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    Historically renown Dave Brubeck’s Take 5 covered in rocksteady style. It later became one of reggae’s standard repertoire.

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    Recorded on the very same day as Earl Sixteen's People Music, here comes Junior Murvin cut crying for his brothers in the homeland. On flip side a Delroy Smart vocal on the same rhythm.

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    The late Winston Riley formed the Techniques in 1962 and remained a member of the group throughout their career.  Regarded as one of the finest harmony groups in the music's history, the Techniques included at one time or another such great singers as Slim Smith, Pat Kelly, Lloyd Parks, Bruce Ruffin, Jackie Parris, Tyrone Evans and Dave Barker.  The group recorded such classics as You Don't Care, Queen Majesty and Love Is Not A Gamble for Duke Reid before Riley decided to start producing himself.  This album collects his productions featuring the group, mainly featuring Pat Kelly on lead vocals; What Am I To Do, Man Of My Word, Time Has Come, as well as Dave Barker's solo gem Your Love Is A Game two tracks from The Shades and three from The Madlads.  

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    • The Mad Lads – So Afraid
    • The Techniques – I Feel Alive Again
    • The Techniques – Heart Of A Man
    • The Techniques – What Am I To Do
    • The Techniques – Where Were You
    • The Techniques – The Reason Why
    • The Shades – Never Gonna Give You Up
    • The Techniques – Just One Smile
    • The Techniques – Man Of My Word
    • The Mad Lads – Mother Nature
    • The Mad Lads – I Never Know
    • The Techniques – You Are My Everything
    • The Techniques – Time Has Come
    • The Shades – She's Gonna Marry Me
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    • CD£16.99
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    Derrick HarriottRock Steady PartyDub Store

    A faultless selection of seriously sublime rock steady from Derrick Harriott. A timeless classic where one of the pivotal pioneers of Jamaican music lays down sweet melodies, mellow grooves and wall to wall soul.

    IN STOCK NOW..

    • Derrick Harriott – Walk The Streets
    • Derrick Harriott – Home Home Home
    • Bobby Ellis – Step Softly
    • Keith & Tex – Leaving On The Train
    • The Apostles (5) – Kiss A Little Finger
    • Bobby Ellis – Now We Know
    • Derrick Harriott – Keep On Dancing
    • Derrick Harriott – The Loser
    • Lynn Taitt – You Caught Me
    • Keith & Tex – Tonight
    • David Anthony (5) – Out Of My Mind
    • Lloyd & Glen – That Girl
    • CD£14.99
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    • LP£19.99
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    The Eric Grant OrchestraCool At The Casa MontegoDub Store

    A masterpiece of Jamaican Jazz recorded in 1960 by the Eric Grant Orchestra, resident band of the Casa Montego Hotel in Montego Bay. Rhythm & Blues, Jazz standards, Cha Cha Cha, Merengue and Calypso all combine in this wonderful album.

    • – Uncle Joe
    • – Mr. Wonderful
    • – Razor Merengue
    • – Misty
    • – Mother And Wife
    • – Let's Fall In Love
    • – Cha Cha International
    • – Anema De Core
    • – T'is Wonderful
    • – Take Her To Jamaica
    • – Mind Your Own Business
    • – I Want To Be Happy
    • New LP £29.99
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    • CD£12.99
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    Black Man’s Pride 2 extends the legacy of Studio One’s ground-breaking path in roots reggae which began at the end of the 1960s and continued throughout the 1970s. The album tells the story of how the rise of Studio One Records and the Rastafari movement were interconnected, through the adoption of the Rastafari faith by key reggae artists – everyone from the Skatalites and Wailers in the 1960s, major singers such as Alton Ellis and Horace Andy at the end of the decade, through to major roots artists such as The Gladiators in the 1970s – and how Clement Dodd consistently recorded this heavyweight roots music throughout Studio One’s history.

    The extensive sleeve-notes to this album also discuss the links between Rastafari and Studio One in time and place, noting how both the religion and Clement Dodd’s musical empire had their roots in the intense period of pre-independence Jamaica in Kingston, expanded in the 1960s following the visit of Haile Selassie in 1966, and how roots music then came to dominate reggae music in the early 1970s. Also discussed is how the outsider stance of both reggae music and the Rastafari movement relate back many hundreds of years to the original rebel stance of the Maroons, escaped slaves who set up self-sufficient enclaves in the hills of the Jamaican countryside.

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    REVIEWS of Black Man's Pride:

    "Soul Jazz’s albums are different: not only have they encouraged a new, younger audience, parallel to the one that enjoys rare funk and spiritual jazz, to appreciate this music, their records are coherent. They’re not just a heap of tunes that happen to be sharing a black vinyl apartment. They’re themed and meld musically. They have a reason to exist.
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      Lovers rock brought together many elements and here you will find sweet harmonies, late 1960s rocksteady, 1970s soul covers, discomixes, recuts and new rhythms – which all fit together in a timeless twilight of love & harmony – as if lovers silhouetted by a Kingston sunset.

      Here you will find stone-cold classic Studio One tunes – Marcia Griffiths ‘Truly’, Horace Andy’s I’ll Be Gone super-rare cuts like Carlton and The Shoes killer 70s versions of Never Give Your Heart Away and Let Me Love You (vocal cut to Jackie Mittoo’s mighty Wall Street), The Invaders sweet lovers rocksteady bomb ‘Sweet Soul Rocking’ (currently for sale at £2,500 on discogs!) and many more!

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      • Alton Ellis – Tumbling Tears (12" Discomix)
      • The Heptones – I Hold The Handle
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      • The Minstrels – Yours Until Tomorrow
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      • Horace Andy – I'll Be Gone
      • Carlton and The Shoes – Let Me Love You (12" Discomix)
      • The Invaders – Soulful Music
      • Sugar Minott – Ghetto Girl
      • Marcia Griffiths – Truly
      • Devon Russell – My Woman's Love
      • Billy Cole – Rock All Night
      • Freddie McGregor – I Don't Know
      • Cornel Campbell – Didn't I
      • Horace Andy – Wanna Be Free
      • The Heptones – My Ting A Ling (12" Discomix)
      • Alton Ellis – Someone (Extended Mix)
      • The Righteous Flames – I Was Born To Be Loved
      • 1. Alton Ellis – Tumbling Tears (12" Discomix)
      • 2. The Heptones – I Hold The Handle
      • 3. Carlton and The Shoes – Never Give Your Heart Away (70s 12" Version)
      • View full info and tracklisting
      Junior MurvinPolice & ThievesJustice League

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      Brown Sugar were formed by three young teenage girls – Pauline Catlin, Caron Wheeler and Carol Simms in South London in 1976. In the short period of time 1976-1980, the group – working with Dennis Bovell on the mixing desk and John Kpiaye (‘Brownie T) in the studio – recorded barely a handful of singles on the new Lovers Rock label, a number of which went to the top of the UK reggae charts. But success stopped there, and with no album release and no industry support the group broke up in the early 1980s.

      Following their split Caron Wheeler became the lead vocalist for the hugely successful group Soul II Soul, Carol Simms launched a solo career as Kofi (re-making a number of Brown Sugar songs with producer Mad Professor) and Pauline Catlin returned to education.

      Despite their relatively low-key mainstream public exposure Brown Sugar (and the label on which their first records appeared) announced to the world a new genre of reggae music, Lovers Rock, which spoke for the first time with the sensibility of a new segment of British society; that of first generation-born Black British female youth.

      And while Lovers Rock became synonymous with sweet love songs, Brown Sugar’s music in fact expressed far more; a righteous pride and consciousness in being Black and British, a political stance more often associated with UK roots groups like Black Slate, Aswad, Misty in Roots and other British reggae acts in the late 1970s. Brown Sugar were in fact their own genre of ‘conscious lovers rock’ – an expression of ideological black cultural pride.

      Brown Sugar’s handful of three-minute love songs (often plus extended dubs) somehow manage to encapsulate all the complexities of identity, sexual politics and youthful righteousness of Afro-Caribbean youth living in Britain in the 1970s. Songs such as ‘I’m in Love with A Dreadlocks’, ‘Our Reggae Music’, ‘Black Pride’ and ‘Dreaming of Zion’ spoke with a straightforward righteousness and consciousness that few roots groups could hope to match. The fact that they were all teenagers is even more striking.

      In the mid-70s British reggae came into being as first generation Black Britain was able to find a voice able to express the issues of growing up British with Caribbean roots. This came about in two different ways – the British roots music of (essentially male) groups such as Aswad, Steel Pulse and Black Slate – and Lovers Rock, the expression of a black essentially (but not totally) female consciousness – Brown Sugar, Louisa Mark, 15-16-17, Marie Pierre, Janet Kay, Carroll Thompson, Jean Adebambo and others. And significantly, while British roots music was a variant on a Jamaican style, Lovers Rock was uniquely British – the first authentic British reggae sound.

      Dennis Bovell comments, “For Lovers Rock we needed a pulpit, a way of saying ‘this is the style’. Sound systems were already saying ‘this is lovers,’ brandishing it in the dance. Our intention was to create a style of music that my generation could identify with – one that had a beat, and you could dance to with your partner in a sound system setting.”

      Dennis Bovell’s mixes for the group gave a further dimension to Brown Sugar records – a sound system mentality, adding sound effects and dub elements. ‘I’m in Love with A Dreadlocks’ was the debut release for both Brown Sugar and the Lovers Rock label, a fitting calling card for both. The record was a hit on many sound systems across the UK, reaching the top of the reggae charts.

      John Kpiaye: “They never put out an album. And all these records were seven-inch singles; when 12-inches turned up it just killed the seven-inch.”

      Although the career of Brown Sugar was short-lived, their legacy and influence remains significant and now, 40 years on from these first records, all of the members are still involved in music. Pauline Catlin has recently re-launched her career under a new moniker, Shezekiel; Carol Simms, aka Kofi, remains a successful solo artist, one of the queens of Lovers Rock; Caron Wheeler, after leaving Soul II Soul at the end of the 1980s, embarked on a solo career, before re-joining the soul super-group which she continues to front to this day.

      This new collection brings together all the groups essential recordings for the first ever time and is released as double gatefold heavyweight vinyl + free download (+ full sleevenotes), CD with large booklet, and digital album.

      • – Black Pride
      • – Our Reggae Music
      • – Hello Stranger
      • – I'm In Love With A Dreadlocks
      • – Hurtin' (with Dennis Bovell)
      • – I'm So Proud
      • – Runaway Love
      • – Dreaming Of Zion
      • – Loving Dreadlocks Dub
      • – You and Your Smiling Face
      • – Do You Really Love Me
      • – Proud
      • – Confession Hurts
      Cultural RootsHell A Go PopVolcano

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