- 1. Fundraiser
- 2. Marble Arch
- 3. bad reputation
- 4. Cowbella
- 5. I Make My Own Dust
- 6. Plastered
- 7. rooster
- 8. the lady vanishes
- 9. Lioness
- 10. omni shambles
- 11. Eyepatch
- 12. Some Like It Hot
Some Like It Hot is a 1959 film starring Marilyn Monroe, Tony Curtis and Jack Lemmon about a group of rogue musicians on the adventure path. It is funny, sexy, rambunctious and evergreen – a showcase of a triple-threat cast at full-throttle. Some Like It Hot is also the new album by London three-piece bar italia – out October 17th on Matador – and certain parallels are perhaps not accidental. It pulses with romance, intrigue, self-discovery and rapture over lustful rockers, spellbinding folk pop, punch-drunk ballads and undefinable moments that sneak up on you like a burst of 5pm sunshine. The record is the culmination of the joint world of Nina Cristante, Jezmi Tarik Fehmi and Sam Fenton – three singer-songwriters who have transcended their underground roots to embrace a bold, widescreen horizon.
The synergy of this three-way blunt rotation is embedded in the trio’s DNA. Cristante brings a studied actors’ sensibility to vocals ranging from honeyed (the aforementioned ‘Marble Arch’) to hell-bent and possessed (‘rooster’). Fehmi ranges from airy, brooding baritone (‘Lioness’) to mic-chewing megaphone histrionics (‘omni shambles’). Fenton, a wispy tenor, can veer between mystical melodicism and soaring blue-eyed soul within the same 8 bars (‘Plastered’).
The cultivation of their sound, from early homespun recordings like hand drawn sketches (the band presented an exhibition of their drawings in 2023) into the ceiling-wide brush strokes of Some Like It Hot, was chiselled via a relentless writing and touring schedule. When bar italia emerged in 2023 from an underground following to release two critically acclaimed albums on Matador only several months apart – the poised Tracey Denim and the grand The Twits – they were a shy, eye-contact-avoiding band, starting sets in darkness and just as soon disappearing backstage. They spent the next two years traversing the globe, with headline performances from Istanbul to Tokyo, sold-out multi-night stints in New York and Los Angeles, and festivals including Corona Capital, Glastonbury and Coachella. With over 160 shows worldwide across 2023-2024, they dispelled any mystique by becoming an exhibitionist and muscular five-piece that gives multiple encores – equally comfortable at festival mosh-pit incitement and moments of pin-drop intimacy.
Some Like It Hot is telling of this journey: a collection of rock songs voraciously embracing the main stage. The lightning choruses of ‘omni shambles’ and ‘Eyepatch’ show a band who have mastered melding their idiosyncrasies into tightly coiled pop songs. A pining for tangibility abounds: “just show me the face that you've been trying to hide”, Fenton opines on the Balkan-tinged waltz of ‘bad reputation’. Other songs surrender to abandon wholesale: “I was lost to the world from the moment we kissed”, Fenton sings on ‘rooster’, while on the 12-string new wave majesty of ‘Lioness’, Fehmi states, “You have no idea what I can do for you when I’m in this mood”.
bar italia have married their serious and heartfelt subject matter with a joy in showmanship. These are songs that twist their quirks into huge choruses, and find elevation in tension, playing with self-identity, emotion and performance until the lines blur. That 1959 Hollywood classic from which the album takes its name ends with the immortal line: “Well, nobody’s perfect.” This, however, comes pretty close.
