Raw Detroit house pearls from Omar-S, hustling gritty garage-house and boogie flavours on both sides
Uptown he samples Tia Monae’s 1983 proto-house/garage gem ‘Don’t Keep Me Waiting’ to ruggeder effect in ‘Better Believe It Baby’, alongside a belting vocal garage house cut ‘Catch Ya’.Downtown, he serves the slamming sampler workout and crispy polyrhythms of ‘Cheat’ inna Shake or Soundhack style, then properly cuts loose on the ragged tribal house rhythms and teasingly percolated chords of ‘Pull Ovaa’ in a manner reminding of The Oliverwho Factory’s haughty power-ups.