• Ahmed Malek & Flako – Tape 22 Track 2
    • Ahmed Malek & Flako – Tape 23 Track 4
    • Ahmed Malek & Flako – Tape 23 Track 3 (Part 1)
    • Ahmed Malek & Flako – Tape 23 Track 5
    • Ahmed Malek & Flako – Tape 27 Track 3 (Part 1)
    • Ahmed Malek & Flako – Tape 9 (Part 1)
    • Ahmed Malek & Flako – Tape 23 Track 3 (Part 2)
    • Ahmed Malek & Flako – Tape 3 Track 4
    • Ahmed Malek & Flako – Tape 3 Track 4
    • Ahmed Malek & Flako – Tape 9 (Part 3)
    • Ahmed Malek & Flako – Tape 12 Track 1
    • Ahmed Malek & Flako – Tape 9 (Part 4)
    • Ahmed Malek & Flako – Tape 27 Track 1
    • Ahmed Malek & Flako – Tape 27 Track 3 (Part 2)
    • Ahmed Malek & Flako – Tape 9 (Part 2)
    • Ahmed Malek & Flako – Tape 23 Track 6
    • Ahmed Malek & Flako – Tape 16 Track 3
    • 1. Tape 22 Track 2
    • 2. Tape 23 Track 4
    • 3. Tape 23 Track 3 (Part 1)
    • 4. Tape 23 Track 5
    • 5. Tape 27 Track 3 (Part 1)
    • 6. Tape 9 (Part 1)
    • 7. Tape 23 Track 3 (Part 2)
    • 8. Tape 3 Track 4
    • 9. Tape 3 Track 4
    • 10. Tape 9 (Part 3)
    • 11. Tape 12 Track 1
    • 12. Tape 9 (Part 4)
    • 13. Tape 27 Track 1
    • 14. Tape 27 Track 3 (Part 2)
    • 15. Tape 9 (Part 2)
    • 16. Tape 23 Track 6
    • 17. Tape 16 Track 3

    Ahmed Malek was already in his 50s by the time he discovered synthesizers and electronic music and started to experiment with sounds. The result was a mixture of ambient synth music, field recordings he made in Cuba and a wide variation of different sound experiments that he also presented as different avant-garde music festivals in Cuba and the US. None of it was ever released until now - His family have dug out the master tapes were happy to present this different side of Ahmed Malek's music. It was compiled and co-produced by Flako, a fan of early electronic and synth music. This is not a remix album, Flako's aim was to create an album out of 2 hours of material that sounds like Mr. Malek might have finished it himself before of his death. 

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