Emahoy Tsege Mariam Gebru Jerusalem

• Emahoy Tsege Mariam Gebru – Famine Disaster 1974
• Emahoy Tsege Mariam Gebru – Home of Beethoven
• Emahoy Tsege Mariam Gebru – Jerusalem
• Emahoy Tsege Mariam Gebru – Aurora
• Emahoy Tsege Mariam Gebru – Quand La Mer Furieuse
• Emahoy Tsege Mariam Gebru – Have You Seen Assayehegn?
• Emahoy Tsege Mariam Gebru – Extract from Rainbow Sonata
• Emahoy Tsege Mariam Gebru – Woigaye, Don’t Cry Anymore
• Emahoy Tsege Mariam Gebru – Farewell Eve
• Emahoy Tsege Mariam Gebru – The Pilgrim Song

• 1. Famine Disaster 1974
• 2. Home of Beethoven
• 3. Jerusalem
• 4. Aurora
• 5. Quand La Mer Furieuse
• 6. Have You Seen Assayehegn?
• 7. Extract from Rainbow Sonata
• 8. Woigaye, Don’t Cry Anymore
• 9. Farewell Eve
• 10. The Pilgrim Song

From beloved composer Emahoy Tsege Mariam Gebru, a revelatory new album of piano pieces, unreleased or virtually inaccessible until now! Emahoy Tsege Mariam Gebru is a true original – an Ethiopian nun whose recordings have funded orphanages back home since the early ’60s. Her compositions and unique playing style live somewhere between Erik Satie, Debussy, liturgical music of the Coptic Ethiopian Church, and Ethiopian traditional music. It is some of the most moving piano music you will ever hear.

This is the first archival release of the great composer’s recordings since the Éthiopiques series reintroduced her music to the world in 2006. Drawn from original master tapes and a nearly impossible-to-find vinyl release, Jerusalem unveils profound new facets of Emahoy Gebru’s performance and compositions.

The record picks up where the last two Mississippi releases left off, with tracks from her 1972 album Hymn of Jerusalem, of which only a handful of copies are known to exist. These include “Home of Beethoven,” “Aurora,” and a true masterpiece that stands amongst her greatest compositions, the moving “Jerusalem.” “Quand La Mer Furieuse” is the first release featuring Emahoy’s singing voice, forshadowing a vocal album planned for 2023. The B-Side brings us the artist’s home recordings - tracks like “Farewell Eve,” “Woigaye Don’t Cry Anymore,” and “Famine Disaster 1974” mark a bridge from liturgical work to dark and intense classical material, a new mode.