
Chicago in the mid-50s was the launchpad for Sun Ra's first steps beyond the straight-ahead jazz idiom. Working with his early Arkestra, he assembled a set of originals that already pointed away from bebop and hard bop toward something otherworldly. Pieces like 'India' and 'Sunology, Pt. 1' pulse with modal rhythms and percussion textures drawn from both African and Egyptian traditions, while 'Super Blonde' and 'Soft Talk' retain a swinging, r&b-inflected edge. 'Blues at Midnight' offers the earliest recording of a piece that would stay in Ra's book for decades, stretching out with moody intensity. The mixture of mystical themes, unusual instrumentation, and driving Chicago jazz energy captures Ra and his group on the brink of a new cosmic language.