• 1. If There's A Hell Down Below
      • 2. The Other Side Of Town
      • 3. The Makings Of You
      • 4. We The People Who Are Darker Than Blue
      • 5. Move On Up
      • 6. Miss Black America
      • 7. Wild And Free
      • 8. Give It Up

      C-l-a-s-s-i-c album including 'Move On Up'!

      Other Releases by Curtis Mayfield

      Curtis MayfieldNeed Someone To Love / Do Do Wap Is Strong In Here (Edit)Curtom

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      Curtis MayfieldSuper FlyCurtom

      CLASSIC blaxpoitation soundtrack full of excellent and much sampled funky tracks!


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                              Studio One Black Man's Pride 3 : None Shall Escape The Judgement Of The AlmightySoul Jazz Records

                              This is the latest new installment of Soul Jazz Records’ on-going collection of Rastafarian music at Studio One, featuring classic material from legendary roots and culture artists The Gladiators, Horace Andy, Freddie McGregor, Sugar Minott and the Wailing Souls, alongside a superb selection of rarities from Sir Coxsone’s musical empire made up of one-off and practically unknown Rastafarian artists who recorded on a myriad of Studio One off-shoot labels in the 1970s – The Manchesters, Mellodies, The Nightingales and others.

                              In this new collection, we see that once again the prescient Clement Dodd was a man who saw the wider picture. In the 1960s it was Sir Coxsone who identified the creative potential of The Wailers, Toots and the Maytals, Heptones, Burning Spear and many, many others. In the 1970s Studio One released an untouchable selection of the finest as styles moved from reggae to deejay to dub and, in the latter half, the emergence of dancehall.

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                              Black Man’s Pride explains the links between the ideology of Clement Dodd at Studio One and the Rastafarian faith, which was the creation of Afro-Jamaicans and concerned above all else with a black consciousness and empowerment, a rediscovering of the personal and racial identity of black people. The movement began in the 1930s and, in tandem with this black consciousness, called for a rejection of the British imperial culture that dominated Jamaica, while creating an identity based on a re-appropriation of an African heritage.

                              The Rastafari movement was like a pivot, bringing together and balancing many vectors of ideologies. Marcus Garvey’s Back to Africa movement, trades union discourse, anti-colonialism and nation independence, maroon self-definition and independence, the spirit of African rebellion in the Caribbean. For Clement Dodd, a black man and producer growing up in Kingston in this era, Rastafari was simply a part of his everyday world – from witnessing Count Ossie’s grounations to the faith of many Jamaican artists at Studio One – from the Skatalites onwards.

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                              • Horace Andy – Conscious Dread Lock
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                              • Freddie McGregor – Beat Down Babylon
                              • The Manchesters – Selassie Bandman
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                              • Big Joe – Jah Jah Help Us
                              • Horace Andy – Oh Lord Why Lord
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                              • Alphanso Stewart – It's No Secret
                              • Errol Dunkley – Satisfaction
                              • Mr Manchester – Give Natty Dread Glory
                              • Lincoln (Sugar) Minott – Wrong Doers
                              • Noel Campbell & The Gladiators Band – Sufferation
                              • African Brothers – No Cup No Brock
                              • Zoot Simms – When The Time Comes
                              • Glen Miller – Whey No Dead