Bobby Soul & The United Stars Message From The Congo / Ten Long Years

• Bobby Soul & The United Stars – Message From The Congo
• Bobby Soul & The United Stars – Congo Dread Chapter 1
• Bobby Soul & The United Stars – Ten Long Years
• Bobby Soul & The United Stars – A Chant Fron The Congo (Take 2)

• 1. Message From The Congo
• 2. Congo Dread Chapter 1
• 3. Ten Long Years
• 4. A Chant Fron The Congo (Take 2)

One of two new represses from NYC Digikiller ...This is proper King Tubby's music; Tubby the man, not just Tubby's the studio. These two 12"s represent most of the known cuts of this brilliant rhythm, played by the Wailers' Barrett brothers, alongside Earl Chinna Smith, Augustus Pablo and Gladdy Anderson, all together truly a rhythmic force to be reckoned with. "Message from the Congo" and "God Is Love" are two vocals cuts produced via the mid 1970's partnership of Milton "Billy Hutch" Hutchinson and the late Linton "Bob Soul" Williamson. Together these upstart artist-producers operated from a base of operations on King St. in downtown Kingston, nothing short of a historic location that was both concurrent with and adjacent to both the Wailers own record shop and Channel 1's first pressing plant. With the Barrett brothers at the helm of the session, the rhythm was laid at Randy's studio with Errol Thompson as engineeer, then brought to Tubby for voicing and mixing. "Message from the Congo" finds Bob Soul & The United Stars chanting a message of rastafari over the propulsive uptempo rhythm driven by the late Carly Barrett's masterful drumming. The harmonizers in the "United Stars" as they are dubbed on this record, were actually members of both the Righteous Flames and Rocking Horses vocal groups. The dub mix, "Congo Dread Chapter 1", is actually worthy of the type of genre cross-referencing hyperbole I normally decry in music writing. In hindsight we find in this track, Tubby prefiguring not only the remix and the 'edit', but also the frantic yet orchestrated chaos of a lot of the complex electronic dance music that would begin to come into its own a full decade later. To try and describe the magic herein would be pointless, you must simply listen to Tubby