Can't Get No Grindin' (1973) is a classic showcase of Waters' raw power as a musician, and is every bit as sharp and edgy as the primal blues he became famous for in the 1950s. Whether remakes of classics like "Mother's Bad Luck Child", newer compositions such as "Love Weapon" or the often-covered "Garbage Man", or instrumental jams like "After Hours", Waters dominates each track without resorting to electronic studio gimmickry or celebrity guest appearances.