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    58555

    Dennis Bovell Presents 4th Street Orchestra Ah Who Seh? Go Deh! / Leggo! Ah-Fi-We-Dis

    EMI
    Reggae, Roots, Dub
    • Dennis Bovell Presents 4th Street Orchestra – Ah Who Seh
    • Dennis Bovell Presents 4th Street Orchestra – Za-Ion
    • Dennis Bovell Presents 4th Street Orchestra – Jah Chase Dem
    • Dennis Bovell Presents 4th Street Orchestra – Half Way To Za-Ion
    • Dennis Bovell Presents 4th Street Orchestra – Run Dem Out
    • Dennis Bovell Presents 4th Street Orchestra – Back-Weh-Babylon
    • Dennis Bovell Presents 4th Street Orchestra – Wells Street Skank (Tichion Version)
    • Dennis Bovell Presents 4th Street Orchestra – None-Ah-Jah-Children
    • Dennis Bovell Presents 4th Street Orchestra – Skatter Skatter
    • Dennis Bovell Presents 4th Street Orchestra – Uganda Crisis
    • 1. Ah Who Seh
    • 2. Za-Ion
    • 3. Jah Chase Dem
    • 4. Half Way To Za-Ion
    • 5. Run Dem Out
    • 6. Out-A-Order
    • 7. Sing-A-Man
    • 8. Go Deh
    • 9. Rite Dem
    • 10. Raw Kut
    • 11. Back-Weh-Babylon
    • 12. Wells Street Skank (Tichion Version)
    • 13. None-Ah-Jah-Children
    • 14. Skatter Skatter
    • 15. Uganda Crisis
    • 16. Ah-Fe-We-Dis
    • 17. Sure Shot
    • 18. Younger Generation
    • 19. Bounty Hunter (Sign Off)
    • 20. North Parada (A Summer Place)

    As founder member and leader of UK reggae pioneers Matumbi, Dennis Bovell is truly part of UK reggae royalty. Formed in the early 70's, Matumbi and Bovell quickly installed themselves at the front of the UK scene, and during his time with Matumbi, but under the guise of the 4th Street Orchestra, he recorded four classic soundsystem albums. He intended these to appear as Jamaican imports, a trick he pulled off with ease. This particular two-albums-on-one-CD includes "Ah Who Seh? Go Deh!" and "Leggo! Ah-Fi-We-Dis", the first two 4th St Orchestra albums recorded. When these albums exploded at the back end of the 1970s they made their mark instantly. Loved equally by the small house party sized system crews and the bigger sound men the albums simply worked balancing the authenticity required by soundsystem tunes with the commerciality so as not to leave the prospective album buyers running for cover.

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