Madlib Beat Konducta Vol 5-6: A Tribute To J Dilla

Stones Throw
  • CD STH2205£9.99
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  • 1. For the mans (prelude)
  • 2. The mystery (dillas's still here)
  • 3. Beat provider (therough the years)
  • 4. J's day theme 3 (support)
  • 5. In jah hands (dillas lament)
  • 6. Get dollaz (24-7)
  • 7. The string (heavy jones)
  • 8. Two for pay jay (no dough, no show)
  • 9. No more time? (transition)
  • 10. Dirty hop (the shuffle)
  • 11. Floating soul (peace)
  • 12. Infinity sound (never ending)
  • 13. Rolled peach optimos (call day)
  • 14. The main inspiration (coltarane of beats)
  • 15. The gets over (move)
  • 16. Shades of pete (super)
  • 17. King chop (top line)
  • 18. Anthenagin' (?)
  • 19. Sacrifice (beat-a-holic thoghts)
  • 20. Rebirth cycle (super soul)
  • 21. Dill withers theme
  • 21. First Class (The Best Catalogue)
  • 22. Lifetime (Lifeline)
  • 23. The Electric Zone (Plugged In)
  • 24. So Much (Music)
  • 25. Smoked Out (Green Blaze Subliminal Sounds)
  • 26. Another Bag of Bomb (No Seeds)
  • 27. All Love (The Movement)
  • 28. Detroit Playaz (Gator Walk)
  • 29. Blast (Computer Rock)
  • 30. J.B. and J.D. (Interlude)
  • 31. Never Front (Ears Up)
  • 32. Dillalade Ride (Contact High)
  • 33. Suffer (Concentration)
  • 34. Show Me The Good Life (Chip Stack)
  • 35. Slapped Up (Snap N? Clap)
  • 36. Another Batch (play it again)
  • 37. Full Figure Pockets (Pay Jay)
  • 38. Smoke Interlude (Hawaiian Punch)
  • 39. The Sky (Beyond Sight)

The first two volumes of Beat Konducta, Movie Scenes, were a soundtrack to a movie that existed only in Madlib’s mind. It’s score ranged from Blaxploitation soul to African-psychedelia, from Tropicalia to moody progressive rock. The second installment took its listeners on a tour of Bollywood, circa 1975. Beat Konducta In India paid sincere tribute to musical giants largely unheard of by Western ears. And kept the funk levels up all the way.

Beat Konducta Vol. 5-6: A Tribute to... is a 42-track piece dedicated to the late J Dilla. Madlib and J. Rocc – arguably Dilla’s closest musical compatriots during his time spent in Los Angeles – lovingly remember their friend and reflect on his boundless influence. As was the case with Donuts and in keeping with the Beat Konducta’s all-embracing musical bent, this album does not settle into one groove for too long. The result is a transfixing, sometimes jarring, and always soulful homage to the man Madlib crowned “King Of The Beats.”

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