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    • Alva Lewis – Revelation
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    Great Rocksteady vocal cut from Alva Lewis with backing from Bobby Aitken & The Caribbeats with Lester Sterling's instrumental "Soul Voyage" on the flip.

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    The late Winston Riley formed the Techniques in 1962 and remained a member of the group throughout their career.  Regarded as one of the finest harmony groups in the music's history, the Techniques included at one time or another such great singers as Slim Smith, Pat Kelly, Lloyd Parks, Bruce Ruffin, Jackie Parris, Tyrone Evans and Dave Barker.  The group recorded such classics as You Don't Care, Queen Majesty and Love Is Not A Gamble for Duke Reid before Riley decided to start producing himself.  This album collects his productions featuring the group, mainly featuring Pat Kelly on lead vocals; What Am I To Do, Man Of My Word, Time Has Come, as well as Dave Barker's solo gem Your Love Is A Game two tracks from The Shades and three from The Madlads.  

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    • The Techniques – What Am I To Do
    • The Techniques – Where Were You
    • The Techniques – The Reason Why
    • The Shades – Never Gonna Give You Up
    • The Techniques – Just One Smile
    • The Techniques – Man Of My Word
    • The Mad Lads – Mother Nature
    • The Mad Lads – I Never Know
    • The Techniques – You Are My Everything
    • The Techniques – Time Has Come
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    Derrick HarriottRock Steady PartyDub Store

    A faultless selection of seriously sublime rock steady from Derrick Harriott. A timeless classic where one of the pivotal pioneers of Jamaican music lays down sweet melodies, mellow grooves and wall to wall soul.

    IN STOCK NOW..

    • Derrick Harriott – Walk The Streets
    • Derrick Harriott – Home Home Home
    • Bobby Ellis – Step Softly
    • Keith & Tex – Leaving On The Train
    • The Apostles (5) – Kiss A Little Finger
    • Bobby Ellis – Now We Know
    • Derrick Harriott – Keep On Dancing
    • Derrick Harriott – The Loser
    • Lynn Taitt – You Caught Me
    • Keith & Tex – Tonight
    • David Anthony (5) – Out Of My Mind
    • Lloyd & Glen – That Girl
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    The Eric Grant OrchestraCool At The Casa MontegoDub Store

    A masterpiece of Jamaican Jazz recorded in 1960 by the Eric Grant Orchestra, resident band of the Casa Montego Hotel in Montego Bay. Rhythm & Blues, Jazz standards, Cha Cha Cha, Merengue and Calypso all combine in this wonderful album.

    • – Uncle Joe
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    • – Razor Merengue
    • – Misty
    • – Mother And Wife
    • – Let's Fall In Love
    • – Cha Cha International
    • – Anema De Core
    • – T'is Wonderful
    • – Take Her To Jamaica
    • – Mind Your Own Business
    • – I Want To Be Happy
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      Here you will find stone-cold classic Studio One tunes – Marcia Griffiths ‘Truly’, Horace Andy’s I’ll Be Gone super-rare cuts like Carlton and The Shoes killer 70s versions of Never Give Your Heart Away and Let Me Love You (vocal cut to Jackie Mittoo’s mighty Wall Street), The Invaders sweet lovers rocksteady bomb ‘Sweet Soul Rocking’ (currently for sale at £2,500 on discogs!) and many more!

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      • The Minstrels – Yours Until Tomorrow
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      • The Invaders – Soulful Music
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      • Devon Russell – My Woman's Love
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      • Freddie McGregor – I Don't Know
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      • Horace Andy – Wanna Be Free
      • The Heptones – My Ting A Ling (12" Discomix)
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      • The Righteous Flames – I Was Born To Be Loved
      • 1. Alton Ellis – Tumbling Tears (12" Discomix)
      • 2. The Heptones – I Hold The Handle
      • 3. Carlton and The Shoes – Never Give Your Heart Away (70s 12" Version)
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      Junior BylesFade AwayJama

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      Brown SugarI'm In Love With A Dreadlocks: Brown Sugar and The Birth Of Lovers Rock 1977 - 80Soul Jazz Records

      Soul Jazz Records are releasing this first ever collection of the pioneering British reggae Lovers Rock group Brown Sugar including rare singles, dubs and extended mixes. The album comes with extensive sleevenotes and interviews with Dennis Bovell, Pauline Catlin, John Kpiaye and Winston Edwards (Studio 16).

      Brown Sugar were formed by three young teenage girls – Pauline Catlin, Caron Wheeler and Carol Simms in South London in 1976. In the short period of time 1976-1980, the group – working with Dennis Bovell on the mixing desk and John Kpiaye (‘Brownie T) in the studio – recorded barely a handful of singles on the new Lovers Rock label, a number of which went to the top of the UK reggae charts. But success stopped there, and with no album release and no industry support the group broke up in the early 1980s.

      Following their split Caron Wheeler became the lead vocalist for the hugely successful group Soul II Soul, Carol Simms launched a solo career as Kofi (re-making a number of Brown Sugar songs with producer Mad Professor) and Pauline Catlin returned to education.

      Despite their relatively low-key mainstream public exposure Brown Sugar (and the label on which their first records appeared) announced to the world a new genre of reggae music, Lovers Rock, which spoke for the first time with the sensibility of a new segment of British society; that of first generation-born Black British female youth.

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      Brown Sugar’s handful of three-minute love songs (often plus extended dubs) somehow manage to encapsulate all the complexities of identity, sexual politics and youthful righteousness of Afro-Caribbean youth living in Britain in the 1970s. Songs such as ‘I’m in Love with A Dreadlocks’, ‘Our Reggae Music’, ‘Black Pride’ and ‘Dreaming of Zion’ spoke with a straightforward righteousness and consciousness that few roots groups could hope to match. The fact that they were all teenagers is even more striking.

      In the mid-70s British reggae came into being as first generation Black Britain was able to find a voice able to express the issues of growing up British with Caribbean roots. This came about in two different ways – the British roots music of (essentially male) groups such as Aswad, Steel Pulse and Black Slate – and Lovers Rock, the expression of a black essentially (but not totally) female consciousness – Brown Sugar, Louisa Mark, 15-16-17, Marie Pierre, Janet Kay, Carroll Thompson, Jean Adebambo and others. And significantly, while British roots music was a variant on a Jamaican style, Lovers Rock was uniquely British – the first authentic British reggae sound.

      Dennis Bovell comments, “For Lovers Rock we needed a pulpit, a way of saying ‘this is the style’. Sound systems were already saying ‘this is lovers,’ brandishing it in the dance. Our intention was to create a style of music that my generation could identify with – one that had a beat, and you could dance to with your partner in a sound system setting.”

      Dennis Bovell’s mixes for the group gave a further dimension to Brown Sugar records – a sound system mentality, adding sound effects and dub elements. ‘I’m in Love with A Dreadlocks’ was the debut release for both Brown Sugar and the Lovers Rock label, a fitting calling card for both. The record was a hit on many sound systems across the UK, reaching the top of the reggae charts.

      John Kpiaye: “They never put out an album. And all these records were seven-inch singles; when 12-inches turned up it just killed the seven-inch.”

      Although the career of Brown Sugar was short-lived, their legacy and influence remains significant and now, 40 years on from these first records, all of the members are still involved in music. Pauline Catlin has recently re-launched her career under a new moniker, Shezekiel; Carol Simms, aka Kofi, remains a successful solo artist, one of the queens of Lovers Rock; Caron Wheeler, after leaving Soul II Soul at the end of the 1980s, embarked on a solo career, before re-joining the soul super-group which she continues to front to this day.

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      • – I'm So Proud
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      • – Dreaming Of Zion
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      • – You and Your Smiling Face
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      Studio One Freedom SoundsSoul Jazz Records

      Studio One Freedom Sounds is the new collection from Soul Jazz/Studio One focussing on the intense period in the second half of the 1960s when Studio One’s vast and unbeatable output of ska, soul, rock steady and reggae made it literally one of the hottest musical empires in the world.

      During this highly successful period, Clement ‘Sir Coxsone’ Dodd released hundreds and hundreds of superlative singles seemingly on an almost daily basis, in the process making huge stars out of Jamaican singers such as Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel and many more.


      Powered by the finest in-house musicians working in Jamaica, whether it was The Skatalites, Jackie Mittoo’s Soul Brothers, The Sounds Dimension or The Soul Vendors, Studio One functioned as hit factory on the scale of Motown in the USA, shaping and defining reggae music for decades to come.


      Singlehandedly Studio One’s founder Clement Dodd was able to create the most successful vertically-integrated record company that Jamaica had ever known with pressing plant, printers, studio, shops, and sound systems all running at once, with over 50 employees and hundreds of artists working with Studio One during this time.

      Studio One Freedom Sounds tells the story of Studio One in the 1960s with a stunning set of ska, soul, rock steady and reggae killer tunes as well as informative sleevenotes and track-by-track info by Noel Hawks. The album is released as heavyweight double vinyl (+ free download code), deluxe CD and digital album.

      • Don Drummond & The Skatalites – Rain Or Shine
      • The Gaylads – Morning Sun
      • Delroy Wilson – Just Because Of You
      • Alton Ellis – Sunday Coming
      • Jackie Opel – I Am What I Am
      • Peter Tosh – I Am The Toughest
      • Delroy Wilson – Get Ready
      • Mr Foundation – Timo-Oh
      • Roland Alphonso & The Soul Brothers – Provocation
      • Leroy & Rocky – Love Me Girl
      • Slim & Delroy – Look Who Is Back Again
      • The Skatalites – Spread Satin
      • Barrington Spence – Contemplating Mind
      • Ernest Ranglin – Psychedelic Rock
      • Bob Marley & The Wailers – Destiny
      • Roland Alphonso – Reggae In The Grass
      • Zoot Simms – We Can Talk It Over
      • Jackie Mittoo – Hi Jack
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      Earl ZeroCity Of The Weak Heart / Please OfficerArab / Jah Fingers

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        Val BennettThe Russians Are ComingDub Store

        Historically renown Dave Brubeck’s Take 5 covered in rocksteady style. It later became one of reggae’s standard repertoire.

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        • Glen Adams – Lonely Girl
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        SlintSpiderlandTouch And Go

        Defining math / post rock album from Slint, originally released on Touch And Go in 1991. Essential.

        • – Breadcrumb Trail
        • – Nosferatu Man
        • – Don, Aman
        • – Washer
        • – For Dinner...
        • – Good Morning, Captain
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