It's by some strange inversion that since his untimely death in 1999 Bryn Jones' Muslimgauze project has become ever more enigmatic as his publicly available recordings have become ever more vast. The Mancunian artist's sudden passing at the age of 37 prematurely resolved a body of work that remains as experimental as it is diffuse, with an informal archive that was left spread between favoured labels and confidantes. And though this monadic project never abided by genre specifications, it all feels as if it is taking the critical pulses of its time and rendering them into something other than the sum of its obscure compulsions.