Nat Birchall Meets Al Breadwinner Sounds Almighty

Anticipated follow-up to Nat Birchall meets Al Breadwinner's stunning 'Sounds Almighty'! Another KILLER deep, roots rock reggae instrumental album, again featuring the legendary Vin gordon aka Don D Junior on trombone and David Fulwood on trumpet!

The third release on Tradition Disc, Nat Birchall & Al Breadwinner return with a killer all analogue 10 track dub album mixed & recorded at Bakery Studio in Manchester.

Anticipated follow-up to Nat Birchall meets Al Breadwinner's stunning 'Sounds Almighty'! Another KILLER deep, roots rock reggae instrumental album, again featuring the legendary Vin gordon aka Don D Junior on trombone and David Fulwood on trumpet!

The third release on Tradition Disc, Nat Birchall & Al Breadwinner return with a killer all analogue 10 track dub album mixed & recorded at Bakery Studio in Manchester.

The third release on Tradition Disc, Nat Birchall & Al Breadwinner return with a killer all analogue 10 track dub album mixed & recorded at Bakery Studio in Manchester.

Second release on Tradition Disc featuring Vin Gordon...don't leave! Heavyweight Sounds.

Solo album excursion from the legendary Jamaican trombonist. Brand new compositions by Vin on new original rhythm tracks from Nat Birchall & Al Breadwinner. All recorded old-school analogue style at the Bakery Studio in Manchester. Produced by Nat Birchall & Al Breadwinner, recorded and mixed by Al Breadwinner.

Originally released by Island Records in 1976, 'Man From Wareika' established gifted Jamaican trombonist Rico Rodriguez as a major solo artist. Now coupled with it's very rare dub counterpart and a host of rare 12" and unreleased bonus tracks, check the roots version of 'The Sidewinder' & 'Night Of The Bongo Man" featuring Count Ossie & vocal cuts from Ijahman Levi, this seminal instrumental album finally receives it's due respect. Highly recommended.

From the man who played trombone on the all time classic Studio 1 anthem "Real Rock" comes forward with the long over due reissue of his first solo album originally released in 1980 by Joe Gibbs. Produced by Errol Thompson and featuring eight tracks of tuff rockers rhythms, two Don Drummond covers plus a medley of "Real Rock & Fiddler Rock" Very hard to find an original now..Don't let this go..

Soul Jazz Records are issuing the awesome deep jazz album Rhythmatism (1976) from the legendary Steve Reid long out of print in a new edition very limited 1000-copies COLOURED vinyl (+download code) and CD.

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‘Steve Reid is one of the greatest drummers.

He is a musical genius’ KIERAN HEBDEN (Four Tet)

‘A truly phenomenal artist.’ GILLES PETERSON

‘Steve Reid reflects the spirit of a generation- Art Ensemble of Chicago, John Coltrane, Pharoah Sanders, the Black Artists Group.’ THE WIRE

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Drummer and composer extraordinaire Steve Reid’s Rhythmatism is one of his deepest and most radical of albums of all time and features some of the heaviest jazz players - Arthur Blythe ‘AKA Black Arthur’, Charles Tyler, David Wertman and others – joining Reid. The album was originally released on Reid’s own Mustevic Sound label in 1976

As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, , Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver!

Reid was born in the South Bronx, and grew up in Queens, New York. He played in the house band at Harlem's Apollo Theatre, accompanying James Brown, as well as playing in Sun Ra's Arkestra. He lived next to John Coltrane, worked in a department store with Ornette Coleman, had a son who played drums with NWA. He began his career as a teenager in the 1960s as a drummer at Motown when he played on Martha and The Vandellas "Heatwave" (aged 14).

At the end of the 1960s Reid was sentenced to four years in jail as a conscientious objector of the Vietnam war. On his release from prison in 1974, he formed the Legendary Master Brotherhood and started the independent record label, Mustevic Sound, to release his debut LP in 1976. Rhythmatism is released in its entirety and with full original cover art here and is one of a series of stunning independent records he released in the 1970s.

At the start of the 21st century, his career took a new twist when Steve Reid began a successful collaboration with Kieran Hebden (Four Tet). Hebden referred to Reid as his ‘musical soul mate’, resulting in a number of joint albums.

Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.

Anticipated follow-up to Nat Birchall meets Al Breadwinner's stunning 'Sounds Almighty'! Another KILLER deep, roots rock reggae instrumental album, again featuring the legendary Vin gordon aka Don D Junior on trombone and David Fulwood on trumpet!

Since it first appeared in 1976, King Tubby's dub-wise reworking of tracks by Yabby You's Prophets project has become a sought after item amongst reggae aficionados. Remarkably, it has never been reissued before, making this first vinyl edition in 23 years a must-have for those addicted to weighty bass, heavy riddims and echoing effects. There's much to enjoy from start to finish, including the delay-laden horns and gentle grooves of "Fair Lady", the surprisingly cheery skank of "Tear Gas In Waterhouse", the seductive solos of "Tradition Skank" and the low-slung, bass-heavy throb of "Serious Rebellion", a stripped back dub straight from the top drawer.

Horace Andy's KILLER classic Studio One cut 'Fever' on a super-loud 12" single for the first time ever!

A killer track originally released on the legendary Studio One label in 1973, with the Cedric Im Brooks instrumental version on the B side

Horace Andy is one of Reggae's best known vocalists who has had mainstream success with Massive Attack after appearing on all five of their albums

A party dancefloor devastator, these won't be around for long !

Wicked new tune from The Inn House Crew with this infectious Violin led roots instrumental.

All of the music featured here on this new Soul Jazz Records collection was created by Brazilian artists living and working in the USA in the 1970s.

The album brings together some of these finest works and comes complete with extensive notes that explains the path these musicians took from Brazil to the USA and shows the political and musical links between Brazil and the USA that created the conditions for this unique fusion of these two distinct cultures, North American Jazz and Brazilian music, that occurred in the 1970s.

In the early 1970s North American jazz musicians were eager to work with upcoming Brazilian musicians. Miles Davis invited Airto Moreira to join his new ‘electric’ band, Dom Um Romao (part of Sérgio Mendes’ legendary Brazil ‘66 in the 1960s) joined the fusion group Weather Report, Flora Purim and Airto both became a part of Chick Corea’s new project Light As A Feather, Wayne Shorter collaborated with Milton Nascimento, George Duke recorded Brazilian Love Affair, and so on.

With all the attention placed on them from these important jazz artists, North America became the new musical playground for a large number of these Brazilian artists – Airto Moreira, Flora Purim, Sérgio Mendes, Luiz Bonfá, Eumir Deodato, João Donato and many others.

Most of these musicians had already experienced success through the earlier popularity of bossa nova in the 1960s, either at home in Brazil or in the USA. But by the end of the 1960s many Brazilian artists had left their own country, as the military dictatorship became progressively more authoritarian and repressive. In the USA, through their critically acclaimed work for Miles Davis, Weather Report, Light As A Feather etc., all of these artists were now given reign to explore new musical terrains away from the restrictions of both a musical genre and a state censor back in Brazil.

The album comes as a deluxe gatefold double vinyl LP, complete with download code, full sleeve notes, exclusive photography, double inner sleeves. The CD contains CD plus a large 40-page outsize booklet all housed in Soul Jazz slipcase.

Super-limited new 1000 copies special white vinyl edition!

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When the band Trees Speak, coming out of nowhere, released an exclusive one-off 100-pressing white label 45, described as CAN/NEU! meets LIQUID LIQUID, it sold out so quickly (in less than 30 mins - one for sale on Discogs now at £400!) that Soul Jazz Records decided to release their album almost immediately.

Here it is! And it's awesome!

Soul Jazz Records rarely release new music but found the music of TREES SPEAK’s album ‘OHMS’ so stunning and to have so many elements of music that they admired that they felt compelled to release it.

The group Trees Speak are from Tucson, Arizona and create new music that sounds like GERMAN KRAUTROCK meets NO WAVE/POST-PUNK and PSYCH ROCK – music for fans of CLUSTER, TANGERINE DREAM, CAN, NEU!, SILVER APPLES and early KRAFTWERK.

The album ‘OHMS’ sounds at times like a tripped out & moody JOHN CARPENTER/GOBLIN/MORRICONE soundtrack that seamlessly segues into propulsive, ‘motorik’ Krautrock instrumentals loaded with fuzzy, hypnotic mellotron, synths and analogue effects, as well as elements of ART ENSEMBLE free jazz, and all at times reaching a kind of post-rave psychedelia. More recent comparisons would include BEAK and GHOST BOX who draw upon similar themes and styles.

Trees Speak are Daniel Martin Diaz and Damian Diaz plus musicians from the Tucson, Arizona scene such as Giant Sand, XIXA and James Hunter. ‘Trees Speak’ relates to the idea of future technologies storing information and data in Trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

Trees Speak - Ohms :

Album of the Month - Splintered Eye/50 Best albums 2020 - Pop Matters/Favourite albums 2020 -The Soap Company/Albums of the Year 2020 -Bear Tree Records/Independent Albums of the Year -Love Records/Albums of the Year -Concrete Islands

Heavyweight fusion from 74 with Airto, Herbie Hancock, Billy Cobham, Pete Cosey, Keith Jarrett and Carlos Garnett - an allstar lineup if ever.

Soul Jazz Records’ new album ‘Kaleidoscope – New Spirits Known and Unknown’ brings together many of the ground-breaking artists involved in the new jazz scene that has developed in the UK over the last few years. Featured artists include Matthew Halsall, Yazmin Lacey, Ill Considered, Tenderlonious, Theon Cross, Emma-Jean Thackray and many, many more in this ground-breaking release.

As well as sharing a pioneering spirit in these new artists’ approach to frontier-crossing musical boundaries, a further theme of this album is that many also share a determination to independent practices - and most of these artists’ recordings featured here are either self-published or released on independent labels. While the attention of this new wave of jazz artists has up until now has been London-based, this album shows how this movement is spread across the whole of Britain (and indeed beyond).

‘Kaleidoscope – New Spirits Known and Unknown’ shows that while there is commonality in these artists approach to music, there is a wide variety of styles – from deep spiritual jazz, electronic experimentalisation, punk-edged funk, uplifting modal righteousness, deep soulful vocals and much more.

Soul Jazz Records’ new release comes as a superb one-off pressing special deluxe triple album edition which comes with a bonus limited-edition one-off pressing 7" single, a standard triple album, and a deluxe double CD pack. This album also comes with extensive sleevenotes, artist interviews and exclusive photography.

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Soul Jazz records are also releasing an exclusive one-off pressing double-headed 12” single featuring Theon Cross and Pokus released on the same day as the ‘Kaleidoscope’ album release. These two tracks do not feature on the vinyl edition of the album - this 12" single will will also be deleted on day of release.

This is incredibly Trees Speak’s third album on Soul Jazz Records to be released in the space of one year – and it’s amazing!

Trees Speak’s new album ‘Post-Human’ once again blends 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New York No Wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!

The new album ‘Post-Human’ draws further upon German krautrock high-concept albums from the likes of Tangerine Dream and Klaus Schulze from the 1970s, as Trees Speak create their own powerful new landscapes of sound that manage to be at once contemporary as well as both timeless and with a sense of science-fiction futurism.

Trees Speak’ seamlessly segue together all these musical elements into ‘Post-Human,’ a conceptually expansive album which follows on from their critically-acclaimed debut LP ‘Ohms,’ and the follow-up ‘Shadow Forms’ released on Soul Jazz Records less than six months ago.

This powerful new album is a high-concept collage of retro-futurist science-fiction music, which is fantastically illustrated by a specially commissioned cover design by the artist Eric Lee, a dramatic vision of life after humanity.

Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

The album includes an INDIES ONLY exclusive bonus 45 single with two extra tracks ‘Machine Vision’ and ‘Seventh Mirror’ available with the vinyl edition of this amazing and ground-breaking new album.

With ‘Post-Human,’ Trees Speak take the listener deep into their unique musical world of unknown visions of the past and the future.

ABOUT Ohms: Album of the Month - Splintered Eye /50 Best albums 2020 - Pop Matters / Favourite albums 2020 -The Soap Company / Albums of the Year 2020 -Bear Tree Records / Independent Albums of the Year 2020-Love Records / Albums of the Year 2020-Concrete Islands

ABOUT Shadow Forms: Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year 2020 -South / Albums of the Year 2020 - Concrete Island / Albums of the month - Reveal / Albums of the Year 2020 -Piccadilly / Albums of the Year 2020-Buzzsaw / About Shadow forms / Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year-South / Albums of the Year-Concrete Island / Albums of the month-Reveal / Albums of the Year-Piccadilly /Albums of the Year-Buzzsaw

About Ohms:

“This might well be the Dark Side of the Moon of the XXI century” Discogs

Beautifully done reissue of this very rare album.

First issued in 1973, “Like A Bolt” is today widely regarded as one of the finest albums to showcase the inestimable talents of Jamaican singing legend, John Holt.

Comprising a dozen of the performer’s most popular solo recordings for Duke Reid’s Treasure Isle label from the previous five years, the LP first saw issue in limited numbers on the small UK independent, Magnet.

Over the years since, it has become one of the most sought-after long players from the early 1970s, yet has remained unavailable on CD for almost 20 years.

Now, the album is finally available once more, with the original track-listing augmented by the remainder of Holt’s solo work for the Duke, so bringing together numerous major reggae hits alongside long-lost obscurities, which include a 12” mix of ‘Ali Baba’, that makes its CD debut.

**Definitive compilation of influential band’s career, spanning 1970-1982!**

Tracing their career from the band’s earliest work in 1970 with South African exiled jazzman Ndikho Xaba in San Francisco, the compilation covers the band’s journey to New York’s loft jazz scene, forming Juju and releasing two landmark albums of hard-hitting percussive jazz on Strata-East. The band received renewed interest in their music during the mid-‘80s as Washington D.C.’s go-go innovators cited the band as a major influence and rare groove DJs revived their albums for London dancefloors.

Congo meets Jamaica on this exceptional reggae album from the late seventies. Made in collaboration with Lee 'Scratch' Perry and Seskain Molenga and with liner notes by David Katz. The Belgian labels Planet Ilunga, specializing in researching, documenting and releasing Congolese music from the fifties to seventies, and Roots Vibration, devoted to reissue classic roots singles and albums, join forces for the first time. Together making one of the most enigmatic reggae albums available again. Recorded and produced in the late seventies at Lee Perry's Black Ark studio in Kingston, Jamaica. The album which Congolese artists Seskain Molenga and Kalo Kawongolo recorded together with Lee ‘Scratch’ Perry is one of the most mysterious projects to surface from the Black Ark Studio during the late 1970s. It's also one of the most misrepresented of Perry’s productions, with myriad explanations for its existence falling far short of what actually happened. The intention of the original band, formed in France by the producer Bernadette Duget and composed of a mixture of Congolese, Senegalese and French musicians, was to head to Jamaica to record a rock album with African undercurrents in Lee Perry's Black Ark studio.

However, in Jamaica things didn't go according to plan and the project turned out to be a failure. The Congolese duo Seskain Molenga and Kalo Kawongolo continued working with Lee 'Scratch' Perry and this collaboration would eventually bear an unexpected reggae fruit. These recordings were originally released on LP in 1979 and re-released in 1991, yet the vinyl album remains highly sought-after. Now finally re-issued with extensive liner notes by the American journalist, author and reggae aficionado David Katz sheds more concerted light on the complex tale that lies behind the work. Most notably thanks to the emergence of new eyewitness accounts such as Seskain Molenga, Wasis Diop and Lee Perry. The debut album by Seskain Molenga and Kalo Kawongolo remains a unique slice of musical ingenuity, an intoxicating sonic storm that resulted from their temporary presence at the magical space of the Black Ark. Tribal grooves coagulate in a thick swirl beneath trademark Black Ark bass lines. The two cultures connect in electrifying ways, while the reggae beat thrives in a more ancient setting. The songs are sung with gusto in Lingala and there’s an exuberant spirit to proceedings. This record is a document to what happens when fate intervenes and fetches victory from the clutches of defeat. There is blood and there is fire.

MASSIVE STUDIO ONE ANTHEM ALERT!!!

Willie Williams' roots rock reggae classic Armagideon Time – the rare 12" extended Discomix version split into two sublime heavyweight slices and cut super-loud on a 12" single.

Produced by Studio One supremo Coxsone Dodd this is a huge Reggae anthem on the classic 'Real Rock' rhythm, famously covered by The Clash and sampled by KRS One, The Fugees and many more.

A dancefloor devastating Reggae party bomb!

New edition of this seminal album available as a 1000 copies edition only on new premium RED vinyl!

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'A truly phenomenal artist.' GILLES PETERSON

'Steve Reid is one of the greatest drummers. He is a musical genius' KIERAN HEBDEN (Four Tet)

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As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, , Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver!

Reid was born in the South Bronx, and grew up in Queens, New York. He played in the house band at Harlem's Apollo Theatre, accompanying James Brown, as well as playing in Sun Ra's Arkestra. He lived next to John Coltrane, worked in a department store with Ornette Coleman, had a son who played drums with NWA. He began his career as a teenager in the 1960s as a drummer at Motown when he played on Martha and The Vandellas "Heatwave" (aged 14).

At the end of the 1960s Reid was sentenced to four years in jail as a conscientious objector of the Vietnam war. On his release from prison in 1974, he formed the Legendary Master Brotherhood and started the independent record label, Mustevic Sound, to release his debut LP Nova in 1976. This album is released in its entirety and with full original cover art here. Nova was the first in a series of stunning independent records he released in the 1970s.

At the start of the 21st century, his career took a new twist when Steve Reid began a successful collaboration with Kieran Hebden (Four Tet). Hebden referred to Reid as his ‘musical soul mate’, resulting in a number of joint albums.

Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.

Kamikazi Dub is one of the treasures from the early dub period and recorded by Prince Jammy. As a student of the creative master mind King Tubby, Prince Jammy recorded his own masterpiece.

Killer dub plate roots mixes of Junior Delgado’s masterful “really for a reason” with unreleased dub plus new vocal from the soulful Amaani and Trumpet led version from Aba-Ariginal. With full colour 12” sleeve. Highly recommended..won’t be around for long...

Incredible new album from UK saxophonist, Nat Birchall!

STUNNING new album - a seriously deep mix of SUN RA space jazz, IMPULSE late 60s jazz of Coltrane, Pharoah Sanders, the cosmic vibrations of FLYING DUTCHMAN early 70s Lonnie Liston Smith & Gato Barbieri. You;re not going to find a better combination than that anywhere!

Seminal dub album produced by Winston Edwards.  In 1974 Edwards left Jamaica to reside in the UK and through his strong connections with such reggae luminaries as Joe Gibbs, Lee Perry and King Tubby began to travel back and forth between London and Kingston (JA) to bring back recordings to issue on his Fay Music label here in the UK.  In 1974 he released this controversial, seminal dub set, shunned by some at the time due to the spurious marketing device employed.  The whole album appears in fact to have been mixed at Tubby’s, while the rhythms were possibly built at Perry’s Ark and maybe Gibbs’ studio, but at this length memories are stretched.  Now of course, it sounds like what it is, a classic early Tubby’s dub album, musical, tuneful, heavy dubwise set with Vin Gordon’s unique trombone lines well to the fore.  Essential dub. 

McCook recorded extensively for Bunny Lee, and ‘Super Star Disco Rockers’ is a strong showcase for his meditational style of playing. The track ‘Lamb’s Bread Herb’, a reworked version of Yabby You’s ‘Death Trap’ with an overdubbed ‘steppers’ drum pattern, is a mystical highlight:Bunny Lee: “When Tommy join up with Bobby Ellis on trumpet, that is when he develop what we call his ‘far east’ sound. And especially when he play flute like on ‘Death Trap’ it give it that ‘far east’ sound. Or sometimes Tommy play clarinet for a different flavour. But mostly he play the tenor sax with that deeper, lower tone, like on ‘Tommy’s Rocking Vibration’ – hear that big horn there!”