Anarchic carnival street music from Haiti. Traces of New Orleans' Second Line jazz meets Cuban carnival Comparsas and Brazilian afro blocs and as deep as the Art Ensemble of Chicago!
Rara is the music played throughout Kanaval, an anarchic folk-meets-punk collision of drums, voices and bamboo sticks which all creates an exciting, energising soundtrack to Kanaval in Haiti.
Rara bands tour the countryside for days at a time accosting people, car drivers and anyone in their way, demanding payment before they move on and the crowd of musicians and singers gets bigger all the time.
This music was recorded by Soul Jazz Records at Desmangles Studios in the heart of Port-au-Prince, Haiti
Drums: Frederick Frednel, Harold Laurenceau, Jozil J Rebert, Lauture Arnaud
Banbou Percussion : Jean Vital, Onil Jean Baptiste
Cone Percussion: Aja Saintil, Gerald Michel, Jean Claude Annee
Vocals: Enide George, Marie Michel George
Recorded at Desmangles Studio, Port-Au-Prince, Haiti, 2010 by Soul Jazz Records.
REVIEW
"Recorded in Port-au-Prince, featuring musicians who literally stop traffic in Haiti with their edgy, rousing and hypnotic dance music. Rara is both a distinctive style, with its roots in Africa's slavery days, and the name give to parades in which crowds dance through the streets following bands, in events that can be political or religious.
This is DIY music at its best, with percussion instruments made from bottles, sticks or old car parts; konet horns, made from the flattened tin of food cans, and vaksins, constructed from lengths of bamboo or even plastic water pipes.
The result is a furious noise that sounds at times as if football fans were attempting psychedelic marching tunes on vuvuzelas, with lengthy passages of repeated riffs against drumming and chanting vocals. There are similarities with bands in present-day Kinshasa that use homemade instruments to create trance music." THE GUARDIAN