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      • 1. Clipo Clipo
      • 2. Katin
      • 3. Kango
      • 4. Minimanle ?
      • 5. Clipo Clipo (rmx)
      • 6. Katin Rmx
      • 7. Our Garden Needs Its Flowers
      • 8. Apartheid
      • 9. African Chant
      • 10. Solution
      • 11. Our Garden Needs Its Flowers (rxm)
      • 12. Apartheid (rmx)

      Haunting country-folk from 1980s Ivory Coast via Awesome Tapes From Africa. Politically conscious themes performed on harmonica, slide guitar and vibes. Check!

      Other Releases on Awesome Tapes From Africa

      Penny PennyYogo YogoAwesome Tapes From Africa

      The rags-to-riches chronicle of Penny Penny's life would be remarkable if he had only released his smash debut Shaka Bundu and packed houses for a few years. But the inimitable South African singer and dancer known for his trademark top ponytail and emphatic anthems was no one-hit wonder. In the aftermath of Shaka Bundu's nationwide explosion, far beyond his country the album resonated with ever bigger audiences. He performed up and down the continent, building fanbases in more than a dozen countries. So his sophomore album Yogo Yogo - released in 1996 - solidified Penny Penny's standing in pop music nationally and provided new energy to his pan-African stadium-filling adventures. "I was very busy between Shaka Bundu and Yogo Yogo. Shows every week, local and outside the country. There was no relaxing from 1995 until 1999." The album also reflects the era in which it emerged. If Shaka Bundu arrived triumphantly amid newfound political freedom in South Africa with the end of Apartheid and Nelson Mandela's election, Yogo Yogo was a next level expression for the maturing artist. He wanted to get a message out. Composed with Joe Shirimani, who also produced the album, the sound and compositional style echoes the earlier recording but the topical nature of the lyrics became more deliberate, more didactic. In the song "Ingani" Penny proclaims, we are all one people even though we may speak different languages, we are all Nguni—a larger historical grouping that includes many of the ethnic groups in modern South Africa. "Kulani Kulani," which means grow up, urges young people to say no to drugs and yes to education. Ama Owners, referring to the public transport drivers involved in violent rumbles, asks the nation's drivers to relax because we need them for our safe arrival. Penny's success as a Xitsonga artist should not be under-estimated in the context of popular music at the time in South Africa.

      • – Ibola Aids
      • – Ingani
      • – Amarumasi
      • – Kulani Kulani
      • – Hai Kamina
      • – Yogo Yogo
      • – Ti Samboko
      • – Ama Owners
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      • Cassette Tape £9.00
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      Antoinette KonanAntoinette KonanAwesome Tapes From Africa

      Reissue of Antoinette Konan's self-titled, electro-Baoulé blaster from 1986! This eponymous album features nothing more than her ahoko on the cover. The deceptively simple traditional percussion instrument transformed Ivory Coast’s Baoulé music scene when Konan deployed it against a roaring electrified backdrop of synth, bass guitar and drum machines. This album is a veritable UFO of instrumental force and contemporary pop sensibility landing in a boiling pot of diverse, creative characters inhabiting Abidjan, Ivory Coast (Côte d’Ivoire). Absolute monster of a reissue via Awesome Tapes From Africa!

      • – Kokoloko Tani
      • – M'ackô
      • – Enfants Du Monde (Version Baoulé)
      • – Abidjan Adja
      • – Evignen
      • – Yalé
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      Professor RhythmProfessor 3Awesome Tapes From Africa

      South African mbaqanga and bubblegum instrumentals for the dancefloor! Awesome Tapes From Africa focus on the second album release by one of the key players of the burgeoning house music scenes in Johannesburg and Pretoria in 1991 - Professor Rhythm!

      • – Uskamosothotsa
      • – Ubohisa Kanna
      • – Via Zimbabwe
      • – Raditaba (Nozindaba)
      • – Professor 3
      • – Zabalaza
      • LP + Download Code£18.99
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      BolaVolume 7Awesome Tapes From Africa

      Singer and instrumentalist from Ghana lands a debut vinyl release after multiple mix tapes. Volume 7 combines Bola’s intense Frafra-language vocals, along with his shredding kologo—a two-stringed lute—boosted by bass-heavy, angular keyboard melodies and dance floor-ready drums make this a must have for any fan of african folk and dance music!

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