PUNK 45 The Bizarros/Rubber City Rebels Rubber City Rebels/White Screen Movies

Superb independent UK DIY punk from 1979 - unbelievably hard to find an original copy.

Crazy fold-out sleeve bespoke exact replica DIY PUNK 45!

Soul Jazz Records’ new Punk 45 release documents the first radical underground punk bands to come out of France including Metal Urbain (the first group ever to be signed to Rough Trade Records), Marie et Les Garçons, Asphalt Jungle, through to the earliest experimental cold wave/minimal wave electronic groups such as Kas Product, Charles de Goal and A3 Dans le WC who emerged at the start of the 1980s.

The accompanying large 44-page outsize booklet shows how punk in France emerged out of the country’s history of rebellion and revolution (from Serge Gainsbourg to the Paris ‘68 riots) as well as a love for American punk and proto bands like The New York Dolls and The Stooges, and was kick-started by witnessing the first UK punk bands (including the Sex Pistols who played in Paris in Sep 1976).

It also explains how French revolutionary, artistic and intellectual ideas influenced the birth of punk in both New York (Dadaism and Surrealism, Rimbaud and Voltaire) and in Britain (Situationism), how Paris based art collective Bazooka influenced the work of Jamie Reid and The Sex Pistols, and more besides. 

The booklet features extensive text, exclusive photography as well as interviews with key French figures in the movement including Marc Zermati (Skydog Records), Patrick Eudeline (Asphalt Jungle), Michel Esteban (Ze Records) and Eric Debris (Metal Urbain).

Soul Jazz Records’ new Punk 45 album comes as a heavyweight double vinyl LP with gatefold sleeve, inserts, full sleeve notes + download code and also as a deluxe CD pack + 50-page outsize booklet and as a digital album.

This is the latest in Soul Jazz Records’ Punk 45 series which documents punk around the world, following on from earlier releases Punk 45: Kill The Hippies (USA punk), Punk 45: There Is No Such Thing As Society (UK punk and post-punk), Punk 45: Sick on You (proto-punk), Punk 45: Burn, Rubber City Punk (Akron), Punk 45: Extermination Nights in The Sixth City (Cleveland) and Punk 45: Chaos in the City of Angels and Devils (Los Angeles) as well as the book Punk 45: Singles Cover Art of Punk with Jon Savage

REVIEWS

Read PITCHFORK article here

‘Chaos in the City of Angels and Devils’ is the new instalment of Soul Jazz Records’ Punk 45 series featuring an array of first generation Los Angeles punk bands including X, The Germs, The Zeros, The Urinals, The Weirdos through to second generation hardcore groups like The Circle Jerks, Adolescents and T.S.O.L.

Unlike the other major cities of New York and London, Punk in Los Angeles was pretty much ignored by the major record industry. As bands sprang up, Los Angeles punk gave rise to a wide range of its own DIY independent records with labels like Dangerhouse, Bomp!, What? And Upsetter documenting the nascent emerging scene.

Original Los Angeles punk came in two distinct phases. The first punk groups (c.77-79) all centred around The Masque club in Hollywood, and the birth of the first ever hardcore groups who emerged in the surrounding Los Angeles suburb and beach areas (c.1979-81), mixing punk, skate and surfer ideologies. This album includes music from both periods.

‘Chaos in the City of Angels and Devils’ documents this in detail. The 64-page outsize CD booklet features extensive notes, exclusive photography from celebrated original photographers Jenny Lens, Melanie Nissen (Slash magazine) and Edward Colver, original cover art as well as interviews and features on bands and labels (including The Urinals, Flesh Eaters, Dangerhouse, Posh Boy, Frontier, Upsetter and more!).

The deluxe double vinyl comes in gatefold sleeve, inner sleeves, insert + free download (+ full sleevenotes and photography). This is the sixth Punk 45 release on Soul Jazz Records and follows on from the earlier releases covering punk from Cleveland, Akron, UK, USA and proto-punk, as well as the book Punk 45 – Cover Art of Punk written in collaboration with Jon Savage.

This new Punk 45 album is a collection of tracks of twisted, raw and energized proto-punk music from the early 1970s, ahead-of-its-time music which led the way for the birth of punk in the second-half of the 1970s.

This new album is compiled and has extensive sleeve-notes by Jon Savage.

Punk 45: Sick on You! One Way Spit! After the Love & Before the Revolution: Proto-Punk 1969-77 is the third volume in this series, following on from the two earlier albums as well as the massive 400-page Punk 45s cover art book published last year.

While the first in the series, Punk 45: Kill The Hippies! Kill Yourself!, focused on the rise of underground punk in America, and the second album, Punk 45: There is No Such Thing as Society did the same for punk and post-punk in Britain, this album draws upon some of the stripped-down hard garage and post-glam sounds of mainly obscure bands that existed in the early 1970s - that were to prove the template for the forthcoming punk movement.

This is a unique and fascinating collection of proto-punk tracks from across the USA - Cleveland’s Electric Eels, San Francisco’s Crime, Los Angeles’ Zolar X, Baltimore’s George Brigman and more – as well as from the UK –  with Joe Strummer’s pre-Clash 101ers, the speed- induced r’n’b of the Count Bishops and others also included.

As usual the album comes complete with text, biographies on each of the bands, exclusive photos and original record artwork.

The album is released on CD with outsize large booklet and thick slipcase and limited-edition super-loud, super-heavy double vinyl edition complete with full sleeve-notes and free download code. These Punk 45 releases are also the first that Soul Jazz Records are making available as worldwide digital releases.

'Top 50 best reissues of 2014" Rolling Stone magazine

Soul Jazz Records' new 'Punk 45' album Burn, Rubber City Burn charts the rise of the music scene in the mid-west city of Akron, Ohio at a time when the city and the rubber industry it was associated with was in deep decline.
Featuring a fantastic collection of Akron groups including Devo, The Bizarros, Rubber City Rebels, Jane Aire, Chi-Pig, The Waitresses and more.
The album comes complete with extensive text as well as exclusive photos and original record artwork. CD comes with large booklet and thick slipcase. Vinyl edition is on deluxe gatefold double-vinyl with free download code.
The album follows on from Soul Jazz Records' earlier Punk 45 albums about USA and British punk (Kill The Hippies! Kill Yourself! and There Is No Such Thing As Society) as well as the cover art book Punk 45.
Burn, Rubber City Burn, coincides with the release of as a second album about Ohio’s early punk scene, Extermination Nights in the Sixth City – featuring the music scene of nearby Cleveland.
REVIEWS:
 “Soul Jazz Records’ story of American punk opens up a whole 1970s history that is still underexposed.” The Guardian
Read PITCHFORK piece on the album here.
Read Quietus feature here

Soul Jazz Records' new 'Punk 45' album charts the rise of underground punk in the mid-west city of Cleveland, Ohio, which for many people is the true birthplace of punk music in the mid-1970s.
Featuring a fantastic collection of punk 45 singles from Cleveland groups including Pere Ubu, electric eels, The Pagans, Rockets From The Tomb, Mirrors, X–X and more.
The album comes complete with extensive text written by Jon Savage as well as exclusive photos and original record artwork. CD comes with large booklet and thick slipcase. Vinyl edition is on deluxe gatefold double-vinyl complete with with free download code.
The album follows on from Soul Jazz Records' earlier Punk 45 albums about USA and British punk (Kill The Hippies! Kill Yourself! and There Is No Such Thing As Society), pre-punk (Sick On You! One Way Spit!) as well as the deluxe cover art book Punk 45.
Extermination Nights in the Sixth City coincides with the release of as a second album about Ohio’s early punk scene, Burn, Rubber City, Burn – featuring the music scene of nearby Akron.
REVIEWS:
“Soul Jazz Records’ story of American punk opens up a whole 1970s history that is still underexposed.”  The Guardian
Read PITCHFORK piece on the album here.
Read Quietus feature here

Soul Jazz Records’ new Punk 45 album charts the rise of underground punk and post-punk in the UK from 1977-81.
Punk 45: There is No Such Thing As Society. Get A Job, Get A Car, Get A Bed, Get Drunk! Underground Punk in the UK 1977-81 is the second volume in this series, released following on from Soul Jazz Records’ recent massive deluxe 400-page Punk 45s cover art book edited and compiled by Jon Savage (author of the seminal book on punk, England’s Dreaming) and Stuart Baker (founder of Soul Jazz Records).
While the first album in this series, Punk 45: Kill The Hippies! Kill Yourself!, focused on underground punk in America, this album charts the rise of punk and post-punk in Britain in the years 1977-81.
This new Punk 45 album features a collection of seminal, classic, obscure and rare punk and post-punk singles from the likes of The Art Attacks, The Mekons, TV Personalities, Swell Maps, and many more – charting the rise of independent music and Do It Yourself culture that exploded in Britain in the wake of punk.
The album comes complete with text, biographies on each of the bands, exclusive photos and original record artwork.
The album is released on CD with outsize large booklet and thick slipcase and is also available as a limited-edition super-loud, super-heavy double gatefold-sleeve vinyl edition complete with full sleeve-notes.
Vinyl comes with free download code.
Also available as worldwide digital release.
Review:
"Famous punk bands such as The Sex Pistols and The Clash grabbed headlines as they captured the spirit of discontent in mid-Seventies Britain. Meanwhile they inspired thousands of teenagers to learn the very rudiments of music, shout about one thing or another and, if they got their act together, record a single or two before disintegrating. Punk 45: There Is No Such Thing As Society proves what diamonds in the rough those singles so often were."
THE TIMES ****

MORE REVIEWS:
"wide and smart collection of the fascinating scene ... A companion piece to a substantial and enlightening first volume" Sydney Morning Herald

******** "witty, wonky compilation" Uncut

“rarities and underground gems” Le Monde, France

“pure energy” l’Express, France

“This compilation is yet again a wonderful collection of the cultishly revered...” Neue Züricher Zeitung, Switzerland

“A great journey into a world in which music represented attitude – attitude and risk.” Westzeit,

Soul Jazz Records’ new Punk 45 album charts the rise of underground punk across the United States of America in the years 1973-1980. The album coincides with the release of Soul Jazz Records’ massive new deluxe 400-page Punk 45s cover art book edited and compiled by Jon Savage (author of the seminal book on punk, England’s Dreaming) and Stuart Baker (founder of Soul Jazz Records).

Watch Guardian newspaper video review here.

Read Guardian newspaper 2 page album feature here.

Read Quietus feature here.

The Punk 45 album features a collection of seminal, classic, obscure and rare punk and proto-punk 45 singles from the likes of Pere Ubu, The Zeros, The Randoms, Electric Eels, The Pagans, The Deadbeats, The Lewd and many more - a  lightning rod journey across the states of America - Cleveland, Detroit, Los Angeles, Akron, New Orleans, Philadelphia – tracing the rise of punk music in these various towns and cities. The album comes complete with extensive text, biographies on each of the bands, exclusive photos and original record artwork.

The album is released on CD with outsize large booklet and thick slipcase and is also available as a limited-edition super-loud, super-heavy double gatefold-sleeve vinyl editions with full sleevenotes. This is also the first release that Soul Jazz Records are making available as a worldwide digital release.

Punk 45: Kill The Hippies! Kill Yourself! The American Nation Destroys Its Young - Underground Punk in the United States 1973-80 is the first in Soul Jazz Records’ Punk 45 series of album releases coinciding with the new book and will be followed at the start of next year by Punk 45 Vol. 2 Underground Punk in the UK.

REVIEWS:

"Soul Jazz's excellent compilation, Punk 45,  …intelligently compiled and beautifully annotated..."  Alexis Petrides, The Guardian

*****  Mojo

 “rarities and underground gems” Le Monde, France

“remarkable”  Les Inrocks, France

“pure energy” l’Express, France

“A project very much in the tradition of this label: twenty-one crackers… a fat high-gloss booklet with educationally valuable liner notes and many beautiful pictures... Very poignant, very good.”  SKUG, Austria

“…whoever is in search of an introduction to the US punk scene… should get ready for their exams now with this CD and its very comprehensive booklet.” Ox Magazine, Germany 

"nothing less than a historical chronicle…opulent" WDR 5, Germany 

Surely one of the best punk records ever! Los Angeles 1978 double-sider - KILLER indeed!

INSANE and awesome record from one of the first and finest San Francisco punk bands ever! Originally released in 1978 on Chris D's own Upsetter Records. Bespoke reproduction with open out double-sided 4 page sleeve. Out of print for 30 yrs! Four tracks of raw energy for ten quid - or u can buy the original for a few £100! The bomb!

Cleveland punk at it's rawest and finest! John Morton's X - X (x blank x) - intense punk from the electric eels founder. Released here with Morton's own stunning artwork in this bespoke exact reproduction Punk 45, originally came out on Drome Records in 1980. The bomb!

INSANE and awesome record from one of the first and finest San Francisco punk bands ever! Originally released in 1978 on Chris D's own Upsetter Records. Bespoke reproduction with open out double-sided 4 page sleeve. Out of print for 30 yrs! Four tracks of raw energy for ten quid - or u can buy the original for a few £100! The bomb!

Superb independent UK DIY punk from 1979 - unbelievably hard to find an original copy.

Crazy fold-out sleeve bespoke exact replica DIY PUNK 45!

Surely one of the best punk records ever! Los Angeles 1978 double-sider - KILLER indeed!

RARE CUTS! Very Limited edition bespoke Studio One Collector's 45
ONLY AVAILABLE DIRECT FROM SOUL JAZZ RECORDS & SOUNDS OF THE UNIVERSE

Studio One's music in the 1970s took the label to new heights. The new style of Disco Mix brought many areas of Reggae together ­ Roots, Lovers, Disco and Dub all came together in extended form, re-versioning classic hits, experimenting with new studio technology, over-dubbing, syn-drums and more producing what many fans describe as the most creative and innovative phase in the history of the legendary Studio One Records.

This Studio One Disco Mix album includes many sought after classic tunes only ever released in very small quantities (on Studio One's very first 12" records as well as it's infamous Music Lab 10"s out of New York) and consequently many of these track s have been unavailable since their day of release. Studio One Disco Mix features many of the classic Studio One artists such as Alton Ellis, Sugar Minott, Jackie Mittoo and Willie Williams (with his classic re-versioning of his own "Armigideon Time") alongside less well artists such as Doreen Schaeffer, Judah Eskender Tafari and George Dudley and many more.

Soul Jazz Records are releasing this latest Studio One compilation which features non-step 100% stone-cold classic Studio One killers! Spanning 40 years of the legendary label, this album is a fitting tribute to Clement "Sir Coxsone" Dodd and is a who's who of Jamaican Reggae

The third of three albums by Ocho, one of the defining bands of the Latin New York Funk sound. Led by Chico Mendoza, Ocho have been featured heavily in Soul Jazz Records "Nu Yorica" series and these re-issues are the three definitive albums by the group. Along with other artists such as Ray Barretto, Eddie Palmieri, Joe Bataan and Tito Puente, Ocho mixed Latin, Funk and Jazz in equal measure. The music of Ocho has never been fully available in this country before and Soul Jazz Records are releasing them in their entirety for the first time. These releases come on CD and luxury vinyl. Ocho 1 includes "Coco May May" as featured on Nu Yorica. Ocho 2 includes "What are you Doing For The Rest Of Your Life" also featured on the "Nu Yorica" series. And Ocho 3 includes the Latin Funk classic "Hot Pants Road".

Superb independent UK DIY punk from 1979 - unbelievably hard to find an original copy.

Crazy fold-out sleeve bespoke exact replica DIY PUNK 45!

INSANE and awesome record from one of the first and finest San Francisco punk bands ever! Originally released in 1978 on Chris D's own Upsetter Records. Bespoke reproduction with open out double-sided 4 page sleeve. Out of print for 30 yrs! Four tracks of raw energy for ten quid - or u can buy the original for a few £100! The bomb!

Surely one of the best punk records ever! Los Angeles 1978 double-sider - KILLER indeed!

Cleveland punk at it's rawest and finest! John Morton's X - X (x blank x) - intense punk from the electric eels founder. Released here with Morton's own stunning artwork in this bespoke exact reproduction Punk 45, originally came out on Drome Records in 1980. The bomb!

OUT NOW!

Soul Jazz Records new ‘Two Synths, A Guitar (and) A Drum Machine’ is a new collection of current D-I-Y post-punk bands shaped by the mutant sounds of no wave, punk funk and New York Noise bands from the late 70s and early 80s that collided with the world of underground dance music found at the Paradise Garage, Mudd Club in New York City (ESG, Arthur Russell, Bush Tetras, Talking Heads, Suicide, Liquid Liquid).

Other influences cited here include Manchester and Sheffield’s industrial post-punk sounds of the 1980s (Joy Division, Cabaret Voltaire, Gang of Four) as well as the 1970s German electronic experimentalism of Cluster, Neu!, Harmonia and Can.

Featured artists from around the globe include Los Angeles D-I-Y band Automatic, New Fries from Toronto, artist/music collaborators Toresch from Germany, Susumu Makai from Japan/UK, Vex Ruffin from the Phillipines/California and Madmadmad, Gramme, Tom of England and other UK groups

That all the bands featured here manage to make distinctive contemporary music out of these 80s roots is testament to the wide range of other musics that are seamlessly absorbed into a modern melting pot of sound – hip-hop, the electronic European avant-garde, rave culture, and more.

The double vinyl comes in two editions:

1) Limited edition indies EXCLUSIVE heavyweight green double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

2) Limited edition heavyweight black double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

The album is also available as a CD and digital release

This new Punk 45 album is a collection of tracks of twisted, raw and energized proto-punk music from the early 1970s, ahead-of-its-time music which led the way for the birth of punk in the second-half of the 1970s.

This new album is compiled and has extensive sleeve-notes by Jon Savage.

Punk 45: Sick on You! One Way Spit! After the Love & Before the Revolution: Proto-Punk 1969-77 is the third volume in this series, following on from the two earlier albums as well as the massive 400-page Punk 45s cover art book published last year.

While the first in the series, Punk 45: Kill The Hippies! Kill Yourself!, focused on the rise of underground punk in America, and the second album, Punk 45: There is No Such Thing as Society did the same for punk and post-punk in Britain, this album draws upon some of the stripped-down hard garage and post-glam sounds of mainly obscure bands that existed in the early 1970s - that were to prove the template for the forthcoming punk movement.

This is a unique and fascinating collection of proto-punk tracks from across the USA - Cleveland’s Electric Eels, San Francisco’s Crime, Los Angeles’ Zolar X, Baltimore’s George Brigman and more – as well as from the UK –  with Joe Strummer’s pre-Clash 101ers, the speed- induced r’n’b of the Count Bishops and others also included.

As usual the album comes complete with text, biographies on each of the bands, exclusive photos and original record artwork.

The album is released on CD with outsize large booklet and thick slipcase and limited-edition super-loud, super-heavy double vinyl edition complete with full sleeve-notes and free download code. These Punk 45 releases are also the first that Soul Jazz Records are making available as worldwide digital releases.

'Top 50 best reissues of 2014" Rolling Stone magazine

While the righteousness of blackness is at the heart of the Rastafarian faith, this collection illustrates how black pride remained a central theme, if not the defining essence, at the very core of all the music created at Studio One Records.

Black Man’s Pride is the striking new Studio One collection of deep heavyweight reggae featuring Horace Andy, Alton Ellis, The Gladiators, Sugar Minott, The Heptones, Freddie McGregor, Cedric Brooks & more.

In order to understand the centrality of black identity in the music created at Studio One, we need look no further than Clement ‘Sir Coxsone’ Dodd who, who created the first black-owned record company in Jamaica.

In similar fashion Alton Ellis’s defining ‘Black Man’s Pride’ brings up emotions that are at the heart of many of these uplifting songs. Alton Ellis’ birthplace was the Trench Town ghetto of Kingston, also the birthplace of The Wailers, Ken Boothe and many other Studio One luminaries.

Clement Dodd established a musical empire firmly rooted by the core musicians working at Studio One many of whom came out of the Alpha School for Wayward Boys, run by Roman Catholic nuns, whose luminaries include Don Drummond, Johnny Moore, Leroy ‘Horsemouth’ Wallace, Cedric Brooks, Vin Gordon, Tommy McCook & more.

Many of the songs featured here come from the transitory phase in reggae at the start of the 1970s. After the exhilaration of Ska and following the cooling down of Rocksteady. While reggae awaited the arrival of roots, Studio One’s vocalists were already producing some of the moodiest music imaginable! Here are 18 heavyweight tunes, both classic cuts and super-rare tunes!

This new album is released as a heavyweight gatefold double-LP edition (+ download code), CD and digital with full text.

REVIEW

"The bottomless pit that is Coxsone Dodd’s Studio One label(s) yields more gems. Soul Jazz and before it, Heartbeat in the US, United Artists, Bamboo and various other labels in the UK have released numerous collections, yet the catalogue remains largely under-exploited, despite the late Mr Dodd’s tireless efforts to wring every last cent from it in unlikely ways. Little wonder that some reggae fans, spoilt by knowledge and racks of original vinyl, can be inclined to shrug when another comp emerges: there have been so many. However, Soul Jazz’s albums are different: not only have they encouraged a new, younger audience, parallel to the one that enjoys rare funk and spiritual jazz, to appreciate this music, their records are coherent. They’re not just a heap of tunes that happen to be sharing a black vinyl apartment. They’re themed and meld musically. They have a reason to exist.

In this instance, that reason is an exploration of (mostly) 70s vocal roots reggae with a theme of black pride and dignity. This music was recorded as a cultural statement, if not a cry, from the roots; strong stuff, deep, dark and heavy. But don’t mistake that for leaden. It may have bass frequencies that drive your neighbour’s dog under the sofa, thinking it’s 5 November all over again, but this is no gloomy exercise in musical storm clouds. Right from Alton Ellis’s title-donating opening tune, there are aspects of Black Man’s Pride that will have you skipping around the room, literally or mentally, and thanking Jah that you didn’t spend the money it cost you on a pizza, dough balls and Diet Coke meal deal. This is not musical junk food, it’s a keeper fit to lift the heart whenever needed.

One reason for this is the sequencing. Glen Miller (not that one) may have a light, soulful voice but the rhythm track he’s riding on Love And Understanding is a minor chord churner, as sad as a wet Sunday. But it’s held up on either side by Sugar Minott (and an uncredited Gladiators) floating through Woman Shadow (as sung by The Meditations as Woman Is Like A Shadow), and The Nightingales’ gorgeously swinging Rasta Is Calling, a glorious take on Delroy Wilson’s Cool Operator rhythm that’s a sod to find on 45. The Heptones make a rational case for Equal Rights in a manner that ought to have been perky enough to win them at least an audition for a CBBC presenter’s role. Their lead singer Leroy Sibbles pops up uncredited on John Holt’s heart-lifting yet cool Let’s Build Our Dreams. Heavy 70s roots is gloomy? Nope. Jamaica’s ghettos were suffering; they didn’t need more misery.

There’s also judicious joining up of vocals and their dubwise 45 flipsides: The Gladiators’ Roots Natty is one such. I heard the vocal, and immediately wished it was the devastatingly moving dub cut. Compiler Stuart Baker evidently thought likewise, so it extends to the version. For variety, there’s a lone sax instrumental to wreck things up too: Cedric Brooks’ melodic Why Can’t I.

There’s room for the unique, deep and breathy voice of Larry Marshall. More “international” stars Horace Andy and Dennis Brown are here too, recorded as youths, as is a teenage Freddie McGregor on a rootsy rewrite of Cat Stevens’ Wild World – with what sounds like JS Bach on synth! The set shuts with Johnny Osbourne’s sophisticated and spiritually openhearted Forgive Them.

With an informative, eminently enjoyable sleeve note about the growth of roots reggae and its place in Rastafarianism and black awareness, fittingly Black Man’s Pride lacks nothing." Ian McCann, RECORD COLLECTOR

**Black Sabbath goes Afrobeat!**

Heavy and ultra-fuzzy Afro-rock! This L.A. based troupe is founded and conceptualized by Marcos Garcia of Antibalas, bringing his erudite experience of West African rhythms and music to the more riff-based foundations of heavy rock. The results are an incredibly catchy and refreshing twist these music genres!

SABA developed ‘world music’ beyond its jazz label remit, the eclectic ‘Jazz Meets The World’ series brought together artists from Japan, India, Tunisia, Indonesia and Brazil. Producer Joachim-Ernst Berendt travelled to Rio in 1966 to create SABA’s first Brazilian release with a giant of the scene, guitarist Baden Powell. The resulting album, one of Baden’s greatest, bore two deeply rhythmic, spiritual titles found on this 45. ‘Sarava’ is a trance-like ritualistic number designed to whip dancers into frenzied possession. ‘Canto De Ossanha’ is another offering to the gods and an equally hypnotic dancer.

**Limited copies available!**

Reissue of a rare and sought-after 45 from Zambian/'Zamrock' legends Witch! Killer rock/disco/funk fusion that rides the most hypnotic groove! Originally released in 1980 and this remastered reissue with replica labels is sounding as good, if not better, than ever!

**Classic breaks!**

Reissue of these two rare groove classic from Tommy Stewart, originally released on the highly sought-after, self-titled album from 1976.

DON'T MISS..once there gone..

rare & unreleased ska from the sixties featured on 2017 Ska Rarites 7" box set now sold as one aways!

all 7" singles are mint & all come with Treasure Isle thick card company sleeves.

All-time classic Studio One tune. 100% ESSENTIAL