Tomin Flores Para Verene / Cantos Para Caramina

• 1. Father And Son
• 2. Come Sunday, Bass
• 3. The Inflated Tear, V1
• 4. Fire Waltz
• 5. Desert Fairy Princess
• 6. Fables Of Faubus
• 7. Aquarius
• 8. Warm Canto
• 9. The Inflated Tear, V2
• 10. Come Sunday, Soprano
• 11. Assunta
• 12. Father And Son
• 13. Spirits Rejoice, Var 1
• 14. Ogun Bara
• 15. Angela's Angel
• 16. Naima
• 17. The Prayer
• 18. Rahsaan Is Beautiful
• 19. A Walk With Thee
• 20. Humility In The Light Of The Creator
• 21. Love
• 22. Life
• 23. Love (alternate take)
• 24. Life Revisited

27-year-old Tomin Perea-Chamblee is a brass- and reed-centered multi-instrumentalist, the composer and arranger of pieces with excellently thorny harmonies, an at-times reluctant musicker and enthusiastic Brooklynite (born and raised, so his admiration primarily concerns the borough’s pre-gentralification qualities), who, by day works as a bioinformatician. If you're in New York, there’s an OK chance that you’ve heard him play before, with young (jazz-adjacent) bands and musicians of some renown. Flores para Verene / Cantos para Caramina introduces Tomin as an individual artist to the wider public, and is in many ways a tribute to family and heritage. It’s music grounded in clear purpose and a gravity seemingly beyond his youthfulness, yet coloured with unexpected hues, engaging a newness and hope that lies beyond tradition’s solemnity.