Electric performance from the soul legend in a live recording from 1971. 'Up close and personal with an all-time soul great' said Q magazine, which included...
Vinyl condition: VG-Sleeve condition: VG+Original USA 7" vinyl clean but has some background noise
100% Guarantee on this and all Original Vinyl at Sounds Of The Universe - 'if you're not happy we're not happy' or your money back!
'KWASI' is basically a massive 2 min drum track with a monster jazz fusion dancers tune at the end. Check it out! (listen audio for last part!)Original...
Reissue of this obscure, leftfield disco-not-disco / new wave gem from 1983. Originally released on 7" format, this expanded 12" issue was written and...
Crazy accompanied by Ed Watson Brass CIrcle
Original 70s carnival Calpyso 45.
UNPLAYED Original USA 7"Vinyl VG+ /Sleeve VG+ 45 100% Guarantee on this...
Vinyl condition: VG+Sleeve condition: VG+100% Guarantee on this and all Original Vinyl at Sounds Of The Universe - 'if you're not happy we're not happy' or your money back!
Work That Sucker To Death is the hit but the flip Love Is On The One is a wicked early 80s boogie funk tune - check the audio (like Freeze- Southern Freeze...
Vinyl condition: VG+Sleeve condition: VG+Original USA 7"
100% Guarantee on this and all Original Vinyl at Sounds Of The Universe - 'if you're not happy we're not happy' or your money back!
Only available EXCLUSIVELY to customers at Soul Jazz Records/Sounds of the Universe.
KILLER NEW ORLEANS FUNK PARTY BOMB!!
One of the rarest of all New...
NEW LTD. 300 copies (2nd Press, blue label)Only available EXCLUSIVELY to customers at Soul Jazz Records/Sounds of the Universe.All time party classic...
Chuck Carbo’s 'Can I Be Your Squeeze', backed with 'Take Care of Your Homework' are two of the most infectious break-heavy funk party tunes you will...
You could buy the one original copy currently on Discogs for £1,200 - OR buy this!
Seminal New Orleans Eddie Bo production from the near legendary group...
Killer New Orleans Funk rarity!
Inell Young's searing vocal performance backed by the unbelievably funky James Black's seriously awesome second-line...