slipstream that opened up as Philips, Decca and EMI tried to emulate the international success of the big three international Nigerian artists.

    Finally featured here is Kollington Ayinla, one of the co-founders of Nigerian Fuji music, who gives us perhaps the heaviest of all tracks on this album. Ayinla is the great moderniser of the Fuji sound and in the late 1970s began adding Bata drums and synthesizers to his authentic music to create a powerful and heavy new fusion of traditional and modernist aesthetics, embracing both new technology and experimentation while rooted firmly in Nigerian historical lineage.

    ------------------------------------------------------------------------------------------------------

    Nigeria Soul Power 70 is released as a heavyweight gatefold double vinyl LP (+ free download code), deluxe slipcase CD and digital album.

    • Geraldo Pino – Shake Hands
    • Sonny Okosuns Ozziddi – Dance Of The Elephants
    • The Wings – We'll Get Home
    • Alhaji (Chief) Prof. Kollington Ayinla – E Ye Ika Se
    • Colomach – Kassa Kpa Sama Kpa
    • Geraldo Pino – Heavy Heavy Heavy
    • MFB – Beware
    • Tony Grey and The Ozimba Messengers – You Are The One
    • Sonny Okosuns Ozziddi – Oba Erediauwa I
    • The Wings – Single Boy
    • Geraldo Pino – Power To The People
    • Original Wings – Igba Alusi
    • Don Bruce and The Angels – Sugar Baby
    • Geraldo Pino – Africans Must Unite
    Studio One DJ PartySoul Jazz Records

    Soul Jazz Records’ new Studio One DJ Party is the latest instalment from the mighty Studio One Records catalogue, a wicked new collection of the finest DJs and toasters ever to inhabit the world of reggae – seminal Jamaican artists including Prince Jazzbo, Dillinger, Dennis Alcapone, Michigan & Smiley, Lone Ranger as well as a host of lesser known artists and rare cuts from Studio One.

    From the earliest days when Clement ‘Sir Coxsone’ Dodd ran his Downbeat soundsystem up and down the length of Jamaica, DJs and toasters such as King Stitt and Count Machukie were always a part of the sound of Studio One, introducing new records and exciting audiences with catchphrase lines such as:

    “No matter what the people say these sounds lead the way

    It's the order of the day from your boss deejay” King Stitt

    So when DJ emerged as a distinct reggae style at the start of the 1970s, Studio One was, as always, way ahead of their competitors. Legendary artists of the calibre of Dillinger, Dennis Alcapone and Prince Jazzbo all queued up to record for the equally legendary label.

    At the end of the 1970s, as dancehall exploded onto the island, Clement Dodd was once again able to maintain Studio One’s position on the throne as the number one sound in the Jamaica, fighting off upstart competitors such as Channel One and Joe Gibbs who tried to replicate Studio One’s unique sound. During this period Clement Dodd released a series of stunning dancehall releases from young DJ/dancehall artists at the label including Lone Ranger and Michigan & Smiley.

    This selection spans the early 70s up until the mid-1980s, from the earliest days of deejay toasting right up until digital dancehall, ground-breaking tracks over the finest selection of the ultimate Studio One rhythms and tracks. Who could ask for more?

    Studio One DJ Party includes specially commissioned sleevenotes by Chris Lane, founder of the legendary British reggae label Fashion Records, as well as fantastic original artwork commissioned by the illustrator Ski Williams. The album is released as double heavyweight vinyl (+download code), and distinctive Soul Jazz Records CD with slipcase.

    • Screechie Dan – We A Don
    • Lone Ranger – My Number
    • Dennis Alcapone – Riddle I This
    • Kentrus – It A Fi Bun
    • Lone Ranger – Apprentice Dentist
    • King Sporty – DJ Special
    • Prince Jazzbo – Little Joe
    • Ragga Muffin – Ragga Muffin
    • Mad Roy – Universal Love
    • King Sporty – Choice Of Music
    • King Stitt – Rhyming Time
    • Prince Jazzbo – Fire Coal Version
    • Dillinger – Fountain on The Mountain
    • Michigan & Smiley – Thank You Jah
    • Prince Garthie – Raindrops
    • Jah Buzz – Automatic Clapping
    • Dennis Alcapone – El Paso
    • Big Joe – Nanny Version Skank
    Studio One Black Man's Pride 3 : None Shall Escape The Judgement Of The AlmightySoul Jazz Records

    This is the latest new installment of Soul Jazz Records’ on-going collection of Rastafarian music at Studio One, featuring classic material from legendary roots and culture artists The Gladiators, Horace Andy, Freddie McGregor, Sugar Minott and the Wailing Souls, alongside a superb selection of rarities from Sir Coxsone’s musical empire made up of one-off and practically unknown Rastafarian artists who recorded on a myriad of Studio One off-shoot labels in the 1970s – The Manchesters, Mellodies, The Nightingales and others.

    In this new collection, we see that once again the prescient Clement Dodd was a man who saw the wider picture. In the 1960s it was Sir Coxsone who identified the creative potential of The Wailers, Toots and the Maytals, Heptones, Burning Spear and many, many others. In the 1970s Studio One released an untouchable selection of the finest as styles moved from reggae to deejay to dub and, in the latter half, the emergence of dancehall.

    But what is also clear is that throughout this era Studio One released an incredible amount of roots music, and not just the most commercially obvious. For alongside the career-building catalogues of Burning Spear, The Wailing Souls, The Gladiators and so on, one needs to be an ardent Studio One collector to know some of the truly raw Rastafarian music featured here. Groups such as The Manchesters or The Nightingales feel as if they were recorded straight out of the churchical chants of the mansions.

    Black Man’s Pride explains the links between the ideology of Clement Dodd at Studio One and the Rastafarian faith, which was the creation of Afro-Jamaicans and concerned above all else with a black consciousness and empowerment, a rediscovering of the personal and racial identity of black people. The movement began in the 1930s and, in tandem with this black consciousness, called for a rejection of the British imperial culture that dominated Jamaica, while creating an identity based on a re-appropriation of an African heritage.

    The Rastafari movement was like a pivot, bringing together and balancing many vectors of ideologies. Marcus Garvey’s Back to Africa movement, trades union discourse, anti-colonialism and nation independence, maroon self-definition and independence, the spirit of African rebellion in the Caribbean. For Clement Dodd, a black man and producer growing up in Kingston in this era, Rastafari was simply a part of his everyday world – from witnessing Count Ossie’s grounations to the faith of many Jamaican artists at Studio One – from the Skatalites onwards.

    Featured here alongside these classic and rare tracks from Studio One are new and extensive sleeve notes with track-by-track notes by Rob Chapman, author of the acclaimed Downbeat Special and Never Grow Old Studio One books.

    The album is released as double heavyweight gatefold vinyl (+ free download code), CD with slipcase and booklet, and digital album.

    • Horace Andy – Conscious Dread Lock
    • The Gladiators – A Prayer To Thee
    • Freddie McGregor – Beat Down Babylon
    • The Manchesters – Selassie Bandman
    • The Mellodies – Dread Oppression
    • Big Joe – Jah Jah Help Us
    • Horace Andy – Oh Lord Why Lord
    • Lloyd Jones & The Super Natural Six – Get Up and Try
    • The Wailing Souls – Can't Catch Me
    • The Nightingales – Jehovah
    • Alphanso Stewart – It's No Secret
    • Errol Dunkley – Satisfaction
    • Mr Manchester – Give Natty Dread Glory
    • Lincoln (Sugar) Minott – Wrong Doers
    • Noel Campbell & The Gladiators Band – Sufferation
    • African Brothers – No Cup No Brock
    • Zoot Simms – When The Time Comes
    • Glen Miller – Whey No Dead
    Soul of a Nation 2Soul Jazz Records

    Soul Jazz Records’ new release ‘Soul of A Nation: Jazz is the Teacher, Funk is the Preacher’ is a powerful new collection of radical jazz, street funk and proto-rap made in the era of Black Power (1969-75).

    This is the second ‘Soul of A Nation’ album released by Soul Jazz Records to coincide with the exhibition ‘Soul of a Nation – Art in the Age of Black Power’, critically acclaimed and enormously successful when it opened at the Tate Modern in London last year (as was Soul Jazz Records’ accompanying first album ‘Soul of A Nation – Afro-Centric Visions in the Age of Black Power 1968-79’). The blockbuster international exhibition is now at the Brooklyn Museum, New York and then travels to Los Angeles in 2019.

    This new album features a number of important and ground-breaking African-American artists – The Art Ensemble of Chicago, Don Cherry, Funkadelic, Gil Scott-Heron and more – alongside a host of lesser-known artists all of whom in the early 1970s were exploring new Afrocentric poly-rhythmical styles of music – radical jazz, street funk and proto-rap – while at the same time exploring the Black Power and civil-rights inspired notions of self-definition, self-respect and self-empowerment in their own lives.

    During this era African-American jazz musicians ripped up traditional definitions – rejecting the term ‘entertainer’ to redefine themselves instead as ‘artists’. They worked outside of the mainstream music industry perceiving this artistic relationship to be fundamentally exploitative and politically flawed. Artists instead formed their own pan-arts community-centric collectives, set up their own record labels, ran concerts in alternative performance spaces – art galleries, parks, lofts, community centres – all as a way of taking control of their own creative destinies.

    At the start of 1960s jazz musicians had embarked on an intense period of musical experimentation as artists John Coltrane, Ornette Coleman and Don Cherry sought to dismantle the traditional definitions of jazz by creating new music that broke free from its establishment shackles. By the end of the 1960s, forward-thinking African-American jazz musicians had absorbed the ideas of this radical and avant-garde path but also began to introduce many new elements – not just civil rights concepts of freedom but also black power ideas of self-respect, righteousness and anger.

    Their music developed into a radical and intense Afrocentric mix of jazz, funk, soul and street poetry, all in search of a new musical language that could better represent artistic African-American cultural expression.

    All of the featured artists here were involved in this search in different ways; A shared sense of Afrocentric collectivism joined the dots between the deep avant-garde experimentalism of The Art Ensemble of Chicago (here featuring soul singer Fontella Bass singing the powerful ‘Theme de Yoyo’) to the hyper funk psychedelia of George Clinton’s Funkadelic.

    The poetry of Gil Scott-Heron and Sarah Webster Fabio performed with a backdrop of street funk and heavyweight percussion laid down the template for the birth of rap. The Har-You Percussion Group, a group of young Harlem teenagers, showed how government-sponsored social initiatives helped create great art and music. Gary Bartz and The Oneness of Juju offer spirituality and cosmology. Collectives like The Pharaohs and Detroit’s Tribe add deep jazz and street funk in equal measures. And so on.

    Influenced and radicalised by Black Power and civil rights, all these artists were involved in creating – in the words of the Art Ensemble of Chicago – ‘Great Black Music: Ancient to Future.’

    This album is available as heavyweight triple vinyl (+free download), full and extensive text, exclusive photography, with house inners, and as deluxe CD with slipcase, 40-page outsize booklet and jewel case.

    • The Art Ensemble Of Chicago – Theme De Yoyo
    • The Har-You Percussion Group – Welcome To The Party
    • The Pharaohs – Damballa
    • Baby Huey – Hard Times
    • James Mason – Sweet Power, Your Embrace
    • Byron Morris and Unity – Kitty Bey
    • Funkadelic – Nappy Dugout
    • Rashied Ali & Frank Lowe – Exchange Part 2 (II)
    • Gary Bartz NTU Troop – Celestial Blues
    • Oneness Of Juju – Space Jungle Funk
    • Sarah Webster Fabio – Work It Out
    • Tribe (Wendell Harrison and Phillip Ranelin) – Beneficent
    • Gil Scott-Heron – Whitey On The Moon
    • Don Cherry – Brown Rice
    • 1. The Art Ensemble Of Chicago – Theme De Yoyo
    • 2. The Har-You Percussion Group – Welcome To The Party
    • 3. The Pharaohs – Damballa
    • View full info and tracklisting
    Studio One Lovers RockSoul Jazz Records

    Soul Jazz Records new Studio One album is a fantastic selection featuring all-star legendary Studio One vocalists – Alton Ellis, Marcia Griffiths, The Heptones, Horace Andy, Freddie McGregor, Sugar Minott – alongside a host of classic and super-rare Lovers Rock cuts all of which Clement Dodd recorded at the Brentford Road studio.

    Lovers rock brought together many elements and here you will find sweet harmonies, late 1960s rocksteady, 1970s soul covers, discomixes, recuts and new rhythms – which all fit together in a timeless twilight of love & harmony – as if lovers silhouetted by a Kingston sunset.

    Here you will find stone-cold classic Studio One tunes – Marcia Griffiths ‘Truly’, Horace Andy’s I’ll Be Gone super-rare cuts like Carlton and The Shoes killer 70s versions of Never Give Your Heart Away and Let Me Love You (vocal cut to Jackie Mittoo’s mighty Wall Street), The Invaders sweet lovers rocksteady bomb ‘Sweet Soul Rocking’ (currently for sale at £2,500 on discogs!) and many more!

    This new album comes with sleevenotes by Lloyd Bradley, the acclaimed author of Bass Culture, Sounds Like London and Reggae: The Story of Jamaican Music. The album is pressed on heavyweight double gatefold vinyl (+ free download), deluxe slipcase CD and digital.

    • Alton Ellis – Tumbling Tears (12" Discomix)
    • The Heptones – I Hold The Handle
    • Carlton and The Shoes – Never Give Your Heart Away (70s 12" Version)
    • The Minstrels – Yours Until Tomorrow
    • Jerry Jones – Oh Me Oh My
    • Horace Andy – I'll Be Gone
    • Carlton and The Shoes – Let Me Love You (12" Discomix)
    • The Invaders – Soulful Music
    • Sugar Minott – Ghetto Girl
    • Marcia Griffiths – Truly
    • Devon Russell – My Woman's Love
    • Billy Cole – Rock All Night
    • Freddie McGregor – I Don't Know
    • Cornel Campbell – Didn't I
    • Horace Andy – Wanna Be Free
    • The Heptones – My Ting A Ling (12" Discomix)
    • Alton Ellis – Someone (Extended Mix)
    • The Righteous Flames – I Was Born To Be Loved
    • 1. Alton Ellis – Tumbling Tears (12" Discomix)
    • 2. The Heptones – I Hold The Handle
    • 3. Carlton and The Shoes – Never Give Your Heart Away (70s 12" Version)
    • View full info and tracklisting
    Studio One Freedom SoundsSoul Jazz Records

    Studio One Freedom Sounds is the new collection from Soul Jazz/Studio One focussing on the intense period in the second half of the 1960s when Studio One’s vast and unbeatable output of ska, soul, rock steady and reggae made it literally one of the hottest musical empires in the world.

    During this highly successful period, Clement ‘Sir Coxsone’ Dodd released hundreds and hundreds of superlative singles seemingly on an almost daily basis, in the process making huge stars out of Jamaican singers such as Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel and many more.


    Powered by the finest in-house musicians working in Jamaica, whether it was The Skatalites, Jackie Mittoo’s Soul Brothers, The Sounds Dimension or The Soul Vendors, Studio One functioned as hit factory on the scale of Motown in the USA, shaping and defining reggae music for decades to come.


    Singlehandedly Studio One’s founder Clement Dodd was able to create the most successful vertically-integrated record company that Jamaica had ever known with pressing plant, printers, studio, shops, and sound systems all running at once, with over 50 employees and hundreds of artists working with Studio One during this time.

    Studio One Freedom Sounds tells the story of Studio One in the 1960s with a stunning set of ska, soul, rock steady and reggae killer tunes as well as informative sleevenotes and track-by-track info by Noel Hawks. The album is released as heavyweight double vinyl (+ free download code), deluxe CD and digital album.

    • Don Drummond & The Skatalites – Rain Or Shine
    • The Gaylads – Morning Sun
    • Delroy Wilson – Just Because Of You
    • Alton Ellis – Sunday Coming
    • Jackie Opel – I Am What I Am
    • Peter Tosh – I Am The Toughest
    • Delroy Wilson – Get Ready
    • Mr Foundation – Timo-Oh
    • Roland Alphonso & The Soul Brothers – Provocation
    • Leroy & Rocky – Love Me Girl
    • Slim & Delroy – Look Who Is Back Again
    • The Skatalites – Spread Satin
    • Barrington Spence – Contemplating Mind
    • Ernest Ranglin – Psychedelic Rock
    • Bob Marley & The Wailers – Destiny
    • Roland Alphonso – Reggae In The Grass
    • Zoot Simms – We Can Talk It Over
    • Jackie Mittoo – Hi Jack
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    Black Man's Pride 2 (Studio One)Soul Jazz Records

    This is the second installment of deep roots Rastafarian reggae at Studio One and features classic music from some of the most important figures in reggae music – Alton Ellis, The Heptones, Jackie Mittoo, The Gladiators – alongside a host of rarities and little-known recordings, such as a truly rare Mystic Revelation of Rastafari seven-inch single, Willie William’s first ever recording ‘Calling’ and Horace Andy’s righteous (and equally rare) masterpiece ‘Illiteracy.’

    Black Man’s Pride 2 extends the legacy of Studio One’s ground-breaking path in roots reggae which began at the end of the 1960s and continued throughout the 1970s. The album tells the story of how the rise of Studio One Records and the Rastafari movement were interconnected, through the adoption of the Rastafari faith by key reggae artists – everyone from the Skatalites and Wailers in the 1960s, major singers such as Alton Ellis and Horace Andy at the end of the decade, through to major roots artists such as The Gladiators in the 1970s – and how Clement Dodd consistently recorded this heavyweight roots music throughout Studio One’s history.

    The extensive sleeve-notes to this album also discuss the links between Rastafari and Studio One in time and place, noting how both the religion and Clement Dodd’s musical empire had their roots in the intense period of pre-independence Jamaica in Kingston, expanded in the 1960s following the visit of Haile Selassie in 1966, and how roots music then came to dominate reggae music in the early 1970s. Also discussed is how the outsider stance of both reggae music and the Rastafari movement relate back many hundreds of years to the original rebel stance of the Maroons, escaped slaves who set up self-sufficient enclaves in the hills of the Jamaican countryside.

    There is also a track-by-track history by the noted Studio One writer Rob Chapman (Never Grow Old). This new album comes as heavyweight gatefold double vinyl (+ download code), deluxe CD and digital album.

    REVIEWS of Black Man's Pride:

    "Soul Jazz’s albums are different: not only have they encouraged a new, younger audience, parallel to the one that enjoys rare funk and spiritual jazz, to appreciate this music, their records are coherent. They’re not just a heap of tunes that happen to be sharing a black vinyl apartment. They’re themed and meld musically. They have a reason to exist.
    In this instance, that reason is an exploration of 70s vocal roots reggae with a theme of black pride and dignity." Record Collector

    • Horace Andy – Illiteracy
    • The Heptones – Be A Man
    • The Manchesters – Natty Gone
    • The Gladiators – Down Town Rebel
    • Willie Williams – Calling
    • Roland Alphonso & Brentford All Stars – Sir D Special
    • Keith Wilson – God I God I Say
    • Alton Ellis – Almost Anything
    • Bobby Kalphat & The New Establishment – Adis A Wa Wa
    • Peter Broggs – Sing A New Song
    • Mystic Revelations Of Rastafari – Let Freedom Reign
    • Larry & Alvin – Free I Lord
    • Ernest Wilson & The Sound Dimension – Freedom Fighter
    • Jackie Mittoo – Happy People
    • Prince Lincoln – Daughters Of Zion
    • High Charles – Zion
    • Winston Jarrett – Love Jah Jah
    Boombox 3Soul Jazz Records

    Soul Jazz Records’ new Boombox 3 continues the story of the first rap records to be put onto vinyl. It is a jam-packed collection of original independent ‘old-school’ hip-hop, created with just one thing in mind – to get this party jumping!

    After the explosion of hip hop in the parks and clubs of The Bronx in the mid-1970s, it was in Harlem where the first rap records emerged at the end of 1979 - an avalanche of superb rap tracks released on small independent labels all trying to capitalise on the success of ‘Rappers Delight.’

    Like hip hop culture itself, these first rap singles are the product of their own unique set of aesthetics – exciting and innovative rap performed with Bronx block party B-Boy funk breaks, disco jams and Jamaican sound system culture.

    The extensive sleevenotes discuss hip-hop’s trajectory from the first wave of Bronx creativity – the legendary DJs Kool Herc, Grandmaster Flash and Afrika Bambaataa – through to its arrival in Harlem via the entrepreneurism of old-school African-American rhythm and blues producers and émigré Jamaican producers all living in New York. Along the way the notes discuss everything from the New York power blackout of 1977, the Italian mafia involvement in the music industry, the links between rap and Jamaican dancehall and more besides!

    Boombox 3 features a line-up of stunning, near unknown New York rap artists, classic disco breaks (including Chic’s omnipotent Good Times, MFSB’s Love Is the Message, Queen’s Another One Bites The Dust etc.), proto-electro and more. And by the early 1980s the first rap records outside New York began to emerge – Los Angeles, Houston, Milwaukee, Phoenix – and the first of these are also featured here in this new collection.

    This Soul Jazz Records album is released on heavyweight triple vinyl (+ download code) with full notes, double CD pack with 44-page outsize booklet and slipcase, and digital album.

    Reviews of Boombox series:

    ‘The vital launch pad between hip-hop’s birth and its worldwide impact’ THE WIRE

    ‘This compilation of early rap is a legit party in a box, one of the best Soul Jazz Records releases in years.’ FACT

    • Majestics – Class A
    • Brother's Disco – Thumpin'
    • Mifflin Ensemble – On The Move
    • Sherod – Schooling (Put Your Mind To The Message)
    • Sugar Daddy – Another One Bites The Dust
    • Family Four – Rap Attack
    • She – Ms D.J. Rap It Up !
    • The Caution Crew – Rhythm Rock (Part 1)
    • Poor Boy Rappers – The DJ Rap
    • Family – Family Rap
    • Bobby Deemo – Bugs-B-Skate Rap
    • Teen-Machine – Teen-Machine Rap
    • T.J. Swann & Company – Get Fly
    • Poor Boy Rappers – Low Rider Rap
    • Sicle Cell & Rhapazooty – Rhapazooty In Blue
    • Mr. Fox – Smooth Talk
    • Solid C, Bobby D & Kool Drop – Wack Rap
    • Disco Daddy & Capt. Rapp – The Gigolo Rapp
    Deutsche Elektronische MusikSoul Jazz Records

    AVAILABLE AGAIN! Soul Jazz Records new 2018 edition of their long out of print classic first “Deutsche Elektronische Musik – Experimental German Rock and Electronic Music 1972-83” is ‘a near-definitive guide to some of the world’s most extraordinary music’ (The Guardian).


    Featuring a stunning line-up of groups including Cluster, Can, Faust, Popol Vuh, Neu!, Amon Düül, Harmonia, La Düsseldorf and Tangerine Dream as well as a host of lesser known groups such as Kollectiv, Ibliss, Between and many more. This new edition is fully re-mastered and features all the original artwork and tracks.


    The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream society, the war in Vietnam, imperialism and bourgeois values. The birth of a counter-culture, drug experimentation and social change expanded musical worlds. Germany experienced its own cultural revolution fuelled by these worldwide student and worker revolts and by a generation’s desire to rid itself of the guilt of war.


    German rock and experimental electronic music grew out of this worldwide counter-cultural revolution of 1968. The objectives were to create new music, ‘free’ from the past, many German youth turning their back on mainstream society. From the opening of the first collective/cooperative, Kommune 1, in Berlin, to the formation of the Baader-Meinhof terrorist group and the bombings, kidnappings and killings of the Revolutionary Armed Forces (RAF), young Germans sought out new values and a lifestyle outside of ‘the system’.


    These cooperative and communal experiences led to a number of new collective German bands forming such as Amon Düül, Faust, Can (all featured here) and others and these ideals drove this new movement. A music that gave seed out of the cultural ‘nothingness’ that young Germans felt as a consequence of Germany’s role in the Second World War. A generation who grew up stifled by the recent history of Nazi atrocities, the guilt of their parents’ generation and their disillusionment at the reintegration of old Nazis into mainstream society.



    Influenced equally by the electronic experimentalism of Stockhausen, the progressive rock of Pink Floyd and the black American jazz and soul music played at the occupying armed forces bases, young German artists seamlessly created out of this a new unique music with its own unique identity.


    Double CD pack with large 36-page outsize booklet encased in slipcase. The vinyl edition is made up of TWO separate volume heavyweight loud gatefold double albums (now + free download codes) featuring all sleevenotes and text.

    Double Vinyl Record A is tracks 1-13 (+ Download Code)

    Double Vinyl Record B is tracks 14 - 24 (+ Download Code)

    Digital download does not include track 3 and 23 which are physical only

    REVIEWS:

    ***** GUARDIAN REVIEW (John Savage)

    ***** GUARDIAN REVIEW (Dave Simpson)

    2x LP Record A/CD1:

    1. Can – A Spectacle
    2. Between – Devotion
    3. Harmonia – Dino
    4. Gila – This Morning
    5. Kollektiv – Rambo Zambo
    6. Michael Bundt – La Chasse Aux Microbes
    7. E.M.A.K. – Filmmuzik
    8. Popol Vuh – Morgengruss
    9. Conrad Schnitzler – Auf Dem Schwarzen Kanal
    10. La Düsseldorf – Rheinita
    11. Harmonia – Veterano
    12. Faust – It's A Rainy Day, Sunshine Girl
    13. Neu! – Hallo Gallo

    2x LP Record B/CD2:

    1. Cluster – Heisse Lippen
    2. Ibliss – High Life
    3. Moebius – Hasenheide
    4. Amon Düül II – Fly United
    5. Popol Vuh – Aguirre 1
    6. Ash Ra Tempel – Daydream
    7. Tangerine Dream – No Man's Land
    8. Amon Düül II – Wie Der Wind Am Ende Einer Strasse
    9. Roedelius – Geradewohl
    10. Can – I Want More
    11. Deuter – Soham

    • Can – Aspectacle
    • Between – Devotion
    • Harmonia – Dino
    • Gila – This Morning
    • Kollectiv – Rambo Zambo
    • Michael Bundt – La Chasse Aux Microbes
    • E.M.A.K – Filmmusik
    • Popol Vuh – Morgengruss
    • Conrad Schnitzler – Auf Dem Schwarzen Kanal
    • La Düsseldorf – Rheinita
    • Harmonia – Veterano
    • Faust – It's A Rainy Day, Sunshine Girl
    • Neu! – Hallo Gallo
    • Cluster – Heisse Lippen
    • Ibliss – Hi Life
    • Dieter Moebius – Hasenheide
    • Amon Duul II – Fly United
    • Popol Vuh – Aguirre 1
    • Ash Ra Tempel – Daydream
    • Tangerine Dream – No Man's Land
    • Amon Duul II – Wie Der Wind Am Ende Einer Strasse
    • Roedelius – Geradewohl
    • Can – I Want More
    • Deuter – Soham
    Deutsche Elektronische Musik 3Soul Jazz Records

    This latest instalment in Soul Jazz Records’ successful Deutsche Elektronische Musik series delves deeper into the German nation’s vaults to bring a fascinating new collection that again brings together a selection of classic German electronic and rock groups, including Neu!, Cluster, Popol Vuh, La Düsseldorf, Agitation Free, alongside a host of rare tracks by lesser known artists which includes Michael Bundt, Bröselmaschine, Dronsz, Achim Reichel and others.

    The music of Deutsche Elektronische Musik 3 ranges from the introverted pastoralism of Hans Joachim Roedelius and Bröselmaschine, to the angular and futuristic electronic experimentations of Klauss Weiss, Pyrolator, Deuter, Michael Bundt and others, to the proto-punk of La Düsseldorf and the heavy space, progressive and cosmic rock of Missus Beastly, Niagara and Dyzan.

    The music on Deutsche Elektronische Musik 3 was all recorded in the 1970s up to the early 1980s, at a time when forward-thinking German electronic and rock groups were searching for a new musical identity in order to separate themselves from both the cultural legacy of post-world war two Germany as well the ‘cultural imperialism’ of USA and UK rock. In this process German groups created some of the most unique and inspired music, the defining motorik beat alongside a host of ethno-musical influences from far afield – including Turkey, India, Brazil – as well as the musical and futurist possibilities of developments in electronics and technology itself.

    Deutsche Elektronische Musik 3 is released as a heavyweight 3xLP, deluxe double CD pack and digital release. The new extensive sleevenotes are by David Stubbs, who is the author of the acclaimed book, ‘Future Days: Krautrock and the Building of Modern Germany’ (Faber & Faber).

    “A near-definitive guide to some of the world’s most extraordinary music’’ ***** The Guardian

    "There are many potential futures contained within this exemplary Soul Jazz compilation" The Quietus

    • Klaus Weiss – Wide Open Space Motion
    • A.R. & Machines – I'll Be Your Singer, You'll Be My Song
    • Deutsche Wertarbeit – Deutscher Wald
    • Dzyan – Khali
    • Missus Beastly – Geisha
    • Alex – Derulé
    • Agitation Free – In The Silence Of the Morning Sunrise
    • Georg Deuter – Pearls
    • Michael Bundt – The Brain Of Oskar Panizza
    • Popol Vuh – Ja, Deine Liebe Ist Sußer Als Wein
    • Novalis – Dronsz
    • Bröselmaschine – Schmetterling
    • Neu! – Neuschnee
    • Between – And The Waters Opened
    • La Düsseldorf – White Overalls
    • Klauss Weiss – Constellation
    • Achim Reichel – Tanz Der Vögel In Den Winden
    • Roedelius – Lustwandel
    • Pyrolator – Die Haut Der Frau
    • Cluster – Hollywood
    • Streetmark – Passage
    • Niagara – Rhythm Go
    • Michael Bundt – Neon
    • 1. Klaus Weiss – Wide Open Space Motion
    • 2. A.R. & Machines – I'll Be Your Singer, You'll Be My Song
    • 3. Deutsche Wertarbeit – Deutscher Wald
    • View full info and tracklisting
    • 3×LP + Download Code £28.00
      Out of stock
    • 2×CD£13.00
      Out of stock
    • MP3 Release£9.99
      In stockAdd to Bag
    Dancehall (2017 edition)Soul Jazz Records

    Soul Jazz Records are releasing this new 10th anniversary 2017 edition of their classic album  ‘Dancehall – The Rise of Jamaican Dancehall Culture’. This long-out-of-print collection is now available as a triple-vinyl edition and double CD pack.

    The album is a lightning-flash collection of all-time classic and definitive dancehall classics as well as a stellar selection of more obscure tracks. Featuring Yellowman, Tenor Saw, Sister Nancy, Ini Kamoze, Chaka Demus & Pliers, Michigan & Smiley, Super Cat, Cutty Ranks, Eek-A-Mouse, Gregory Isaacs and more, this album features non-stop floor-filling party tune rockers throughout!

    Dancehall is released to coincide with the new 2017 edition of the stunning 400+ photos deluxe coffee table book ‘Dancehall – The Rise of Jamaican Dancehall Culture’, featuring Beth Lesser’s amazing Dancehall photography (also newly published by Soul Jazz Records). This book has become the definitive cultural reference book for Jamaican dancehall and features hundreds of killer photographs, extensive text and interviews with many of the artists.

    ‘A vibrant anthology of all that mattered: the sound systems, studios, producers, singers and deejays.’  The Guardian

    • Yellowman – Bam Bam
    • Tenor Saw – Pumpkin Belly
    • Reggie Stepper – Cu Oonuh
    • Chaka Demus and Pliers – Murder She Wrote
    • Pinchers – Agony
    • Michigan & Smiley – Diseases
    • Ini Kamoze – World A Music
    • Junior Murvin – Cool Out Son
    • General Echo – Arleen
    • Cornel Campbell – Boxing
    • Cutty Ranks – Chop Chop
    • Lone Ranger – M16
    • Super Cat – Trash and Ready
    • Gregory Isaacs – Soon Forward
    • Jacob Miller & Trinity – I'm Just A Dread / One Shot
    • Eek A Mouse – Wa Do Dem
    • Sister Nancy – Only Woman DJ With Degree
    • Trinity – Uptown Girl
    • General Echo – Track Shoes
    • Cornel Campbell – Mash You Down
    • Horace Ferguson – Sensi Addict
    • Clint Eastwood – Jump and Pawn
    • 3×LP + Download Code £28.00
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    • 2×CD£13.00
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    • MP3 Release£9.99
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    Black Man's PrideSoul Jazz Records

    While the righteousness of blackness is at the heart of the Rastafarian faith, this collection illustrates how black pride remained a central theme, if not the defining essence, at the very core of all the music created at Studio One Records.

    Black Man’s Pride is the striking new Studio One collection of deep heavyweight reggae featuring Horace Andy, Alton Ellis, The Gladiators, Sugar Minott, The Heptones, Freddie McGregor, Cedric Brooks & more.

    In order to understand the centrality of black identity in the music created at Studio One, we need look no further than Clement ‘Sir Coxsone’ Dodd who, who created the first black-owned record company in Jamaica.

    In similar fashion Alton Ellis’s defining ‘Black Man’s Pride’ brings up emotions that are at the heart of many of these uplifting songs. Alton Ellis’ birthplace was the Trench Town ghetto of Kingston, also the birthplace of The Wailers, Ken Boothe and many other Studio One luminaries.

    Clement Dodd established a musical empire firmly rooted by the core musicians working at Studio One many of whom came out of the Alpha School for Wayward Boys, run by Roman Catholic nuns, whose luminaries include Don Drummond, Johnny Moore, Leroy ‘Horsemouth’ Wallace, Cedric Brooks, Vin Gordon, Tommy McCook & more.

    Many of the songs featured here come from the transitory phase in reggae at the start of the 1970s. After the exhilaration of Ska and following the cooling down of Rocksteady. While reggae awaited the arrival of roots, Studio One’s vocalists were already producing some of the moodiest music imaginable! Here are 18 heavyweight tunes, both classic cuts and super-rare tunes!

    This new album is released as a heavyweight gatefold double-LP edition (+ download code), CD and digital with full text.

    REVIEW

    "The bottomless pit that is Coxsone Dodd’s Studio One label(s) yields more gems. Soul Jazz and before it, Heartbeat in the US, United Artists, Bamboo and various other labels in the UK have released numerous collections, yet the catalogue remains largely under-exploited, despite the late Mr Dodd’s tireless efforts to wring every last cent from it in unlikely ways. Little wonder that some reggae fans, spoilt by knowledge and racks of original vinyl, can be inclined to shrug when another comp emerges: there have been so many. However, Soul Jazz’s albums are different: not only have they encouraged a new, younger audience, parallel to the one that enjoys rare funk and spiritual jazz, to appreciate this music, their records are coherent. They’re not just a heap of tunes that happen to be sharing a black vinyl apartment. They’re themed and meld musically. They have a reason to exist.

    In this instance, that reason is an exploration of (mostly) 70s vocal roots reggae with a theme of black pride and dignity. This music was recorded as a cultural statement, if not a cry, from the roots; strong stuff, deep, dark and heavy. But don’t mistake that for leaden. It may have bass frequencies that drive your neighbour’s dog under the sofa, thinking it’s 5 November all over again, but this is no gloomy exercise in musical storm clouds. Right from Alton Ellis’s title-donating opening tune, there are aspects of Black Man’s Pride that will have you skipping around the room, literally or mentally, and thanking Jah that you didn’t spend the money it cost you on a pizza, dough balls and Diet Coke meal deal. This is not musical junk food, it’s a keeper fit to lift the heart whenever needed.

    One reason for this is the sequencing. Glen Miller (not that one) may have a light, soulful voice but the rhythm track he’s riding on Love And Understanding is a minor chord churner, as sad as a wet Sunday. But it’s held up on either side by Sugar Minott (and an uncredited Gladiators) floating through Woman Shadow (as sung by The Meditations as Woman Is Like A Shadow), and The Nightingales’ gorgeously swinging Rasta Is Calling, a glorious take on Delroy Wilson’s Cool Operator rhythm that’s a sod to find on 45. The Heptones make a rational case for Equal Rights in a manner that ought to have been perky enough to win them at least an audition for a CBBC presenter’s role. Their lead singer Leroy Sibbles pops up uncredited on John Holt’s heart-lifting yet cool Let’s Build Our Dreams. Heavy 70s roots is gloomy? Nope. Jamaica’s ghettos were suffering; they didn’t need more misery.

    There’s also judicious joining up of vocals and their dubwise 45 flipsides: The Gladiators’ Roots Natty is one such. I heard the vocal, and immediately wished it was the devastatingly moving dub cut. Compiler Stuart Baker evidently thought likewise, so it extends to the version. For variety, there’s a lone sax instrumental to wreck things up too: Cedric Brooks’ melodic Why Can’t I.

    There’s room for the unique, deep and breathy voice of Larry Marshall. More “international” stars Horace Andy and Dennis Brown are here too, recorded as youths, as is a teenage Freddie McGregor on a rootsy rewrite of Cat Stevens’ Wild World – with what sounds like JS Bach on synth! The set shuts with Johnny Osbourne’s sophisticated and spiritually openhearted Forgive Them.

    With an informative, eminently enjoyable sleeve note about the growth of roots reggae and its place in Rastafarianism and black awareness, fittingly Black Man’s Pride lacks nothing." Ian McCann, RECORD COLLECTOR

    • Alton Ellis – Black Man's Pride
    • Horace Andy – Child Of The Ghetto
    • Dennis Brown – Created By The Father
    • The Gladiators – Roots Natty
    • The Classics – Got To Be Cool
    • The Nightingales – Rasta Is Calling
    • Glen Miller – Love & Understanding
    • Sugar Minott – Woman Shadow
    • Lloyd Jones & The Supernatural Six – Red In A Babylon
    • Dudley Sibley & The Soul Gang – Love In Our Nation
    • The Heptones – Equal Rights
    • Glen Miller – You Must Be Love
    • Winston Jarrett – Up Park No Mans Land
    • Cedric Im Brooks – Why Can't I
    • Larry Marshall – Let's Make It Up
    • Freddie McGregor – Children Listen To The Wise Words
    • John Holt – Build Our Dreams
    • Johnny Osbourne – Forgive Them
    • 2xLP + Download Code£26.00
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    • CD£12.00
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    • MP3 Release£9.99
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    Studio One SupremeSoul Jazz Records

    By the 1970s Studio One and Clement ‘Sir Coxsone’ Dodd had already proved himself to be the defining force in Reggae for almost two decades. From running the Downbeat sound system on the lawns and yards of Kingston in the late 1950s to opening Studio One at 13 Brentford Road at the start of the 1960s, ushering in Ska and Rocksteady and establishing the careers of most of Jamaica’s artists – everyone from Bob Marley and The Wailers, Ken Boothe, Toots and The Maytals, The Skatalites, Jackie Mittoo and more – Clement Dodd had until this point dominated the Jamaican musical world.

    And yet, incredibly, Clement Dodd was barely half way through his musical path, maintaining Studio One’s number one position in the Jamaican music scene throughout the 1970s with a combination of musical and creative innovation and an endless capacity to adapt and create new musical fashions. By the end of the 1970s Dancehall had become the defining sound on the island. Dancehall was essentially a tribute by other Jamaican producers and artists to the classic music of Studio One created in the 1960s as young artists across the island created new songs, while musicians recreated these original classic foundation Studio One rhythms. As on other occasions, Clement Dodd rose to this new musical challenge by producing a whole new era of classics for Studio One.

    The roots of Dancehall begin with the DJs of the early 1970s, who were the first to sing new material over earlier classic rhythms. Early DJ pioneers such as Dillinger and Prince Jazzbo both feature here toasting over classic songs - The Mad Lad’s Ten to One and The Eternals’ Queen of the Minstrel. But it is the new wave of artists who arrived at Studio One at the onset of Dancehall which enabled Studio One to maintain its number one status as the whole of Kingston’s rival music producers – Channel One, Joe Gibbs and many others – attempted to challenge this position.

    Sugar Minott, Michigan and Smiley, Willie Williams, Lone Ranger had all grown up listening to the classic Studio One music of the 1960s and were able to pay the greatest compliment to the label by creating the defining new music of this new era with songs that combined all the musical and technological developments of the 1970s – dub, deejaying, discomixes, syndrums, synthesizers and more – into the sound of the future: Dancehall.

    Throughout this era Clement Dodd also continued to work with a number of original and returning artists – such as Alton Ellis, Horace Andy, Freddie McGregor, Johnny Osbourne – updating old rhythms and creating new ones while employing the in-house band variously known as The Brentford All-Stars/Rockers/Disco Set to update these sounds in order to maintain Studio One’s number one position as the defining force in Reggae.

    This is Soul Jazz Records’ latest new collection of classic and rare Studio One recordings and is released on triple LP (+ download code), deluxe CD and digital album.

    • Johnny Osbourne & The Prophets – Keep That Light
    • Dillinger – Natty Ten To One
    • Lone Ranger – Natty Dread On The Go
    • Prince Jazzbo – Minstral
    • Johnny Osbourne – Jah Promise
    • Freddie McGregor – Wine Of Violence
    • Papa Michigan and General Smiley – Compliment To Studio One
    • Willie Williams – Easy
    • Lone Ranger – Quarter Pound Of Ishen
    • Alton Ellis – A Fool
    • Jackie Mittoo & Brentford All Stars – In Cold Blood
    • Jim Nastic – Chanting
    • Brentford Rockers – Bushmaster
    • The Gladiators & Brentford Disco Set – Happy Man
    • Dub Specilaist – Still Dubbing
    • Sugar Minott – Jah A Love You
    • Horace Andy – Show and Tell
    • Freddie McGregor – Rastaman Camp
    • 3×LP + Download Code £28.00
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    • CD£12.00
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    Other Releases on Soul Jazz Records

    Cuba: Music and Revolution Vol.2 Compiled by Gilles Peterson and Stuart BakerSoul Jazz Records

    Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 2 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that takes off in exactly the same vein as the much-acclaimed Vol. 1 - exploring the many styles that came out of Cuba in the 1970s as Latin and Salsa mixed with heavy doses of Jazz, Funk, and Disco to create some of the most dancefloor-friendly music every made!

    The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

    Much of the music on this album is featured in the deluxe large format book ‘Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90’, released by Soul Jazz Books and also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), featuring the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

    The music on this new album features a host of rarities from legendary Cuban artists such as Los Van Van, alongside Grupo De Experimentación, Farah Maria, Ricardo Eddy Martinez, Juan Pablo Torres, Grupo Sintesis and Orquesta Riverside, most of whose names remain largely unknown outside of Cuba but have long been favourite club tracks and secret-weapons in Gilles Peterson and Stuart Baker's record boxes!

    The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – all searching for a new Cuban identity and new musical forms reflecting both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

    ------------------------------------------------------

    Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

    -------------------------------------------------------

    REVIEWS of CUBA: Music and Revolution vol. 1:

    "We already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

    "It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

    "Priceless comp that goes far beyond Buena Vista!" UNCUT

    • Juan Pablo Torres Y Algo Nuevo – Y Que Bien
    • Orquesta Los Van Van – Por Que Lo Haces
    • Los Latinos – Quemando
    • Farah María – Amame y No Pienses Mas
    • FA 5 – Muevete Con Las Fuerzas Del Corazon
    • Tambores De Enrique Bonne – Como Arrullos De Palma
    • Ricardo Eddy Martinez – Expreso Ritmico
    • Los Papines – Solo De Tumba y Bongo
    • Grupo Sintesis – Aqui Estamos
    • Los Van Van – Llegada
    • Grupo Raices Nuevas – Baila Mi Guaguancó
    • Luis Carbonell – La Rumba
    • Orquesta Riverside – En Casa Del Trompo No Bailes
    • Juan Formel & Los Van Van – Llegue, Llegue
    • Grupo Los Yoyi – Tu No Me Puedes Conquistar
    • Los Papines – Para Que Niegas ?
    • Grupo De Experimentación Sonora Del ICAIC – ¡ Cuba Va !
    • Raul Gomez – Luces En La Pista
    • Los Brito – El 4-5-6
    • Leo Brouwer – Tema de El Rancheador De La Naturaleza
    • Ricardo Eddy Martinez – La 132
    • Los Reyes 73 – Finalizo Un Amor
    • 3×LP + Download Code £28.00
      Expected 29 OctPreorder
    • 2×CD£13.00
      Expected 29 OctPreorder
    Trees SpeakSeventh Mirror/RadiationSoul Jazz Records

    EXCLUSIVE NEW TREES SPEAK 45 DROPPING NOW!

    TREES SPEAK!!! New MONSTER hand-stamped white label 7" WORLD EXCLUSIVE at Sounds of the Universe and only 150 copies printed! DO NOT MISS OUT

    These tracks are absolute KILLERS! Undoubtedly the HEAVIEST & GROOVIEST Trees Speak we've heard by far!

    7th MIRROR - Tripped out intro then drops into a Motorik MONSTER! UNBELIEVABLE!

    RADIATION - Radio static & feedback then angular NYC post-punk moodiness!

    This 45 features an EXCLUSIVE new track only ever on this single + one from a forthcoming massive new double album! Next level stuff!

    **Crazy limited, one-off pressing of 100 units - one per customer!** ONLY AVAILABLE HERE - NOW!


    • – Seventh Mirror
    • – Radiation
    Deutsche Elektronische Musik 2 - SPECIAL 4-LP BOX SET EDITIONSoul Jazz Records

    Out-of print since its initial release over 8 years ago and not reissued and it features a monster 2 and a half hours of music!

    -------------------------------------------------------------------------------------------------------------

    Very Limited Edition Super Deluxe Heavyweight Box Edition (includes 4 LP + Insert + 2 Art prints + individual inners + download) + excellent extensive sleevenotes (by David Stubbs, writer for Wire/Guardian and author of the definitive ‘Krautrock’ book) + lots of exclusive photos. This is a one-off pressing of 500 in UK/1,500 copies worldwide.

    --------------------------------------------------------------------------------------------------------------

    Includes seminal German groups: Can, Faust, Neu, Amon Duul II as well as a host of lesser known groups and artists such as Agitation Free, Broselmachine, Niagara and many more! And as well as the original pioneers, Deutsche Electronische Musik 2 also features many of the second wave of German electronic artists and groups from the late 70s and early 80s (DAF, Asmus Tietchens, Rolf Trostel) who successfully connected new wave, minimal synth and a European post-punk avant-gardism with the earlier more established Krautrock pioneers who began at the start of the 70s.

    The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream society, the war in Vietnam, imperialism and bourgeois values. The birth of a counter-culture, drug experimentation and social change expanded musical worlds. Germany experienced its own cultural revolution fuelled by these worldwide student and worker revolts and by a generation’s desire to rid itself of the guilt of war.

    Many German youth turning their back on mainstream society. From the opening of the first collective/cooperative in 1967, Commune 1, in Berlin, to the formation of the Baader-Meinhof terrorist group and the bombings, kidnappings and killings of the Revolutionary Armed Forces (RAF), young Germans sought out new values and a lifestyle outside of ‘the system’. These cooperative and communal experiences led to a number of new radical German bands including Amon Duul, Faust and Can.

    Many artists and musicians believed a complete rejection of everything musically that had gone before was also necessary in order to build a new identity for German culture. At this time German music meant ‘schlager’ music – insipid pop music that hardly confronted the country’s recent historical events.

    Holger Czukay and Irmin Scmidt of Can studied music under the radical avant-garde composer Karheinz Stockhausen and Conrad Schnitzler studied art under the conceptual artist Joseph Beuys. German rock groups were as interested in musique concrète and serial compostion as they were in the psychedelia of Pink Floyd or the rock, soul and jazz music played by resident American forces.

    From this beginning German rock music began an evolutionary journey of experimentation. Electronic music became a pathway to notions of space and the cosmos. Conversely, the emergence of communal living led to a number of musicians setting up live/work spaces in rural areas and developing a ‘pastoral’ outlook, with musical ideas engaged closely with nature.

    German electronic music, kosmische music, cosmic rock, space music. The objectives were to create new music, ‘free’ from the past. A music that gave seed out of the cultural ‘nothingness’ that young Germans felt as a consequence of Germany’s role in the Second World War. A generation who grew up stifled by the recent history of Nazi atrocities, the guilt of their parents’ generation and their disillusionment at the reintegration of old Nazis into mainstream society.


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    Deutsche Elektronische Musik:

    "A near-definitive guide to some of the world's most extraordinary music." ***** The Guardian

    • A.R. & Machines – Globus
    • Can – Halleluwah
    • Roedelius – Le Jardin
    • Michael Rother – Karussell
    • Michael Hoenig – Sun and Moon
    • Agitation Free – You Play for Us Today
    • DAF – Co Co Pino
    • Harald Grosskopf – Emphasis
    • Amon Duul II – A Morning Excuse
    • Conrad Schnitzler & Wolf Sequenza – Fata Morgana
    • Broselmaschine – Nossa Bova
    • Eno, Moebius and Roedelius – Base & Apex
    • Gila – In A Sacred Manner
    • Wolfgang Riechmann – Himmelblau
    • A.R. & Machines – Als Hatt Ich Das Alles Schon Mal Gesehen
    • Gila – Sundance Chant
    • Neu – Isi
    • Pyrolator – Danger Cruising
    • Sergius Golowin – Die Weisse Alm
    • You – Electric Day
    • Niagara – Gibli
    • Rolf Trostel – Der Prophet
    • Electric Sandwich – China
    • Asmus Tietchens – Zeebrugge
    • Faust – Krautrock
    Black RiotEarly Jungle, Rave and HardcoreSoul Jazz Records

    VINYL FACTORY COMPILATION OF THE YEAR 2020!!!

    See chart here

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    LIMITED EDITION COMES WITH FREE GRAPHIC STORY!

    Soul Jazz Records’ new Black Riot: Early Jungle, Rave and Hardcore is a brand new collection of heavyweight ragga-influenced hardcore jungle tracks from the early 1990s. Dark and heavy!

    Featuring classic and seminal tracks from the likes of Levictus and Krome &Time, alongside a host of rare and little-known ragga & junglist hardcore tunes from the likes of Babylon Timewarp’s hypnotic Durban Poison, Rhythm for Reasons’ mad ‘The Smokers Rhythm’, The Freaky rave-y breakbeat sound of ‘Time and Age,’ Trip One’s super dark ‘Snowball’ and loads more!

    Expect super heavy basslines, equally heavy twisted Amen drum loops, even heavier ragga vocals! Original jungle style - roots and culture - from the earliest days of drum and bass.

    Included with the album is a free limited-edition graphic mini-novel “Black Riot: The Mysterons save Planet Earth from the Xatheroid Angels.” This is the third collaboration between Soul Jazz Records and writer/illustrator Paulo Parisi, the highly respected author of graphic books on Jean Michel Basquiat and John Coltrane.

    This new graphic story continues the story of black electronic dance music – this time set around the birth of Jungle and continues onwards from Soul Jazz’s earlier ‘Invasion of the Killer Mysterons’ (Jamaican electronic Dub, co-compiled by Kevin Martin (The Bug)) and Mysterons Invade the Jackin’ Zone (about Chicago Acid & Experimental House).


    • Rhythm For Reasons – The Smokers Rhythm
    • Babylon Timewarp – Durban Poison
    • The Terrorist – RK1
    • DJ Dubplate – Tings A Go On
    • Leviticus – Burial (Lovers Rock Mix)
    • The Freaky – Time and Age
    • Trip One – Snowball Remix
    • DJ Krome & Mr. Time – Ganja Man
    • New Vision – Way Of Life
    • DJ Dubplate – Original Rubadubstyle
    • Hi Fi Power – Chill Out (Raggafunks U)
    • Nu Jacks featuring Ivory Ranks – House Sensation
    • New 2×LP + Download Code + Limited Edition Graphic story£26.00
      In stockAdd to Bag
    • CD plus Limited Edition Graphic story£13.00
      In stockAdd to Bag
    • MP3 Release£9.99
      In stockAdd to Bag
    Lloyd McNeill QuartetWashington Suite (1970)Soul Jazz Records

    Soul Jazz Records’ new ox-blood red coloured vinyl limited-edition 1000-copies worldwide LP (+ download code) issue of this very rare deep spiritual jazz album first released as a private-press album in 1970 on flautist Lloyd McNeill’s own Asha Record label in Washington, DC.

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    CLASSIC! DEEP Jazz includes the wicked 'Home Rule'

    Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

    McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.


    • – Home Rule
    • – Just 71% Moor
    • – 2504 Cliffbourne Pl.
    • – Fountain In The Circle
    • – City Tryptych
    • – Fountain In The Circle
    The WinstonsAmen Brother / Color Him FatherSoul Jazz Records

    It's back in stock!!! EXCLUSIVE - ONLY AVAILABLE HERE!

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    WORLD EXCLUSIVE limited edition seven-inch 45 ONLY AVAILABLE to customers at Soul Jazz Records and Sounds of the Universe!

    The world's greatest ever break? Here it is - The first official re-release of The Winston's Amen Brother with the LEGENDARY Amen Break as featured on 1000s of hip-hop and jungle releases. This record has been a collectors' 45 for ages and OUT OF PRINT for 50 years - sounding fresh!

    Not only that but the flip-side Color Him Father is a superb Curtis Mayfield-esque ANTHEMIC soul tune - as essential as the A-side.

    WORLD EXCLUSIVE limited edition seven-inch 45 ONLY AVAILABLE to customers at Soul Jazz Records and Sounds of the Universe!

    THIS RECORD IS 100% ESSENTIAL and ONLY available HERE - DO NOT MISS OUT!


    • The Winstons – Amen Brother
    • The Winstons – Color Him Father
    Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio OneSoul Jazz Records

    Soul Jazz Records’ new Studio One collection ‘Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio One’ features a stellar selection of 70s roots music – classic and rare tracks recorded at Clement Dodd’s musical empire at 13 Brentford Road in the 1970s.

    -----------------------------------------------------------------------------------------------------------

    Rastafarian-inspired Roots music was an ever-important aspect of Studio One’s output from the start of the 1970s onwards and this album features many of the ground-breaking groups and artists that established the sound of Jamaica during this decade and beyond.

    Featured here are seminal artists such as Freddie McGregor, The Wailing Souls, The Gladiators, Horace Andy, Devon Russell, Cedric Brooks, Count Ossie, Judah Eskender Tafari alongside a host of lesser-known rare cuts made at Studio One from artists such as The Prospectors, Viceroys and Pablove Black.

    Studio One and founder Clement Dodd’s connection with Rastafarianism dates back to the early 1960s, with Dodd accompanying members of the Skatalites up to the hills of Kingston to listen to the music of the Rastafarianism Count Ossie and his drummers. The album sleevenotes discuss how Clement Dodd’s musical links, as well as his role in heading the most important record label in Reggae, are in many ways linked to the beliefs of Rastafarianism.

    This album is released as a heavyweight black vinyl double-album with gatefold sleeve, full notes and download code, deluxe CD with full booklet and slipcase and digital album.

    • Freddie McGregor – I Am a Revolutionist
    • The Silvertones – Burning In My Soul
    • Wailing Souls – Without You
    • Devon Russell – Jah Jah Fire
    • Trevor Clarke – Sufferation
    • The Gladiators – Sonia
    • Judah Eskender Tafari – Always Trying
    • The Viceroys – Ya Ho
    • Im and Count Ossie – Give Me Back Me Language And Me Culture
    • The Gladiators – Serious Thing
    • The Prospectors – Glory For I
    • Wailing Souls – Things and Time
    • Pablove Black – Inner Peace
    • The Gladiators – Peace
    • Horace Andy – Mr. Jolly Man
    • Wailing Souls – Rock But Don't Fall
    • Albert Griffiths and The Gladiators – Righteous Man
    • The Viceroys – So Many Problems
    Brentford All StarsGreedy G / Granny Scratch ScratchSoul Jazz Records

    These are very limited Studio One 12" pressings (worldwide 1000) that sell out on the day they are released. So don't miss out here!

    BRAND NEW LTD. EDN. 12" All-time Studio One party ANTHEM. 100% ESSENTIAL MONSTER TUNE - ROCKS ANY DANCEFLOOR!

    'Greedy G’ is the ultimate reggae/funk/hip-hop party tune.

    The all-time epic sample for Boogie Down Productions’ seminal ‘Jack of Spades’ based on James Brown’s funk bomb ‘Get on the Good Foot’.

    The flipside is another Brentford Road All Stars essential cut, ‘Granny Scratch Scratch’, the heaviest, funkiest dub monster ever with bass to shake more speakers than a juggernaut lorry!

    Boom!


    • – Greedy G
    • – Granny Scratch Scratch
    Lloyd McNeillToriSoul Jazz Records

    Soul Jazz Records’ limited-edition black vinyl 1000-copies worldwide LP (+ download code), (as well as CD and digital) issue of this very rare deep spiritual jazz meets Brazilian and Latin album first released as a private-press album in 1978 on flautist Lloyd McNeill’s own Baobob Record label in Washington, DC. The album has been out-of-print for 43 years and is lovingly remastered by Soul Jazz Records.

    Tori is a stunning album that blends Brazilian and Latin flavours with deep Spiritual Jazz, recorded in 1978. The album features an unbelievably strong line-up which includes legendary Brazilian figures like Dom Um Romao, Nana Vasconcelos and Dom Salvador alongside jazz heavyweights such as Buster Williams, Howard Johnson, John La Barbera and more. These A-team musicians were all regulars in McNeill’s long-running and highly successfull resident live group in New York all set up to blend deep jazz, Brazilian and Latin music together.

    Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

    McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.

    • Lloyd McNeill – O Mercado (Brazilian Market)
    • Lloyd McNeill – Tori (Segment One)
    • Lloyd McNeill – Tzigane
    • Lloyd McNeill – Tori (Segment Two)
    • Lloyd McNeill – Sambinha
    • Lloyd McNeill – Time Still / Passaro - Pifaro (Flute Bird)
    • Lloyd McNeill – Tori (Segment Three)
    • Lloyd McNeill – Tranquil
    Trees SpeakPostHumanSoul Jazz Records

    This is incredibly Trees Speak’s third album on Soul Jazz Records to be released in the space of one year – and it’s amazing!

    Trees Speak’s new album ‘Post-Human’ once again blends 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New York No Wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!

    The new album ‘Post-Human’ draws further upon German krautrock high-concept albums from the likes of Tangerine Dream and Klaus Schulze from the 1970s, as Trees Speak create their own powerful new landscapes of sound that manage to be at once contemporary as well as both timeless and with a sense of science-fiction futurism.

    Trees Speak’ seamlessly segue together all these musical elements into ‘Post-Human,’ a conceptually expansive album which follows on from their critically-acclaimed debut LP ‘Ohms,’ and the follow-up ‘Shadow Forms’ released on Soul Jazz Records less than six months ago.

    This powerful new album is a high-concept collage of retro-futurist science-fiction music, which is fantastically illustrated by a specially commissioned cover design by the artist Eric Lee, a dramatic vision of life after humanity.

    Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

    The album includes an INDIES ONLY exclusive bonus 45 single with two extra tracks ‘Machine Vision’ and ‘Seventh Mirror’ available with the vinyl edition of this amazing and ground-breaking new album.

    With ‘Post-Human,’ Trees Speak take the listener deep into their unique musical world of unknown visions of the past and the future.

    ABOUT Ohms: Album of the Month - Splintered Eye /50 Best albums 2020 - Pop Matters / Favourite albums 2020 -The Soap Company / Albums of the Year 2020 -Bear Tree Records / Independent Albums of the Year 2020-Love Records / Albums of the Year 2020-Concrete Islands

    ABOUT Shadow Forms: Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year 2020 -South / Albums of the Year 2020 - Concrete Island / Albums of the month - Reveal / Albums of the Year 2020 -Piccadilly / Albums of the Year 2020-Buzzsaw / About Shadow forms / Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year-South / Albums of the Year-Concrete Island / Albums of the month-Reveal / Albums of the Year-Piccadilly /Albums of the Year-Buzzsaw

    About Ohms:

    “This might well be the Dark Side of the Moon of the XXI century” Discogs


    • Trees Speak – Double Slit
    • Trees Speak – Glass
    • Trees Speak – Chamber of Frequencies
    • Trees Speak – Divided Light
    • Trees Speak – Elements of Matter
    • Trees Speak – Magic Transistor
    • Trees Speak – Scheinwelt
    • Trees Speak – PostHuman
    • Trees Speak – Synthesis
    • Trees Speak – X Zeit
    • Trees Speak – Incandescent Sun
    • Trees Speak – Healing Rods
    • Trees Speak – Steckdose
    • Trees Speak – Amnesia Transmitter
    • Trees Speak – Quantize Humanize
    • Trees Speak – Gläserner Mensch
    • Trees Speak – Machine Vision
    • Trees Speak – Hidden Machine
    Trees SpeakShadow FormsSoul Jazz Records

    Super-limited new 1000 copies special ox-blood red vinyl edition!

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    It's a big one ... Absolutely stunning second album from Trees Speak new on Soul Jazz Records.

    Trees Speak’s new album ‘Shadow Forms’ is a blend of 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New Nork no wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!

    Trees Speak’ segue together all these elements into ‘Shadow Forms,’ which follows on from their critically-acclaimed debut LP ‘Ohms,’ released on Soul Jazz Records less than six months ago.

    Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

    Trees Speak - Shadow Forms:

    Records of the week-Drift/Album of the week-Resident/Album of the week-Norman/Records of the Year-South/Albums of the Year-Concrete Island/Albums of the month-Reveal/Albums of the Year-Piccadilly/Albums of the Year-Buzzsaw

    • Trees Speak – Large Array
    • Trees Speak – Tear Kisser
    • Trees Speak – Those Who Know
    • Trees Speak – Transforming
    • Trees Speak – Automat
    • Trees Speak – False Ego
    • Trees Speak – Communication
    • Trees Speak – Crystal System
    • Trees Speak – Agonize Signal
    • Trees Speak – Magick Knives
    • Trees Speak – Shadow Forms
    • Trees Speak – Outtake 3
    • Trees Speak – Transmitter
    Cold Wave # 2Soul Jazz Records

    Cold Wave #2

    Ltd. Edn. Dayglo sleeve + PURPLE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

    -------------------------------------------------------------------------------------------------------------

    Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

    This is the second release of Soul Jazz Records’ new Cold Wave overview.

    ------------------------------------------------------------------------------------------------------------

    This second edition Cold Wave #2 comes in two vinyl editions – a one-off pressing purple coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

    -------------------------------------------------------------------------------------------------------------

    These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

    Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

    Most of the featured artists are based in Europe and include Krikor from France, Beta Evers and L.F.T. from Germany, Lena Willikens, Job Siffre and De Ambassade from the Netherlands, Toulouse Low Trax from Germany, Dave I.D. and Broken English Club from the UK, and V.C.V.S from Georgia

    All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.

    • Lena Willikens – Howlin Lupus
    • Beta Evers – Hiding
    • L.F.T. – Stay Away From The Light
    • Job Sifre – At Least We Try
    • De Ambassade – Niet Van Mij
    • Toulouse Low Trax – Rushing Into Water
    • V.C.V.S. – Hum
    • Dave I.D. – Help Starts
    • Broken English Club – Vacant Cars
    • Krikor Kouchian – Deserver Dub
    Marcia GriffithsFeel Like Jumping / Part 2Soul Jazz Records

    IN STOCK NOW!

    BRAND NEW LTD. EDN. 12" All-time Studio One party ANTHEM now available for the first time ever on loud 12" with version on the flip. 100% ESSENTIAL MONSTER TUNE - ROCKS ANY DANCEFLOOR!

    • Marcia Griffiths – Feel Like Jumping
    • Dub Specialist – Feel Like Jumping Part 2
    Cold WaveSoul Jazz Records

    Ltd. Edn. Dayglo sleeve + ORANGE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

    -------------------------------------------------------------------------------------------------------------

    Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

    This is the first release of Soul Jazz Records’ new Cold Wave overview and a second volume will be released just four weeks later.

    ------------------------------------------------------------------------------------------------------------

    This first edition of Cold Wave comes in two vinyl editions – a one-off pressing orange coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

    -------------------------------------------------------------------------------------------------------------

    These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

    Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

    Most of the featured artists are based in Europe and include Krikor, Dissemblance and VQOA from France, De Ambassade from the Netherlands, Moisture from Sweden, Kriedler from Germany, Céline Gillain and Carcass Identity from Belgium. One exception is FIT Siegel out of Detroit, connecting the electronic pathways of Europe to the Motor City.

    All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.


    • Dissemblance – Capture
    • Carcass Identity – Reflexion Ocean
    • FIT Siegel – Wayne County Stomp
    • De Ambassade – Standhouden
    • Wang Inc – Approdo
    • Krikor Kouchian – Niños Matadores
    • Céline Gillain – Fight or Flight
    • Kreidler – Kannibal
    • Moisture – Gammut
    • Violent Quand On Aime – Of Course I'm A Liar
    Studio One Rocksteady Got SoulSoul Jazz Records

    Back in stock!

    Soul Jazz Records new Studio One release Rocksteady Got Soul is a collection of uplifting and superb rocksteady and soulful reggae from the late 1960s and early 1970s. Studio One is the number one label in the history of reggae and he album features - as ever with Studio One - an impeccable and unbeatable line-up of reggae superstars all soaring at the height of their creative powers. Alton Ellis, John Holt, The Heptones, Jackie Mittoo, The Ethiopians, Lee Perry and more.

    The album is a mix of classic tunes and rhythms alongside super-rarities that were released in a dazzlingly complex web of Studio One labels and issues, deftly navigated with new sleevenotes from author and Studio One authority Rob Chapman. But enough with the chatter, just spin the platter - these tunes rule the town, hands down!


    This Soul Jazz/Studio One album is released as deluxe gatefold double-vinyl + house inners + download code. Also as jewel case CD housed in card slipcase. Both formats come with full sleeve notes/discography and exclusive photography. (The album is also available digitally on day of release onwards)

    • Alton Ellis – It's True
    • The Heptones – You Turned Away
    • The Gladiators – Mr Sweet
    • The Jail Breakers – Work It Up
    • Lee Perry & The Gaylads – Run Rudie Run
    • The Heptones – Young Generation
    • Jackie Mittoo – Good Feeling
    • C. Marshall – I Need Your Loving
    • Alton Ellis – I'll Be Waiting
    • The Clarendonians – The Tables Gonna Turn
    • Ken Parker – When You're Gone
    • Sound Dimension – Traveling Home
    • Errol Dunkley – Get Up Now
    • John Holt – My Heart Is Gone
    • Freedom Singers and Larry Marshall – Monkey Man
    • The Ethiopians – Let The Light Shine
    • Im and David – Money Maker
    • The Viceroys – Lose and Gain
    • 2xLP (+ Download Code)£26.00
      Out of stock
    • CD£12.00
      In stockAdd to Bag
    • MP3 Release£9.99
      In stockAdd to Bag
    Steve Reid Ensemble feat. Kieran Hebden - Spirit Walk (Special Limited Edition black vinyl RSD 2021)Soul Jazz Records


    "Steve Reid played with Sun Ra, knew Coltrane, played at Motown. I mean this is a guy who at 19 was playing drums with Fela Kuti in Africa. He is a musical genius. It’s a creative joy and honour to work with him."Kieran Hebden (Fourtet) After a number of groundbreaking live shows between Kieran Hebden (Fourtet) and legendary New York drummer Steve Reid, these two artists have embarked on two amazing new recording projects.

    The first release is the Steve Reid Ensemble (featuring Kieran Hebden) "Spirit Walk". This will be followed by a second album by Kieran Hebden and Steve Reid which will be released by Domino Records at the beginning of 2006. Both albums blend electronic experimentation within the frame-work of Steve Reid’s musical heritage. Gilles Peterson will be touring the UK in November alongside The Steve Reid Ensemble. An ardent fan of the music, Peterson has contributed the sleeve-notes to "Spirit Walk" along with another long-time musical admirer Val Wilmer. Steve Reid is a true pioneer of boundary-breaking music.

    This latest project/collaboration is a continuation of a musical path that stretches back to the late 1960s. A self-taught master jazz drummer Steve Reid played in Sun Ra’s Arkestra as well as being a session musician at both Motown Records (he plays on for instance Martha and The Vandella’s "Heatwave") and in James Brown’s in-house band at the legendary Harlem Apollo. In the mid-60s Reid went to West Africa, playing and learning the music of Ghana, Nigeria (playing with Fela Kuti), Liberia, Sierra Leone, Senegal. On returning to New York he joined Sun Ra’s The Science Myth Solar Arkestra.

    In 1968 as a conscientious objector to the Vietnam war he was sentenced to 4 years in prison where he then taught a Black history course to his fellow inmates. In the 1970’s Reid formed the Legendary Master Brotherhood as well as running his own record company, Mustevic Sound, which released a series of his albums (2 of which have earlier been released by Soul Jazz Records). In a career now spanning over 40 years Steve Reid has worked with artists such as Lester Bowie, Miles Davis, Charles Tyler, Arthur Blythe, Ornette Coleman, Gary Bartz, Chief Bey, Archie Shepp, Sam Rivers, Dee Dee Bridgewater, Leon Thomas and more. This new project is the latest part in Steve Reid’s musical odyssey.

    "A truly phenomenal artist. This is the album we've all been waiting a long time for. Steve Reid is steeped in musical history and yet this album has a modernity all of it's own." Gilles Peterson.

    • Steve Reid Ensemble – Lugano
    • Steve Reid Ensemble – Bridget
    • Steve Reid Ensemble – For Coltrane
    • Steve Reid Ensemble – Blind Tom
    • Steve Reid Ensemble – Which One?
    • Steve Reid Ensemble – Lions Of Juda
    • Steve Reid Ensemble – It Cannot Be True
    • Steve Reid Ensemble – Unity
    • Steve Reid Ensemble – Drum Story
    Add N To X - On The Wires Of Our Nerves (Special Limited Edition RSD 2021 silver vinyl)Soul Jazz Records

    Super special 20th anniversary SILVER vinyl!

    Incredibly inspired electronic retro-futurists who were so ahead of their time that they eventually imploded. This is a classic album!

    In the space of five short years (and as many albums) at the end of the 20th century Add N To X caused havoc with their unique retro-futurist electronic music. Add N To X’s musical intensity proved too much for the group who split up in 2002. Their album On The Wires of Our Nerves, complete with its classic cover image, recorded on Soul Jazz Records’ then new offshoot label Satellite Records, launched them into the spotlight and included two NME Singles of the Week ‘Black Regent’ and ‘King Wasp’. Over twenty years since it was first released and long out of print the album 'On The Wires of Our Nerves’ stands up one of the most forward-looking electronic albums of then and now.

    This classic album is released in a very limited one-off pressing transparent vinyl edition as an Record Store Day exclusive title

    • Add N To X – The Black Regent
    • Add N To X – Planet Munich
    • Add N To X – Nevermind
    • Add N To X – We Are Add N To X
    • Add N To X – Murmur One
    • Add N To X – Sound Of Accelerating Concrete
    • Add N To X – Gentle Germans
    • Add N To X – King Wasp
    • Add N To X – Orgy Of Bubastus
    • Add N To X – Grey Body, Green Gun
    • Add N To X – On The Wire Of Our Nerves
    • Add N To X – Hit Me
    • Add N To X – Sir Ape
    • New 2×LP (Coloured Vinyl)£32.00
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    Studio One RootsSoul Jazz Records

    LAST COPIES!

    This is the new 20th anniversary edition of one of Soul Jazz Records’ classic Studio One releases now available as a one-off pressing special blue vinyl very limited-edition pressing ( 2000 copies worldwide).

    ----------------------------------------------------------------------------------------------------------

    Studio One Roots set the standard for Soul Jazz Records’ long-standing series of Studio One collections and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae.

    This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining crack-session men groups of Jamaican reggae history - The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. As ever the album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.

    Stand-out tracks include Alton Ellis’s Blackish White, a surreal and powerful Afro-centric dream, Count Ossie Nyabinghi and Rastafarian drummers genre-defying interpretation of Booker T and The MGs ‘Meditation’, Willie Williams awe-inspiring versioning of the Skatalites' seminal Rastafari anthem Addis Ababa and many, many more.

    This album has been fully digitally remastered, analog cut and packaged complete with the following: Original sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Honest Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves.

    REVIEWS:

    "Having established himself as one of Jamaica's top producers the day Studio One opened its doors in the early '60s, Clement "Coxsone" Dodd was unable to maintain his status during the roots era of the subsequent decade. This can be attributed to a couple of factors. One was Dodd's apparent reluctance to record the new, overtly Rasta-inspired music. The other was an infusion of new blood into the Jamaican music business. Eager to make a name for themselves, producers like Joe Gibbs, Bunny Lee, Lee "Scratch" Perry, and Winston "Niney" Holness managed to supplant the island's "big three" (Dodd, Duke Reid, and Prince Buster) in the process, driving the music's evolution in the '70s.

    There isn't a weak number across these 16 tracks, from the Gaylads' ode to "Africa" and Devon Russell's version of the heavyweight "Drum Song" rhythm, to a trio of stunning instrumentals: Jackie Mittoo and the Cyclones with nyahbinghi drummer Count Ossie on "Meditation," Lenny Hibbert's sparkling vibe work over Mittoo's "Ghetto Organ" ("More Creation"), and Sound Dimension's "Congo Rock."

    The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection." All Music

    • The Cyclones With Count Ossie – Meditation
    • Cornell Campbell & The Brentford Rockers – Natty Don't Go
    • Freddy Mcgregor With The Sound Dimension – Africa Here I Come
    • Bunny & Skitter – Lumumbo
    • Willie Williams & The All Stars – Addis A Baba
    • L.Crosdale With Drummond Bago & the Rebel Group – Set Me Free
    • Leroy Wallace & The New Establishment – Far Beyond
    • Lennie Hibbert – More Creation
    • Alton Ellis & The Sound Dimension – Blackish White
    • Winston Jarrett & The Sound Dimension – Fear Not
    • Devon Russell – Drum Song
    • The Gaylads – Africa
    • Black Brothers & The New Establishment – School Children
    • Linton Cooper & The Brentford Disco Set – You'll Get Your Pay
    • Sound Dimension – Congo Rock
    • Zoot Simms – African Challenge
    • 1. The Cyclones With Count Ossie – Meditation
    • 2. Cornell Campbell & The Brentford Rockers – Natty Don't Go
    • 3. Freddy Mcgregor With The Sound Dimension – Africa Here I Come
    • View full info and tracklisting
    • New 2×LP (Coloured Vinyl)£30.00
      Limited edition blue coloured vinyl + inners + download
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    • CD£12.00
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    • MP3 Release£9.99
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    Steve ReidNova (1976)Soul Jazz Records

    New edition of this seminal album available as a 1000 copies edition only on new premium RED vinyl!

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    'A truly phenomenal artist.' GILLES PETERSON

    'Steve Reid is one of the greatest drummers. He is a musical genius' KIERAN HEBDEN (Four Tet)

    --------------------------------------------------------------------------------------------------------------

    As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, , Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver!

    Reid was born in the South Bronx, and grew up in Queens, New York. He played in the house band at Harlem's Apollo Theatre, accompanying James Brown, as well as playing in Sun Ra's Arkestra. He lived next to John Coltrane, worked in a department store with Ornette Coleman, had a son who played drums with NWA. He began his career as a teenager in the 1960s as a drummer at Motown when he played on Martha and The Vandellas "Heatwave" (aged 14).

    At the end of the 1960s Reid was sentenced to four years in jail as a conscientious objector of the Vietnam war. On his release from prison in 1974, he formed the Legendary Master Brotherhood and started the independent record label, Mustevic Sound, to release his debut LP Nova in 1976. This album is released in its entirety and with full original cover art here. Nova was the first in a series of stunning independent records he released in the 1970s.

    At the start of the 21st century, his career took a new twist when Steve Reid began a successful collaboration with Kieran Hebden (Four Tet). Hebden referred to Reid as his ‘musical soul mate’, resulting in a number of joint albums.

    Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.

    • Steve Reid – Nova
    • Steve Reid – Lions Of Juda
    • Steve Reid – Free Spirits-Unknown
    • Steve Reid – Long Time Black
    • Steve Reid – Sixth House
    Arthur RussellThe World Of Arthur RussellSoul Jazz Records

    New fully remastered re-release of Soul Jazz Records’ ‘The World of Arthur Russell’, the seminal collection of Arthur Russell’s essential music back in print on awesome limited-edition heavy deluxe triple vinyl and deluxe CD edition.

    ------------------------------------------------------------------------------------------------------

    This album brings together some of Russell’s best-loved and most accessible works including his wide-ranging music both solo and in groups including Dinosaur L (the essential ‘Go Bang’), Loose Joints (the equally classic ‘Is It All Over My Face’) as well as rarities such as the 7” only ‘Pop Your Funk’, Indian Ocean’s ‘Schoolbell/Treehouse’, Lola’s ‘Wax The Van’ and more.

    -------------------------------------------------------------------------------------------------

    “Arthur Russell fused the avant-garde with disco and sounds like nothing else on earth.” The GUARDIAN

    “Russell is the great enigma of the New York music scene” THE WIRE

    “Simply one of the best compilations of this or any year.” RECORD COLLECTOR

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    Arthur Russell’s music effortlessly crossed musical boundaries making it timeless. His dance music credentials are faultless and this collection features mixes from Larry Levan, Françcois Kervorkian and Walter Gibbons. Similarly, his song-writing, musicality and performance skills are equally cherished as composer Philip Glass wrote, ‘this was a guy who could sit down with a cello and sing with it in a way that no one on earth has ever done before or will do again.’

    When Soul Jazz Records’ The World of Arthur Russell first came out in 2003, Russell’s music had slipped into near obscurity. Nearly 18 years later there are over a dozen releases of his music, reissues of his original albums and more. ‘The World of Arthur Russell’ is the classic first collection of his work available once more.

    • Dinosuar L – Go Bang (Francois K Mix)
    • Lola – Wax The Van
    • Loose Joints – Is It All Over My Face (Larry Levan Mix)
    • Arthur Russell – Keeping Up
    • Arthur Russell – In The Light Of The Miracle
    • Arthur Russell – A Little Lost
    • Loose Joints – Pop Your Funk
    • Arthur Russell – Lets Go Swimming (Walter Gibbons Mix)
    • Dinosuar L – In The Cornbelt (Larry Levan Mix)
    • Arthur Russell – Treehouse
    • Indian Ocean – Schoolbell/Treehouse (Walter Gibbons Mix)
    Two Synths, A Guitar (And) A Drum Machine - Soul Jazz Records #1 Post Punk DanceSoul Jazz Records

    OUT NOW!

    Soul Jazz Records new ‘Two Synths, A Guitar (and) A Drum Machine’ is a new collection of current D-I-Y post-punk bands shaped by the mutant sounds of no wave, punk funk and New York Noise bands from the late 70s and early 80s that collided with the world of underground dance music found at the Paradise Garage, Mudd Club in New York City (ESG, Arthur Russell, Bush Tetras, Talking Heads, Suicide, Liquid Liquid).

    Other influences cited here include Manchester and Sheffield’s industrial post-punk sounds of the 1980s (Joy Division, Cabaret Voltaire, Gang of Four) as well as the 1970s German electronic experimentalism of Cluster, Neu!, Harmonia and Can.

    Featured artists from around the globe include Los Angeles D-I-Y band Automatic, New Fries from Toronto, artist/music collaborators Toresch from Germany, Susumu Makai from Japan/UK, Vex Ruffin from the Phillipines/California and Madmadmad, Gramme, Tom of England and other UK groups

    That all the bands featured here manage to make distinctive contemporary music out of these 80s roots is testament to the wide range of other musics that are seamlessly absorbed into a modern melting pot of sound – hip-hop, the electronic European avant-garde, rave culture, and more.

    The double vinyl comes in two editions:

    1) Limited edition indies EXCLUSIVE heavyweight green double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

    2) Limited edition heavyweight black double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

    The album is also available as a CD and digital release

    • Automatic – Too Much Money
    • Zongamin – Underwater Paramid
    • New Fries – Lily
    • Vex Ruffin & Fab 5 Freddy – The Balance
    • Ixna – Somebody Said
    • Leroy Duncann – Dream River
    • Tom Of England – Neon Green
    • Toresch – Tocar
    • Becker & Mukai – La Rivière des Perles
    • Gramme – Discolovers
    • Niagara – Ida
    • Charles Manier – Sift Through Art Collecting People
    • Black Deer – Baseball Shorts
    • Madmadmad – Hot Disco
    • Wino D – Untitled
    Cuba: Music and Revolution - Compiled by Gilles Peterson and Stuart BakerSoul Jazz Records

    Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state of Cuba.

    The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

    The album is released to coincide with the massive new deluxe large format book Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90, published in November, which is also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), and which features the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

    The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba – and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states.

    The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

    Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

    -------------------------------------------------------

    REVIEWS:

    "It may only be January, but we already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

    "It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

    "Priceless comp goes beyond Buena Vista" UNCUT

    --------------------------------------------------------------------------------------

    *Please note the vinyl sticker of this album says "+download code" but it's a mistake! There is no download with this particular album due to legal reasons. Sorry for this error!

    • Grupo Irakere – Chequere Son
    • Conjunto Rumbavana – El Son Del Campeon
    • Juan Formell & Los Van Van – Mi Ritmo Caliente
    • Grupo Monumental – Mi Son Caridad
    • Grupo de Experimentación Sonora del ICAIC – Sondeando
    • Las D'Aida – Con Cadencia y Con Dulzura
    • Juan Formell & Los Van Van – Y No Le Conviene
    • Pablo Milanés – Te Quiero Porque Te Quiero
    • Emíliano Salvador – Luna Wanestain
    • Los Reyes 73 – Un Lamento Hecho Cancion
    • Eduardo Ramos – Vocación Revolución
    • Grupo Mounmental – Hasta Las Cuantas
    • Los 5 U 4 – Solo Esta Musica
    • Grupo de Experimentación Sonora del ICAIC – Canción Con Todos
    • Orquesta Los Van Van – Yo Se Que Van Van
    • Grupo Monumental – Nadie Se Siente Cansado
    • Orquesta Ritmo Oriental – Maria, Baila El Son
    • Juan Pablo Torres y Algo Nuevo – Rompe Cocorioco
    • Los Reyes 73 – Grandes Amigos
    • Paquito D'Rivera – La Patica
    • Grupo de Experimentación Sonora del ICAIC – Grifo
    • Raúl Gómez – Dacapo
    • Grupo Irakere – Juana 1600
    • 1. Grupo Irakere – Chequere Son
    • 2. Conjunto Rumbavana – El Son Del Campeon
    • 3. Juan Formell & Los Van Van – Mi Ritmo Caliente
    • View full info and tracklisting
    • 3×LP£28.00
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    • 2×CD£13.00
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    Studio One Rockers (Black vinyl edition)Soul Jazz Records

    Owned and founded by Clement "Coxsone" Dodd, Studio One's output serves as a comprehensive guide to the history of Reggae music. The music on Studio One Rockers covers all areas of Reggae such as Ska, Rocksteady, Roots and Dancehall, all areas in which Studio One led the field.


    Studio One Rockers features many legendary Studio One tracks brought together for the first time by Soul Jazz Records. From the beginning of Reggae, when the Skatalites developed a new sound of Ska in 1962 up until today, Studio One has been the number one innovator in Jamaican music.


    Included in this compilation are classic Ska tracks ("Phoenix City"), Rocksteady ("Feel Like Jumping"), Roots music ("Truth and Rights"), Dancehall (Freddy McGregor, Michigan and Smiley) and many more.


    Featured here are many of the classic tracks from Studio One. From Dawn Penn's legendary "No, No, No" to classics such as Horace Andy's "Skylarking" and Marcia Griffith's "Feel Like Jumping".


    The Coxsone Soundsystem in the early 60s was one of the three main soundsystems operating in Jamaica alongside his competitors, Prince Buster and Duke Reid. The Studio One catalogue is possibly the largest in Jamaican music and this release is the first in a series of Studio One compilations on Soul Jazz Records.


    This album comes with an in depth interview with Mr C.S. Dodd, about how he set up and ran his record label in the 1960s and 1970s.


    "Compilation of the month. 100% Essential" SEVEN "Compilation of the month. A compilation of unbelievable quality. Awesome" MUZIK "A who's who of Jamaican music" MUSICWEEK "An essential slice of musical history" WAX "The most credible compilation of reggae you can 

    • Sound Dimension – Real Rock
    • Marcia Griffiths – Feel Like Jumping
    • Freddy Mcgregor – Bobby Babylon
    • Horace Andy – Skylarking
    • Lennie Hibbert – Village Soul
    • Brentford All-Stars – Greedy G
    • Johnny Osbourne – Truth And Rights
    • Ernest Ranglin – Surfin
    • Michigan & Smiley – Eye Of Danger
    • Dawn Penn – No, No, No
    • The Skatalites – Phoenix City
    • Prince Jazzbo – Crabwalking
    • Jackie Mittoo – Hot Milk
    • Lone Ranger – Badder Dan Dem
    • Cedric Brooks – Ethiopia
    Deutsche Elektronische Musik 4Soul Jazz Records

    This is the new instalment of Soul Jazz Records’ ground-breaking Deutsche Elektronische Musik series, ‘A near-definitive guide to some of the world's most extraordinary music’ (The Guardian).

    This latest edition features many of the classic German electronic and Krautrock groups from the 1970s & 80s – including Can, Amon Duul II, Harmonia, Conrad Schnitzler, Agitiation Free, Roedelius – as well as a host of lesser known artists such as Dzyan, Klauss Weiss, Gruppe Between and many more.

    Deutsche Elektronische rarities unearthed on the album include Kalacakra (whose fan-base included the great Moondog!) and their superb ‘Nearby Shiras,’ taken from their super-rare spiritual/psychedelic private press concept album Crawling to Lhasa, from 1972.

    Deutsche Elektronische 4 includes a wealth of German electronic experimental artists – the seminal pioneering group Harmonia (Roedelius, Moebius and Michael Rother), avant-garde guru Conrad Schnitzler as well as lesser known synthetic artists such as Klauss Weiss, Deutsche Wertarbeit, E.M.A.K. (Electronische Musik Aus Koln), Gunter Schickert and others.

    Finally, the album also features an array of heavy and progressive German cosmic rock groups – Dzyan, Virus and the amazing Turkish/German tripped out sound of Alex’s ‘Patella Black’, recorded at Can’s Inner Space in 1973, produced by Holger Czukay and Jackie Liebezeit.

    Deutsche Elektronische 4 comes with extensive newly commissioned sleevenotes by David Stubbs, author of the seminal books ‘Future Days: Krautrock and the building of Modern Germany’, ‘Mars By 1980: The story of Electronic Music’, and ‘Krautrock: Cosmic Rock and its Legacy’.

    This album comes as a heavyweight triple vinyl edition with full colour inner sleeves, as well as a deluxe double CD edition with outsize booklet and slipcase. Both formats include full liner notes and extensive rare photography.

    • Alex – Patella Black
    • Klaus Weiss – Driving Sequences
    • Can – I'm So Green
    • Agitation Free – Laila, Part II
    • Deutsche Wertarbeit – Guten Abend, Leute
    • Amon Düül II – Wolf City
    • Michael Rother – Flammende Herzen
    • Klaus Weiss – Pink Sails
    • Virus – My Strand-Eyed Girl
    • Conrad Schnitzler – Ballet Statique
    • Kalacakra – Nearby Shiras
    • EMAK – Tanz In Den Himmel
    • Et Cetera – Mellodrama 2a
    • Between – Triumphzug Kaiser Maximilian I
    • Roedelius – Halmharfe
    • Dzyan – Dragonsong
    • Harmonia – Deluxe (Immer Wieder)
    • Günter Schickert – Suleika
    • Witthüser & Westrupp – Schöpfung (1. Mose 1)
    Enrique Rodriguez and The Negra Chiway BandFase LiminalSoul Jazz Records

    Powerful new spiritual jazz from Chile on Soul Jazz Records!

    This album comes as a very limited one-off unique pressing of 1000-edition vinyl, limited editon CD and digital release.

    Enrique Rodríguez and the Negra Chiway Band group have an instantly powerful and unique sound that is reminiscent of the ensembles of Sun Ra and his Arkestra as well as Horace Tapscott and his Pan-Afrikan Peoples Arkestra, one that channels the righteous spirits of Alice Coltrane, John Coltrane, Pharoah Sanders, Archie Shepp and McCoy Tyner together with a stunning Latin rhythmical and new consciousness and percussive energy. Added to this are elements of the Samurai film soundtracks of Akira Kurosawa, Popol Vuh’s musical spirituality (especially their work with film director Werner Herzog), Tibetan Buddhism and over-blowing chants, that all combine to give a truly unique new sound.

    Enrique Rodríguez is a composer, percussionist, keyboardist, and producer from Santiago, Chile, whose work shows many similarities with the music featured on Soul Jazz Records’ recent collection ‘Kaleidoscope - New Spirts Known and Unknown’, featuring new forward-looking jazz artists including Mathew Halsall, Theon Cross, Emma-Jean Thackray and Makaya McCraven.

    Like all these artists, Rodríguez’s work is a progressive and experimental fusion of earlier influences that combine into a new and definitely 21st century ground-breaking sound that, on account of its South American setting, give the group its truly unique feeling. Hypnotic modal piano riffs, powerful brass and flutes, an army of Latin percussion instruments, and addictive vocal chants all combine in this powerful mix of radical 60s Afro-centric jazz, eastern spirituality and cosmology, and Latin American rhythmical movement.

    Awesome!

    • Enrique Rodriquez and The Negra Chiway Band – Dónde ?
    • Enrique Rodriquez and The Negra Chiway Band – Descenso
    • Enrique Rodriquez and The Negra Chiway Band – Vindakalla-Welukan (Autoconfrontación)
    • Enrique Rodriquez and The Negra Chiway Band – No Quiero Seguir Así
    • Enrique Rodriquez and The Negra Chiway Band – Acabar de Conocerse
    • Enrique Rodriquez and The Negra Chiway Band – Paso Firme
    • Enrique Rodriquez and The Negra Chiway Band – Dónde ? (Alternate Take)
    • 1. Enrique Rodriquez and The Negra Chiway Band – Dónde ?
    • 2. Enrique Rodriquez and The Negra Chiway Band – Descenso
    • 3. Enrique Rodriquez and The Negra Chiway Band – Vindakalla-Welukan (Autoconfrontación)
    • View full info and tracklisting

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    Trees SpeakOhmsSoul Jazz Records

    Super-limited new 1000 copies special white vinyl edition!

    -------------------------------------------------------------------------------------------------------------

    When the band Trees Speak, coming out of nowhere, released an exclusive one-off 100-pressing white label 45, described as CAN/NEU! meets LIQUID LIQUID, it sold out so quickly (in less than 30 mins - one for sale on Discogs now at £400!) that Soul Jazz Records decided to release their album almost immediately.

    Here it is! And it's awesome!

    Soul Jazz Records rarely release new music but found the music of TREES SPEAK’s album ‘OHMS’ so stunning and to have so many elements of music that they admired that they felt compelled to release it.

    The group Trees Speak are from Tucson, Arizona and create new music that sounds like GERMAN KRAUTROCK meets NO WAVE/POST-PUNK and PSYCH ROCK – music for fans of CLUSTER, TANGERINE DREAM, CAN, NEU!, SILVER APPLES and early KRAFTWERK.

    The album ‘OHMS’ sounds at times like a tripped out & moody JOHN CARPENTER/GOBLIN/MORRICONE soundtrack that seamlessly segues into propulsive, ‘motorik’ Krautrock instrumentals loaded with fuzzy, hypnotic mellotron, synths and analogue effects, as well as elements of ART ENSEMBLE free jazz, and all at times reaching a kind of post-rave psychedelia. More recent comparisons would include BEAK and GHOST BOX who draw upon similar themes and styles.

    Trees Speak are Daniel Martin Diaz and Damian Diaz plus musicians from the Tucson, Arizona scene such as Giant Sand, XIXA and James Hunter. ‘Trees Speak’ relates to the idea of future technologies storing information and data in Trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

    Trees Speak - Ohms :

    Album of the Month - Splintered Eye/50 Best albums 2020 - Pop Matters/Favourite albums 2020 -The Soap Company/Albums of the Year 2020 -Bear Tree Records/Independent Albums of the Year -Love Records/Albums of the Year -Concrete Islands

    • Trees Speak – Soul Sequencer
    • Trees Speak – Nitrous Cross
    • Trees Speak – Shadow Circuit
    • Trees Speak – Blame Shifter
    • Trees Speak – Spirit Duplicator
    • Trees Speak – Nobody Knows
    • Trees Speak – Sadness In Wires
    • Trees Speak – State Of Clear
    • Trees Speak – Sleep Crime
    • Trees Speak – Knowing
    • Trees Speak – Splendid Sun
    • Trees Speak – Ohms
    • Trees Speak – Out Of View
    • Trees Speak – Psychic Wounds
    • Trees Speak – Silicone Emotions
    • Trees Speak – Octave Cycle
    • Trees Speak – Witch Wound
    • LP (Coloured Vinyl) + Download Code£24.00
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    Space, Energy and LightSoul Jazz Records

    Soul Jazz Records’ new Space, Energy and Light is a collection of music by early electronic and synthesizer pioneers (from the 1960s through the 1970s), mid-1970s proto-new age gurus and 1980s guerrilla D-I-Y cassette-era electronic artists, spanning in total over a near 30-year time frame. All of these artists used electronic advancements in music technology as a means of exploring not only space and the idea of the future, but also of looking inwards to the soul and of creating music in harmony with the natural world.

    From computer software and hardware experimentalists and sound pioneers such as Laurie Spiegel and Kevin Braheny, as well as Mother Mallard’s Portable Masterpiece Company – the first synthesizer ensemble created in collaboration with Robert Moog – through to musique concrète experimentation, the album shows how technological advancements and creative artistic expression often went hand in hand.

    In the mid-1970s artists Steven Halpern and Iaxos were instrumental in creating proto-new age music, experimenting in both the healing properties of sound and its relationship with the natural world. These artists also pioneered a new self-contained and underground D-I-Y approach to music, creating their own record labels, forming new distribution networks (with albums sold in meditation centres, health food stores and ashrams) far away from the commercialism of the mainstream music industry. In the early 1980s after the revolution of punk, these D-I-Y attitudes and ideas appeared once more in the growth of the distinctly anti-commercial and underground cassette-only careers of artists such as Germany’s Stratis and Carl Matthews in Britain.

    This album is available as a heavyweight triple vinyl album (plus download code), CD and digital release. Artwork includes some of the earliest photography of the Plieades star cluster dating from the 1880s.

    • J.B. Banfi – Gang (For The Rock Industry)
    • Michael Garrison – To The Other Side Of The Sky
    • Iasos – Lueena Coast
    • Carl Matthews – As Above, So Below
    • Tim Blake – Midnight
    • Stratis – By Water
    • Laurie Spiegel – Improvisation On A 'Concerto Generator'
    • Mother Mallard's Portable Masterpiece Company – Ceres Motion
    • Michael Stearns – In The Beginning
    • Beverly Glenn-Copeland – Ever New
    • Richard Pinhas – Variations VII Sur Le Thème Des Bene Gesserit
    • Tod Dockstader – Piece #1
    • Kevin Braheny – Ancient Stars
    • Steven Halpern – Starborn Suite (Part 1)
    • 3×LP + Download Code £28.00
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    • CD£12.00
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    • MP3 Release£9.99
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    Acid - Can You Jack?Soul Jazz Records

    Following on from our new Acid-Mysterons Invade The Jackin' Zone, 

    Soul Jazz Records are re-releasing theis long out of print classic album Acid – Can You Jack? Chicago Acid and Experimental House 1985-95.

    Double CD set with 48-page outsize booklet and slipcase. Two separate volume of super-loud heavyweight 180gm double vinyl (each with free download codes) housed in heavyweight sleeves. Also now available here as an exclusive to this site  digital download for the first time.

    The extensive sleevenotes to this release charting the phenomenal rise of Chicago house and acid music are written by Tim Lawrence, author or the the definitive book on dance music ‘Love Saves The Day’, as well as the Arthur Russell biography Hold On To Your Dreams: Arthur Russell and the Downtown Music Scene 1973-92.  Lawrence also wrote the text for Voguing and The House Ballroom Scene of New York, 1989-92, also published by Soul Jazz Records/Books.

    The album features all-time classic full-length 12" tracks such as Phuture’s ‘Acid Trax’ and Sleezy D’s ‘I’ve Lost Control’, Jamie Principle’s ‘Baby Wants to Ride’ alongside many rare and experimental tracks including , Marshall Jefferson’s “Go Wild Rhythm Tracks”, Virgo's 'Take Me Higher' and many more.

    The large booklet also contains exclusive photos and interviews with a number of the key players in the birth and rise of Chicago’s original house music scene from originators like Jefferson, DJ Pierre and Adonis to second wave artists like Cajmere and Roy Davis Jnr.

    Killer!

    Reviews of Acid - Can You Jack?:

    'Impeccably timed compilation from Soul Jazz Records' Pitchfork

    'Soul Jazz can do no wrong in terms of compiling in my eyes' Resident Advisor

    'Suitably comprehensive, featuring many of the touchstone works now widely considered classics'XLR8R


    • Maurice – This Is Acid
    • The Sweat Boyz – Do You Want To Perculate
    • Virgo – Go Wild Rhythm Track
    • Mr Fingers – Beyond The Clouds
    • Tyree – Acid Crash
    • Phuture – Phuture Jacks
    • Fresh – Dum Dum Part 2
    • Roy Davis Jnr – Acid Bass
    • Sleezy D – I've Lost Control
    • Virgo Four – Take Me Higher
    • DJ Pierre – Box Energy
    • Frankie Knuckles featuring Jamie Principle – Baby Wants To Ride
    • Tyree – Acid Over
    • Green Velvet – Explorer
    • Two Of A Kind – Like This
    • Armando – Downfall
    • Phuture – Acid Tracks
    • Deluxe 2×CD£13.00
      Out of stock
    Future BassSoul Jazz Records

    Future Bass! Post-Dubstep, post-House, post everything! Four Tet, Mala, Untold, Black Chow (Kevin Martin/The Bug’s latest project), Coki and loads more all-exclusive new tracks on this new album for Soul Jazz Records.

    Soul Jazz Records have brought together some of the UKs most pioneering producers of the day to create an album that can only be defined as future music. All new exclusive tracks from a set of artists all at the height of their respective careers alongside heavyweight new-wave producers. From the off-kilter hypnotic post-House bass music of Four Tet (one of the most hyped tracks of late) to the boundary pushing genre busting post-Dubstep of Mala and Coki (the two halves of Digital Mystikz), Untold and more alongside truly uniques tracks such as Kevin Martin/The Bug’s latest incarnation, Black Chow. Future music! Future Bass!

    ‘Future Bass’ is packaged in a limited-edition deluxe plastic casing with set of free postcards and vinyl comes on super-loud, super-heavyweight triple vinyl, mastered at Transition.

    • Mala – Don't Let Me Go
    • Four Tet – Nothing To See
    • Untold – Fly Girls
    • Coki – Ransom
    • Ramadanman – Bass Drums
    • Black Chow – Air
    • LD – Mastermind
    • V.I.V.E.K – Talking Shadows
    • Randomer – Puzzled
    • Ginz – Boss
    • Harry Craze – Gone
    • Distal – Grape Donut
    • Sub Version – Free To Funk
    Soul Jazz Records Presents Fashion Records : Style & FashionA-Class Top Notch Hi Fi Sounds In Fine StyleSoul Jazz Records

    Soul Jazz Records are proud to present this new collection of music from the great Fashion Records, one of the most important and iconic independent labels to come out of the UK, and which ran from 1980 for nearly 20 years.

    In that time Fashion released hundreds of records that successfully reflected, and indeed set, the changing styles and perspectives of reggae music in the UK – from UK dancehall and lovers rock in the 1980s through to the mighty rise of jungle in the second half of the 1990s.

    While nearly all other UK reggae labels focused on releasing Jamaican music – from the early days of Island and Trojan in the 1960s, through Island and Virgin in the 1970s, and Greensleeves that came up in the 1980s – Fashion’s focus was firmly on music produced in the UK. This unique British perspective shaped both lyrical content and musical fashion. And like all the great music labels – from Studio One to Blue Note – Fashion was able to create a significant roster of its own artists.

    Amazingly for a small independent label, a number of Fashion artists achieved mainstream UK chart and crossover success – including Laurel & Hardy, Smiley Culture and General Levy. But although this success was welcomed, crossing over into the mainstream was never the main focus for the label owners Chris Lane and John McGillivray (who also runs the successful Dub Vendor record shop) whose starting point was always primarily focused on producing quality music first.

    In the early 1980s, Fashion Records captured the rise of the emerging British dancehall scene in its ascendency. The large roster of first generation British-born artists and MCs on the label – including General Levy, Papa Face, Smiley Culture, Bionic Rhona, Asher Senator, Laurel & Hardy, Top Cat and many more – often gave a unique and sometimes humorous British lyrical perspective to Fashion releases, discussing everyday subjects, from police harassment to road safety!

    Throughout much of the 1980s and into the 1990s Fashion continued to release an almost relentless array of UK dancehall releases as well as continuing with lovers rock, and the occasional dub releases. Then, in the mid-90s, with the dancehall and reggae releases still coming on strong, Fashion released a superb series of early jungle tracks linking Jamaican and British MCs and dancehall artists with young jungle mixers, re-mixers and producers. By this time dancehall artists General Levy and Cutty Ranks had become the staple vocal samples of literally hundreds of white label jungle records and Fashion took advantage of this, often getting young producers to work in exchange for sample clearances – don’t get mad, get even!

    This album is a subjective and scatter-gun ride through some of the many unique and heavyweight tracks to come out of the Fashion stable that we love – some classics, some lesser-known, all 100% killer!

    The album is released on heavyweight triple vinyl (+ download code), deluxe double CD with outsize booklet and slipcase, and digitally. The album comes with extensive sleevenotes featuring interviews with Fashion founders Chris Lane and John MacGillvary, as well as exclusive photography and original artwork and flyers.



    • Papa Face featuring Red Man – Dance Pon De Corner
    • Dee Sharp – Let's Dub It Up
    • Cutty Ranks – Limb By Limb (DJ SS Remix)
    • General Levy – Mad Them
    • Laurel & Hardy – You're Nicked
    • Bunny General – Played By This Ya Sound
    • General Levy & Hard 'n' Pure – Wikkeda!!
    • Carlton Lewis – Small Talking
    • Poison Chang – Shot Fe Bust (Marvellous Cain Remix)
    • Dee Sharp – Rising To The Top
    • Papa Face With Keith Douglas – DJ Jamboree
    • General Levy – Heat
    • Carlton Lewis – Sweet Soul Rocking
    • Top Cat – Ruffest Gun Ark (DJ Rap Mix)
    • Papa San – DJ Business
    • Papa Face & Bionic Rhona – To The Bump
    • Cutty Ranks – As You See It
    • Janice Walker – You'll Never Need Somebody
    • Asher Senator – Bubble With I
    • 1. Papa Face featuring Red Man – Dance Pon De Corner
    • 2. Dee Sharp – Let's Dub It Up
    • 3. Cutty Ranks – Limb By Limb (DJ SS Remix)
    • View full info and tracklisting
    Nigeria Soul Power 70 (Expanded Double LP Set)Soul Jazz Records

    Seriously rare, killer and classic Nigerian 70s Afro-Funk, Afro-Disco & Afro-Rock tunes bought together.

    Originally released as a now-long-out-of-print collectors’ 7” RSD box, this fully expanded album release now also includes extra tracks from Sonny Okosuns, Wings, Chief Kollington Ayinla and more.

    Soul Jazz Records’ Nigeria Soul Power 70 album showcases the influence of funk, rock and disco on Nigerian music during the 1970s

    --------------------------------------------------------------------------------------------------------------

    While for many people the fusion of funk and jazz music with Nigerian rhythms and aesthetics began with Fela Kuti and his afro-beat sound, in fact this can be traced further back to the phenomena of the 1960s Nigerian artists and house bands in nightclubs and hotels who interpreted US soul and pop music with a local flavour and none more so than Geraldo Pino, the ‘African James Brown’ who features heavily in this collection. Other similarly inspired Nigerian funk and soul artists featured here included Tony Grey and his Ozimba Messengers and Don Bruce and The Angels.

    Nigeria Soul Power 70 includes a number of tracks from the group Wings originally known as BAF (Biafran Air Force) Wings, an army band formed during the Biafran civil war in Nigeria. The groups’ heavy mixture of funk, rock and African styles was popular among many Nigerian groups at the time.

    Beneath the shadow of the few Nigerian artists who signed international recording deals in the 1970s – Fela Kuti, King Sunny Ade, Chief Ebenezer Obey – lies a vast wealth of largely undiscovered musical transmutation and cultural cross-pollination, and included here are heavy afro-funk/rock and disco tracks from artists such as the legendary Sonny Okosuns as well as rare cuts from little-known outside of Nigeria - groups such as Colomach and MFB. Most of these obscure artists signed to major labels in Nigeria in the commercial slipstream that opened up as Philips, Decca and EMI tried to emulate the international success of the big three international Nigerian artists.

    Finally featured here is Kollington Ayinla, one of the co-founders of Nigerian Fuji music, who gives us perhaps the heaviest of all tracks on this album. Ayinla is the great moderniser of the Fuji sound and in the late 1970s began adding Bata drums and synthesizers to his authentic music to create a powerful and heavy new fusion of traditional and modernist aesthetics, embracing both new technology and experimentation while rooted firmly in Nigerian historical lineage.

    ------------------------------------------------------------------------------------------------------

    Nigeria Soul Power 70 is released as a heavyweight gatefold double vinyl LP (+ free download code), deluxe slipcase CD and digital album.

    • Geraldo Pino – Shake Hands
    • Sonny Okosuns Ozziddi – Dance Of The Elephants
    • The Wings – We'll Get Home
    • Alhaji (Chief) Prof. Kollington Ayinla – E Ye Ika Se
    • Colomach – Kassa Kpa Sama Kpa
    • Geraldo Pino – Heavy Heavy Heavy
    • MFB – Beware
    • Tony Grey and The Ozimba Messengers – You Are The One
    • Sonny Okosuns Ozziddi – Oba Erediauwa I
    • The Wings – Single Boy
    • Geraldo Pino – Power To The People
    • Original Wings – Igba Alusi
    • Don Bruce and The Angels – Sugar Baby
    • Geraldo Pino – Africans Must Unite
    BoomboxSoul Jazz Records

    Soul Jazz Records’ new Boombox features some of the many innovative underground first-wave of rap records made in New York in the period 1979-82, all released on small, independent, often family-concern record companies, at a time when hip-hop music still remained under the radar.


    This first exuberant wave of innocent, upbeat, party on the block rap records were the first to try and create the sounds heard in community centres, block parties and street jams that first took place in the Bronx in the mid-1970s. But where Flash, Kool Herc and Bambaataa were back-spinning, mixing and scratching together now classic breakbeat records like The Incredible Bongo Band’s Apache or Babe Ruth’s The Mexican, these first rap records were all made using live bands, often replaying then current disco tunes, whilst MCs rapped over the top, creating a unique sound that later became known derisively as old school.


    And while hip-hop started in the Bronx, rap on vinyl began in Harlem where long-time established rhythm and blues producer-owned record companies such as Joe Robinson’s Enjoy Records, Paul Winley’s Winley Records, Delmar Donnel’s Delmar International and Jack Fatman Taylor’s Rojac and Tayster were the first off the mark to realise the commercial potential of rap music - releasing early ground-breaking records that all quickly followed in the wake of the first rap record, The Sugarhill Gang’s Rappers Delight, a million-selling worldwide hit.


    This collection celebrates these first old-school rap records, bringing together rare, classic and obscure tracks released in the early days of rap.


    Deluxe double CD-pack comes with slipcase, 40-page outsize perfect-bound booklet, extensive notes, exclusive photography and original label artwork. Triple-vinyl heavyweight vinyl includes full artwork, text and notes as well as free download code.


    REVIEWS:

    Soul Jazz has a reputation for top-notch compilations that offer crash courses in a variety of styles and genres both beloved and obscure; they are, in essence, the K-Tel of the millennial generation.

    This is one of the best Soul Jazz sets in ages, a legitimate party in a box, overflowing with underground deep cuts that have seldom — if ever — been spotted on other collections - FACT

     ROLLING STONE Best Rap Albums of 2016

    • Mr Sweety G – At The Place To Be
    • Love Bug Star-Ski and The Harlem World Crew – Positive Life
    • Neil B – Body Rock
    • Super 3 – Philosophy Rappin' Spree
    • Bramsam – Move Your Body
    • Black Bird & Kevski – On The Go
    • Count Coolout – Rhythm Rap Rock (CD only)
    • Harlem World Crew – Rappers Convention
    • Willie Wood & The Willie Wood Crew – Willie Rap
    • Bon-Rock & The Rhythm Rebellion – Searching Rap
    • Sugar Daddy – One More Time
    • Spoonie Gee and The Treacherous Three – The New Rap Language
    • TJ Swan – And You Know That
    • Portable Patrol – Cop Bop
    • Master Jay – We Are People Too
    • Sweet G – Boogie Feelin' Rap
    • Mistafide – Equidity Funk
    New Orleans Funk Vol. 3: The Original Sound of FunkSoul Jazz Records

    This new instalment of New Orleans Funk subtitled 'Two-Way-Pocky-Way, Gumbo Ya Ya and the Mardi Gras Mambo' features more classic New Orleans funk in all its forms.


    The syncopated percussion beat of the second line jazz parade bands, the secret language and dances of the Mardi Gras Indians, the mambo and latin rhythms of Professor Longhair and the city’s many piano players help make New Orleans a unique musical melting pot.


    New Orleans long musical heritage begins at Congo Square with the creation of jazz, the original creole culture clash of African heritage and European instrumentation.


    In the 1960s and into the early 1970s add to this the creative powerhouses of Allen Toussaint, The Meters, Eddie Bo and others alongside the famous musical families of the city – the Nevilles, the Marsalis’s, the Lasties – and we find ourselves at the birthplace of the original sound of funk - New Orleans Funk.


    A seemingly endless line of amazing singers - Lee Dorsey, Betty Harris, Willie West, Eldridge Holmes – released a constant stream of stunning 45s, backed by the super-funk Meters and produced by Allen Toussaint. The multi-talented Eddie Bo, similarly wrote and produced for an elite set of artists including The Explosions, Chuck Carbo and others.


    But limited local record distribution meant that most of these artists remained unknown outside of the city borders and as a consequence many of these records are serious collectors items today.


    Add to this the syncopated poly-rhythm funk of Mardi Gras Indians with a rare version of the carnival classic Two-Way-Pock-A-Way, and the parade band jazz of the Rebirth Jazz Band (with their twisted take on the Blackbyrd’s rare groove classic Do It Fluid) and you have the latest instalment in Soul Jazz Records’ New Orleans Funk series.


    Read Quietus large feature here


    REVIEWS:
    "The hallmark of a great Soul Jazz compilation is the balance between the stone cold classic and the well selected deep cut, and this compilation serves up both well." Quietus
    **** 

     "The Soul Jazz label’s long-running curation of New Orleans’s funky past has already yielded several premier league collections for hungry musical gumbo fans. The latest catch from the Nola freak scene... doesn’t disappoint with its swaggering and swinging line of classic cuts."  The Irish Times


    “Every New Orleans Funk release confirms that Soul Jazz Records should keep a triple A in the genre of Soul/Funk.” 90BPM

    • Willie West w/ The Meters – Fairchild
    • Professor Longhair – Go To The Mardi Gras
    • Betty Harris – Trouble With My Lover
    • Tony Owens – Got A Get My Baby Back Home
    • Lee Dorsey – Little Baby
    • The Dixie Cups – Two Way Poc A Way
    • Eldridge Holmes – If I Were A Carpenter
    • Dirty Dozen Brass Band – Do It Fluid
    • Lee Dorsey w/ The Meters – What You Want
    • The Explosions – Jockey Ride (Parts 1 & 2)
    • Allen Toussaint – We The People
    • Chuck Carbo – Take Care Your Homework Friend
    • Betty Harris – What'd I Do Wrong
    • Eldridge Holmes w/The Meters – The Book
    • The Deacons – Fagged Out
    • Diamond Joe – Gossip Gossip
    • Professor Longhair – Big Chief Part 2
    • The Rubaiyats – Omar Khayyam
    • 1. Willie West w/ The Meters – Fairchild
    • 2. Professor Longhair – Go To The Mardi Gras
    • 3. Betty Harris – Trouble With My Lover
    • View full info and tracklisting
    LaraajiCelestial VibrationSoul Jazz Records

    This is the stunning debut album from Laraaji. ‘Celestial Vibrations’ was originally released in 1978 under the name Edward Larry Gordon, and then first issued by Soul Jazz Records/Universal Sound in 2010.

    Soul Jazz Records are now issuing this hypnotic piece newly re-mastered album once again in a very limited vinyl edition of 1000 and new CD as a full Laraaji release.

    ‘Celestial Vibrations’ is a cosmic ambient journey sounding unlike anything else when it was first released in 1978 - and sounding utterly unique today.

    Laraaji’s album was first issued in New York as a private-pressing record with only very minimal distribution. His distinctive use of the harp-like open-stringed zither and kalimba creates a hypnotic trance like musical landscape.

    Laraaji first came to fame in the 1980s as a worldwide ambient artist working with Brian Eno on EG Records. At this time Laraaji worked with a wide range of experimental musicians - Jon Hassell, Harold Budd, Michael Brook, Bill Nelson, Roger Eno, Nana Vasconcelos and Bill Laswell.

    Since Soul Jazz Records/Universal Sound first released ‘Celestial Vibrations’ seven years ago (now long deleted), Laraaji’s career has had a renaissance, releasing a string of new albums including a fascinating collaboration with Blues Control for the FRKYWS label, as well as reissues of earlier albums including a three-album cassette only release last year.

    Today Gordon continues his unique musical and spiritual path - performing his music mainly for meditation at yoga global retreats. He runs his own ‘Therapeutic Laughter Workshop’ where he coaches people in the mindful use of laughing for its health benefits.

    The album is issued as a limited-edition deluxe vinyl and CD edition. (previously released as Edward Larry Gordon ‘Celestial Vibration’)

    • – All Pervading
    • – Bethlehem
    Keith HaringThe World Of Keith HaringSoul Jazz Records

    In collaboration with Tate Liverpool, Soul Jazz Records release this stunning new collection entitled The World of Keith Haring featuring music influential to the artist Keith Haring including Fab 5 Freddy, Yoko Ono, Gray (Jean-Michel Basquiat’s group), The Jonzun Crew, Larry Levan, Talking Heads, Sylvester, Johnny Dynell and many others.

    The World of Keith Haring coincides with the presentation of the first major exhibition in the UK of Keith Haring’s work at Tate Liverpool on now.

    The album comes in deluxe artwork and three formats: Double CD + 48-page book; 3xLP + download vinyl version. All formats of the album feature original photography, extensive sleevenotes and interviews.

    ---------------------------------------------------------------------------------------------------

    Haring’s many friends and collaborators included Jean-Michel Basquiat, Andy Warhol, Madonna, Fab 5 Freddy, William Burroughs, Jenny Holzer, Yoko Ono, Bill T Jones, Larry Levan, Timothy Leary, Futura 2000. If you were looking for a person to guide you through the wide variety of nightclub scenes of downtown New York in the 1980s, then Keith Haring would have been your man.

    Keith Haring was diagnosed as HIV-positive in 1988 and died at the age of 31 on February 16, 1990. During his short time on the planet his work featured in over 100 solo and group exhibitions across the world and was seen on subways, in public spaces, on club flyers and consumer products.

    Keith Haring was one of the key members of a group of New York-based artists who redefined the boundaries of modern art in the 1980s. Like his friends, including the artist Jean-Michel Basquiat and graffiti artists Fab 5 Freddy, Lee Quiñones and LA II, Haring helped first bring the aesthetics of graffiti and street art to New York’s downtown; into both the fine art world, with his own shows at the Shafrazi Gallery and Patti Astor’s Fun Gallery, as well as into the alternative punk and new wave club scene, curating art shows at spaces like Club 57 and the infamous Mudd Club.

    During this time the art and music worlds of downtown New York, especially that of the East Village, were colliding as the musical boundary lines between punk rock, dance music and hip-hop also blurred. Musicians were also artists, film-makers or actors. Artists formed bands and music was art. This was the world of Keith Haring’s New York; a collaborative world where the numerous artists he worked with were also friends, all inhabiting the same fertile, febrile and creative world of New York City in the 1980s.

    Music played a central role in the creation of Haring’s art. In 1981 Keith Haring, Fab 5 Freddy and Futura 2000 organised ‘Beyond Words,’ the first downtown graffiti show on the top floor of the Mudd Clubb, with Afrika Bambaataa DJing at the opening, while downstairs the sounds of spiky punk/dance music played to a dancefloor populated with New York’s new punk and no wave glitterati – David Byrne, Deborah Harry, The Contortions et al – who mixed with poor East Village aspiring artists and Studio 54 celebrities like Andy Warhol, Grace Jones and David Bowie.

    At his early solo art shows Haring hired break-dancers and DJs (including his partner Juan Dubose) to play at gallery openings. As hip-hop and electro exploded into the world, body-popping and electro boogie-ing characters also populated Haring’s paintings with much of the kinetic energy of his work part inspired by the dancefloor and street moves of B-Boys and B-Girls.

    But the decisive moment in creating Haring’s musical tastes and inspiration came with a chance discovering of the Paradise Garage one night in 1984 while walking through the streets of the West Village with his friend Fab 5 Freddy. As Haring told biographer John Gruen:

    ‘I have never been the same since I walked into Paradise Garage … The music was phenomenal – Larry Levan was the DJ there and he was like a god in the DJ booth. I was totally mesmerized.’

    Haring fell in love with the Paradise Garage, creating large scale artworks and flyers for the club, flying home from his exhibitions around the world to religiously attend Saturday nights there. Haring became friends with Larry Levan and in 1984 he put on his own Party of Life at the Garage with DJs Levan and Juan Dubose, and live appearances from his friends John Sex and the then-unknown singer Madonna.

    By the second half of the 1980s Haring was spending more and more time away from New York and working in Europe. Despite this he remained connected to New York’s dance culture at all times through a constant stream of cassette mixtapes that he would listen to while working. These mixtapes were supplied by friends and lovers such as Jean Dubose and Gil Vazquez and playlists from the likes of Larry Levan, Frankie Knuckles and Junior Vasquez.

    About the music:

    The music collected on The World of Keith Haring is a combination of rare disco, early electro and New York punk/dance tracks reflecting the vibrant and hybrid world of downtown New York in the 1980s.

    Here you will find early electro from The Jonzun Crew, Adiche and The Extra T’s alongside angular jerky crossover punk/dance and disco/not disco tracks like Pylon’s ‘Danger,’ John Sex’s ‘Bump and Grind’, Yoko Ono’s ‘Walking on Thin Ice’ and Mudd Club DJ Johnny Dynell’s ‘Jam Hot.’

    The music of some of Haring’s favourite visual artists (and friends) also feature heavily including Jean-Michel Basquiat’s experimental group Gray, George Condo’s art rock group The Girls (produced by David Thomas of Pere Ubu) and early rap from Fab Five Freddy.

    Paradise Garage soul and disco classics here include Sylvester’s seminal ‘Over and Over’; London DJ Tony Williams’ fusion of Jamaican dub and New York dance music as The Funk Masters, Damon Harris’s uplifting ‘It’s Music’ and disco producers extraordinaire Peter Brown and Patrick Adams’ homage to the new phenomenon of the day – The Guardian Angels of the New York subway system.

    Together these are some of the tracks first heard in New York’s prolific underground club scene of the 1980s – including Club 57, The Mudd Club, Danceteria, Hurrah, Area, The Fun Club, Tier 3, The Palladium, Roxy, Pyramid and Paradise Garage. Haring was a regular face at many of these clubs, often a creative participant, both shaping and defining the cultural identity of downtown New York.

    Also included is a track by the long-standing French experimental group Art Zoyd. ‘Sortie 134’ made as part of the music for ‘Le Mariage du Ciel et de L’Enfer’ (‘The Marriage of Heaven and Hell’), a ballet created by Roland Petit, choreographer at the National Ballet of Marseille, based upon a collection of pose and poetry by William Blake. As one of many works that Haring took on in Europe at the time, Petit commissioned the artist to create a massive 100-square metre backdrop painting for this show.

    The selection of music on this collection is itself like a mixtape that reflects Haring’s wide-ranging musical influences and connections. And for someone who neither DJ’d nor played in a band he had impeccable musical tastes, with music playing a pivotal part in both his life and work, and functioning as an essential and always present soundtrack to both.

    Exhibition details:

    Keith Haring exhibition at Tate Liverpool 14th June 2019 - 10th November 2019

    In 2020 the show then travels to:

    Centre for Fine Arts (BOZAR), Brussels, Belgium: 5th December 2019 - 20th April 2020

    Folkwang, Essen, Germany: 22nd May 2020 - 20th September 2020

    Formats: Tr 10 CD/D only, Tr 8,14 on deluxe 3xLP/CD/D only

    Reviews:

    "★★★★★ Soul Jazz compilations make an excellent argument for the physical album purchase in the age of Spotify: substantial liner notes, great photos, collections put together to tell a story. The label has outdone itself with this one, released to coincide with Tate Liverpool’s retrospective of Eighties New York’s foremost creator of blocky, stylised pop art." The TIMES


    • B Beat Girls – For The Same Man
    • Damon Harris – It's Music
    • Pylon – Danger
    • The Jonzun Crew – Pak Man (Look Out For The OVC)
    • Funk Masters – Love Money
    • John Sex – Bump and Grind It
    • Sylvester – Over And Over (12" Disco Mix)
    • The Girls – Jeffrey I Hear You
    • Johnny Dynell and New York 88 – Jam Hot (Rhumba Rock)
    • Talking Heads – I Zimbra (on CD version only)
    • Art Zoyd – Sortie 134 (Part 2)
    • Class Action – Weekend (Larry Levan Mix)
    • Adiche – Chuka-Ja (Get Ready)
    • The Girls – The Elephant Man
    • The Golden Flamingo Orchestra – The Guardian Angel Is Watching Over Us
    • Gray – Cut It Up High Priest
    • Extra T’s – E.T. Boogie
    • Convertion – Let's Do It
    • Yoko Ono – Walking On Thin Ice
    • Fab 5 Freddy – Change The Beat
    • 3×LP + Download Code £28.00
      Out of stock
    • 2×CD£13.00
      In stockAdd to Bag
    • MP3 Release£9.99
      In stockAdd to Bag
    Brazil USA 70: Brazilian Music In The USA In The 1970sFeaturing Airto, Deodato, Sergio Mendes, Flora Purim, Sivuca, Donato & moreSoul Jazz Records


    All of the music featured here on this new Soul Jazz Records collection was created by Brazilian artists living and working in the USA in the 1970s.

    The album brings together some of these finest works and comes complete with extensive notes that explains the path these musicians took from Brazil to the USA and shows the political and musical links between Brazil and the USA that created the conditions for this unique fusion of these two distinct cultures, North American Jazz and Brazilian music, that occurred in the 1970s.

    In the early 1970s North American jazz musicians were eager to work with upcoming Brazilian musicians. Miles Davis invited Airto Moreira to join his new ‘electric’ band, Dom Um Romao (part of Sérgio Mendes’ legendary Brazil ‘66 in the 1960s) joined the fusion group Weather Report, Flora Purim and Airto both became a part of Chick Corea’s new project Light As A Feather, Wayne Shorter collaborated with Milton Nascimento, George Duke recorded Brazilian Love Affair, and so on.

    With all the attention placed on them from these important jazz artists, North America became the new musical playground for a large number of these Brazilian artists – Airto Moreira, Flora Purim, Sérgio Mendes, Luiz Bonfá, Eumir Deodato, João Donato and many others.

    Most of these musicians had already experienced success through the earlier popularity of bossa nova in the 1960s, either at home in Brazil or in the USA. But by the end of the 1960s many Brazilian artists had left their own country, as the military dictatorship became progressively more authoritarian and repressive. In the USA, through their critically acclaimed work for Miles Davis, Weather Report, Light As A Feather etc., all of these artists were now given reign to explore new musical terrains away from the restrictions of both a musical genre and a state censor back in Brazil.

    The album comes as a deluxe gatefold double vinyl LP, complete with download code, full sleeve notes, exclusive photography, double inner sleeves. The CD contains CD plus a large 40-page outsize booklet all housed in Soul Jazz slipcase.

    • Airto – Samba De Flora
    • Duke Pearson and Flora Purim – Sandalia Dela
    • Sergio Mendes & Brasil '66 – Batucada (The Beat)
    • Deodato – Skyscrapers
    • Milton Nascimento – Catavento
    • Airto – Tombo in 7/4
    • Luiz Bonfá – Bahia Soul
    • Dom Um Romao – Braun-Blek-Blu
    • Moacir Santos – Kathy
    • João Donato – Almas Irmãs
    • Sivuca – Ain't No Sunshine
    • Milton Nascimento – Rio Vermelho
    • Tamba 4 – Consolation (Consolação)
    • Flora Purim – Moon Dreams
    • Dom Um Romao – Escravos de Jo
    • Airto – Andei (I Walked)
    • 1. Airto – Samba De Flora
    • 2. Duke Pearson and Flora Purim – Sandalia Dela
    • 3. Sergio Mendes & Brasil '66 – Batucada (The Beat)
    • View full info and tracklisting
    Lloyd McNeillTreasures (1980)Soul Jazz Records

    Soul Jazz Records are releasing flautist Lloyd McNeill’s album ‘Treasures’ (1980). Originally released on the artists’ own private press Baobab label in New York, the album is a serious collectors’ piece, a heavyweight and fascinating fusion of deep spiritual jazz with Brazilian and rhythms and melodies. The album has been out of print for nearly 40 years. This is a very limited edition pressing of 1000 vinyl + 1000 CDs only.

    This groundbreaking album is the culmination of Lloyd McNeill’s many years involved with Brazilian musicians and features the great percussionist Nana Vasconcelos alongside fellow Brazilian’s Portinho and Dom Salvador alongside US jazz musicians including bassist Cecil McBee.

    In a 50-year musical career, McNeill has worked with many artists including Nina Simone, Eric Dolphy, Mulatu Asatke and Sabu Martinez.

    McNeill grew up during the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. All of his music was only ever released on his own private-press record label, echoing the Civil Rights and African-American themes of the era - black economic empowerment and self-sufficiency – and there is a beautiful spirituality in all his music.

    In the late 1960s McNeill became teacher of both jazz and painting at the New Thing Art and Architecture Center in Washington and in 1969 was the first African-American professor hired to teach African-American Music History, at Rutgers University.

    This is the fourth Lloyd McNeill album that Soul Jazz Records have released and follows on from the recent release of ‘Treasures’ (1976) and the earlier albums ‘Asha’ (1969), ‘Tanner Suite’ (1969) and ‘Washington Suite’ (1970) all of which are being re-pressed to coincide with this new release.

    This album is fully re-mastered from original source and is re-released for the first time ever on Soul Jazz Records in a very limited edition of 1000 vinyl (+ download code), 1000 limited edition CD pressing and digital.

    • Lloyd McNeill – Griot
    • Lloyd McNeill – As A Matter Of Fact
    • Lloyd McNeill – Salvation Army
    • Lloyd McNeill – You Don't Know What Love Is
    Deutsche Elektronische Musik 3Soul Jazz Records

    This latest instalment in Soul Jazz Records’ successful Deutsche Elektronische Musik series delves deeper into the German nation’s vaults to bring a fascinating new collection that again brings together a selection of classic German electronic and rock groups, including Neu!, Cluster, Popol Vuh, La Düsseldorf, Agitation Free, alongside a host of rare tracks by lesser known artists which includes Michael Bundt, Bröselmaschine, Dronsz, Achim Reichel and others.

    The music of Deutsche Elektronische Musik 3 ranges from the introverted pastoralism of Hans Joachim Roedelius and Bröselmaschine, to the angular and futuristic electronic experimentations of Klauss Weiss, Pyrolator, Deuter, Michael Bundt and others, to the proto-punk of La Düsseldorf and the heavy space, progressive and cosmic rock of Missus Beastly, Niagara and Dyzan.

    The music on Deutsche Elektronische Musik 3 was all recorded in the 1970s up to the early 1980s, at a time when forward-thinking German electronic and rock groups were searching for a new musical identity in order to separate themselves from both the cultural legacy of post-world war two Germany as well the ‘cultural imperialism’ of USA and UK rock. In this process German groups created some of the most unique and inspired music, the defining motorik beat alongside a host of ethno-musical influences from far afield – including Turkey, India, Brazil – as well as the musical and futurist possibilities of developments in electronics and technology itself.

    Deutsche Elektronische Musik 3 is released as a heavyweight 3xLP, deluxe double CD pack and digital release. The new extensive sleevenotes are by David Stubbs, who is the author of the acclaimed book, ‘Future Days: Krautrock and the Building of Modern Germany’ (Faber & Faber).

    “A near-definitive guide to some of the world’s most extraordinary music’’ ***** The Guardian

    "There are many potential futures contained within this exemplary Soul Jazz compilation" The Quietus

    • Klaus Weiss – Wide Open Space Motion
    • A.R. & Machines – I'll Be Your Singer, You'll Be My Song
    • Deutsche Wertarbeit – Deutscher Wald
    • Dzyan – Khali
    • Missus Beastly – Geisha
    • Alex – Derulé
    • Agitation Free – In The Silence Of the Morning Sunrise
    • Georg Deuter – Pearls
    • Michael Bundt – The Brain Of Oskar Panizza
    • Popol Vuh – Ja, Deine Liebe Ist Sußer Als Wein
    • Novalis – Dronsz
    • Bröselmaschine – Schmetterling
    • Neu! – Neuschnee
    • Between – And The Waters Opened
    • La Düsseldorf – White Overalls
    • Klauss Weiss – Constellation
    • Achim Reichel – Tanz Der Vögel In Den Winden
    • Roedelius – Lustwandel
    • Pyrolator – Die Haut Der Frau
    • Cluster – Hollywood
    • Streetmark – Passage
    • Niagara – Rhythm Go
    • Michael Bundt – Neon
    • 1. Klaus Weiss – Wide Open Space Motion
    • 2. A.R. & Machines – I'll Be Your Singer, You'll Be My Song
    • 3. Deutsche Wertarbeit – Deutscher Wald
    • View full info and tracklisting
    • 3×LP + Download Code £28.00
      Out of stock
    • 2×CD£13.00
      Out of stock
    • MP3 Release£9.99
      In stockAdd to Bag
    Hieroglyphic BeingThe Acid DocumentsSoul Jazz Records

    Current Wire magazine front cover artist Hieroglyphic Being’s debut album for Soul Jazz - The Acid Documents - is an album made up of tracks first released last year only ever available in a bespoke edition of 100 copies (yes 100) – in the form of a homemade CD-R – made exclusively for the Sounds of the Universe record store.

    This album is now released officially as a one-off edition of 1000 copies on coloured double vinyl, CD and digital, fully remastered with artwork by Japanese artist 2Yang.

    Hieroglyphic Being, aka Jamal Moss - who features on the front cover of Wire magazine’s current issue – is a DJ/composer/sound artist who makes pioneering, experimental, boundary-pushing Afro-futurist electronic music.

    Born and based in Chicago, Moss’s music embodies two of the cultural foundation blocks of the city’s musical lineage; that of Chicago’s original Acid House sound (c. 1986), that of Frankie Knuckles, Phuture, Marshall Jefferson et al, alongside a rigorous experimental sound searching that taps into the cosmic musical lineage of pioneering artist Sun Ra whose Arkestra landed and was based in the city from 1946-61.

    This association with Sun Ra is by no means hypothetical, having just been in the studio with the Arkestra leader Marshall Allen and a host of free jazz players for the album Hieroglyphic Being & JITU Ahn-Sahm-Buhl’s ‘We Are Not The First.’

    Similarly his relationship to Chicago’s original acid house pioneers of the late 80s is no hyperbole. Originally menotored by artist/producers Adonis and Steve Pointdexter, Moss also now runs his own Mathematics label which has released music by foundation acid house pioneers Lil’ Louis, Adonis and many others. To quote Moss, ‘I am the last of the line of producers directly influenced by Ron Hardy (the pioneering acid house DJ) at the Music Box.’

    Moss grew up in the south side of Chicago. After being thrown out of the home of his adoptive parents, he then spent three years homeless living on the streets of Chicago, living a nocturnal existence as a gigolo in Chicago’s alternative clubs. He began his career as a DJ at the pioneering Liquid Love parties at Chi-town’s legendary Power House (home of Ron Hardy’s MusicBox) around 1989.

    What clearly defines Moss’s music is that while sometimes pushing the limits of sound to an ear-splitting dimension of experimentation and DIY-electronics – the music is always clearly a progression of the lineage of black music. In the words of fellow Chicagoans, The Art Ensemble of Chicago, it is simply ‘Great Black Music.’ And yet in this uniquely defined sound, Moss somehow manages to draw into this world elements of industrial music, German electronic music (Cluster, Harmonia etc), Detroit’s sci-fi techno artists (Atkins, Saunderson, Craig) and more.


    (The second Hieroglyphic Being album on the new label, under his moniker Africans with Mainframes, will be released on Soul Jazz Records in January 2016)

    • – Culdees
    • – Dualism
    • – Fabian Society
    • – Gematria
    • – Jacobites Order
    • – Aurum Solis
    • – E Clampus Vitus
    • – Hollow Earth
    • – Illuminates Of Thaneteros
    • – Burlesque Degrees
    • New 2×LP (Coloured Vinyl)£28.00
      Out of stock
    • CD£12.00
      In stockAdd to Bag
    • MP3 Release£9.99
      In stockAdd to Bag
    Linval ThompsonThe Trojan Dancehall Albums CollectionDoctor Bird

    At the close of the 1970s, a new, strident style of reggae developed that by the close of the year had supplanted the roots sound, continuing to dominate Jamaica’s musical landscape through to the mid-Eighties: dancehall.

    Few producers embraced the genre with more skill than Linval Thompson, who between 1982 and 1983 delivered four superb dancehall collections to Trojan Records, with each showcasing a major talent of the era. All but one of this quartet of LPs appear on CD for the first time in the UK, with Tristan Palma’s “Settle Down Girl” making its full digital debut.

    The 2CD set is further bolstered by four Linval Thompson-produced bonus tracks, ensuring a musical feast for fans of the original dancehall sound.

    • DISC 1: Barrington Levy – Poor Man Style
    • – Don't Give Up
    • – Sensimelea
    • – I Can't Wait Too Long
    • Scientist & Prince Jammy – Strike Back!
    • – Storming The Death Star
    • – Mission Impossible
    • – The Alien Aborts
    • – Settle Down 12" mix
    • DISC 2: The Viceroys – We Must Unite
    • – Come Closer My Love
    • – Show Me Your Company
    • – We Must Unite
    • – Settle Down Girl
    • – My Love
    • – You're Too Young
    • – Don't Make Me Cry
    • CD£15.00
      Out of stock
    Studio One Black Man's Pride 3 : None Shall Escape The Judgement Of The AlmightySoul Jazz Records

    This is the latest new installment of Soul Jazz Records’ on-going collection of Rastafarian music at Studio One, featuring classic material from legendary roots and culture artists The Gladiators, Horace Andy, Freddie McGregor, Sugar Minott and the Wailing Souls, alongside a superb selection of rarities from Sir Coxsone’s musical empire made up of one-off and practically unknown Rastafarian artists who recorded on a myriad of Studio One off-shoot labels in the 1970s – The Manchesters, Mellodies, The Nightingales and others.

    In this new collection, we see that once again the prescient Clement Dodd was a man who saw the wider picture. In the 1960s it was Sir Coxsone who identified the creative potential of The Wailers, Toots and the Maytals, Heptones, Burning Spear and many, many others. In the 1970s Studio One released an untouchable selection of the finest as styles moved from reggae to deejay to dub and, in the latter half, the emergence of dancehall.

    But what is also clear is that throughout this era Studio One released an incredible amount of roots music, and not just the most commercially obvious. For alongside the career-building catalogues of Burning Spear, The Wailing Souls, The Gladiators and so on, one needs to be an ardent Studio One collector to know some of the truly raw Rastafarian music featured here. Groups such as The Manchesters or The Nightingales feel as if they were recorded straight out of the churchical chants of the mansions.

    Black Man’s Pride explains the links between the ideology of Clement Dodd at Studio One and the Rastafarian faith, which was the creation of Afro-Jamaicans and concerned above all else with a black consciousness and empowerment, a rediscovering of the personal and racial identity of black people. The movement began in the 1930s and, in tandem with this black consciousness, called for a rejection of the British imperial culture that dominated Jamaica, while creating an identity based on a re-appropriation of an African heritage.

    The Rastafari movement was like a pivot, bringing together and balancing many vectors of ideologies. Marcus Garvey’s Back to Africa movement, trades union discourse, anti-colonialism and nation independence, maroon self-definition and independence, the spirit of African rebellion in the Caribbean. For Clement Dodd, a black man and producer growing up in Kingston in this era, Rastafari was simply a part of his everyday world – from witnessing Count Ossie’s grounations to the faith of many Jamaican artists at Studio One – from the Skatalites onwards.

    Featured here alongside these classic and rare tracks from Studio One are new and extensive sleeve notes with track-by-track notes by Rob Chapman, author of the acclaimed Downbeat Special and Never Grow Old Studio One books.

    The album is released as double heavyweight gatefold vinyl (+ free download code), CD with slipcase and booklet, and digital album.

    • Horace Andy – Conscious Dread Lock
    • The Gladiators – A Prayer To Thee
    • Freddie McGregor – Beat Down Babylon
    • The Manchesters – Selassie Bandman
    • The Mellodies – Dread Oppression
    • Big Joe – Jah Jah Help Us
    • Horace Andy – Oh Lord Why Lord
    • Lloyd Jones & The Super Natural Six – Get Up and Try
    • The Wailing Souls – Can't Catch Me
    • The Nightingales – Jehovah
    • Alphanso Stewart – It's No Secret
    • Errol Dunkley – Satisfaction
    • Mr Manchester – Give Natty Dread Glory
    • Lincoln (Sugar) Minott – Wrong Doers
    • Noel Campbell & The Gladiators Band – Sufferation
    • African Brothers – No Cup No Brock
    • Zoot Simms – When The Time Comes
    • Glen Miller – Whey No Dead
    Venezuela 70Cosmic Visions of A Latin American Earth: Venezuelan Experimental Rock In The 1970s and Beyond VOLUME TWOSoul Jazz Records

    This is the second collection of music from Venezuela in the 1970s and beyond to be released on Soul Jazz Records. The album once again features innovative figures in the history of underground Venezuelan music, mostly unknown outside of their home country – their music a blending of progressive rock, jazz, experimental electronics and disco –created mainly in the 1970s – during a time when the country was both a cultural and economic powerhouse in Latin America.

    While much of 1960s Venezuelan rock music emulated British and USA styles, and salsa dominated the dancefloors of Latin America, the 1970s saw the evolution of a new generation of creative local artists such as Vytas Brenner, Daniel Grau, Aldemaro Romero, Un Dos Tres Y Fuera who all explored the possibilities of mixing together rock with elements of electronica, funk, jazz, latin rhythms simultaneously exploring their links with Venezuelan roots music, creating a new sound which blended a multitude of new and old world influences, uniquely Venezuelan.

    Most of these artists featured on Venezuela 70 remain practically unknown outside of Venezuela’s borders and yet their progressive forward-thinking music is some of the most sophisticated in the world – a stunning ‘melting pot’ mix of sounds from the cosmic and psychedelic rock of Vytas Brenner to the Moroder-esque disco experimentation of Daniel Grau, and the tropical funk of Un Dos Tres Y Fuera and beyond.

    Aside from the relatively known Vytas Brenner and Daniel Grau, most of the music on this album is incredibly rare (even in Venezuela)! The album is released as heavy double gatefold vinyl with full colour inners, exclusive text on artwork, CD with slipcase and large booklet, and digital album.

    • Vytas Brenner – Agua Clara
    • Daniel Grau – Dejando Volar El Pensamiento
    • Un Dos Tres Y Fuera – Relafica Negra En Tiempo De Siembra
    • Orchestra Julian – Do It With Class
    • Vytas Brenner – Gavilan
    • Fernando Yvosky – Estoy Viviendo
    • Daniel Grau – Delirio En Fa Menor
    • Vytas Brenner – Mandingo
    • Un Dos Tres Y Fuera – Machu Picchu Dos (El Niño Anciano)
    • Vytas Brenner – La Sabana
    • Johnny Lamas – Noches En Caracas
    • Aldemaro Romero Y Su Onda Nuevo – Moilendo Cafe
    • Vytas Brenner – Morrocoy
    • Daniel Grau – Voy Caminando Feliz
    • Grupo Bota – Solos
    • Vytas Brenner – Tragavenado
    • La Cuarta Calle – Camino A Casa (On My Way Home)
    • Aldemaro Romero Y Su Onda Nuevo – Una Por Una
    • 1. Vytas Brenner – Agua Clara
    • 2. Daniel Grau – Dejando Volar El Pensamiento
    • 3. Un Dos Tres Y Fuera – Relafica Negra En Tiempo De Siembra
    • View full info and tracklisting
    Africans With Mainframes (Hieroglyphic Being and Noleian Reusse)K.M.T.Soul Jazz Records

    "A devastating album of epic dancefloor rituals and visions from Jamal Moss (Hieroglyphic Being) and Noleian Reusse in their prized Africans With Mainframes guise, amounting to their most substantial and impressive collection." BOOMKAT

    --------------------------------------------------------------------------------------------------------------------

    This album is available as a very limited 1000 double-LP (+download) and 1000- tip-on hard Japanese gatefold card style CD, digital album all designed by the artist Paolo Parisi.

    -------------------------------------------------------------------------------------------------------------------

    Jamal Moss, aka Hieroglyphic Being, returns for a new second album on Soul Jazz Records, after last year’s debut The Acid Documents. this time under the name Africans with Mainframes.

    Hieroglyphic Being and fellow Chicago producer Noleian Reusse have been releasing music under the name Africans with Mainframes for over 15 years now, ever since their debut on Hieroglyphic Being’s own Mathematics Recordings label in 2005. ‘K.M.T.’ is the debut album from the group, a collage of apocalyptic Chicago acid meets industrial and transcendental post-house machine funk. 

    Both intense and unique, the album of forward-thinking, experimental, boundary-pushing Afro-futurist electronic music shows why Hieroglyphic Being is regarded as one of the most serious purveyors of experimental black music today. You can't stop the prophet!

    Born and based in Chicago, Moss’s music embodies two of the cultural foundation blocks of the city’s musical lineage; that of Chicago’s original Acid House sound (c. 1986), that of Frankie Knuckles, Phuture, Marshall Jefferson et al, alongside a rigorous experimental sound searching that taps into the cosmic musical lineage of pioneering artist Sun Ra whose Arkestra landed and was based in the city from 1946-61.

    Similarly his relationship to Chicago’s original acid house pioneers of the late 80s is no hyperbole. Originally mentored by artist/producers Adonis and Steve Pointdexter, Moss also now runs his own Mathematics label which has released music by foundation acid house pioneers Lil’ Louis, Adonis and many others. To quote Moss, ‘I am the last of the line of producers directly influenced by Ron Hardy (the pioneering acid house DJ) at the Music Box.’

    Moss grew up in the south side of Chicago. After being thrown out of the home of his adoptive parents, he then spent three years homeless living on the streets of Chicago, living a nocturnal existence as a gigolo in Chicago’s alternative clubs. He began his career as a DJ at the pioneering Liquid Love parties at Chi-town’s legendary Power House (home of Ron Hardy’s MusicBox) around 1989.

    What clearly defines Moss’s music is that while sometimes pushing the limits of sound to an ear-splitting dimension of experimentation and DIY-electronics – the music is always clearly a progression of the lineage of black music. In the words of fellow Chicagoans, The Art Ensemble of Chicago, it is simply ‘Great Black Music.’ And yet in this uniquely defined sound, Moss somehow manages to draw into this world elements of industrial music, German electronic music (Cluster, Harmonia etc), Detroit’s sci-fi techno artists (Atkins, Saunderson, Craig) and more.

    • – Anachronistic
    • – Hierachical
    • – Book Of Gatis
    • – Negroid Spinx
    • – Qustal Artifacts
    • – Naqada
    • – K.M.T.
    • – Meroitic Script
    Soul Jazz Records Presents Bunny Lee: Dreads Enter The Gates With PraiseThe Mighty Striker Shoots The Hits!Soul Jazz Records

    ‘Bunny Lee, the Hit Maker from Jamaica.’

    Soul Jazz Records presents this collection featuring the heavy 70s roots reggae of Bunny Lee – a living legend, one of the last of the great Jamaican record producers who helped shape and define reggae music in the 1970s from a small island sound into an internationally successful musical genre.

    From teenage fan to young record plugger for Duke Reid, Sir Coxsone and other early pioneering Jamaican musical entrepreneurs, Lee has spent his whole professional life inside the Kingston music industry. In the 1970s he rose up to become one of the major record producers in Jamaica alongside Lee ‘Scratch’ Perry, and the other ‘small axe’ producers, who broke the dominance of the ‘big tree’ producers that had ruled Jamaican music in the 1960s.


    Featuring some of the heaviest Jamaican artists including Johnny Clarke, King Tubby, Dillinger, Prince Jazzbo, Tommy McCook, The legendary Aggrovators (featuring Sly and Robbie), The Mighty Diamonds and more, the album is a rollercoaster ride of rare, deep and classic 1970s roots, dub and DJ sounds.


    During this era ‘flying cymbals’, crashing reverbs, dark echoing thunderclap gunshots and other ‘implements of sound’ filled his record productions as Bunny Lee explored the outer limits of dub with his friend King Tubby in the mix on wild versions that accompanied any 45. A Bunny Lee record provides a creative and mysterious hidden guide to reggae music itself, a double-sided three-minute intangible history lesson etched in wax.

    Bunny Lee was one of the first Jamaican producers to travel to England in the late 1960s, at the beginning of the nascent British reggae music industry as record companies such as Trojan, Pama and others began licensing Jamaican music in the UK to supply the expanding West Indian communities living up and down England. Lee encouraged other Jamaican producers to do the same, including Lee Perry, Harry J and Niney the Observer, and also became a conduit between the British music industry and numerous younger Island-based producers - a frequent flyer reggae ambassador, a musical courier exchanging tapes for royalties.


    His first recordings in the late 1960s were mainly rock steady but as the 70s approached the music soon began to mutate and slow down into ‘reggae’ as the sound became heavier, more roots-y and the sound itself began to change with the explosion of dub. Lee was at the forefront to this dramatic musical shift into roots reggae, and by this time had become a major producer, capable of working with whoever he chose as world-famous singers, DJs and musicians lined up to work with the charismatic man. Lee also employed a fluid but stable set of crack session musicians who he named The Aggrovators.

    Most of the recordings featured here come from the mid-70s, a time when Bunny Lee was definitely ‘in the zone,’ releasing heavyweight singles at an almost unstoppable rate. Bunny Lee’s career stretches over five decades and he has upwards of 2,000 production credits on vinyl.

    Did you work all night?

    ‘Yeah man, night and day. One weekend I remember, I go in a Channel One on a Friday night and I never come out ‘til Monday morning. Just send out to get food and ting.’ Bunny Lee

    This album comes with extensive sleevenotes, an interview with Bunny Lee, and exclusive photography. The album is available as a massive triple LP vinyl + download code, house inner, full notes, as well as deluxe CD pack with 24-page booklet, and digital album.

    • Johnny Clarke – Enter Into His Gates With Praise
    • King Tubby Meets Tommy McCook and The Aggrovators – The Dub Station
    • Gene Rondo – Why You Do That
    • Vin Gordon & The Aggrovators – Magnum Force
    • Jackie Edwards – So Jah Seh
    • The Aggrovators – So Jah Seh Dub
    • Jah Youth – Principle and Dignity
    • King Tubby Meets Tommy McCook and The Aggrovators – King Tubby Dub
    • Jah Stitch – Real Born African
    • The Aggrovators – African Love Call
    • Gene Rondo – A Land Far Away
    • The Uniques – Queen Majesty
    • Johnny Clarke – Time Will Tell
    • The Aggrovators – Drums Of Africa
    • Dillinger and King Tubby – Jah Jah Dub
    • Winston Wright – Marvelous Rocker
    • The Mighty Diamonds – You Should Be Thankful
    • King Tubby, Prince Jammy and The Aggrovators – A Thankful Version
    • Dillinger – Check Sister Jane
    • Prince Jazzbo – The Wormer
    • The Uniques – You Don't Care For Me
    • Shorty The President – Natty Dread Have Ambition
    • King Tubby and The Aggrovators – This A The Hardest Version
    • 1. Johnny Clarke – Enter Into His Gates With Praise
    • 2. King Tubby Meets Tommy McCook and The Aggrovators – The Dub Station
    • 3. Gene Rondo – Why You Do That
    • View full info and tracklisting
    Hieroglyphic BeingThe Red NotesSoul Jazz Records

    "Hieroglyphic Being translates five years of experimentation into his best LP to date" Vinyl Factory

    "Album of the week" BLEEP

    "Chicago dance music hero Hieroglyphic Being releases one of the strongest albums of his incredible career" Pop Matters

    ----------------------------------------


    Stunning new album from Chicago’s finest electronic futurist Hieroglyphic Being, aka Jamal Moss, newly released on Soul Jazz Records. This is his third album for the label, following on from The Acid Documents (2015), and African With Mainframes (w/ Noleian Reusse) K.M.T. (2016).

    Born and based in Chicago, Moss’s music embodies two of the cultural foundation blocks of the city’s musical lineage; that of Chicago’s original Acid House sound (c. 1986) - Frankie Knuckles, Phuture, Marshall Jefferson et al, alongside a rigorous experimental sound searching that taps into the cosmic musical lineage of pioneering artist Sun Ra whose Arkestra landed and was based in the city from 1946-61, and the equally pioneering work of The Art Ensemble of Chicago in the 1960s and 70s.

    The association with Sun Ra is by no means hypothetical, Moss recorded with the Arkestra leader Marshall Allen and a host of free jazz players for the album Hieroglyphic Being & JITU Ahn-Sahm-Buhl’s ‘We Are Not The First.’ (2015).

    Similarly, his relationship to Chicago’s original acid house pioneers of the late 1980s is no hyperbole. Originally mentored by artist/producers Adonis and Steve Pointdexter, Moss also runs his own Mathematics label, releasing a constant stream of new music by foundation acid house pioneers Lil’ Louis, Adonis and many others.

    Moss grew up in the south side of Chicago. After being thrown out of the home of his adoptive parents, he then spent three years homeless living on the streets of Chicago, living a nocturnal existence as a gigolo in Chicago’s alternative clubs. He began his career as a DJ at the pioneering Liquid Love parties at Chi-town’s legendary Power House (home of Ron Hardy’s Music Box) around 1989.

    What clearly defines Moss’s music is that while sometimes pushing the limits of sound to an ear-splitting dimension of experimentation and DIY-electronics – the music is always clearly a progression of the lineage of black music. In the words of fellow Chicagoans, The Art Ensemble of Chicago, it is simply ‘Great Black Music.’ And yet in this uniquely defined sound, Moss somehow manages to draw into this world elements of industrial music, German electronic music (Cluster, Harmonia etc), Detroit’s sci-fi techno artists (Atkins, Saunderson, Craig) and more.

    ‘Outsider House’ ‘Afro-Futurist’ ‘Rhythmic Cubism’, Moss’s near indescribable sound plays testament to the notion that he is perhaps the last of the line of producers directly influenced by Ron Hardy at the Music Box, uniquely qualified to write a new chapter of Chicago’s rich musical history.

    Red Notes is the prolific artists new revelatory and unique project – in his own words ‘A homage to the Blue Note Jazz sound of Thelonious Monk, John Coltrane, Herbie Hancock’ fused together with the classic Chicago House and Acid sensibilities of Larry Heard, Armando, Adonis et al, into a newly imagined futuristic and barrier-less musical landscape.

    Featuring organic and synthetic electronic instrumentation, Hieroglyphic Being here fuses real-time live instrumentation and over-dubbed technologies to dramatic effect, as analog and electronic worlds collide.

    In honour and dedication: Thelonious Monk , Weather Report, Black Herman, Larry Heard, Herbie Hancock, Marshall Allen, Danny Thompson, Sun Ra, David Hotep, Daniel Carter, Orphy Robinson, Shabaka Hutchings, Mark Sanders, Evan Parker, Yaw Tembe, Pat Metheny, Miles Davis, Armando Gallop, Jon Hassell, Heldon, Pekka Airaksinen, Popol Vuh, Joe Zawinul, Moebius, Plank, Neumeyer, Adonis.

    Instrumentation: with Organic Flute, Piano, Guitar, Drums, Alto Sax, Hammond Organ, Korg Triton, Linn Drum, Korg DDD-1, Dr5 Drums, Casio RZ 1, Ensoniq Mirage Fairlight CMI Series III, Moog Mother 3, Allen & Heath Zed 24 mixer, Auria App for Sequencing.

    The striking artwork features stunning graphics and illustration from Paolo Parisi (who also created the artwork for the Africans With Mainframes album as well the series of Acid Mysterons albums all on Soul Jazz Records)

    "Jamal Moss has composed a modern afrofuturist suite as though in a state of perpetual grace" QUIETUS

    Read full review here

    • Hieroglyphic Being – Youth Brainwashing and The Extremist Cults
    • Hieroglyphic Being – The Melody Lingers
    • Hieroglyphic Being – The Seduction Syndrome
    • Hieroglyphic Being – Awake and Energize
    • Hieroglyphic Being – Video Jazz
    • Hieroglyphic Being – The Red Notes (Original)
    • Hieroglyphic Being – The Emotional Listener
    • Hieroglyphic Being – The Red Notebook
    • Hieroglyphic Being – The Tone Bather
    • 1. Hieroglyphic Being – Youth Brainwashing and The Extremist Cults
    • 2. Hieroglyphic Being – The Melody Lingers
    • 3. Hieroglyphic Being – The Seduction Syndrome
    • View full info and tracklisting
    Soul Jazz Records presents Eddie RussFresh Out (1974)Soul Jazz Records

    Soul Jazz Records are re-releasing keyboardist Eddie Russ’s seminal debut deep jazz LP Fresh Out (and the first album ever released on Soul Jazz Records!) in a new limited edition COLOURED vinyl 1000 copies worldwide (+ free download code) and new CD edition.

    Eddie Russ's Fresh Out was independently released in Detroit in 1974 and has remained a collector's item ever since. Russ was an important figure to emerge from the vibrant underground jazz scene that thrived in Detroit in the early 1970s, existing in the cultural and economic desolation of the city after the departure of Motown in the late 1960s.

    This scene included the musical collective Tribe (including members Wendell Harrison, Marcus Belgrave, Phil Ranelin, Harold McKinney and Doug Hammond) and Kenny Cox’s Strata Records. Eddie Russ’s Fresh Out was first released in 1974 on the independent Jazz Masters record label.

    As well as including the classic jazz dance cut The Lope Song, Eddie Russ’s Fresh Out featured the debut of the group The Mixed Bag who subsequently recorded for both Tribe and Strata Records. Eddie Russ released two further classic jazz funk albums in the late 1970s, See the Light and Take a Look at Yourself.

    • Eddie Russ – The Lope Song
    • Eddie Russ – All But Blind
    • Eddie Russ – Shamading
    • Eddie Russ – Hill Where The Lord Hides
    • Eddie Russ – You Are The Sunshine Of My Life
    • Eddie Russ – Watergate Blues
    Soul Jazz Records presents Apala:Apala Groups in Nigeria 1967-70Soul Jazz Records

    Soul Jazz Records new ‘Apala: Apala Groups in Nigeria 1967-70’ is the first ever collection of Apala music to be released outside of Nigeria.

    The album focusses on a wide selection of recordings made in Nigeria in the 1960s, a time when Apala music was at the height of its popularity. Apala is a deeply rhythmical, hypnotic and powerful musical style that combines the striking nasal-style vocals and traditions of Islamic music, the Agidigbo (thumb piano), and the equally powerful drumming and percussion rhythms and techniques of the Yoruba of Nigeria.

    The most significant figure in Apala music is undoubtedly Haruna Ishola who features throughout this album. Ishola holds an almost mythological status in his role as populariser of Apala music in Nigeria. Ishola’s singing was believed to be so powerful that, without proper restraint, it could kill the recipient of his music.

    Apala is a popular music that also functioned as a form of cultural resistance – Apala music involved no western instrumentation and is sung in the Yoruba language, its aesthetic an implicit cultural rejection of the British Empire’s colonial rule over Nigeria which lasted from 1901 until independence in 1960.

    Apala music was popular and widely accepted in Nigeria due to its philosophical and profound lyrical content alongside the complex rhythmic patterns of this heavily percussive style, which highlighted many of the percussion instruments of south-west Nigeria.

    Apala is one of a number of popular urban styles of music that came out of Nigeria in the 20th century and sits alongside the more well-known (in the West) styles of Fuji, Highlife, Juju and Afrobeat. Of these modern forms Apala remains perhaps the most ‘roots’ style (sometimes described as ‘neo-traditional’) due to the authenticity of its sound. It has similar Islamic roots to other neo-traditional styles of Nigeria – including Waka and Sakara – examples of which are also included on this collection contextualising the music of Apala.

    These recordings were originally made and released locally by Decca and EMI Records as well as a variety of independent labels in Nigeria and have never been released outside of the country before. Soul Jazz Records are releasing this album as a deluxe double gatefold vinyl (+ download code), CD, slipcase and booklet, both containing full text and photography.

    • Haruna Ishola and His Apala Group – Ewure Ile Komoyi Ode
    • Adebukonla Ajao and Her Group – Aboyin Ile
    • Rapheal Ajide and His Apala Group – Adura Fun Osiwowo
    • Haruna Ishola and His Apala Group – Orin To Mo Gbon Wa
    • R.A. Tikalosoro and His Group – Agilinti Lomu
    • Adebukonla Ajao and Her Group – A.B.D. Alawiye
    • Haruna Ishola and His Apala Group – Asa Ko Gbodo Wole Gbeiyele
    • Adeleke Aremu & His Group – Egbe Arowolo
    • Haruna Ishola and His Apala Group – Rufai Baolgun
    • R.A. Tikalosoro and His Group – Kiniun Kuro Leran Amu Sere
    • Haruna Ishola and His Apala Group – S. Aka
    • Adebukonla Ajao and Her Group – Lekele Bale
    • Kasumu Adio and His Apala Group – Odale Ore
    • Ayisatu Alabi and Her Group – Oko Lolomo
    • Jimoh Agbejo Bo Ogun and His Group – Oriki Ibeji
    • Ayisatu Alabi and Her Group – Omo Olobi
    • Rapheal Ajide and His Apala Group – Orin Aje
    • Adebukonla Ajao and Her Group – Sunday Babayemi
    • 1. Haruna Ishola and His Apala Group – Ewure Ile Komoyi Ode
    • 2. Adebukonla Ajao and Her Group – Aboyin Ile
    • 3. Rapheal Ajide and His Apala Group – Adura Fun Osiwowo
    • View full info and tracklisting
    Trees SpeakShadow FormsSoul Jazz Records

    Super-limited new 1000 copies special ox-blood red vinyl edition!

    -------------------------------------------------------------------------------------------------------------

    It's a big one ... Absolutely stunning second album from Trees Speak new on Soul Jazz Records.

    Trees Speak’s new album ‘Shadow Forms’ is a blend of 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New Nork no wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!

    Trees Speak’ segue together all these elements into ‘Shadow Forms,’ which follows on from their critically-acclaimed debut LP ‘Ohms,’ released on Soul Jazz Records less than six months ago.

    Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

    Trees Speak - Shadow Forms:

    Records of the week-Drift/Album of the week-Resident/Album of the week-Norman/Records of the Year-South/Albums of the Year-Concrete Island/Albums of the month-Reveal/Albums of the Year-Piccadilly/Albums of the Year-Buzzsaw

    • Trees Speak – Large Array
    • Trees Speak – Tear Kisser
    • Trees Speak – Those Who Know
    • Trees Speak – Transforming
    • Trees Speak – Automat
    • Trees Speak – False Ego
    • Trees Speak – Communication
    • Trees Speak – Crystal System
    • Trees Speak – Agonize Signal
    • Trees Speak – Magick Knives
    • Trees Speak – Shadow Forms
    • Trees Speak – Outtake 3
    • Trees Speak – Transmitter
    Planet Love Vol. 1: Early Transmissions 1991​-​95Safe Trip

    'Planet Love: Early Transmissions 1990-95' showcases the roots and formative years of "proper" trance via 13 loved-up, psychedelic, colourful, melodious and surprisingly varied dancefloor experiments from Europe, Australia and the United States. Features absolute classics from the likes of Epilson 9, Spooky, Oliver Lieb, Holy Ghost Inc, Morgan Wild and more!

    • Hawke – Nudes In A Purple Garden
    • Mind Gear – Don't Panic (Transpanic Mix)
    • Glam – My Mother Said (Cosmic Trance Mix)
    • Young American Primitive – These Waves
    • Holy Ghost Inc. – Mad Monks On Zinc
    • Morgan Wild – Dionysian Dream Sacrament
    • Epsylon 9 – Life Formation
    • Spooky – Orange Coloured Liquid
    • Extasia – Alegrya (Virtual Mix)
    • Humate – Love Stimulation (Love Mix)
    • Oneiric Vortex – Oasi
    • Human Beings – The Matrix
    • L.S.G. – Lonely Casseopaya (Club Mix)
    • 1. Hawke – Nudes In A Purple Garden
    • 2. Mind Gear – Don't Panic (Transpanic Mix)
    • 3. Glam – My Mother Said (Cosmic Trance Mix)
    • View full info and tracklisting
    • 2×LP£22.00
      Out of stock
    Studio One DJ PartySoul Jazz Records

    Soul Jazz Records’ new Studio One DJ Party is the latest instalment from the mighty Studio One Records catalogue, a wicked new collection of the finest DJs and toasters ever to inhabit the world of reggae – seminal Jamaican artists including Prince Jazzbo, Dillinger, Dennis Alcapone, Michigan & Smiley, Lone Ranger as well as a host of lesser known artists and rare cuts from Studio One.

    From the earliest days when Clement ‘Sir Coxsone’ Dodd ran his Downbeat soundsystem up and down the length of Jamaica, DJs and toasters such as King Stitt and Count Machukie were always a part of the sound of Studio One, introducing new records and exciting audiences with catchphrase lines such as:

    “No matter what the people say these sounds lead the way

    It's the order of the day from your boss deejay” King Stitt

    So when DJ emerged as a distinct reggae style at the start of the 1970s, Studio One was, as always, way ahead of their competitors. Legendary artists of the calibre of Dillinger, Dennis Alcapone and Prince Jazzbo all queued up to record for the equally legendary label.

    At the end of the 1970s, as dancehall exploded onto the island, Clement Dodd was once again able to maintain Studio One’s position on the throne as the number one sound in the Jamaica, fighting off upstart competitors such as Channel One and Joe Gibbs who tried to replicate Studio One’s unique sound. During this period Clement Dodd released a series of stunning dancehall releases from young DJ/dancehall artists at the label including Lone Ranger and Michigan & Smiley.

    This selection spans the early 70s up until the mid-1980s, from the earliest days of deejay toasting right up until digital dancehall, ground-breaking tracks over the finest selection of the ultimate Studio One rhythms and tracks. Who could ask for more?

    Studio One DJ Party includes specially commissioned sleevenotes by Chris Lane, founder of the legendary British reggae label Fashion Records, as well as fantastic original artwork commissioned by the illustrator Ski Williams. The album is released as double heavyweight vinyl (+download code), and distinctive Soul Jazz Records CD with slipcase.

    • Screechie Dan – We A Don
    • Lone Ranger – My Number
    • Dennis Alcapone – Riddle I This
    • Kentrus – It A Fi Bun
    • Lone Ranger – Apprentice Dentist
    • King Sporty – DJ Special
    • Prince Jazzbo – Little Joe
    • Ragga Muffin – Ragga Muffin
    • Mad Roy – Universal Love
    • King Sporty – Choice Of Music
    • King Stitt – Rhyming Time
    • Prince Jazzbo – Fire Coal Version
    • Dillinger – Fountain on The Mountain
    • Michigan & Smiley – Thank You Jah
    • Prince Garthie – Raindrops
    • Jah Buzz – Automatic Clapping
    • Dennis Alcapone – El Paso
    • Big Joe – Nanny Version Skank