• Haruna Ishola and His Apala Group – Ewure Ile Komoyi Ode
    • Adebukonla Ajao and Her Group – Aboyin Ile
    • Rapheal Ajide and His Apala Group – Adura Fun Osiwowo
    • Haruna Ishola and His Apala Group – Orin To Mo Gbon Wa
    • R.A. Tikalosoro and His Group – Agilinti Lomu
    • Adebukonla Ajao and Her Group – A.B.D. Alawiye
    • Haruna Ishola and His Apala Group – Asa Ko Gbodo Wole Gbeiyele
    • Adeleke Aremu & His Group – Egbe Arowolo
    • Haruna Ishola and His Apala Group – Rufai Baolgun
    • R.A. Tikalosoro and His Group – Kiniun Kuro Leran Amu Sere
    • Haruna Ishola and His Apala Group – S. Aka
    • Adebukonla Ajao and Her Group – Lekele Bale
    • Kasumu Adio and His Apala Group – Odale Ore
    • Ayisatu Alabi and Her Group – Oko Lolomo
    • Jimoh Agbejo Bo Ogun and His Group – Oriki Ibeji
    • Ayisatu Alabi and Her Group – Omo Olobi
    • Rapheal Ajide and His Apala Group – Orin Aje
    • Adebukonla Ajao and Her Group – Sunday Babayemi
    • 1. Haruna Ishola and His Apala Group – Ewure Ile Komoyi Ode
    • 2. Adebukonla Ajao and Her Group – Aboyin Ile
    • 3. Rapheal Ajide and His Apala Group – Adura Fun Osiwowo
    • 4. Haruna Ishola and His Apala Group – Orin To Mo Gbon Wa
    • 5. R.A. Tikalosoro and His Group – Agilinti Lomu
    • 6. Adebukonla Ajao and Her Group – A.B.D. Alawiye
    • 7. Haruna Ishola and His Apala Group – Asa Ko Gbodo Wole Gbeiyele
    • 8. Adeleke Aremu & His Group – Egbe Arowolo
    • 9. Haruna Ishola and His Apala Group – Rufai Baolgun
    • 10. R.A. Tikalosoro and His Group – Kiniun Kuro Leran Amu Sere
    • 11. Haruna Ishola and His Apala Group – S. Aka
    • 12. Adebukonla Ajao and Her Group – Lekele Bale
    • 13. Kasumu Adio and His Apala Group – Odale Ore
    • 14. Ayisatu Alabi and Her Group – Oko Lolomo
    • 15. Jimoh Agbejo Bo Ogun and His Group – Oriki Ibeji
    • 16. Ayisatu Alabi and Her Group – Omo Olobi
    • 17. Rapheal Ajide and His Apala Group – Orin Aje
    • 18. Adebukonla Ajao and Her Group – Sunday Babayemi

    Soul Jazz Records new ‘Apala: Apala Groups in Nigeria 1967-70’ is the first ever collection of Apala music to be released outside of Nigeria.

    The album focusses on a wide selection of recordings made in Nigeria in the 1960s, a time when Apala music was at the height of its popularity. Apala is a deeply rhythmical, hypnotic and powerful musical style that combines the striking nasal-style vocals and traditions of Islamic music, the Agidigbo (thumb piano), and the equally powerful drumming and percussion rhythms and techniques of the Yoruba of Nigeria.

    The most significant figure in Apala music is undoubtedly Haruna Ishola who features throughout this album. Ishola holds an almost mythological status in his role as populariser of Apala music in Nigeria. Ishola’s singing was believed to be so powerful that, without proper restraint, it could kill the recipient of his music.

    Apala is a popular music that also functioned as a form of cultural resistance – Apala music involved no western instrumentation and is sung in the Yoruba language, its aesthetic an implicit cultural rejection of the British Empire’s colonial rule over Nigeria which lasted from 1901 until independence in 1960.

    Apala music was popular and widely accepted in Nigeria due to its philosophical and profound lyrical content alongside the complex rhythmic patterns of this heavily percussive style, which highlighted many of the percussion instruments of south-west Nigeria.

    Apala is one of a number of popular urban styles of music that came out of Nigeria in the 20th century and sits alongside the more well-known (in the West) styles of Fuji, Highlife, Juju and Afrobeat. Of these modern forms Apala remains perhaps the most ‘roots’ style (sometimes described as ‘neo-traditional’) due to the authenticity of its sound. It has similar Islamic roots to other neo-traditional styles of Nigeria – including Waka and Sakara – examples of which are also included on this collection contextualising the music of Apala.

    These recordings were originally made and released locally by Decca and EMI Records as well as a variety of independent labels in Nigeria and have never been released outside of the country before. Soul Jazz Records are releasing this album as a deluxe double gatefold vinyl (+ download code), CD, slipcase and booklet, both containing full text and photography.

    Related Products

    Nigeria Soul Power 70 (Expanded Double LP Set)Soul Jazz Records

    Seriously rare, killer and classic Nigerian 70s Afro-Funk, Afro-Disco & Afro-Rock tunes bought together.

    Originally released as a now-long-out-of-print collectors’ 7” RSD box, this fully expanded album release now also includes extra tracks from Sonny Okosuns, Wings, Chief Kollington Ayinla and more.

    Soul Jazz Records’ Nigeria Soul Power 70 album showcases the influence of funk, rock and disco on Nigerian music during the 1970s

    --------------------------------------------------------------------------------------------------------------

    While for many people the fusion of funk and jazz music with Nigerian rhythms and aesthetics began with Fela Kuti and his afro-beat sound, in fact this can be traced further back to the phenomena of the 1960s Nigerian artists and house bands in nightclubs and hotels who interpreted US soul and pop music with a local flavour and none more so than Geraldo Pino, the ‘African James Brown’ who features heavily in this collection. Other similarly inspired Nigerian funk and soul artists featured here included Tony Grey and his Ozimba Messengers and Don Bruce and The Angels.

    Nigeria Soul Power 70 includes a number of tracks from the group Wings originally known as BAF (Biafran Air Force) Wings, an army band formed during the Biafran civil war in Nigeria. The groups’ heavy mixture of funk, rock and African styles was popular among many Nigerian groups at the time.

    Beneath the shadow of the few Nigerian artists who signed international recording deals in the 1970s – Fela Kuti, King Sunny Ade, Chief Ebenezer Obey – lies a vast wealth of largely undiscovered musical transmutation and cultural cross-pollination, and included here are heavy afro-funk/rock and disco tracks from artists such as the legendary Sonny Okosuns as well as rare cuts from little-known outside of Nigeria - groups such as Colomach and MFB. Most of these obscure artists signed to major labels in Nigeria in the commercial slipstream that opened up as Philips, Decca and EMI tried to emulate the international success of the big three international Nigerian artists.

    Finally featured here is Kollington Ayinla, one of the co-founders of Nigerian Fuji music, who gives us perhaps the heaviest of all tracks on this album. Ayinla is the great moderniser of the Fuji sound and in the late 1970s began adding Bata drums and synthesizers to his authentic music to create a powerful and heavy new fusion of traditional and modernist aesthetics, embracing both new technology and experimentation while rooted firmly in Nigerian historical lineage.

    ------------------------------------------------------------------------------------------------------

    Nigeria Soul Power 70 is released as a heavyweight gatefold double vinyl LP (+ free download code), deluxe slipcase CD and digital album.

    • Geraldo Pino – Shake Hands
    • Sonny Okosuns Ozziddi – Dance Of The Elephants
    • The Wings – We'll Get Home
    • Alhaji (Chief) Prof. Kollington Ayinla – E Ye Ika Se
    • Colomach – Kassa Kpa Sama Kpa
    • Geraldo Pino – Heavy Heavy Heavy
    • MFB – Beware
    • Tony Grey and The Ozimba Messengers – You Are The One
    • Sonny Okosuns Ozziddi – Oba Erediauwa I
    • The Wings – Single Boy
    • Geraldo Pino – Power To The People
    • Original Wings – Igba Alusi
    • Don Bruce and The Angels – Sugar Baby
    • Geraldo Pino – Africans Must Unite
    Soul Jazz Records presents Nigeria Fuji MachineSynchro Sound System & PowerSoul Jazz Records

    ‘Synchro Sound System & Power’ features the music of Nigeria Fuji Machine, which includes some of Nigeria's finest ‘Fuji’ master drummers and singers, and is newly recorded by Soul Jazz Records in Lagos.

    Fuji is the heavily percussive and improvisational style of Nigerian popular music, at once modern and yet deeply rooted in the traditional Islamic Yoruba culture of Nigeria.

    Here on this album Nigeria Fuji Machine’s striking and powerful lead vocalist Taofik Yemi Fagbenro soars above a wild and energetic backdrop of polyrhythms played on traditional talking drums, trap drums, electronic and street percussion to create a powerful wall of intense sound.

    Fuji is hi-energy street music, heavily percussive which evolved out of the Islamic celebration of Ramadan, which became a major event in mid-20th century Lagos. Groups of young men walked through Muslim neighbourhoods at night singing improvised ‘wéré’ music to the accompaniment of pots, pans, drums, bells and anything else available, waking believers for the early morning prayer. By the early 1970s this music had crossed-over into popular Nigerian culture where it came to be known as Fuji, first made popular by the artist Alhaji Sikiru Ayinde Barrister, as the music began to be performed commonly at parties and social events.

    In the 1970s and 1980s three Nigerian artists – King Sunny Adé, Chief Ebonezer Obey and Fela Kuti – all secured international major record deals bringing popularity to the Nigerian musical styles of Juju (Adé and Obey) and Afro-Beat (Fela Kuti’s unique mixture of highlife, funk and jazz) abroad, but in the process ignoring much of Nigeria’s rich musical landscape. Fuji is, alongside Highlife, Juju, Afro-Beat, Sakara, Afro-Reggae, Waka, Igbo rap, Apala and numerous others – one of these central styles of Nigerian music.

    The singer Barrister described the music as follows: ‘Fuji music is a combination of music consisting of Sakara, Apala, Juju, Aro, Afro, Gudugudu, and possibly Highlife.’ Juju performer King Sunny Adé described the difference between the two styles of Fuji and Juju somewhat competitively thus: ‘Fuji music is more or less like my music without guitars. It’s like I’m singing in a major key and they are singing in a minor. The music itself is the music of Juju music.’

    Today Fuji remains a powerful popular music with deep and powerful Islamic roots which continues to modernise and attract new generations of young Nigerians and Nigeria Fuji Machine’s ‘Syncho Sound System & Power’ is a powerful and intense musical experience.

    This album is released as a limited-edition heavyweight vinyl edition (+free download code), deluxe CD and digital format.

    • – Iba
    • – Orin Gidi
    • – Ilu
    • – Ẹyọ-Sẹsẹ
    • – Garaje
    • – Ọrọ Owe
    • – Ire
    Soul Jazz Records presents Yoruba!Songs and Rhythms For The Yoruba Gods In NigeriaSoul Jazz Records

    Soul Jazz Records’ latest album ‘Yoruba! Songs and Rhythms for the Yoruba Gods in Nigeria’ is newly recorded in Lagos, Nigeria.

    The album is co-produced by Laolu Akins, founding member of the legendary 1970s Nigerian Afro-Funk/Rock group Blo, and Soul Jazz Records label head Stuart Baker.

    This album features songs honouring the Nigerian gods of the Yoruba traditional religion – Yemoja, Obatala, Ogun, Sango and others – as well as a selection of instrumental cuts focussing on the Bata and Dundun drums. The album comes complete with extensive text and photography (40-page outsize booklet in CD/ full text in gatefold double vinyl + inners) showing the influence of Yoruba culture throughout the world and the social and historical context for the music contained here.

    The enormous impact of Yoruba and West African music and culture is worldwide – from the first Afro-centric explorations of African-American jazz musicians in the 1950s such as Art Blakey, Randy Weston and Dizzy Gillespie, the explosion of Nu Yorican Latin music in New York City starting in the 1960s – Mambo, Boogaloo, Latin funk and soul - through to the sacred and powerful Afro-derived music of the religions of Santería in Cuba, Candomblé in Brazil and Voodoo in Haiti, which all came in to existence on account the Atlantic slave trade which began over 400 years ago. On a wider scale West African music remains the primary root of all African-American musical forms – from New Orleans jazz to Bronx rap, gospel, soul and more.

    Yoruba! features an array of local master drummers led by Olatunji Samson Sotimirin and singers (featuring the lead vocals of Janet Olufanmilayo Abe) performing heavyweight Afro-rhythms, with talking drums, Bata and Dundun drums and a mass of percussion in these deep spiritual and sacred songs used to honour and worship the traditional and ancient Yoruba gods in Nigeria, West Africa.

    'Hypnotic, spiritual rhythms' FACT Magazine



    • – Homage To Yemoja
    • – Homage To Esu
    • – Sakara Instrumental Ensemble
    • – Homage To Obatala
    • – Eulogy To Amila
    • – Homage To Sango
    • – Agbe Gbe-Wadele
    • – Eulogy To Ori-Ola
    • – Bata Drums Ensemble
    • – Homage To Osun
    • – Eshere
    • – Dundun Instrumental Ensemble
    • – Homage To Ogun
    Nigeria Soul Fever - Afro Funk, Disco and BoogieSoul Jazz Records

    Soul Jazz Records’ new Nigeria Soul Fever is their first release to explore the vast wealth of Nigerian music recorded in the 1970s. The new album comes with introductory sleevenotes by Bill Brewster (author of Last Night A DJ Saved My Life).

    Packed-full with Afro-Funk, Disco and Boogie all from Nigeria, this triple album/double CD set brings together a stunning collection of diverse West African sounds. Whilst a small handful of the artists featured (Joni Haastrup, Tee Mac, Christy Essien) have seen the light of day outside Africa, this is essentially a collection of killer tracks by an array of artists completely unknown outside of Nigeria. 

    Artists such as Don Bruce & The Angels, Akin Richards & The Executives, Angela Starr, Jimmy Sherry & The Music Agents. It’s no surprise that these records are extremely rare and expensive to buy individually so this album will save you going broke trying to find them.

    These recordings were made at a time when Nigeria’s trade restrictions banned imported records. Whilst new musical trends (such as American soul, funk, disco etc) entered and influenced the country, the local music scene remained just that – local. Consequently, these recordings remain practically unknown to anyone outside of the country.

    Nigeria Soul Fever is released as triple-album vinyl + download, double-CD digi-pack and digital download. This album follows on from Soul Jazz Records’ 1960s collection Nigeria Freedom Sounds, released last month, and will be followed by the reissue of the incredibly rare and groovy Nigerian 1980 disco boogie funk album Tee Mac’s Night Illusion.

    "Excellent new soul jazz compilation Nigeria Soul Fever: Afrofunk, Disco And Boogie: West African Disco Mayhem!" THE GUARDIAN

    READ Guardian top 10 Nigerian Disco full feature here


    • Joni Haastrup – Free My People
    • Christy Essien – You Can't Change A Man
    • Akin Richards & The Executives – Afrikana Disco
    • Tee Mac – Nam Myoho Renge Kyo
    • Joni Haastrup – Greetings
    • Don Bruce and The Angels – Ocheche (Happy Song)
    • Benis Cletin – Get Up and Dance
    • Colomach – Enoviyin
    • Joni Haastrup – Do The Funkro
    • Tee Mac featuring Marjorie Barnes – Living Everyday
    • Arakatula – Mr Been To
    • Angela Starr – Disco Dancing
    • Joni Haastrup – Wake Up Your Mind
    • Jimmy Sherry & The Musik Agents – Nwaeze
    • Benis Cletin – Soul Fever
    • Arakatula – Wake Up Africa
    • 1. Joni Haastrup – Free My People
    • 2. Christy Essien – You Can't Change A Man
    • 3. Akin Richards & The Executives – Afrikana Disco
    • View full info and tracklisting

    Other Releases on Soul Jazz Records

    Cuba: Music and Revolution Vol.2 Compiled by Gilles Peterson and Stuart BakerSoul Jazz Records

    Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 2 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that takes off in exactly the same vein as the much-acclaimed Vol. 1 - exploring the many styles that came out of Cuba in the 1970s as Latin and Salsa mixed with heavy doses of Jazz, Funk, and Disco to create some of the most dancefloor-friendly music every made!

    The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

    Much of the music on this album is featured in the deluxe large format book ‘Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90’, released by Soul Jazz Books and also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), featuring the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

    The music on this new album features a host of rarities from legendary Cuban artists such as Los Van Van, alongside Grupo De Experimentación, Farah Maria, Ricardo Eddy Martinez, Juan Pablo Torres, Grupo Sintesis and Orquesta Riverside, most of whose names remain largely unknown outside of Cuba but have long been favourite club tracks and secret-weapons in Gilles Peterson and Stuart Baker's record boxes!

    The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – all searching for a new Cuban identity and new musical forms reflecting both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

    ------------------------------------------------------

    Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

    -------------------------------------------------------

    REVIEWS of CUBA: Music and Revolution vol. 1:

    "We already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

    "It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

    "Priceless comp that goes far beyond Buena Vista!" UNCUT

    • Juan Pablo Torres Y Algo Nuevo – Y Que Bien
    • Orquesta Los Van Van – Por Que Lo Haces
    • Los Latinos – Quemando
    • Farah María – Amame y No Pienses Mas
    • FA 5 – Muevete Con Las Fuerzas Del Corazon
    • Tambores De Enrique Bonne – Como Arrullos De Palma
    • Ricardo Eddy Martinez – Expreso Ritmico
    • Los Papines – Solo De Tumba y Bongo
    • Grupo Sintesis – Aqui Estamos
    • Los Van Van – Llegada
    • Grupo Raices Nuevas – Baila Mi Guaguancó
    • Luis Carbonell – La Rumba
    • Orquesta Riverside – En Casa Del Trompo No Bailes
    • Juan Formel & Los Van Van – Llegue, Llegue
    • Grupo Los Yoyi – Tu No Me Puedes Conquistar
    • Los Papines – Para Que Niegas ?
    • Grupo De Experimentación Sonora Del ICAIC – ¡ Cuba Va !
    • Raul Gomez – Luces En La Pista
    • Los Brito – El 4-5-6
    • Leo Brouwer – Tema de El Rancheador De La Naturaleza
    • Ricardo Eddy Martinez – La 132
    • Los Reyes 73 – Finalizo Un Amor
    • 3×LP + Download Code £28.00
      Expected 29 OctPreorder
    • 2×CD£13.00
      Expected 29 OctPreorder
    Trees SpeakSeventh Mirror/RadiationSoul Jazz Records

    EXCLUSIVE NEW TREES SPEAK 45 DROPPING NOW!

    TREES SPEAK!!! New MONSTER hand-stamped white label 7" WORLD EXCLUSIVE at Sounds of the Universe and only 150 copies printed! DO NOT MISS OUT

    These tracks are absolute KILLERS! Undoubtedly the HEAVIEST & GROOVIEST Trees Speak we've heard by far!

    7th MIRROR - Tripped out intro then drops into a Motorik MONSTER! UNBELIEVABLE!

    RADIATION - Radio static & feedback then angular NYC post-punk moodiness!

    This 45 features an EXCLUSIVE new track only ever on this single + one from a forthcoming massive new double album! Next level stuff!

    **Crazy limited, one-off pressing of 100 units - one per customer!** ONLY AVAILABLE HERE - NOW!


    • – Seventh Mirror
    • – Radiation
    Deutsche Elektronische Musik 2 - SPECIAL 4-LP BOX SET EDITIONSoul Jazz Records

    Out-of print since its initial release over 8 years ago and not reissued and it features a monster 2 and a half hours of music!

    -------------------------------------------------------------------------------------------------------------

    Very Limited Edition Super Deluxe Heavyweight Box Edition (includes 4 LP + Insert + 2 Art prints + individual inners + download) + excellent extensive sleevenotes (by David Stubbs, writer for Wire/Guardian and author of the definitive ‘Krautrock’ book) + lots of exclusive photos. This is a one-off pressing of 500 in UK/1,500 copies worldwide.

    --------------------------------------------------------------------------------------------------------------

    Includes seminal German groups: Can, Faust, Neu, Amon Duul II as well as a host of lesser known groups and artists such as Agitation Free, Broselmachine, Niagara and many more! And as well as the original pioneers, Deutsche Electronische Musik 2 also features many of the second wave of German electronic artists and groups from the late 70s and early 80s (DAF, Asmus Tietchens, Rolf Trostel) who successfully connected new wave, minimal synth and a European post-punk avant-gardism with the earlier more established Krautrock pioneers who began at the start of the 70s.

    The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream society, the war in Vietnam, imperialism and bourgeois values. The birth of a counter-culture, drug experimentation and social change expanded musical worlds. Germany experienced its own cultural revolution fuelled by these worldwide student and worker revolts and by a generation’s desire to rid itself of the guilt of war.

    Many German youth turning their back on mainstream society. From the opening of the first collective/cooperative in 1967, Commune 1, in Berlin, to the formation of the Baader-Meinhof terrorist group and the bombings, kidnappings and killings of the Revolutionary Armed Forces (RAF), young Germans sought out new values and a lifestyle outside of ‘the system’. These cooperative and communal experiences led to a number of new radical German bands including Amon Duul, Faust and Can.

    Many artists and musicians believed a complete rejection of everything musically that had gone before was also necessary in order to build a new identity for German culture. At this time German music meant ‘schlager’ music – insipid pop music that hardly confronted the country’s recent historical events.

    Holger Czukay and Irmin Scmidt of Can studied music under the radical avant-garde composer Karheinz Stockhausen and Conrad Schnitzler studied art under the conceptual artist Joseph Beuys. German rock groups were as interested in musique concrète and serial compostion as they were in the psychedelia of Pink Floyd or the rock, soul and jazz music played by resident American forces.

    From this beginning German rock music began an evolutionary journey of experimentation. Electronic music became a pathway to notions of space and the cosmos. Conversely, the emergence of communal living led to a number of musicians setting up live/work spaces in rural areas and developing a ‘pastoral’ outlook, with musical ideas engaged closely with nature.

    German electronic music, kosmische music, cosmic rock, space music. The objectives were to create new music, ‘free’ from the past. A music that gave seed out of the cultural ‘nothingness’ that young Germans felt as a consequence of Germany’s role in the Second World War. A generation who grew up stifled by the recent history of Nazi atrocities, the guilt of their parents’ generation and their disillusionment at the reintegration of old Nazis into mainstream society.


    --------------------------------------------------------------------------------------------------------------

    Deutsche Elektronische Musik:

    "A near-definitive guide to some of the world's most extraordinary music." ***** The Guardian

    • A.R. & Machines – Globus
    • Can – Halleluwah
    • Roedelius – Le Jardin
    • Michael Rother – Karussell
    • Michael Hoenig – Sun and Moon
    • Agitation Free – You Play for Us Today
    • DAF – Co Co Pino
    • Harald Grosskopf – Emphasis
    • Amon Duul II – A Morning Excuse
    • Conrad Schnitzler & Wolf Sequenza – Fata Morgana
    • Broselmaschine – Nossa Bova
    • Eno, Moebius and Roedelius – Base & Apex
    • Gila – In A Sacred Manner
    • Wolfgang Riechmann – Himmelblau
    • A.R. & Machines – Als Hatt Ich Das Alles Schon Mal Gesehen
    • Gila – Sundance Chant
    • Neu – Isi
    • Pyrolator – Danger Cruising
    • Sergius Golowin – Die Weisse Alm
    • You – Electric Day
    • Niagara – Gibli
    • Rolf Trostel – Der Prophet
    • Electric Sandwich – China
    • Asmus Tietchens – Zeebrugge
    • Faust – Krautrock
    Black RiotEarly Jungle, Rave and HardcoreSoul Jazz Records

    VINYL FACTORY COMPILATION OF THE YEAR 2020!!!

    See chart here

    ----------------------------------------------------------------------------------------------------

    LIMITED EDITION COMES WITH FREE GRAPHIC STORY!

    Soul Jazz Records’ new Black Riot: Early Jungle, Rave and Hardcore is a brand new collection of heavyweight ragga-influenced hardcore jungle tracks from the early 1990s. Dark and heavy!

    Featuring classic and seminal tracks from the likes of Levictus and Krome &Time, alongside a host of rare and little-known ragga & junglist hardcore tunes from the likes of Babylon Timewarp’s hypnotic Durban Poison, Rhythm for Reasons’ mad ‘The Smokers Rhythm’, The Freaky rave-y breakbeat sound of ‘Time and Age,’ Trip One’s super dark ‘Snowball’ and loads more!

    Expect super heavy basslines, equally heavy twisted Amen drum loops, even heavier ragga vocals! Original jungle style - roots and culture - from the earliest days of drum and bass.

    Included with the album is a free limited-edition graphic mini-novel “Black Riot: The Mysterons save Planet Earth from the Xatheroid Angels.” This is the third collaboration between Soul Jazz Records and writer/illustrator Paulo Parisi, the highly respected author of graphic books on Jean Michel Basquiat and John Coltrane.

    This new graphic story continues the story of black electronic dance music – this time set around the birth of Jungle and continues onwards from Soul Jazz’s earlier ‘Invasion of the Killer Mysterons’ (Jamaican electronic Dub, co-compiled by Kevin Martin (The Bug)) and Mysterons Invade the Jackin’ Zone (about Chicago Acid & Experimental House).


    • Rhythm For Reasons – The Smokers Rhythm
    • Babylon Timewarp – Durban Poison
    • The Terrorist – RK1
    • DJ Dubplate – Tings A Go On
    • Leviticus – Burial (Lovers Rock Mix)
    • The Freaky – Time and Age
    • Trip One – Snowball Remix
    • DJ Krome & Mr. Time – Ganja Man
    • New Vision – Way Of Life
    • DJ Dubplate – Original Rubadubstyle
    • Hi Fi Power – Chill Out (Raggafunks U)
    • Nu Jacks featuring Ivory Ranks – House Sensation
    • New 2×LP + Download Code + Limited Edition Graphic story£26.00
      In stockAdd to Bag
    • CD plus Limited Edition Graphic story£13.00
      In stockAdd to Bag
    • MP3 Release£9.99
      In stockAdd to Bag
    Lloyd McNeill QuartetWashington Suite (1970)Soul Jazz Records

    Soul Jazz Records’ new ox-blood red coloured vinyl limited-edition 1000-copies worldwide LP (+ download code) issue of this very rare deep spiritual jazz album first released as a private-press album in 1970 on flautist Lloyd McNeill’s own Asha Record label in Washington, DC.

    --------------------------------------------------------------------------------------------------------------

    CLASSIC! DEEP Jazz includes the wicked 'Home Rule'

    Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

    McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.


    • – Home Rule
    • – Just 71% Moor
    • – 2504 Cliffbourne Pl.
    • – Fountain In The Circle
    • – City Tryptych
    • – Fountain In The Circle
    The WinstonsAmen Brother / Color Him FatherSoul Jazz Records

    It's back in stock!!! EXCLUSIVE - ONLY AVAILABLE HERE!

    -----------------------------------------------------------------------------------------------------------

    WORLD EXCLUSIVE limited edition seven-inch 45 ONLY AVAILABLE to customers at Soul Jazz Records and Sounds of the Universe!

    The world's greatest ever break? Here it is - The first official re-release of The Winston's Amen Brother with the LEGENDARY Amen Break as featured on 1000s of hip-hop and jungle releases. This record has been a collectors' 45 for ages and OUT OF PRINT for 50 years - sounding fresh!

    Not only that but the flip-side Color Him Father is a superb Curtis Mayfield-esque ANTHEMIC soul tune - as essential as the A-side.

    WORLD EXCLUSIVE limited edition seven-inch 45 ONLY AVAILABLE to customers at Soul Jazz Records and Sounds of the Universe!

    THIS RECORD IS 100% ESSENTIAL and ONLY available HERE - DO NOT MISS OUT!


    • The Winstons – Amen Brother
    • The Winstons – Color Him Father
    Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio OneSoul Jazz Records

    Soul Jazz Records’ new Studio One collection ‘Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio One’ features a stellar selection of 70s roots music – classic and rare tracks recorded at Clement Dodd’s musical empire at 13 Brentford Road in the 1970s.

    -----------------------------------------------------------------------------------------------------------

    Rastafarian-inspired Roots music was an ever-important aspect of Studio One’s output from the start of the 1970s onwards and this album features many of the ground-breaking groups and artists that established the sound of Jamaica during this decade and beyond.

    Featured here are seminal artists such as Freddie McGregor, The Wailing Souls, The Gladiators, Horace Andy, Devon Russell, Cedric Brooks, Count Ossie, Judah Eskender Tafari alongside a host of lesser-known rare cuts made at Studio One from artists such as The Prospectors, Viceroys and Pablove Black.

    Studio One and founder Clement Dodd’s connection with Rastafarianism dates back to the early 1960s, with Dodd accompanying members of the Skatalites up to the hills of Kingston to listen to the music of the Rastafarianism Count Ossie and his drummers. The album sleevenotes discuss how Clement Dodd’s musical links, as well as his role in heading the most important record label in Reggae, are in many ways linked to the beliefs of Rastafarianism.

    This album is released as a heavyweight black vinyl double-album with gatefold sleeve, full notes and download code, deluxe CD with full booklet and slipcase and digital album.

    • Freddie McGregor – I Am a Revolutionist
    • The Silvertones – Burning In My Soul
    • Wailing Souls – Without You
    • Devon Russell – Jah Jah Fire
    • Trevor Clarke – Sufferation
    • The Gladiators – Sonia
    • Judah Eskender Tafari – Always Trying
    • The Viceroys – Ya Ho
    • Im and Count Ossie – Give Me Back Me Language And Me Culture
    • The Gladiators – Serious Thing
    • The Prospectors – Glory For I
    • Wailing Souls – Things and Time
    • Pablove Black – Inner Peace
    • The Gladiators – Peace
    • Horace Andy – Mr. Jolly Man
    • Wailing Souls – Rock But Don't Fall
    • Albert Griffiths and The Gladiators – Righteous Man
    • The Viceroys – So Many Problems
    Brentford All StarsGreedy G / Granny Scratch ScratchSoul Jazz Records

    These are very limited Studio One 12" pressings (worldwide 1000) that sell out on the day they are released. So don't miss out here!

    BRAND NEW LTD. EDN. 12" All-time Studio One party ANTHEM. 100% ESSENTIAL MONSTER TUNE - ROCKS ANY DANCEFLOOR!

    'Greedy G’ is the ultimate reggae/funk/hip-hop party tune.

    The all-time epic sample for Boogie Down Productions’ seminal ‘Jack of Spades’ based on James Brown’s funk bomb ‘Get on the Good Foot’.

    The flipside is another Brentford Road All Stars essential cut, ‘Granny Scratch Scratch’, the heaviest, funkiest dub monster ever with bass to shake more speakers than a juggernaut lorry!

    Boom!


    • – Greedy G
    • – Granny Scratch Scratch
    Lloyd McNeillToriSoul Jazz Records

    Soul Jazz Records’ limited-edition black vinyl 1000-copies worldwide LP (+ download code), (as well as CD and digital) issue of this very rare deep spiritual jazz meets Brazilian and Latin album first released as a private-press album in 1978 on flautist Lloyd McNeill’s own Baobob Record label in Washington, DC. The album has been out-of-print for 43 years and is lovingly remastered by Soul Jazz Records.

    Tori is a stunning album that blends Brazilian and Latin flavours with deep Spiritual Jazz, recorded in 1978. The album features an unbelievably strong line-up which includes legendary Brazilian figures like Dom Um Romao, Nana Vasconcelos and Dom Salvador alongside jazz heavyweights such as Buster Williams, Howard Johnson, John La Barbera and more. These A-team musicians were all regulars in McNeill’s long-running and highly successfull resident live group in New York all set up to blend deep jazz, Brazilian and Latin music together.

    Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

    McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.

    • Lloyd McNeill – O Mercado (Brazilian Market)
    • Lloyd McNeill – Tori (Segment One)
    • Lloyd McNeill – Tzigane
    • Lloyd McNeill – Tori (Segment Two)
    • Lloyd McNeill – Sambinha
    • Lloyd McNeill – Time Still / Passaro - Pifaro (Flute Bird)
    • Lloyd McNeill – Tori (Segment Three)
    • Lloyd McNeill – Tranquil
    Trees SpeakPostHumanSoul Jazz Records

    This is incredibly Trees Speak’s third album on Soul Jazz Records to be released in the space of one year – and it’s amazing!

    Trees Speak’s new album ‘Post-Human’ once again blends 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New York No Wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!

    The new album ‘Post-Human’ draws further upon German krautrock high-concept albums from the likes of Tangerine Dream and Klaus Schulze from the 1970s, as Trees Speak create their own powerful new landscapes of sound that manage to be at once contemporary as well as both timeless and with a sense of science-fiction futurism.

    Trees Speak’ seamlessly segue together all these musical elements into ‘Post-Human,’ a conceptually expansive album which follows on from their critically-acclaimed debut LP ‘Ohms,’ and the follow-up ‘Shadow Forms’ released on Soul Jazz Records less than six months ago.

    This powerful new album is a high-concept collage of retro-futurist science-fiction music, which is fantastically illustrated by a specially commissioned cover design by the artist Eric Lee, a dramatic vision of life after humanity.

    Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

    The album includes an INDIES ONLY exclusive bonus 45 single with two extra tracks ‘Machine Vision’ and ‘Seventh Mirror’ available with the vinyl edition of this amazing and ground-breaking new album.

    With ‘Post-Human,’ Trees Speak take the listener deep into their unique musical world of unknown visions of the past and the future.

    ABOUT Ohms: Album of the Month - Splintered Eye /50 Best albums 2020 - Pop Matters / Favourite albums 2020 -The Soap Company / Albums of the Year 2020 -Bear Tree Records / Independent Albums of the Year 2020-Love Records / Albums of the Year 2020-Concrete Islands

    ABOUT Shadow Forms: Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year 2020 -South / Albums of the Year 2020 - Concrete Island / Albums of the month - Reveal / Albums of the Year 2020 -Piccadilly / Albums of the Year 2020-Buzzsaw / About Shadow forms / Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year-South / Albums of the Year-Concrete Island / Albums of the month-Reveal / Albums of the Year-Piccadilly /Albums of the Year-Buzzsaw

    About Ohms:

    “This might well be the Dark Side of the Moon of the XXI century” Discogs


    • Trees Speak – Double Slit
    • Trees Speak – Glass
    • Trees Speak – Chamber of Frequencies
    • Trees Speak – Divided Light
    • Trees Speak – Elements of Matter
    • Trees Speak – Magic Transistor
    • Trees Speak – Scheinwelt
    • Trees Speak – PostHuman
    • Trees Speak – Synthesis
    • Trees Speak – X Zeit
    • Trees Speak – Incandescent Sun
    • Trees Speak – Healing Rods
    • Trees Speak – Steckdose
    • Trees Speak – Amnesia Transmitter
    • Trees Speak – Quantize Humanize
    • Trees Speak – Gläserner Mensch
    • Trees Speak – Machine Vision
    • Trees Speak – Hidden Machine
    Trees SpeakShadow FormsSoul Jazz Records

    Super-limited new 1000 copies special ox-blood red vinyl edition!

    -------------------------------------------------------------------------------------------------------------

    It's a big one ... Absolutely stunning second album from Trees Speak new on Soul Jazz Records.

    Trees Speak’s new album ‘Shadow Forms’ is a blend of 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New Nork no wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!

    Trees Speak’ segue together all these elements into ‘Shadow Forms,’ which follows on from their critically-acclaimed debut LP ‘Ohms,’ released on Soul Jazz Records less than six months ago.

    Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

    Trees Speak - Shadow Forms:

    Records of the week-Drift/Album of the week-Resident/Album of the week-Norman/Records of the Year-South/Albums of the Year-Concrete Island/Albums of the month-Reveal/Albums of the Year-Piccadilly/Albums of the Year-Buzzsaw

    • Trees Speak – Large Array
    • Trees Speak – Tear Kisser
    • Trees Speak – Those Who Know
    • Trees Speak – Transforming
    • Trees Speak – Automat
    • Trees Speak – False Ego
    • Trees Speak – Communication
    • Trees Speak – Crystal System
    • Trees Speak – Agonize Signal
    • Trees Speak – Magick Knives
    • Trees Speak – Shadow Forms
    • Trees Speak – Outtake 3
    • Trees Speak – Transmitter
    Cold Wave # 2Soul Jazz Records

    Cold Wave #2

    Ltd. Edn. Dayglo sleeve + PURPLE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

    -------------------------------------------------------------------------------------------------------------

    Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

    This is the second release of Soul Jazz Records’ new Cold Wave overview.

    ------------------------------------------------------------------------------------------------------------

    This second edition Cold Wave #2 comes in two vinyl editions – a one-off pressing purple coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

    -------------------------------------------------------------------------------------------------------------

    These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

    Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

    Most of the featured artists are based in Europe and include Krikor from France, Beta Evers and L.F.T. from Germany, Lena Willikens, Job Siffre and De Ambassade from the Netherlands, Toulouse Low Trax from Germany, Dave I.D. and Broken English Club from the UK, and V.C.V.S from Georgia

    All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.

    • Lena Willikens – Howlin Lupus
    • Beta Evers – Hiding
    • L.F.T. – Stay Away From The Light
    • Job Sifre – At Least We Try
    • De Ambassade – Niet Van Mij
    • Toulouse Low Trax – Rushing Into Water
    • V.C.V.S. – Hum
    • Dave I.D. – Help Starts
    • Broken English Club – Vacant Cars
    • Krikor Kouchian – Deserver Dub
    Marcia GriffithsFeel Like Jumping / Part 2Soul Jazz Records

    IN STOCK NOW!

    BRAND NEW LTD. EDN. 12" All-time Studio One party ANTHEM now available for the first time ever on loud 12" with version on the flip. 100% ESSENTIAL MONSTER TUNE - ROCKS ANY DANCEFLOOR!

    • Marcia Griffiths – Feel Like Jumping
    • Dub Specialist – Feel Like Jumping Part 2
    Cold WaveSoul Jazz Records

    Ltd. Edn. Dayglo sleeve + ORANGE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

    -------------------------------------------------------------------------------------------------------------

    Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

    This is the first release of Soul Jazz Records’ new Cold Wave overview and a second volume will be released just four weeks later.

    ------------------------------------------------------------------------------------------------------------

    This first edition of Cold Wave comes in two vinyl editions – a one-off pressing orange coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

    -------------------------------------------------------------------------------------------------------------

    These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

    Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

    Most of the featured artists are based in Europe and include Krikor, Dissemblance and VQOA from France, De Ambassade from the Netherlands, Moisture from Sweden, Kriedler from Germany, Céline Gillain and Carcass Identity from Belgium. One exception is FIT Siegel out of Detroit, connecting the electronic pathways of Europe to the Motor City.

    All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.


    • Dissemblance – Capture
    • Carcass Identity – Reflexion Ocean
    • FIT Siegel – Wayne County Stomp
    • De Ambassade – Standhouden
    • Wang Inc – Approdo
    • Krikor Kouchian – Niños Matadores
    • Céline Gillain – Fight or Flight
    • Kreidler – Kannibal
    • Moisture – Gammut
    • Violent Quand On Aime – Of Course I'm A Liar
    Studio One Rocksteady Got SoulSoul Jazz Records

    Back in stock!

    Soul Jazz Records new Studio One release Rocksteady Got Soul is a collection of uplifting and superb rocksteady and soulful reggae from the late 1960s and early 1970s. Studio One is the number one label in the history of reggae and he album features - as ever with Studio One - an impeccable and unbeatable line-up of reggae superstars all soaring at the height of their creative powers. Alton Ellis, John Holt, The Heptones, Jackie Mittoo, The Ethiopians, Lee Perry and more.

    The album is a mix of classic tunes and rhythms alongside super-rarities that were released in a dazzlingly complex web of Studio One labels and issues, deftly navigated with new sleevenotes from author and Studio One authority Rob Chapman. But enough with the chatter, just spin the platter - these tunes rule the town, hands down!


    This Soul Jazz/Studio One album is released as deluxe gatefold double-vinyl + house inners + download code. Also as jewel case CD housed in card slipcase. Both formats come with full sleeve notes/discography and exclusive photography. (The album is also available digitally on day of release onwards)

    • Alton Ellis – It's True
    • The Heptones – You Turned Away
    • The Gladiators – Mr Sweet
    • The Jail Breakers – Work It Up
    • Lee Perry & The Gaylads – Run Rudie Run
    • The Heptones – Young Generation
    • Jackie Mittoo – Good Feeling
    • C. Marshall – I Need Your Loving
    • Alton Ellis – I'll Be Waiting
    • The Clarendonians – The Tables Gonna Turn
    • Ken Parker – When You're Gone
    • Sound Dimension – Traveling Home
    • Errol Dunkley – Get Up Now
    • John Holt – My Heart Is Gone
    • Freedom Singers and Larry Marshall – Monkey Man
    • The Ethiopians – Let The Light Shine
    • Im and David – Money Maker
    • The Viceroys – Lose and Gain
    • 2xLP (+ Download Code)£26.00
      Out of stock
    • CD£12.00
      In stockAdd to Bag
    • MP3 Release£9.99
      In stockAdd to Bag
    Steve Reid Ensemble feat. Kieran Hebden - Spirit Walk (Special Limited Edition black vinyl RSD 2021)Soul Jazz Records


    "Steve Reid played with Sun Ra, knew Coltrane, played at Motown. I mean this is a guy who at 19 was playing drums with Fela Kuti in Africa. He is a musical genius. It’s a creative joy and honour to work with him."Kieran Hebden (Fourtet) After a number of groundbreaking live shows between Kieran Hebden (Fourtet) and legendary New York drummer Steve Reid, these two artists have embarked on two amazing new recording projects.

    The first release is the Steve Reid Ensemble (featuring Kieran Hebden) "Spirit Walk". This will be followed by a second album by Kieran Hebden and Steve Reid which will be released by Domino Records at the beginning of 2006. Both albums blend electronic experimentation within the frame-work of Steve Reid’s musical heritage. Gilles Peterson will be touring the UK in November alongside The Steve Reid Ensemble. An ardent fan of the music, Peterson has contributed the sleeve-notes to "Spirit Walk" along with another long-time musical admirer Val Wilmer. Steve Reid is a true pioneer of boundary-breaking music.

    This latest project/collaboration is a continuation of a musical path that stretches back to the late 1960s. A self-taught master jazz drummer Steve Reid played in Sun Ra’s Arkestra as well as being a session musician at both Motown Records (he plays on for instance Martha and The Vandella’s "Heatwave") and in James Brown’s in-house band at the legendary Harlem Apollo. In the mid-60s Reid went to West Africa, playing and learning the music of Ghana, Nigeria (playing with Fela Kuti), Liberia, Sierra Leone, Senegal. On returning to New York he joined Sun Ra’s The Science Myth Solar Arkestra.

    In 1968 as a conscientious objector to the Vietnam war he was sentenced to 4 years in prison where he then taught a Black history course to his fellow inmates. In the 1970’s Reid formed the Legendary Master Brotherhood as well as running his own record company, Mustevic Sound, which released a series of his albums (2 of which have earlier been released by Soul Jazz Records). In a career now spanning over 40 years Steve Reid has worked with artists such as Lester Bowie, Miles Davis, Charles Tyler, Arthur Blythe, Ornette Coleman, Gary Bartz, Chief Bey, Archie Shepp, Sam Rivers, Dee Dee Bridgewater, Leon Thomas and more. This new project is the latest part in Steve Reid’s musical odyssey.

    "A truly phenomenal artist. This is the album we've all been waiting a long time for. Steve Reid is steeped in musical history and yet this album has a modernity all of it's own." Gilles Peterson.

    • Steve Reid Ensemble – Lugano
    • Steve Reid Ensemble – Bridget
    • Steve Reid Ensemble – For Coltrane
    • Steve Reid Ensemble – Blind Tom
    • Steve Reid Ensemble – Which One?
    • Steve Reid Ensemble – Lions Of Juda
    • Steve Reid Ensemble – It Cannot Be True
    • Steve Reid Ensemble – Unity
    • Steve Reid Ensemble – Drum Story
    Add N To X - On The Wires Of Our Nerves (Special Limited Edition RSD 2021 silver vinyl)Soul Jazz Records

    Super special 20th anniversary SILVER vinyl!

    Incredibly inspired electronic retro-futurists who were so ahead of their time that they eventually imploded. This is a classic album!

    In the space of five short years (and as many albums) at the end of the 20th century Add N To X caused havoc with their unique retro-futurist electronic music. Add N To X’s musical intensity proved too much for the group who split up in 2002. Their album On The Wires of Our Nerves, complete with its classic cover image, recorded on Soul Jazz Records’ then new offshoot label Satellite Records, launched them into the spotlight and included two NME Singles of the Week ‘Black Regent’ and ‘King Wasp’. Over twenty years since it was first released and long out of print the album 'On The Wires of Our Nerves’ stands up one of the most forward-looking electronic albums of then and now.

    This classic album is released in a very limited one-off pressing transparent vinyl edition as an Record Store Day exclusive title

    • Add N To X – The Black Regent
    • Add N To X – Planet Munich
    • Add N To X – Nevermind
    • Add N To X – We Are Add N To X
    • Add N To X – Murmur One
    • Add N To X – Sound Of Accelerating Concrete
    • Add N To X – Gentle Germans
    • Add N To X – King Wasp
    • Add N To X – Orgy Of Bubastus
    • Add N To X – Grey Body, Green Gun
    • Add N To X – On The Wire Of Our Nerves
    • Add N To X – Hit Me
    • Add N To X – Sir Ape
    • New 2×LP (Coloured Vinyl)£32.00
      In stockAdd to Bag
    Studio One RootsSoul Jazz Records

    LAST COPIES!

    This is the new 20th anniversary edition of one of Soul Jazz Records’ classic Studio One releases now available as a one-off pressing special blue vinyl very limited-edition pressing ( 2000 copies worldwide).

    ----------------------------------------------------------------------------------------------------------

    Studio One Roots set the standard for Soul Jazz Records’ long-standing series of Studio One collections and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae.

    This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining crack-session men groups of Jamaican reggae history - The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. As ever the album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.

    Stand-out tracks include Alton Ellis’s Blackish White, a surreal and powerful Afro-centric dream, Count Ossie Nyabinghi and Rastafarian drummers genre-defying interpretation of Booker T and The MGs ‘Meditation’, Willie Williams awe-inspiring versioning of the Skatalites' seminal Rastafari anthem Addis Ababa and many, many more.

    This album has been fully digitally remastered, analog cut and packaged complete with the following: Original sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Honest Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves.

    REVIEWS:

    "Having established himself as one of Jamaica's top producers the day Studio One opened its doors in the early '60s, Clement "Coxsone" Dodd was unable to maintain his status during the roots era of the subsequent decade. This can be attributed to a couple of factors. One was Dodd's apparent reluctance to record the new, overtly Rasta-inspired music. The other was an infusion of new blood into the Jamaican music business. Eager to make a name for themselves, producers like Joe Gibbs, Bunny Lee, Lee "Scratch" Perry, and Winston "Niney" Holness managed to supplant the island's "big three" (Dodd, Duke Reid, and Prince Buster) in the process, driving the music's evolution in the '70s.

    There isn't a weak number across these 16 tracks, from the Gaylads' ode to "Africa" and Devon Russell's version of the heavyweight "Drum Song" rhythm, to a trio of stunning instrumentals: Jackie Mittoo and the Cyclones with nyahbinghi drummer Count Ossie on "Meditation," Lenny Hibbert's sparkling vibe work over Mittoo's "Ghetto Organ" ("More Creation"), and Sound Dimension's "Congo Rock."

    The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection." All Music

    • The Cyclones With Count Ossie – Meditation
    • Cornell Campbell & The Brentford Rockers – Natty Don't Go
    • Freddy Mcgregor With The Sound Dimension – Africa Here I Come
    • Bunny & Skitter – Lumumbo
    • Willie Williams & The All Stars – Addis A Baba
    • L.Crosdale With Drummond Bago & the Rebel Group – Set Me Free
    • Leroy Wallace & The New Establishment – Far Beyond
    • Lennie Hibbert – More Creation
    • Alton Ellis & The Sound Dimension – Blackish White
    • Winston Jarrett & The Sound Dimension – Fear Not
    • Devon Russell – Drum Song
    • The Gaylads – Africa
    • Black Brothers & The New Establishment – School Children
    • Linton Cooper & The Brentford Disco Set – You'll Get Your Pay
    • Sound Dimension – Congo Rock
    • Zoot Simms – African Challenge
    • 1. The Cyclones With Count Ossie – Meditation
    • 2. Cornell Campbell & The Brentford Rockers – Natty Don't Go
    • 3. Freddy Mcgregor With The Sound Dimension – Africa Here I Come
    • View full info and tracklisting
    • New 2×LP (Coloured Vinyl)£30.00
      Limited edition blue coloured vinyl + inners + download
      In stockAdd to Bag
    • CD£12.00
      In stockAdd to Bag
    • MP3 Release£9.99
      In stockAdd to Bag
    Steve ReidNova (1976)Soul Jazz Records

    New edition of this seminal album available as a 1000 copies edition only on new premium RED vinyl!

    --------------------------------------------------------------------------------------------------------------

    'A truly phenomenal artist.' GILLES PETERSON

    'Steve Reid is one of the greatest drummers. He is a musical genius' KIERAN HEBDEN (Four Tet)

    --------------------------------------------------------------------------------------------------------------

    As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, , Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver!

    Reid was born in the South Bronx, and grew up in Queens, New York. He played in the house band at Harlem's Apollo Theatre, accompanying James Brown, as well as playing in Sun Ra's Arkestra. He lived next to John Coltrane, worked in a department store with Ornette Coleman, had a son who played drums with NWA. He began his career as a teenager in the 1960s as a drummer at Motown when he played on Martha and The Vandellas "Heatwave" (aged 14).

    At the end of the 1960s Reid was sentenced to four years in jail as a conscientious objector of the Vietnam war. On his release from prison in 1974, he formed the Legendary Master Brotherhood and started the independent record label, Mustevic Sound, to release his debut LP Nova in 1976. This album is released in its entirety and with full original cover art here. Nova was the first in a series of stunning independent records he released in the 1970s.

    At the start of the 21st century, his career took a new twist when Steve Reid began a successful collaboration with Kieran Hebden (Four Tet). Hebden referred to Reid as his ‘musical soul mate’, resulting in a number of joint albums.

    Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.

    • Steve Reid – Nova
    • Steve Reid – Lions Of Juda
    • Steve Reid – Free Spirits-Unknown
    • Steve Reid – Long Time Black
    • Steve Reid – Sixth House
    Arthur RussellThe World Of Arthur RussellSoul Jazz Records

    New fully remastered re-release of Soul Jazz Records’ ‘The World of Arthur Russell’, the seminal collection of Arthur Russell’s essential music back in print on awesome limited-edition heavy deluxe triple vinyl and deluxe CD edition.

    ------------------------------------------------------------------------------------------------------

    This album brings together some of Russell’s best-loved and most accessible works including his wide-ranging music both solo and in groups including Dinosaur L (the essential ‘Go Bang’), Loose Joints (the equally classic ‘Is It All Over My Face’) as well as rarities such as the 7” only ‘Pop Your Funk’, Indian Ocean’s ‘Schoolbell/Treehouse’, Lola’s ‘Wax The Van’ and more.

    -------------------------------------------------------------------------------------------------

    “Arthur Russell fused the avant-garde with disco and sounds like nothing else on earth.” The GUARDIAN

    “Russell is the great enigma of the New York music scene” THE WIRE

    “Simply one of the best compilations of this or any year.” RECORD COLLECTOR

    -----------------------------------------------------------------------------------------------------


    Arthur Russell’s music effortlessly crossed musical boundaries making it timeless. His dance music credentials are faultless and this collection features mixes from Larry Levan, Françcois Kervorkian and Walter Gibbons. Similarly, his song-writing, musicality and performance skills are equally cherished as composer Philip Glass wrote, ‘this was a guy who could sit down with a cello and sing with it in a way that no one on earth has ever done before or will do again.’

    When Soul Jazz Records’ The World of Arthur Russell first came out in 2003, Russell’s music had slipped into near obscurity. Nearly 18 years later there are over a dozen releases of his music, reissues of his original albums and more. ‘The World of Arthur Russell’ is the classic first collection of his work available once more.

    • Dinosuar L – Go Bang (Francois K Mix)
    • Lola – Wax The Van
    • Loose Joints – Is It All Over My Face (Larry Levan Mix)
    • Arthur Russell – Keeping Up
    • Arthur Russell – In The Light Of The Miracle
    • Arthur Russell – A Little Lost
    • Loose Joints – Pop Your Funk
    • Arthur Russell – Lets Go Swimming (Walter Gibbons Mix)
    • Dinosuar L – In The Cornbelt (Larry Levan Mix)
    • Arthur Russell – Treehouse
    • Indian Ocean – Schoolbell/Treehouse (Walter Gibbons Mix)
    Two Synths, A Guitar (And) A Drum Machine - Soul Jazz Records #1 Post Punk DanceSoul Jazz Records

    OUT NOW!

    Soul Jazz Records new ‘Two Synths, A Guitar (and) A Drum Machine’ is a new collection of current D-I-Y post-punk bands shaped by the mutant sounds of no wave, punk funk and New York Noise bands from the late 70s and early 80s that collided with the world of underground dance music found at the Paradise Garage, Mudd Club in New York City (ESG, Arthur Russell, Bush Tetras, Talking Heads, Suicide, Liquid Liquid).

    Other influences cited here include Manchester and Sheffield’s industrial post-punk sounds of the 1980s (Joy Division, Cabaret Voltaire, Gang of Four) as well as the 1970s German electronic experimentalism of Cluster, Neu!, Harmonia and Can.

    Featured artists from around the globe include Los Angeles D-I-Y band Automatic, New Fries from Toronto, artist/music collaborators Toresch from Germany, Susumu Makai from Japan/UK, Vex Ruffin from the Phillipines/California and Madmadmad, Gramme, Tom of England and other UK groups

    That all the bands featured here manage to make distinctive contemporary music out of these 80s roots is testament to the wide range of other musics that are seamlessly absorbed into a modern melting pot of sound – hip-hop, the electronic European avant-garde, rave culture, and more.

    The double vinyl comes in two editions:

    1) Limited edition indies EXCLUSIVE heavyweight green double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

    2) Limited edition heavyweight black double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

    The album is also available as a CD and digital release

    • Automatic – Too Much Money
    • Zongamin – Underwater Paramid
    • New Fries – Lily
    • Vex Ruffin & Fab 5 Freddy – The Balance
    • Ixna – Somebody Said
    • Leroy Duncann – Dream River
    • Tom Of England – Neon Green
    • Toresch – Tocar
    • Becker & Mukai – La Rivière des Perles
    • Gramme – Discolovers
    • Niagara – Ida
    • Charles Manier – Sift Through Art Collecting People
    • Black Deer – Baseball Shorts
    • Madmadmad – Hot Disco
    • Wino D – Untitled
    Cuba: Music and Revolution - Compiled by Gilles Peterson and Stuart BakerSoul Jazz Records

    Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state of Cuba.

    The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

    The album is released to coincide with the massive new deluxe large format book Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90, published in November, which is also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), and which features the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

    The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba – and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states.

    The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

    Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

    -------------------------------------------------------

    REVIEWS:

    "It may only be January, but we already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

    "It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

    "Priceless comp goes beyond Buena Vista" UNCUT

    --------------------------------------------------------------------------------------

    *Please note the vinyl sticker of this album says "+download code" but it's a mistake! There is no download with this particular album due to legal reasons. Sorry for this error!

    • Grupo Irakere – Chequere Son
    • Conjunto Rumbavana – El Son Del Campeon
    • Juan Formell & Los Van Van – Mi Ritmo Caliente
    • Grupo Monumental – Mi Son Caridad
    • Grupo de Experimentación Sonora del ICAIC – Sondeando
    • Las D'Aida – Con Cadencia y Con Dulzura
    • Juan Formell & Los Van Van – Y No Le Conviene
    • Pablo Milanés – Te Quiero Porque Te Quiero
    • Emíliano Salvador – Luna Wanestain
    • Los Reyes 73 – Un Lamento Hecho Cancion
    • Eduardo Ramos – Vocación Revolución
    • Grupo Mounmental – Hasta Las Cuantas
    • Los 5 U 4 – Solo Esta Musica
    • Grupo de Experimentación Sonora del ICAIC – Canción Con Todos
    • Orquesta Los Van Van – Yo Se Que Van Van
    • Grupo Monumental – Nadie Se Siente Cansado
    • Orquesta Ritmo Oriental – Maria, Baila El Son
    • Juan Pablo Torres y Algo Nuevo – Rompe Cocorioco
    • Los Reyes 73 – Grandes Amigos
    • Paquito D'Rivera – La Patica
    • Grupo de Experimentación Sonora del ICAIC – Grifo
    • Raúl Gómez – Dacapo
    • Grupo Irakere – Juana 1600
    • 1. Grupo Irakere – Chequere Son
    • 2. Conjunto Rumbavana – El Son Del Campeon
    • 3. Juan Formell & Los Van Van – Mi Ritmo Caliente
    • View full info and tracklisting
    • 3×LP£28.00
      In stockAdd to Bag
    • 2×CD£13.00
      Out of stock
    Studio One Rockers (Black vinyl edition)Soul Jazz Records

    Owned and founded by Clement "Coxsone" Dodd, Studio One's output serves as a comprehensive guide to the history of Reggae music. The music on Studio One Rockers covers all areas of Reggae such as Ska, Rocksteady, Roots and Dancehall, all areas in which Studio One led the field.


    Studio One Rockers features many legendary Studio One tracks brought together for the first time by Soul Jazz Records. From the beginning of Reggae, when the Skatalites developed a new sound of Ska in 1962 up until today, Studio One has been the number one innovator in Jamaican music.


    Included in this compilation are classic Ska tracks ("Phoenix City"), Rocksteady ("Feel Like Jumping"), Roots music ("Truth and Rights"), Dancehall (Freddy McGregor, Michigan and Smiley) and many more.


    Featured here are many of the classic tracks from Studio One. From Dawn Penn's legendary "No, No, No" to classics such as Horace Andy's "Skylarking" and Marcia Griffith's "Feel Like Jumping".


    The Coxsone Soundsystem in the early 60s was one of the three main soundsystems operating in Jamaica alongside his competitors, Prince Buster and Duke Reid. The Studio One catalogue is possibly the largest in Jamaican music and this release is the first in a series of Studio One compilations on Soul Jazz Records.


    This album comes with an in depth interview with Mr C.S. Dodd, about how he set up and ran his record label in the 1960s and 1970s.


    "Compilation of the month. 100% Essential" SEVEN "Compilation of the month. A compilation of unbelievable quality. Awesome" MUZIK "A who's who of Jamaican music" MUSICWEEK "An essential slice of musical history" WAX "The most credible compilation of reggae you can 

    • Sound Dimension – Real Rock
    • Marcia Griffiths – Feel Like Jumping
    • Freddy Mcgregor – Bobby Babylon
    • Horace Andy – Skylarking
    • Lennie Hibbert – Village Soul
    • Brentford All-Stars – Greedy G
    • Johnny Osbourne – Truth And Rights
    • Ernest Ranglin – Surfin
    • Michigan & Smiley – Eye Of Danger
    • Dawn Penn – No, No, No
    • The Skatalites – Phoenix City
    • Prince Jazzbo – Crabwalking
    • Jackie Mittoo – Hot Milk
    • Lone Ranger – Badder Dan Dem
    • Cedric Brooks – Ethiopia
    Deutsche Elektronische Musik 4Soul Jazz Records

    This is the new instalment of Soul Jazz Records’ ground-breaking Deutsche Elektronische Musik series, ‘A near-definitive guide to some of the world's most extraordinary music’ (The Guardian).

    This latest edition features many of the classic German electronic and Krautrock groups from the 1970s & 80s – including Can, Amon Duul II, Harmonia, Conrad Schnitzler, Agitiation Free, Roedelius – as well as a host of lesser known artists such as Dzyan, Klauss Weiss, Gruppe Between and many more.

    Deutsche Elektronische rarities unearthed on the album include Kalacakra (whose fan-base included the great Moondog!) and their superb ‘Nearby Shiras,’ taken from their super-rare spiritual/psychedelic private press concept album Crawling to Lhasa, from 1972.

    Deutsche Elektronische 4 includes a wealth of German electronic experimental artists – the seminal pioneering group Harmonia (Roedelius, Moebius and Michael Rother), avant-garde guru Conrad Schnitzler as well as lesser known synthetic artists such as Klauss Weiss, Deutsche Wertarbeit, E.M.A.K. (Electronische Musik Aus Koln), Gunter Schickert and others.

    Finally, the album also features an array of heavy and progressive German cosmic rock groups – Dzyan, Virus and the amazing Turkish/German tripped out sound of Alex’s ‘Patella Black’, recorded at Can’s Inner Space in 1973, produced by Holger Czukay and Jackie Liebezeit.

    Deutsche Elektronische 4 comes with extensive newly commissioned sleevenotes by David Stubbs, author of the seminal books ‘Future Days: Krautrock and the building of Modern Germany’, ‘Mars By 1980: The story of Electronic Music’, and ‘Krautrock: Cosmic Rock and its Legacy’.

    This album comes as a heavyweight triple vinyl edition with full colour inner sleeves, as well as a deluxe double CD edition with outsize booklet and slipcase. Both formats include full liner notes and extensive rare photography.

    • Alex – Patella Black
    • Klaus Weiss – Driving Sequences
    • Can – I'm So Green
    • Agitation Free – Laila, Part II
    • Deutsche Wertarbeit – Guten Abend, Leute
    • Amon Düül II – Wolf City
    • Michael Rother – Flammende Herzen
    • Klaus Weiss – Pink Sails
    • Virus – My Strand-Eyed Girl
    • Conrad Schnitzler – Ballet Statique
    • Kalacakra – Nearby Shiras
    • EMAK – Tanz In Den Himmel
    • Et Cetera – Mellodrama 2a
    • Between – Triumphzug Kaiser Maximilian I
    • Roedelius – Halmharfe
    • Dzyan – Dragonsong
    • Harmonia – Deluxe (Immer Wieder)
    • Günter Schickert – Suleika
    • Witthüser & Westrupp – Schöpfung (1. Mose 1)
    Enrique Rodriguez and The Negra Chiway BandFase LiminalSoul Jazz Records

    Powerful new spiritual jazz from Chile on Soul Jazz Records!

    This album comes as a very limited one-off unique pressing of 1000-edition vinyl, limited editon CD and digital release.

    Enrique Rodríguez and the Negra Chiway Band group have an instantly powerful and unique sound that is reminiscent of the ensembles of Sun Ra and his Arkestra as well as Horace Tapscott and his Pan-Afrikan Peoples Arkestra, one that channels the righteous spirits of Alice Coltrane, John Coltrane, Pharoah Sanders, Archie Shepp and McCoy Tyner together with a stunning Latin rhythmical and new consciousness and percussive energy. Added to this are elements of the Samurai film soundtracks of Akira Kurosawa, Popol Vuh’s musical spirituality (especially their work with film director Werner Herzog), Tibetan Buddhism and over-blowing chants, that all combine to give a truly unique new sound.

    Enrique Rodríguez is a composer, percussionist, keyboardist, and producer from Santiago, Chile, whose work shows many similarities with the music featured on Soul Jazz Records’ recent collection ‘Kaleidoscope - New Spirts Known and Unknown’, featuring new forward-looking jazz artists including Mathew Halsall, Theon Cross, Emma-Jean Thackray and Makaya McCraven.

    Like all these artists, Rodríguez’s work is a progressive and experimental fusion of earlier influences that combine into a new and definitely 21st century ground-breaking sound that, on account of its South American setting, give the group its truly unique feeling. Hypnotic modal piano riffs, powerful brass and flutes, an army of Latin percussion instruments, and addictive vocal chants all combine in this powerful mix of radical 60s Afro-centric jazz, eastern spirituality and cosmology, and Latin American rhythmical movement.

    Awesome!

    • Enrique Rodriquez and The Negra Chiway Band – Dónde ?
    • Enrique Rodriquez and The Negra Chiway Band – Descenso
    • Enrique Rodriquez and The Negra Chiway Band – Vindakalla-Welukan (Autoconfrontación)
    • Enrique Rodriquez and The Negra Chiway Band – No Quiero Seguir Así
    • Enrique Rodriquez and The Negra Chiway Band – Acabar de Conocerse
    • Enrique Rodriquez and The Negra Chiway Band – Paso Firme
    • Enrique Rodriquez and The Negra Chiway Band – Dónde ? (Alternate Take)
    • 1. Enrique Rodriquez and The Negra Chiway Band – Dónde ?
    • 2. Enrique Rodriquez and The Negra Chiway Band – Descenso
    • 3. Enrique Rodriquez and The Negra Chiway Band – Vindakalla-Welukan (Autoconfrontación)
    • View full info and tracklisting

    People also bought

    Soul Jazz Records presents Yoruba!Songs and Rhythms For The Yoruba Gods In NigeriaSoul Jazz Records

    Soul Jazz Records’ latest album ‘Yoruba! Songs and Rhythms for the Yoruba Gods in Nigeria’ is newly recorded in Lagos, Nigeria.

    The album is co-produced by Laolu Akins, founding member of the legendary 1970s Nigerian Afro-Funk/Rock group Blo, and Soul Jazz Records label head Stuart Baker.

    This album features songs honouring the Nigerian gods of the Yoruba traditional religion – Yemoja, Obatala, Ogun, Sango and others – as well as a selection of instrumental cuts focussing on the Bata and Dundun drums. The album comes complete with extensive text and photography (40-page outsize booklet in CD/ full text in gatefold double vinyl + inners) showing the influence of Yoruba culture throughout the world and the social and historical context for the music contained here.

    The enormous impact of Yoruba and West African music and culture is worldwide – from the first Afro-centric explorations of African-American jazz musicians in the 1950s such as Art Blakey, Randy Weston and Dizzy Gillespie, the explosion of Nu Yorican Latin music in New York City starting in the 1960s – Mambo, Boogaloo, Latin funk and soul - through to the sacred and powerful Afro-derived music of the religions of Santería in Cuba, Candomblé in Brazil and Voodoo in Haiti, which all came in to existence on account the Atlantic slave trade which began over 400 years ago. On a wider scale West African music remains the primary root of all African-American musical forms – from New Orleans jazz to Bronx rap, gospel, soul and more.

    Yoruba! features an array of local master drummers led by Olatunji Samson Sotimirin and singers (featuring the lead vocals of Janet Olufanmilayo Abe) performing heavyweight Afro-rhythms, with talking drums, Bata and Dundun drums and a mass of percussion in these deep spiritual and sacred songs used to honour and worship the traditional and ancient Yoruba gods in Nigeria, West Africa.

    'Hypnotic, spiritual rhythms' FACT Magazine



    • – Homage To Yemoja
    • – Homage To Esu
    • – Sakara Instrumental Ensemble
    • – Homage To Obatala
    • – Eulogy To Amila
    • – Homage To Sango
    • – Agbe Gbe-Wadele
    • – Eulogy To Ori-Ola
    • – Bata Drums Ensemble
    • – Homage To Osun
    • – Eshere
    • – Dundun Instrumental Ensemble
    • – Homage To Ogun
    Nigeria Soul Power 70 (Expanded Double LP Set)Soul Jazz Records

    Seriously rare, killer and classic Nigerian 70s Afro-Funk, Afro-Disco & Afro-Rock tunes bought together.

    Originally released as a now-long-out-of-print collectors’ 7” RSD box, this fully expanded album release now also includes extra tracks from Sonny Okosuns, Wings, Chief Kollington Ayinla and more.

    Soul Jazz Records’ Nigeria Soul Power 70 album showcases the influence of funk, rock and disco on Nigerian music during the 1970s

    --------------------------------------------------------------------------------------------------------------

    While for many people the fusion of funk and jazz music with Nigerian rhythms and aesthetics began with Fela Kuti and his afro-beat sound, in fact this can be traced further back to the phenomena of the 1960s Nigerian artists and house bands in nightclubs and hotels who interpreted US soul and pop music with a local flavour and none more so than Geraldo Pino, the ‘African James Brown’ who features heavily in this collection. Other similarly inspired Nigerian funk and soul artists featured here included Tony Grey and his Ozimba Messengers and Don Bruce and The Angels.

    Nigeria Soul Power 70 includes a number of tracks from the group Wings originally known as BAF (Biafran Air Force) Wings, an army band formed during the Biafran civil war in Nigeria. The groups’ heavy mixture of funk, rock and African styles was popular among many Nigerian groups at the time.

    Beneath the shadow of the few Nigerian artists who signed international recording deals in the 1970s – Fela Kuti, King Sunny Ade, Chief Ebenezer Obey – lies a vast wealth of largely undiscovered musical transmutation and cultural cross-pollination, and included here are heavy afro-funk/rock and disco tracks from artists such as the legendary Sonny Okosuns as well as rare cuts from little-known outside of Nigeria - groups such as Colomach and MFB. Most of these obscure artists signed to major labels in Nigeria in the commercial slipstream that opened up as Philips, Decca and EMI tried to emulate the international success of the big three international Nigerian artists.

    Finally featured here is Kollington Ayinla, one of the co-founders of Nigerian Fuji music, who gives us perhaps the heaviest of all tracks on this album. Ayinla is the great moderniser of the Fuji sound and in the late 1970s began adding Bata drums and synthesizers to his authentic music to create a powerful and heavy new fusion of traditional and modernist aesthetics, embracing both new technology and experimentation while rooted firmly in Nigerian historical lineage.

    ------------------------------------------------------------------------------------------------------

    Nigeria Soul Power 70 is released as a heavyweight gatefold double vinyl LP (+ free download code), deluxe slipcase CD and digital album.

    • Geraldo Pino – Shake Hands
    • Sonny Okosuns Ozziddi – Dance Of The Elephants
    • The Wings – We'll Get Home
    • Alhaji (Chief) Prof. Kollington Ayinla – E Ye Ika Se
    • Colomach – Kassa Kpa Sama Kpa
    • Geraldo Pino – Heavy Heavy Heavy
    • MFB – Beware
    • Tony Grey and The Ozimba Messengers – You Are The One
    • Sonny Okosuns Ozziddi – Oba Erediauwa I
    • The Wings – Single Boy
    • Geraldo Pino – Power To The People
    • Original Wings – Igba Alusi
    • Don Bruce and The Angels – Sugar Baby
    • Geraldo Pino – Africans Must Unite
    Soul of A Nation: Afro-Centric Visions in the Age of Black PowerSoul Jazz Records

    This album coincides with the massive new exhibition Soul of A Nation - Art in the Age of Black Power at Tate Modern, London.


    Watch Channel 4 news piece here

    Read Guardian feature here

    The album shows how the ideals of the civil rights movement, black power and black nationalism influenced the evolvement of radical African-American music in the United States of America in the intensely political and revolutionary period at the end of the 1960s following the assassinations of Malcolm X, Martin Luther King and the rise of the Black Panther party.

    Featuring groundbreaking artists such as Gil Scott-Heron, Roy Ayers, Don Cherry, Oneness of Juju, Sarah Webster Fabio, Horace Tapscott, Phil Ranelin and many others, Soul of A Nation shows how political themes led to the rise of ‘conscious’ black music as new afro-centric styles combined the musical radicalism and spirituality of John Coltrane and radical avant-garde jazz music alongside the intense funk and soul of James Brown and Aretha Franklin and the urban poetry and proto-rap of the streets.

    The Soul of a Nation exhibition draws on the links between Black art forms – art, music, poetry - and how they came together during the civil rights and black power era as part of the wider black arts movement across the United States.

    Iconic African-Amercian revolutionary figures such as Martin Luther King, Malcolm X and Angela Davis, John Coltrane, Muhammad Ali all appear in the radical artworks of Barkley L. Hendricks, Romare Bearden, Norman Lewis, Lorraine O’Grady and Betye Saar.

    Stuart Baker (founder of Soul Jazz Records) will appear with the curators on the panel of Jazz for Soul of a Nation: Art in the Age of Black Power discussion at the gallery as part of the show. You can book a ticket for this event here

    The Soul of a Nation album comes with extensive sleeve-notes and exclusive photography in a large 36-page outsize booklet and slipcase. Double gatefold vinyl album edition comes with full colour inners + bonus download code and includes full sleeve-notes/photography.

    Read More Reviews of the Soul of A Nation Exhibition:

    Independent

    Time Out

    The Telegraph

    Frieze

    BBC News

    • Gil Scott-Heron – The Revolution Will Not Be Televised
    • Mandingo Griot Society with Don Cherry – Sounds From The Bush
    • Roy Ayers Ubiquity – Red, Black and Green
    • Philip Cohran and The Artistic Heritage Ensemble – Malcolm X
    • Sarah Webster Fabio – Sweet Songs
    • Phil Ranelin – Vibes From The Tribe
    • Horace Tapscott with the Pan Afrikan Peoples Arkestra – Desert Fairy Princess
    • David McKnight – Strong Men
    • Joe Henderson – Black Narcissus
    • Oneness Of Juju – African Rhythms
    • Doug Carn – Suratal Ihklas
    • Duke Edwards and The Young Ones – Is It Too Late ?
    • Carlos Garnett – Mother Of The Future
    • 1. Gil Scott-Heron – The Revolution Will Not Be Televised
    • 2. Mandingo Griot Society with Don Cherry – Sounds From The Bush
    • 3. Roy Ayers Ubiquity – Red, Black and Green
    • View full info and tracklisting
    Black RiotEarly Jungle, Rave and HardcoreSoul Jazz Records

    VINYL FACTORY COMPILATION OF THE YEAR 2020!!!

    See chart here

    ----------------------------------------------------------------------------------------------------

    LIMITED EDITION COMES WITH FREE GRAPHIC STORY!

    Soul Jazz Records’ new Black Riot: Early Jungle, Rave and Hardcore is a brand new collection of heavyweight ragga-influenced hardcore jungle tracks from the early 1990s. Dark and heavy!

    Featuring classic and seminal tracks from the likes of Levictus and Krome &Time, alongside a host of rare and little-known ragga & junglist hardcore tunes from the likes of Babylon Timewarp’s hypnotic Durban Poison, Rhythm for Reasons’ mad ‘The Smokers Rhythm’, The Freaky rave-y breakbeat sound of ‘Time and Age,’ Trip One’s super dark ‘Snowball’ and loads more!

    Expect super heavy basslines, equally heavy twisted Amen drum loops, even heavier ragga vocals! Original jungle style - roots and culture - from the earliest days of drum and bass.

    Included with the album is a free limited-edition graphic mini-novel “Black Riot: The Mysterons save Planet Earth from the Xatheroid Angels.” This is the third collaboration between Soul Jazz Records and writer/illustrator Paulo Parisi, the highly respected author of graphic books on Jean Michel Basquiat and John Coltrane.

    This new graphic story continues the story of black electronic dance music – this time set around the birth of Jungle and continues onwards from Soul Jazz’s earlier ‘Invasion of the Killer Mysterons’ (Jamaican electronic Dub, co-compiled by Kevin Martin (The Bug)) and Mysterons Invade the Jackin’ Zone (about Chicago Acid & Experimental House).


    • Rhythm For Reasons – The Smokers Rhythm
    • Babylon Timewarp – Durban Poison
    • The Terrorist – RK1
    • DJ Dubplate – Tings A Go On
    • Leviticus – Burial (Lovers Rock Mix)
    • The Freaky – Time and Age
    • Trip One – Snowball Remix
    • DJ Krome & Mr. Time – Ganja Man
    • New Vision – Way Of Life
    • DJ Dubplate – Original Rubadubstyle
    • Hi Fi Power – Chill Out (Raggafunks U)
    • Nu Jacks featuring Ivory Ranks – House Sensation
    • New 2×LP + Download Code + Limited Edition Graphic story£26.00
      In stockAdd to Bag
    • CD plus Limited Edition Graphic story£13.00
      In stockAdd to Bag
    • MP3 Release£9.99
      In stockAdd to Bag
    Studio One Lovers RockSoul Jazz Records

    Soul Jazz Records new Studio One album is a fantastic selection featuring all-star legendary Studio One vocalists – Alton Ellis, Marcia Griffiths, The Heptones, Horace Andy, Freddie McGregor, Sugar Minott – alongside a host of classic and super-rare Lovers Rock cuts all of which Clement Dodd recorded at the Brentford Road studio.

    Lovers rock brought together many elements and here you will find sweet harmonies, late 1960s rocksteady, 1970s soul covers, discomixes, recuts and new rhythms – which all fit together in a timeless twilight of love & harmony – as if lovers silhouetted by a Kingston sunset.

    Here you will find stone-cold classic Studio One tunes – Marcia Griffiths ‘Truly’, Horace Andy’s I’ll Be Gone super-rare cuts like Carlton and The Shoes killer 70s versions of Never Give Your Heart Away and Let Me Love You (vocal cut to Jackie Mittoo’s mighty Wall Street), The Invaders sweet lovers rocksteady bomb ‘Sweet Soul Rocking’ (currently for sale at £2,500 on discogs!) and many more!

    This new album comes with sleevenotes by Lloyd Bradley, the acclaimed author of Bass Culture, Sounds Like London and Reggae: The Story of Jamaican Music. The album is pressed on heavyweight double gatefold vinyl (+ free download), deluxe slipcase CD and digital.

    • Alton Ellis – Tumbling Tears (12" Discomix)
    • The Heptones – I Hold The Handle
    • Carlton and The Shoes – Never Give Your Heart Away (70s 12" Version)
    • The Minstrels – Yours Until Tomorrow
    • Jerry Jones – Oh Me Oh My
    • Horace Andy – I'll Be Gone
    • Carlton and The Shoes – Let Me Love You (12" Discomix)
    • The Invaders – Soulful Music
    • Sugar Minott – Ghetto Girl
    • Marcia Griffiths – Truly
    • Devon Russell – My Woman's Love
    • Billy Cole – Rock All Night
    • Freddie McGregor – I Don't Know
    • Cornel Campbell – Didn't I
    • Horace Andy – Wanna Be Free
    • The Heptones – My Ting A Ling (12" Discomix)
    • Alton Ellis – Someone (Extended Mix)
    • The Righteous Flames – I Was Born To Be Loved
    • 1. Alton Ellis – Tumbling Tears (12" Discomix)
    • 2. The Heptones – I Hold The Handle
    • 3. Carlton and The Shoes – Never Give Your Heart Away (70s 12" Version)
    • View full info and tracklisting
    Soul Jazz Records presents Nigeria Fuji MachineSynchro Sound System & PowerSoul Jazz Records

    ‘Synchro Sound System & Power’ features the music of Nigeria Fuji Machine, which includes some of Nigeria's finest ‘Fuji’ master drummers and singers, and is newly recorded by Soul Jazz Records in Lagos.

    Fuji is the heavily percussive and improvisational style of Nigerian popular music, at once modern and yet deeply rooted in the traditional Islamic Yoruba culture of Nigeria.

    Here on this album Nigeria Fuji Machine’s striking and powerful lead vocalist Taofik Yemi Fagbenro soars above a wild and energetic backdrop of polyrhythms played on traditional talking drums, trap drums, electronic and street percussion to create a powerful wall of intense sound.

    Fuji is hi-energy street music, heavily percussive which evolved out of the Islamic celebration of Ramadan, which became a major event in mid-20th century Lagos. Groups of young men walked through Muslim neighbourhoods at night singing improvised ‘wéré’ music to the accompaniment of pots, pans, drums, bells and anything else available, waking believers for the early morning prayer. By the early 1970s this music had crossed-over into popular Nigerian culture where it came to be known as Fuji, first made popular by the artist Alhaji Sikiru Ayinde Barrister, as the music began to be performed commonly at parties and social events.

    In the 1970s and 1980s three Nigerian artists – King Sunny Adé, Chief Ebonezer Obey and Fela Kuti – all secured international major record deals bringing popularity to the Nigerian musical styles of Juju (Adé and Obey) and Afro-Beat (Fela Kuti’s unique mixture of highlife, funk and jazz) abroad, but in the process ignoring much of Nigeria’s rich musical landscape. Fuji is, alongside Highlife, Juju, Afro-Beat, Sakara, Afro-Reggae, Waka, Igbo rap, Apala and numerous others – one of these central styles of Nigerian music.

    The singer Barrister described the music as follows: ‘Fuji music is a combination of music consisting of Sakara, Apala, Juju, Aro, Afro, Gudugudu, and possibly Highlife.’ Juju performer King Sunny Adé described the difference between the two styles of Fuji and Juju somewhat competitively thus: ‘Fuji music is more or less like my music without guitars. It’s like I’m singing in a major key and they are singing in a minor. The music itself is the music of Juju music.’

    Today Fuji remains a powerful popular music with deep and powerful Islamic roots which continues to modernise and attract new generations of young Nigerians and Nigeria Fuji Machine’s ‘Syncho Sound System & Power’ is a powerful and intense musical experience.

    This album is released as a limited-edition heavyweight vinyl edition (+free download code), deluxe CD and digital format.

    • – Iba
    • – Orin Gidi
    • – Ilu
    • – Ẹyọ-Sẹsẹ
    • – Garaje
    • – Ọrọ Owe
    • – Ire
    Sugar MinottSugar Minott At Studio OneSoul Jazz Records

    Long-out-of-print re-release of this classic Sugar Minott album on Soul Jazz Records bringing together the best of his classic material recorded at Studio One in the 1970s.

    Lincoln Sugar Minott was born in Kingston, Jamaica in 1956. He grew up in a poor area of West Kingston and from an early age developed a love of Reggae music and the music of Studio One in particular. As a teenager, he became selector for Sound of Silence Keystone and Gathering of Youth local sound-systems. By the late 1970s Minott had risen to become one of the biggest stars in Jamaican music.

    Sugar Minott began his career at Studio One. After auditioning in front of Clement ‘Sir Coxsone’ Dodd in the early 1970s, he became the first artist to record new songs over classic rhythms, singing over original Studio One tapes – the significance of which led directly to the birth of dancehall, as Channel One, Joe Gibbs and hundreds of other Jamaican producers quickly began releasing their own material based on these same classic Studio One rhythms replayed by Sly and Robbie, The Aggrovators, Soul Syndicate, Roots Radics and many others.

    “I knew Studio One spiritually before I knew Studio One physically. You know I grew up beside a dancehall and Sir Coxsone’s sound used to play there from when I was a boy. So from that influence you know I used to love Studio One sound so much, I became a sound selector. So that was my first involvement with getting to know Studio One music like The Heptones, Alton Ellis, Ken Booth, the whole works and that was my life from a youth.”

    After Sugar Minott’s debut many other artists followed suit at the label such as Freddie McGregor, Johnny Osbourne, Lone Ranger and Michigan & Smiley leading to one of the most creative periods for the label. This is the first retrospective of Sugar Minott at the label and most of these recordings have never been widely available outside Jamaica.

    • Sugar Minott – Vanity
    • Sugar Minott – Please Be True
    • Sugar Minott – Hang On Natty
    • Sugar Minott – Never Give Up
    • Sugar Minott – Jahovia
    • Sugar Minott – Give A Hand
    • Sugar Minott – Try Love
    • Sugar Minott – Roof Over My Head
    • Sugar Minott – Jah Jah Lead Us
    • Sugar Minott – Is It True
    • Sugar Minott – Love Gonna Pack Up
    • Sugar Minott – Give Me Jah Jah
    • Sugar Minott – Jah Jah Children
    • Sugar Minott – Party Time
    • Sugar Minott – Change Your Ways
    • Sugar Minott – Jah Almighty
    New Orleans SoulSoul Jazz Records

    For more than ten years Soul Jazz Records have been exploring and documenting the sound of New Orleans Funk. Now we turn their attention to the flipside of this musical coin - New Orleans Soul.


    These two musical forms share a lineage that begins with the city’s enormous rhythm and blues explosion in the post-war 1940s and 1950s. New Orleans Soul incorporated the soulful vocals of the gospel church, the driving beat of rhythm and blues, as well as traces of the second-line parade bands and the latinized rhythms of the city. Here you will find New Orleans soul in all its glorious variations – from the deep, deep soul of singers Aaron Neville, Willie Tee and Robert Parker to the storming northern soul of Maurice Williams and Eldridge Holmes, the funky soul of Eddie Bo, Lionel Robinson and Ernie K-Doe all alongside the Crescent City’s finest soul sisters – Irma Thomas, Betty Harris, Jean Knight, Inell Young and more! 

    The main force behind New Orleans Soul is Allen Toussaint, a virtual one-man hit-making machine in the 1960s, writing, arranging and producing hit after hit for an unending list of unbelievably talented local singers such as Eldridge Holmes, Maurice Williams, Betty Harris, Ernie K Doe and Diamond Joe all of whom are featured. New Orleans is also a city of great musical families. Vocalist Aaron Neville was the brother of Art Neville (who formed The Meters) and later in the 1970s joined with brother Cyril to form The Neville Brothers. Soul vocalist supreme Willie Tee is also known as Wilson Turbinton, who alongside brother Earl, formed the super-heavy funk band The Gaturs and backed the Mardi Gras Indian group The Wild Magnolias. Also included here are rare, lost and killer soulful tracks from New Orleans artists Eddie Bo (and protégée vocalist Inell Young), Jean Knight, Jimmy Hicks, Francine King and more! 

    This album tells the story of New Orleans Soul and comes complete with extensive sleevenotes, exclusive photography, supreme sound quality and comes as deluxe CD with slipcase, booklet, and super-heavy, super-loud limited-edition double vinyl album + download code.

    • Robert Parker – Caught You In A Lie
    • Willie Tee – First Taste Of Hurt
    • Curley Moore – Don't Pity Me
    • Lionel Robinson – Steppin' Out
    • Irma Thomas – What's So Wrong With You Loving Me
    • Aaron Neville – You Can Give But You Can't Take
    • Maurice Williams – Being Without You
    • Jean Knight – What One Man Won't Do Another Man Will
    • Eldridge Holmes – Worried Over You
    • Barbara West – Congratulations Baby
    • Ernie K Doe – Back Street Lover
    • Betty Harris – I Don't Wanna Hear It
    • Aaron Neville – She's On My Mind
    • Irma Thomas – She'll Never Be Your Wife
    • Eldridge Holmes – Lovely Woman
    • Jimmy Hicks – Tell Her That I Love You
    • Diamond Joe – The ABC Song
    • Eldridge Holmes – Gone, Gone, Gone
    • Francine King – Two Fools
    • Eddie Bo – Don't Turn Me Loose
    • Aaron Neville – A Hard Nut To Crack
    • Inell Young – I've Never Considered
    Cuba: Music and Revolution - Compiled by Gilles Peterson and Stuart BakerSoul Jazz Records

    Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state of Cuba.

    The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

    The album is released to coincide with the massive new deluxe large format book Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90, published in November, which is also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), and which features the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

    The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba – and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states.

    The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

    Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

    -------------------------------------------------------

    REVIEWS:

    "It may only be January, but we already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

    "It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

    "Priceless comp goes beyond Buena Vista" UNCUT

    --------------------------------------------------------------------------------------

    *Please note the vinyl sticker of this album says "+download code" but it's a mistake! There is no download with this particular album due to legal reasons. Sorry for this error!

    • Grupo Irakere – Chequere Son
    • Conjunto Rumbavana – El Son Del Campeon
    • Juan Formell & Los Van Van – Mi Ritmo Caliente
    • Grupo Monumental – Mi Son Caridad
    • Grupo de Experimentación Sonora del ICAIC – Sondeando
    • Las D'Aida – Con Cadencia y Con Dulzura
    • Juan Formell & Los Van Van – Y No Le Conviene
    • Pablo Milanés – Te Quiero Porque Te Quiero
    • Emíliano Salvador – Luna Wanestain
    • Los Reyes 73 – Un Lamento Hecho Cancion
    • Eduardo Ramos – Vocación Revolución
    • Grupo Mounmental – Hasta Las Cuantas
    • Los 5 U 4 – Solo Esta Musica
    • Grupo de Experimentación Sonora del ICAIC – Canción Con Todos
    • Orquesta Los Van Van – Yo Se Que Van Van
    • Grupo Monumental – Nadie Se Siente Cansado
    • Orquesta Ritmo Oriental – Maria, Baila El Son
    • Juan Pablo Torres y Algo Nuevo – Rompe Cocorioco
    • Los Reyes 73 – Grandes Amigos
    • Paquito D'Rivera – La Patica
    • Grupo de Experimentación Sonora del ICAIC – Grifo
    • Raúl Gómez – Dacapo
    • Grupo Irakere – Juana 1600
    • 1. Grupo Irakere – Chequere Son
    • 2. Conjunto Rumbavana – El Son Del Campeon
    • 3. Juan Formell & Los Van Van – Mi Ritmo Caliente
    • View full info and tracklisting
    • 3×LP£28.00
      In stockAdd to Bag
    • 2×CD£13.00
      Out of stock
    Studio One DancehallSoul Jazz Records

    Fantastic, mind-blowing, awesome new collection of killer Studio One dancehall and proto-dancehall!


    Featured here is a new collection spanning Studio One’s dancehall period – singers and deejays on classic Studio One rhythms, studio and electronic wizadry from the Brentford Road headquarters, lots of rare 12” singles, all effortlessly brought together to nice up the dance.


    When Clement ‘Sir Coxsone’ Dodd first ruled the dancehalls of Kingston in the 1950s, fighting off the soundsystem competition of Duke Reid, King Edwards and others, few could imagine how far the reign of Studio One would last. 

    But the emergence of  ‘Dancehall’ as a distinct style of reggae at the end of the 1970s, as upstart competing producers began recording vocalists and deejays performing over replayed classic Studio One rhythms, in many ways made the influence of Clement Dodd’s vision more omnipotent than ever before (and lasting to this day).


    Not surprisingly, Clement Dodd’s creativity and business acumen made him quick to respond to this musical phenomenon – and he soon began voicing the new stable of Studio One singers and deejays, such as Sugar Minott and Lone Ranger, over original classic Studio One rhythms recorded in the late 1960s – to produce some of the most innovative, time-bending and creative music of his career.


    This album comes as CD with slipcase, super-loud, super-heavy triple vinyl album with free download code and as a digital download.

    • Ernest Wilson – Why Oh Why
    • Johnny Osbourne – Lend Me The Sixteen
    • Windel Haye – Haunted House
    • Green Tea & Chassy – Ghetto Girl
    • Johnny Osbourne – Time A Run Out
    • Lone Ranger – Noah In The Ark
    • Devon Russell – Thanks and Praise
    • Brentford Disco Set – Rebel Disco
    • Doreen Schaffer – I Don't KNow Why
    • Slim Smith – Lonely Lover
    • Field Marshall Haye – Roots and Herb Style
    • DJ Dawn & The Ranking Queens – Peace True Thing
    • Jim Brown – Cure For The Fever
    • Sugar Minott – Peace Treaty Style
    • Lloyd Robinson – It Deep
    • Barry Brown – Far East
    • Windel Haye and Captain Morgan – Flood Victim
    • Ernest Wilson – Pick Them Up
    Studio One Rocksteady Got SoulSoul Jazz Records

    Back in stock!

    Soul Jazz Records new Studio One release Rocksteady Got Soul is a collection of uplifting and superb rocksteady and soulful reggae from the late 1960s and early 1970s. Studio One is the number one label in the history of reggae and he album features - as ever with Studio One - an impeccable and unbeatable line-up of reggae superstars all soaring at the height of their creative powers. Alton Ellis, John Holt, The Heptones, Jackie Mittoo, The Ethiopians, Lee Perry and more.

    The album is a mix of classic tunes and rhythms alongside super-rarities that were released in a dazzlingly complex web of Studio One labels and issues, deftly navigated with new sleevenotes from author and Studio One authority Rob Chapman. But enough with the chatter, just spin the platter - these tunes rule the town, hands down!


    This Soul Jazz/Studio One album is released as deluxe gatefold double-vinyl + house inners + download code. Also as jewel case CD housed in card slipcase. Both formats come with full sleeve notes/discography and exclusive photography. (The album is also available digitally on day of release onwards)

    • Alton Ellis – It's True
    • The Heptones – You Turned Away
    • The Gladiators – Mr Sweet
    • The Jail Breakers – Work It Up
    • Lee Perry & The Gaylads – Run Rudie Run
    • The Heptones – Young Generation
    • Jackie Mittoo – Good Feeling
    • C. Marshall – I Need Your Loving
    • Alton Ellis – I'll Be Waiting
    • The Clarendonians – The Tables Gonna Turn
    • Ken Parker – When You're Gone
    • Sound Dimension – Traveling Home
    • Errol Dunkley – Get Up Now
    • John Holt – My Heart Is Gone
    • Freedom Singers and Larry Marshall – Monkey Man
    • The Ethiopians – Let The Light Shine
    • Im and David – Money Maker
    • The Viceroys – Lose and Gain
    • 2xLP (+ Download Code)£26.00
      Out of stock
    • CD£12.00
      In stockAdd to Bag
    • MP3 Release£9.99
      In stockAdd to Bag
    Space Funk - Afro Futurist Electro Funk In Space 1976-84Soul Jazz Records

    ‘Space Funk – Afro Futurist Electro Funk in Space 1976-84’, is an intergalactic journey into black space, fuelled by funk, powered by computers.

    ‘Space Funk’ is a lovingly compiled collection of superb, rare and off-the-wall space funk and electro releases mostly released on small independent labels in the late 1970s and 1980s.

    Reactors are reacting, boosters are boosting, pack your funk and shake your booty! Computer funk … makes you jump! This is the space funk program!

    The album comes in deluxe artwork and three formats – digipack + slipcase CD, a very limited deluxe 2xLP + bonus 7” single + download vinyl version, and a standard 2xLP + download standard vinyl version.

    Features music by Jamie Jupitor, Solaris, Robotron 4, Juju & the Space Rangers and many more intergalactic space warriors!

    The shuttle program has been altered – there is no Star Wars only electro funk jam joyriders in Space – hold tight!


    • L E O – Fee Fi Fo Fum
    • The Sonarphonic – Super Breaker
    • Santiago – Bionic Funk
    • Frank Cornilius – Computer Games
    • JUJU & The Space Rangers – Plastic
    • Jamie Jupitor – Computer Power
    • Solaris – Space Invaders
    • Copperfield – Make It Good To Me Baby
    • Robotron 4 – Electro-?
    • Ernest Flippin II – Supersonic Space Lady
    • Funk Machine – Funk Machine
    • Ramsey 2C-3D – Fly Guy and The Unemployed
    • Osé – Computer Funk
    • 7 Below Zero Band – Seven (We Are)
    • Rodney Stepp – Break-Out
    Enrique Rodriguez and The Negra Chiway BandFase LiminalSoul Jazz Records

    Powerful new spiritual jazz from Chile on Soul Jazz Records!

    This album comes as a very limited one-off unique pressing of 1000-edition vinyl, limited editon CD and digital release.

    Enrique Rodríguez and the Negra Chiway Band group have an instantly powerful and unique sound that is reminiscent of the ensembles of Sun Ra and his Arkestra as well as Horace Tapscott and his Pan-Afrikan Peoples Arkestra, one that channels the righteous spirits of Alice Coltrane, John Coltrane, Pharoah Sanders, Archie Shepp and McCoy Tyner together with a stunning Latin rhythmical and new consciousness and percussive energy. Added to this are elements of the Samurai film soundtracks of Akira Kurosawa, Popol Vuh’s musical spirituality (especially their work with film director Werner Herzog), Tibetan Buddhism and over-blowing chants, that all combine to give a truly unique new sound.

    Enrique Rodríguez is a composer, percussionist, keyboardist, and producer from Santiago, Chile, whose work shows many similarities with the music featured on Soul Jazz Records’ recent collection ‘Kaleidoscope - New Spirts Known and Unknown’, featuring new forward-looking jazz artists including Mathew Halsall, Theon Cross, Emma-Jean Thackray and Makaya McCraven.

    Like all these artists, Rodríguez’s work is a progressive and experimental fusion of earlier influences that combine into a new and definitely 21st century ground-breaking sound that, on account of its South American setting, give the group its truly unique feeling. Hypnotic modal piano riffs, powerful brass and flutes, an army of Latin percussion instruments, and addictive vocal chants all combine in this powerful mix of radical 60s Afro-centric jazz, eastern spirituality and cosmology, and Latin American rhythmical movement.

    Awesome!

    • Enrique Rodriquez and The Negra Chiway Band – Dónde ?
    • Enrique Rodriquez and The Negra Chiway Band – Descenso
    • Enrique Rodriquez and The Negra Chiway Band – Vindakalla-Welukan (Autoconfrontación)
    • Enrique Rodriquez and The Negra Chiway Band – No Quiero Seguir Así
    • Enrique Rodriquez and The Negra Chiway Band – Acabar de Conocerse
    • Enrique Rodriquez and The Negra Chiway Band – Paso Firme
    • Enrique Rodriquez and The Negra Chiway Band – Dónde ? (Alternate Take)
    • 1. Enrique Rodriquez and The Negra Chiway Band – Dónde ?
    • 2. Enrique Rodriquez and The Negra Chiway Band – Descenso
    • 3. Enrique Rodriquez and The Negra Chiway Band – Vindakalla-Welukan (Autoconfrontación)
    • View full info and tracklisting
    Brazil USA 70: Brazilian Music In The USA In The 1970sFeaturing Airto, Deodato, Sergio Mendes, Flora Purim, Sivuca, Donato & moreSoul Jazz Records


    All of the music featured here on this new Soul Jazz Records collection was created by Brazilian artists living and working in the USA in the 1970s.

    The album brings together some of these finest works and comes complete with extensive notes that explains the path these musicians took from Brazil to the USA and shows the political and musical links between Brazil and the USA that created the conditions for this unique fusion of these two distinct cultures, North American Jazz and Brazilian music, that occurred in the 1970s.

    In the early 1970s North American jazz musicians were eager to work with upcoming Brazilian musicians. Miles Davis invited Airto Moreira to join his new ‘electric’ band, Dom Um Romao (part of Sérgio Mendes’ legendary Brazil ‘66 in the 1960s) joined the fusion group Weather Report, Flora Purim and Airto both became a part of Chick Corea’s new project Light As A Feather, Wayne Shorter collaborated with Milton Nascimento, George Duke recorded Brazilian Love Affair, and so on.

    With all the attention placed on them from these important jazz artists, North America became the new musical playground for a large number of these Brazilian artists – Airto Moreira, Flora Purim, Sérgio Mendes, Luiz Bonfá, Eumir Deodato, João Donato and many others.

    Most of these musicians had already experienced success through the earlier popularity of bossa nova in the 1960s, either at home in Brazil or in the USA. But by the end of the 1960s many Brazilian artists had left their own country, as the military dictatorship became progressively more authoritarian and repressive. In the USA, through their critically acclaimed work for Miles Davis, Weather Report, Light As A Feather etc., all of these artists were now given reign to explore new musical terrains away from the restrictions of both a musical genre and a state censor back in Brazil.

    The album comes as a deluxe gatefold double vinyl LP, complete with download code, full sleeve notes, exclusive photography, double inner sleeves. The CD contains CD plus a large 40-page outsize booklet all housed in Soul Jazz slipcase.

    • Airto – Samba De Flora
    • Duke Pearson and Flora Purim – Sandalia Dela
    • Sergio Mendes & Brasil '66 – Batucada (The Beat)
    • Deodato – Skyscrapers
    • Milton Nascimento – Catavento
    • Airto – Tombo in 7/4
    • Luiz Bonfá – Bahia Soul
    • Dom Um Romao – Braun-Blek-Blu
    • Moacir Santos – Kathy
    • João Donato – Almas Irmãs
    • Sivuca – Ain't No Sunshine
    • Milton Nascimento – Rio Vermelho
    • Tamba 4 – Consolation (Consolação)
    • Flora Purim – Moon Dreams
    • Dom Um Romao – Escravos de Jo
    • Airto – Andei (I Walked)
    • 1. Airto – Samba De Flora
    • 2. Duke Pearson and Flora Purim – Sandalia Dela
    • 3. Sergio Mendes & Brasil '66 – Batucada (The Beat)
    • View full info and tracklisting
    The Wailing SoulsTrouble Maker / Run My PeopleSoul Jazz Records

    Seminal, uplifting, righteous, soulful roots anthem!

    • The Wailing Souls – Trouble Maker
    • The Wailing Souls – Run My People
    Studio One Rockers (Black vinyl edition)Soul Jazz Records

    Owned and founded by Clement "Coxsone" Dodd, Studio One's output serves as a comprehensive guide to the history of Reggae music. The music on Studio One Rockers covers all areas of Reggae such as Ska, Rocksteady, Roots and Dancehall, all areas in which Studio One led the field.


    Studio One Rockers features many legendary Studio One tracks brought together for the first time by Soul Jazz Records. From the beginning of Reggae, when the Skatalites developed a new sound of Ska in 1962 up until today, Studio One has been the number one innovator in Jamaican music.


    Included in this compilation are classic Ska tracks ("Phoenix City"), Rocksteady ("Feel Like Jumping"), Roots music ("Truth and Rights"), Dancehall (Freddy McGregor, Michigan and Smiley) and many more.


    Featured here are many of the classic tracks from Studio One. From Dawn Penn's legendary "No, No, No" to classics such as Horace Andy's "Skylarking" and Marcia Griffith's "Feel Like Jumping".


    The Coxsone Soundsystem in the early 60s was one of the three main soundsystems operating in Jamaica alongside his competitors, Prince Buster and Duke Reid. The Studio One catalogue is possibly the largest in Jamaican music and this release is the first in a series of Studio One compilations on Soul Jazz Records.


    This album comes with an in depth interview with Mr C.S. Dodd, about how he set up and ran his record label in the 1960s and 1970s.


    "Compilation of the month. 100% Essential" SEVEN "Compilation of the month. A compilation of unbelievable quality. Awesome" MUZIK "A who's who of Jamaican music" MUSICWEEK "An essential slice of musical history" WAX "The most credible compilation of reggae you can 

    • Sound Dimension – Real Rock
    • Marcia Griffiths – Feel Like Jumping
    • Freddy Mcgregor – Bobby Babylon
    • Horace Andy – Skylarking
    • Lennie Hibbert – Village Soul
    • Brentford All-Stars – Greedy G
    • Johnny Osbourne – Truth And Rights
    • Ernest Ranglin – Surfin
    • Michigan & Smiley – Eye Of Danger
    • Dawn Penn – No, No, No
    • The Skatalites – Phoenix City
    • Prince Jazzbo – Crabwalking
    • Jackie Mittoo – Hot Milk
    • Lone Ranger – Badder Dan Dem
    • Cedric Brooks – Ethiopia
    The AbyssiniansDeclaration Of RightsSoul Jazz Records

    Stone-cold classic Studio One on limited-edition brand new 7" - loud, clean, boom!

    ALL TIME ROOTS ANTHEM!

    • The Abyssinians – Declaration Of Rights
    • The Abyssinians – Version
    Alessandro AlessandroniLa Professoressa Di Scienze Naturali (OST)Sonor Music Editions

    **Previously unreleased - very limited copies available!**

    Soundtrack to the cult erotic movie from 1976, 'La Professoressa Di Scienze Naturali'. This incredible score by Italian library music legend, Alessandro Alessandroni, captures the composer's use of funk juxtaposed against gorgeous string and orchestral arrangements - check some of the awesome b-boy style breaks! Essential issue!

    • – La Prof.di Scienze Naturali - Seq. 1
    • – La Prof.di Scienze Naturali - Seq. 5
    • – La Prof.di Scienze Naturali - Seq. 10
    • 1. – La Prof.di Scienze Naturali - Seq. 1
    • 5. – La Prof.di Scienze Naturali - Seq. 5
    • 10. – La Prof.di Scienze Naturali - Seq. 10
    • View full info and tracklisting
    • LP£36.00
      Limited deluxe vinyl release housed in tip-on sleeve!
      Out of stock
    Soul Jazz Records Presents Fashion Records : Style & FashionA-Class Top Notch Hi Fi Sounds In Fine StyleSoul Jazz Records

    Soul Jazz Records are proud to present this new collection of music from the great Fashion Records, one of the most important and iconic independent labels to come out of the UK, and which ran from 1980 for nearly 20 years.

    In that time Fashion released hundreds of records that successfully reflected, and indeed set, the changing styles and perspectives of reggae music in the UK – from UK dancehall and lovers rock in the 1980s through to the mighty rise of jungle in the second half of the 1990s.

    While nearly all other UK reggae labels focused on releasing Jamaican music – from the early days of Island and Trojan in the 1960s, through Island and Virgin in the 1970s, and Greensleeves that came up in the 1980s – Fashion’s focus was firmly on music produced in the UK. This unique British perspective shaped both lyrical content and musical fashion. And like all the great music labels – from Studio One to Blue Note – Fashion was able to create a significant roster of its own artists.

    Amazingly for a small independent label, a number of Fashion artists achieved mainstream UK chart and crossover success – including Laurel & Hardy, Smiley Culture and General Levy. But although this success was welcomed, crossing over into the mainstream was never the main focus for the label owners Chris Lane and John McGillivray (who also runs the successful Dub Vendor record shop) whose starting point was always primarily focused on producing quality music first.

    In the early 1980s, Fashion Records captured the rise of the emerging British dancehall scene in its ascendency. The large roster of first generation British-born artists and MCs on the label – including General Levy, Papa Face, Smiley Culture, Bionic Rhona, Asher Senator, Laurel & Hardy, Top Cat and many more – often gave a unique and sometimes humorous British lyrical perspective to Fashion releases, discussing everyday subjects, from police harassment to road safety!

    Throughout much of the 1980s and into the 1990s Fashion continued to release an almost relentless array of UK dancehall releases as well as continuing with lovers rock, and the occasional dub releases. Then, in the mid-90s, with the dancehall and reggae releases still coming on strong, Fashion released a superb series of early jungle tracks linking Jamaican and British MCs and dancehall artists with young jungle mixers, re-mixers and producers. By this time dancehall artists General Levy and Cutty Ranks had become the staple vocal samples of literally hundreds of white label jungle records and Fashion took advantage of this, often getting young producers to work in exchange for sample clearances – don’t get mad, get even!

    This album is a subjective and scatter-gun ride through some of the many unique and heavyweight tracks to come out of the Fashion stable that we love – some classics, some lesser-known, all 100% killer!

    The album is released on heavyweight triple vinyl (+ download code), deluxe double CD with outsize booklet and slipcase, and digitally. The album comes with extensive sleevenotes featuring interviews with Fashion founders Chris Lane and John MacGillvary, as well as exclusive photography and original artwork and flyers.



    • Papa Face featuring Red Man – Dance Pon De Corner
    • Dee Sharp – Let's Dub It Up
    • Cutty Ranks – Limb By Limb (DJ SS Remix)
    • General Levy – Mad Them
    • Laurel & Hardy – You're Nicked
    • Bunny General – Played By This Ya Sound
    • General Levy & Hard 'n' Pure – Wikkeda!!
    • Carlton Lewis – Small Talking
    • Poison Chang – Shot Fe Bust (Marvellous Cain Remix)
    • Dee Sharp – Rising To The Top
    • Papa Face With Keith Douglas – DJ Jamboree
    • General Levy – Heat
    • Carlton Lewis – Sweet Soul Rocking
    • Top Cat – Ruffest Gun Ark (DJ Rap Mix)
    • Papa San – DJ Business
    • Papa Face & Bionic Rhona – To The Bump
    • Cutty Ranks – As You See It
    • Janice Walker – You'll Never Need Somebody
    • Asher Senator – Bubble With I
    • 1. Papa Face featuring Red Man – Dance Pon De Corner
    • 2. Dee Sharp – Let's Dub It Up
    • 3. Cutty Ranks – Limb By Limb (DJ SS Remix)
    • View full info and tracklisting
    Jackie MittooThe Keyboard King At Studio OneUniversal Sound

    SUPER NEW 20th anniversary special one-off pressing BLUE coloured vinyl gatefold sleeve edition of Soul Jazz Records’ seminal Jackie Mittoo – The Keyboard King at Studio One

    ----------------------------------------------------------------------------------------------------

    Jackie Mittoo is one of the defining figureheads of reggae music !

    From forming The Skatalites, at age 15, alongside Don Drummond, Roland Alphonso, Tommy McCook and others, to his work as writer, arranger, producer at Studio One records during the sixties, writing and playing for artists such as Alton Ellis, Ken Boothe, Marcia Griffiths and The Heptones (to name a few), to his career as a solo artist as well as leader of bands such as The Soul Brothers, Soul Vendors and The Sound Dimension, Jackie Mittoo is at the heart of reggae music. He was one of the instigators of Ska, Rocksteady and Reggae. In the seventies, DJ music and Dancehall were based upon classic rhythms of the sixties, many using the instrumental tracks that Jackie Mittoo created at Studio One at this time.

    This compilation features the work of Jackie Mittoo at Studio One. It features music recorded as a solo artist (as opposed to the numerous singers that he accompanied). Most of these are taken from his recordings in the mid-sixties where he was recording on an almost daily basis at Studio One's Brentford Road studios developing the funky reggae sound that was his trademark.

    Jackie Mittoo is as much an icon of Reggae as he is to fans of Funk music. He is without doubt the funkiest keyboard player ever to come out of Jamaica!

    Reviews:

    " The coolest man who ever lived" THE GUARDIAN***** "

    “Named by MOJO as one of the 100 cult heroes of all time, this is a lovingly curated compilation" THE INDEPENDENT

    • Jackie Mittoo – Get Up And Get It
    • Jackie Mittoo – Black Organ
    • Jackie Mittoo – Killer Diller
    • Jackie Mittoo – Totally Together
    • Jackie Mittoo – Hot Tamale
    • Jackie Mittoo – Reggae Rock
    • Jackie Mittoo – Oboe
    • Jackie Mittoo – Juice Box
    • Jackie Mittoo – Summer Breeze
    • Jackie Mittoo – Drum Song
    • Jackie Mittoo – P. Cafe
    • Jackie Mittoo – Henry The Great
    • Jackie Mittoo – Stereo Freeze
    • Jackie Mittoo – Wall Street
    • Jackie Mittoo – Darker Shade Of Black
    • New LP (Coloured Vinyl)£27.99
      In stockAdd to Bag
    • CD£12.00
      Out of stock
    • MP3 Release£7.99
      In stockAdd to Bag
    Tony Allen hits with Africa 70JealousyComet

    **Deluxe vinyl edition with tip-on sleeve**

    Reissue of one of the first of three of Tony Allen's solo albums produced by Fela Kuti! Originally released on the private imprint Soundworkshop Records. Arguably one of this best albums with these two killer funky afro-beat gems 'Jealousy' and 'Hustler'!

    • – Jealousy
    • – Hustler
    • LP£23.00
      Deluxe vinyl edition with tip-on sleeve
      Out of stock
    Studio One Black Man's Pride 3 : None Shall Escape The Judgement Of The AlmightySoul Jazz Records

    This is the latest new installment of Soul Jazz Records’ on-going collection of Rastafarian music at Studio One, featuring classic material from legendary roots and culture artists The Gladiators, Horace Andy, Freddie McGregor, Sugar Minott and the Wailing Souls, alongside a superb selection of rarities from Sir Coxsone’s musical empire made up of one-off and practically unknown Rastafarian artists who recorded on a myriad of Studio One off-shoot labels in the 1970s – The Manchesters, Mellodies, The Nightingales and others.

    In this new collection, we see that once again the prescient Clement Dodd was a man who saw the wider picture. In the 1960s it was Sir Coxsone who identified the creative potential of The Wailers, Toots and the Maytals, Heptones, Burning Spear and many, many others. In the 1970s Studio One released an untouchable selection of the finest as styles moved from reggae to deejay to dub and, in the latter half, the emergence of dancehall.

    But what is also clear is that throughout this era Studio One released an incredible amount of roots music, and not just the most commercially obvious. For alongside the career-building catalogues of Burning Spear, The Wailing Souls, The Gladiators and so on, one needs to be an ardent Studio One collector to know some of the truly raw Rastafarian music featured here. Groups such as The Manchesters or The Nightingales feel as if they were recorded straight out of the churchical chants of the mansions.

    Black Man’s Pride explains the links between the ideology of Clement Dodd at Studio One and the Rastafarian faith, which was the creation of Afro-Jamaicans and concerned above all else with a black consciousness and empowerment, a rediscovering of the personal and racial identity of black people. The movement began in the 1930s and, in tandem with this black consciousness, called for a rejection of the British imperial culture that dominated Jamaica, while creating an identity based on a re-appropriation of an African heritage.

    The Rastafari movement was like a pivot, bringing together and balancing many vectors of ideologies. Marcus Garvey’s Back to Africa movement, trades union discourse, anti-colonialism and nation independence, maroon self-definition and independence, the spirit of African rebellion in the Caribbean. For Clement Dodd, a black man and producer growing up in Kingston in this era, Rastafari was simply a part of his everyday world – from witnessing Count Ossie’s grounations to the faith of many Jamaican artists at Studio One – from the Skatalites onwards.

    Featured here alongside these classic and rare tracks from Studio One are new and extensive sleeve notes with track-by-track notes by Rob Chapman, author of the acclaimed Downbeat Special and Never Grow Old Studio One books.

    The album is released as double heavyweight gatefold vinyl (+ free download code), CD with slipcase and booklet, and digital album.

    • Horace Andy – Conscious Dread Lock
    • The Gladiators – A Prayer To Thee
    • Freddie McGregor – Beat Down Babylon
    • The Manchesters – Selassie Bandman
    • The Mellodies – Dread Oppression
    • Big Joe – Jah Jah Help Us
    • Horace Andy – Oh Lord Why Lord
    • Lloyd Jones & The Super Natural Six – Get Up and Try
    • The Wailing Souls – Can't Catch Me
    • The Nightingales – Jehovah
    • Alphanso Stewart – It's No Secret
    • Errol Dunkley – Satisfaction
    • Mr Manchester – Give Natty Dread Glory
    • Lincoln (Sugar) Minott – Wrong Doers
    • Noel Campbell & The Gladiators Band – Sufferation
    • African Brothers – No Cup No Brock
    • Zoot Simms – When The Time Comes
    • Glen Miller – Whey No Dead
    Studio One Roots Vol. 3Soul Jazz Records

    Roots music flourished in the 1970’s as Rastafarianism, Black consciousness and self-determinization became the most important aspects of Reggae music. Bolstered by the international success of Bob Marley and Burning Spear (both who began their careers at Studio One), Roots music became the major musical development of Reggae in the 1970’s. Coxsone Dodd and Studio One’s connection to Rastafarianism had begun long before the arrival of ‘roots music’ as a distinct genre that arrived at the very tail end of the 1960s.

    By the start of the 1960’s Coxsone Dodd was making his way to Count Ossie’s Wareika Hills Rastafarian compound to hear Rastafarian drummers play whilst the Skatalites’ front-line horns – Tommy McCook, Don Drummond, Johnny Moore would jam alongside. Similarly, Count Ossie would appear during Sir Coxsone’s dancehall sessions, performing live at the height of the evening. This is the third in the series of Rastafarian inspired music from Studio One, and features classic foundation artists alongside some seriously rare tracks from the label. 

    With the involvement of the crack studio house bands – be it the Sound Dimension, the Soul Defenders or the Brentford Road All-Stars – as well as Clement Dodd and Studio One’s seriously high quality control, these tracks are all a healthy addition to the pantheon of roots music at Studio One. Sleevenotes by David Katz and Stuart Baker.

    • Freddie Mckay – (I'm) A Free Man
    • Jennifer Lara – A Change Is Gonna Come
    • Alton & Zoot – Oppression
    • Winston Flames – In A Armagideon
    • Dillinger – Babylon Fever
    • The Gladiators – Re Arrange
    • Vin Gordon – Fullness
    • Larry Marshall – Better Must Come
    • Cliff Stewart – Burn Collie
    • Im And Count Ossie – So Long Rastafari Calling
    • The Nightingales – What A Situation
    • Clifton Gibbs & The Selected Few – Brimstone & Fire
    • Dub Specialist – Musical Science
    • Prince Jazzbo – Creation Skank
    • Errol Dunkley – Way Down Low
    • Lloyd Forest – Where It's At
    • The Dynamic Four – Let's Make Love
    • Judah Eskender Tafari – Jah Light