35374

    Let No One Judge You Early Recordings From Iran, 1906-1933

    Honest Jon's
      • 1. Ebr?him, Royal Orchestra – Bid?d (Hom?yun)
      • 2. Rez?-Qoli, Akbar – Gavri (Shur)
      • 3. Seyyed Hoseyn T?herz?deh, Habiboll?h Moshir-
      • 4. Hom?yun – Bay?t Esfah?n (Hom?yun)
      • 5. Seyyed Hoseyn T?herz?deh, Akbar – Dar?mad Hom?yun)
      • 6. Not Known – Tar Solo
      • 7. Moluk Zarr?bi – Dar?mad, D?d (M?hur)
      • 8. Parv?neh – Mansuri (Chah?rg?h)
      • 9. Parv?neh – Z?bol, Mokh?lef (Seg?h)
      • 10. Abd-ol-Hoseyn Shahn?zi – Mokh?lef (Seg?h)
      • 11. Akhtar – Bay?t Esfah?n, Bay?t R?je‘ (Hom?yun)
      • 12. Jav?d Badi‘z?deh – Morgh?e Bi??shi?n Afsh?ri (Shur)
      • 13. Ir?n?od?Dowleh Helen – Bid?d (Hom?yun)
      • 14. Moluk – Dashti (Shur)
      • 15. Montakhab-oz-Z?kerin – Qafq?z I (Seg?h)
      • 16. Montakhab-oz-Z?kerin – Qafq?z II (Seg?h)
      • 17. Abd-ol-Hoseyn Shahn?zi – Dar?mad (Hom?yun)
      • 18. Hayk – Shushtar (Hom?yun)
      • 19. Qoli, Royal Orchestra – Abu-‘At? (Shur)
      • 20. Seyyed Hoseyn T?herz?deh, Akbar – Qafq?z (Seg?h)
      • 21. Seyyed Hoseyn T?herz?deh, Hoseyn – Dar?mad, Bay?t R?je‘ (Nav?)
      • 22. Seyyed Hoseyn T?herz?deh, Akbar – Afsh?ri (Shur) Asadoll?h, Rez?-Qoli
      • 23. Rez?-Qoli, B?qer, Akbar, Moshir-Hom?yun – N? Dideh Rokhat / Bay?t Esfah?n (Hom?yun)
      • 24. Abd-ol-Hoseyn Shahn?zi – M?var?’-an-Nahr (R?st?Panjg?h)
      • 25. Ir?n-od-Dowleh Helen – Dar?mad, D?d, Kh?var?n (M?hur) Ir?n-od-Dowleh Helen
      • 26. Adib Kh?ns?ri – ‘Er?q (M?hur)
      • 27. Ir?n-od-Dowleh Helen – Golriz (Shur)
      • 28. Ruhangiz – Dar?mad, Z?bol (Seg?h)
      • 29. Akhtar – Hej?z (Shur)
      • 30. Mortez? Ney-D?vud – Bay?t Esfah?n, Bay?t R?je‘ (Hom?yun)
      • 31. Mortez? Ney-D?vud – ‘Oshsh?q, Bay?t Esfah?n (Hom?yun)
      • 32. Moluk Zarr?bi – Dar?mad, Z?bol (Chah?rg?h)
      • 33. Abd-ol-Hoseyn Shahn?zi – Bid?d (Hom?yun)

      Ravishingly beautiful, achingly precious songs and instrumentals, ranging from two performances by the Royal Court Orchestra in 1906 — with futuristic, overlapping trumpets and exquisite clarinet improvisation — through to a hauntingly soulful Hafez setting by Moluk Zarrabi of Kashan, from 1933. 

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