• Tee Mac – Living Everyday
    • Tee Mac – Struggle
    • Tee Mac – Talk To Me
    • Tee Mac – Hit Hit
    • Tee Mac – Night Illusion
    • Tee Mac – A Certain Way To Go
    • Tee Mac – Nam-Myoho-Renge-Kyo
    • 1. Living Everyday
    • 2. Struggle
    • 3. Talk To Me
    • 4. Hit Hit
    • 5. Night Illusion
    • 6. A Certain Way To Go
    • 7. Nam-Myoho-Renge-Kyo

    Soul Jazz Records’ are releasing Tee Mac’s ‘Night Illusion’, a lost classic Nigerian Afro soul meets disco boogie funk album originally released in Nigeria in 1980. Impossibly hard to find, the record remains practically unknown outside of Nigeria.

    Tee Mac Omatshola Iseli is a multi-instrumentalist, composer and arranger and features on Soul Jazz Records’ recent collection Nigeria Soul Fever – Afro Funk Disco and Boogie alongside Joni Haastrup, Christy Essien and others, as well as on a recent compilation ‘Nepa Oh Nepa’ (released on Hot Casa earlier this year). 

    The timelessness of this soulful, ground-breaking funk jazz lost masterpiece ‘Night Illusion’ leads to comparisons with James Mason’s legendary lost classic album Rhythm of Life, with his unique individualism and intensity hinting at the boogie funk of groups such as Mass Production and Slave so loved by artists such as Moodyman and Theo Parrish.  While Fela Kuti is now a cultural icon of Nigerian music throughout the world, the recent crossover success of William Onyeabor shows just how much undiscovered Nigerian music remains waiting to be explored outside of the country.

    Tee Mac was born in Lagos, the son of a Nigerian princess and a Swiss diplomat. He picked up the flute at age 7 and ten years later was studying classical musical in Switzerland under his uncle the composer J.J. Direndirger. Returning to Lagos, Nigeria in 1970 he formed the heavyweight afro rock group Tee Mac and Afro Collection (which included Johnny Haastrup on keyboards and The Lijadu Sisters on vocals). This band was famously joined by the legendary Cream drummer Ginger Baker who came to Nigeria to play with them in 1971 (captured in the film Ginger Baker in Africa).

    At age 24, Tee Mac moved to Germany where he co-wrote and recorded the European disco group Silver Convention (whose ‘Fly Robin Fly’ became number one in the USA charts). 

    Tee Mac continues to live in Lagos today and travels the world as a composer – one of whose pieces is The City of Mer Kailash (2009), a two-hour ballet featuring over 60 dancers and a 100+ piece orchestra.

    Soul Jazz Records are releasing this lost classic Nigerian album as a strictly limited-edition 1000 copies worldwide exact-replica artwork reproduction LP (+ sleevenotes + free download), CD and digital album.

    Other Releases on Soul Jazz Records

    Black RiotEarly Jungle, Rave and HardcoreSoul Jazz Records

    VINYL FACTORY COMPILATION OF THE YEAR 2020!!!

    See chart here

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    LIMITED EDITION COMES WITH FREE GRAPHIC STORY!

    Soul Jazz Records’ new Black Riot: Early Jungle, Rave and Hardcore is a brand new collection of heavyweight ragga-influenced hardcore jungle tracks from the early 1990s. Dark and heavy!

    Featuring classic and seminal tracks from the likes of Levictus and Krome &Time, alongside a host of rare and little-known ragga & junglist hardcore tunes from the likes of Babylon Timewarp’s hypnotic Durban Poison, Rhythm for Reasons’ mad ‘The Smokers Rhythm’, The Freaky rave-y breakbeat sound of ‘Time and Age,’ Trip One’s super dark ‘Snowball’ and loads more!

    Expect super heavy basslines, equally heavy twisted Amen drum loops, even heavier ragga vocals! Original jungle style - roots and culture - from the earliest days of drum and bass.

    Included with the album is a free limited-edition graphic mini-novel “Black Riot: The Mysterons save Planet Earth from the Xatheroid Angels.” This is the third collaboration between Soul Jazz Records and writer/illustrator Paulo Parisi, the highly respected author of graphic books on Jean Michel Basquiat and John Coltrane.

    This new graphic story continues the story of black electronic dance music – this time set around the birth of Jungle and continues onwards from Soul Jazz’s earlier ‘Invasion of the Killer Mysterons’ (Jamaican electronic Dub, co-compiled by Kevin Martin (The Bug)) and Mysterons Invade the Jackin’ Zone (about Chicago Acid & Experimental House).


    • Rhythm For Reasons – The Smokers Rhythm
    • Babylon Timewarp – Durban Poison
    • The Terrorist – RK1
    • DJ Dubplate – Tings A Go On
    • Leviticus – Burial (Lovers Rock Mix)
    • The Freaky – Time and Age
    • Trip One – Snowball Remix
    • DJ Krome & Mr. Time – Ganja Man
    • New Vision – Way Of Life
    • DJ Dubplate – Original Rubadubstyle
    • Hi Fi Power – Chill Out (Raggafunks U)
    • Nu Jacks featuring Ivory Ranks – House Sensation
    • New 2×LP + Download Code + Limited Edition Graphic story£24.00
      In stockAdd to Bag
    • CD plus Limited Edition Graphic story£12.00
      In stockAdd to Bag
    • MP3 Release£7.99
      In stockAdd to Bag
    Lloyd McNeill QuartetWashington Suite (1970)Soul Jazz Records

    Soul Jazz Records’ new ox-blood red coloured vinyl limited-edition 1000-copies worldwide LP (+ download code) issue of this very rare deep spiritual jazz album first released as a private-press album in 1970 on flautist Lloyd McNeill’s own Asha Record label in Washington, DC.

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    CLASSIC! DEEP Jazz includes the wicked 'Home Rule'

    Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

    McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.


    • – Home Rule
    • – Just 71% Moor
    • – 2504 Cliffbourne Pl.
    • – Fountain In The Circle
    • – City Tryptych
    • – Fountain In The Circle
    The WinstonsAmen Brother / Color Him FatherSoul Jazz Records

    It's back in stock!!! EXCLUSIVE - ONLY AVAILABLE HERE!

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    WORLD EXCLUSIVE limited edition seven-inch 45 ONLY AVAILABLE to customers at Soul Jazz Records and Sounds of the Universe!

    The world's greatest ever break? Here it is - The first official re-release of The Winston's Amen Brother with the LEGENDARY Amen Break as featured on 1000s of hip-hop and jungle releases. This record has been a collectors' 45 for ages and OUT OF PRINT for 50 years - sounding fresh!

    Not only that but the flip-side Color Him Father is a superb Curtis Mayfield-esque ANTHEMIC soul tune - as essential as the A-side.

    WORLD EXCLUSIVE limited edition seven-inch 45 ONLY AVAILABLE to customers at Soul Jazz Records and Sounds of the Universe!

    THIS RECORD IS 100% ESSENTIAL and ONLY available HERE - DO NOT MISS OUT!


    • The Winstons – Amen Brother
    • The Winstons – Color Him Father
    Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio OneSoul Jazz Records

    Soul Jazz Records’ new Studio One collection ‘Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio One’ features a stellar selection of 70s roots music – classic and rare tracks recorded at Clement Dodd’s musical empire at 13 Brentford Road in the 1970s.

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    Rastafarian-inspired Roots music was an ever-important aspect of Studio One’s output from the start of the 1970s onwards and this album features many of the ground-breaking groups and artists that established the sound of Jamaica during this decade and beyond.

    Featured here are seminal artists such as Freddie McGregor, The Wailing Souls, The Gladiators, Horace Andy, Devon Russell, Cedric Brooks, Count Ossie, Judah Eskender Tafari alongside a host of lesser-known rare cuts made at Studio One from artists such as The Prospectors, Viceroys and Pablove Black.

    Studio One and founder Clement Dodd’s connection with Rastafarianism dates back to the early 1960s, with Dodd accompanying members of the Skatalites up to the hills of Kingston to listen to the music of the Rastafarianism Count Ossie and his drummers. The album sleevenotes discuss how Clement Dodd’s musical links, as well as his role in heading the most important record label in Reggae, are in many ways linked to the beliefs of Rastafarianism.

    This album is released as a heavyweight black vinyl double-album with gatefold sleeve, full notes and download code, deluxe CD with full booklet and slipcase and digital album.

    • Freddie McGregor – I Am a Revolutionist
    • The Silvertones – Burning In My Soul
    • Wailing Souls – Without You
    • Devon Russell – Jah Jah Fire
    • Trevor Clarke – Sufferation
    • The Gladiators – Sonia
    • Judah Eskender Tafari – Always Trying
    • The Viceroys – Ya Ho
    • Im and Count Ossie – Give Me Back Me Language And Me Culture
    • The Gladiators – Serious Thing
    • The Prospectors – Glory For I
    • Wailing Souls – Things and Time
    • Pablove Black – Inner Peace
    • The Gladiators – Peace
    • Horace Andy – Mr. Jolly Man
    • Wailing Souls – Rock But Don't Fall
    • Albert Griffiths and The Gladiators – Righteous Man
    • The Viceroys – So Many Problems
    Brentford All StarsGreedy G / Granny Scratch ScratchSoul Jazz Records

    These are very limited Studio One 12" pressings (worldwide 1000) that sell out on the day they are released. So don't miss out here!

    BRAND NEW LTD. EDN. 12" All-time Studio One party ANTHEM. 100% ESSENTIAL MONSTER TUNE - ROCKS ANY DANCEFLOOR!

    'Greedy G’ is the ultimate reggae/funk/hip-hop party tune.

    The all-time epic sample for Boogie Down Productions’ seminal ‘Jack of Spades’ based on James Brown’s funk bomb ‘Get on the Good Foot’.

    The flipside is another Brentford Road All Stars essential cut, ‘Granny Scratch Scratch’, the heaviest, funkiest dub monster ever with bass to shake more speakers than a juggernaut lorry!

    Boom!


    • – Greedy G
    • – Granny Scratch Scratch
    Lloyd McNeillToriSoul Jazz Records

    Soul Jazz Records’ limited-edition black vinyl 1000-copies worldwide LP (+ download code), (as well as CD and digital) issue of this very rare deep spiritual jazz meets Brazilian and Latin album first released as a private-press album in 1978 on flautist Lloyd McNeill’s own Baobob Record label in Washington, DC. The album has been out-of-print for 43 years and is lovingly remastered by Soul Jazz Records.

    Tori is a stunning album that blends Brazilian and Latin flavours with deep Spiritual Jazz, recorded in 1978. The album features an unbelievably strong line-up which includes legendary Brazilian figures like Dom Um Romao, Nana Vasconcelos and Dom Salvador alongside jazz heavyweights such as Buster Williams, Howard Johnson, John La Barbera and more. These A-team musicians were all regulars in McNeill’s long-running and highly successfull resident live group in New York all set up to blend deep jazz, Brazilian and Latin music together.

    Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

    McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.

    • Lloyd McNeill – O Mercado (Brazilian Market)
    • Lloyd McNeill – Tori (Segment One)
    • Lloyd McNeill – Tzigane
    • Lloyd McNeill – Tori (Segment Two)
    • Lloyd McNeill – Sambinha
    • Lloyd McNeill – Time Still / Passaro - Pifaro (Flute Bird)
    • Lloyd McNeill – Tori (Segment Three)
    • Lloyd McNeill – Tranquil
    Soul Jazz Records presents Studio One Ska Fire ! (Limited Edition Collectors 7" Box Set)Record Store Day Exclusive #1Soul Jazz Records

    Soul Jazz Records are releasing Studio One Ska Fire Box Set, a limited-edition one-off pressing exclusive for Record Store Day 2021, collectors seven-inch box set featuring 10 amazing and super-rare Studio One ska tracks on five 7” singles, all produced here in deluxe hard form box each single with separate inner sleeves.

    • Don Drummond – Don D Special
    • Toots and The Maytals – A Man Who Knows
    • Bob Marley and The Wailers – Rude Boy
    • Derrick Morgan – It's Alright
    • The Skatalites – Something Special
    • Lee Perry – Open Up (aka Cook Book)
    • The Regals – Shammy Back
    • Bob Marley and The Wailers – Diamond Baby
    • Jackie Opel – The Mill Man
    • The Ethiopians – I Am Free
    Trees SpeakPostHumanSoul Jazz Records

    This is incredibly Trees Speak’s third album on Soul Jazz Records to be released in the space of one year – and it’s amazing!

    Trees Speak’s new album ‘Post-Human’ once again blends 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New York No Wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!

    The new album ‘Post-Human’ draws further upon German krautrock high-concept albums from the likes of Tangerine Dream and Klaus Schulze from the 1970s, as Trees Speak create their own powerful new landscapes of sound that manage to be at once contemporary as well as both timeless and with a sense of science-fiction futurism.

    Trees Speak’ seamlessly segue together all these musical elements into ‘Post-Human,’ a conceptually expansive album which follows on from their critically-acclaimed debut LP ‘Ohms,’ and the follow-up ‘Shadow Forms’ released on Soul Jazz Records less than six months ago.

    This powerful new album is a high-concept collage of retro-futurist science-fiction music, which is fantastically illustrated by a specially commissioned cover design by the artist Eric Lee, a dramatic vision of life after humanity.

    Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

    The album includes an INDIES ONLY exclusive bonus 45 single with two extra tracks ‘Machine Vision’ and ‘Seventh Mirror’ available with the vinyl edition of this amazing and ground-breaking new album.

    With ‘Post-Human,’ Trees Speak take the listener deep into their unique musical world of unknown visions of the past and the future.

    ABOUT Ohms: Album of the Month - Splintered Eye /50 Best albums 2020 - Pop Matters / Favourite albums 2020 -The Soap Company / Albums of the Year 2020 -Bear Tree Records / Independent Albums of the Year 2020-Love Records / Albums of the Year 2020-Concrete Islands

    ABOUT Shadow Forms: Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year 2020 -South / Albums of the Year 2020 - Concrete Island / Albums of the month - Reveal / Albums of the Year 2020 -Piccadilly / Albums of the Year 2020-Buzzsaw / About Shadow forms / Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year-South / Albums of the Year-Concrete Island / Albums of the month-Reveal / Albums of the Year-Piccadilly /Albums of the Year-Buzzsaw

    About Ohms:

    “This might well be the Dark Side of the Moon of the XXI century” Discogs


    • Trees Speak – Double Slit
    • Trees Speak – Glass
    • Trees Speak – Chamber of Frequencies
    • Trees Speak – Divided Light
    • Trees Speak – Elements of Matter
    • Trees Speak – Magic Transistor
    • Trees Speak – Scheinwelt
    • Trees Speak – PostHuman
    • Trees Speak – Synthesis
    • Trees Speak – X Zeit
    • Trees Speak – Incandescent Sun
    • Trees Speak – Healing Rods
    • Trees Speak – Steckdose
    • Trees Speak – Amnesia Transmitter
    • Trees Speak – Quantize Humanize
    • Trees Speak – Gläserner Mensch
    • Trees Speak – Machine Vision
    • Trees Speak – Hidden Machine
    Trees SpeakShadow FormsSoul Jazz Records

    Super-limited new 1000 copies special ox-blood red vinyl edition!

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    It's a big one ... Absolutely stunning second album from Trees Speak new on Soul Jazz Records.

    Trees Speak’s new album ‘Shadow Forms’ is a blend of 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New Nork no wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!

    Trees Speak’ segue together all these elements into ‘Shadow Forms,’ which follows on from their critically-acclaimed debut LP ‘Ohms,’ released on Soul Jazz Records less than six months ago.

    Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

    Trees Speak - Shadow Forms:

    Records of the week-Drift/Album of the week-Resident/Album of the week-Norman/Records of the Year-South/Albums of the Year-Concrete Island/Albums of the month-Reveal/Albums of the Year-Piccadilly/Albums of the Year-Buzzsaw

    • Trees Speak – Large Array
    • Trees Speak – Tear Kisser
    • Trees Speak – Those Who Know
    • Trees Speak – Transforming
    • Trees Speak – Automat
    • Trees Speak – False Ego
    • Trees Speak – Communication
    • Trees Speak – Crystal System
    • Trees Speak – Agonize Signal
    • Trees Speak – Magick Knives
    • Trees Speak – Shadow Forms
    • Trees Speak – Outtake 3
    • Trees Speak – Transmitter
    Cold Wave # 2Soul Jazz Records

    Cold Wave #2

    Ltd. Edn. Dayglo sleeve + PURPLE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

    -------------------------------------------------------------------------------------------------------------

    Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

    This is the second release of Soul Jazz Records’ new Cold Wave overview.

    ------------------------------------------------------------------------------------------------------------

    This second edition Cold Wave #2 comes in two vinyl editions – a one-off pressing purple coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

    -------------------------------------------------------------------------------------------------------------

    These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

    Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

    Most of the featured artists are based in Europe and include Krikor from France, Beta Evers and L.F.T. from Germany, Lena Willikens, Job Siffre and De Ambassade from the Netherlands, Toulouse Low Trax from Germany, Dave I.D. and Broken English Club from the UK, and V.C.V.S from Georgia

    All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.

    • Lena Willikens – Howlin Lupus
    • Beta Evers – Hiding
    • L.F.T. – Stay Away From The Light
    • Job Sifre – At Least We Try
    • De Ambassade – Niet Van Mij
    • Toulouse Low Trax – Rushing Into Water
    • V.C.V.S. – Hum
    • Dave I.D. – Help Starts
    • Broken English Club – Vacant Cars
    • Krikor Kouchian – Deserver Dub
    Marcia GriffithsFeel Like Jumping / Part 2Soul Jazz Records

    IN STOCK NOW!

    BRAND NEW LTD. EDN. 12" All-time Studio One party ANTHEM now available for the first time ever on loud 12" with version on the flip. 100% ESSENTIAL MONSTER TUNE - ROCKS ANY DANCEFLOOR!

    • Marcia Griffiths – Feel Like Jumping
    • Dub Specialist – Feel Like Jumping Part 2
    Cold WaveSoul Jazz Records

    Ltd. Edn. Dayglo sleeve + ORANGE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

    -------------------------------------------------------------------------------------------------------------

    Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

    This is the first release of Soul Jazz Records’ new Cold Wave overview and a second volume will be released just four weeks later.

    ------------------------------------------------------------------------------------------------------------

    This first edition of Cold Wave comes in two vinyl editions – a one-off pressing orange coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

    -------------------------------------------------------------------------------------------------------------

    These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

    Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

    Most of the featured artists are based in Europe and include Krikor, Dissemblance and VQOA from France, De Ambassade from the Netherlands, Moisture from Sweden, Kriedler from Germany, Céline Gillain and Carcass Identity from Belgium. One exception is FIT Siegel out of Detroit, connecting the electronic pathways of Europe to the Motor City.

    All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.


    • Dissemblance – Capture
    • Carcass Identity – Reflexion Ocean
    • FIT Siegel – Wayne County Stomp
    • De Ambassade – Standhouden
    • Wang Inc – Approdo
    • Krikor Kouchian – Niños Matadores
    • Céline Gillain – Fight or Flight
    • Kreidler – Kannibal
    • Moisture – Gammut
    • Violent Quand On Aime – Of Course I'm A Liar
    Studio One Rocksteady Got SoulSoul Jazz Records

    Back in stock!

    Soul Jazz Records new Studio One release Rocksteady Got Soul is a collection of uplifting and superb rocksteady and soulful reggae from the late 1960s and early 1970s. Studio One is the number one label in the history of reggae and he album features - as ever with Studio One - an impeccable and unbeatable line-up of reggae superstars all soaring at the height of their creative powers. Alton Ellis, John Holt, The Heptones, Jackie Mittoo, The Ethiopians, Lee Perry and more.

    The album is a mix of classic tunes and rhythms alongside super-rarities that were released in a dazzlingly complex web of Studio One labels and issues, deftly navigated with new sleevenotes from author and Studio One authority Rob Chapman. But enough with the chatter, just spin the platter - these tunes rule the town, hands down!


    This Soul Jazz/Studio One album is released as deluxe gatefold double-vinyl + house inners + download code. Also as jewel case CD housed in card slipcase. Both formats come with full sleeve notes/discography and exclusive photography. (The album is also available digitally on day of release onwards)

    • Alton Ellis – It's True
    • The Heptones – You Turned Away
    • The Gladiators – Mr Sweet
    • The Jail Breakers – Work It Up
    • Lee Perry & The Gaylads – Run Rudie Run
    • The Heptones – Young Generation
    • Jackie Mittoo – Good Feeling
    • C. Marshall – I Need Your Loving
    • Alton Ellis – I'll Be Waiting
    • The Clarendonians – The Tables Gonna Turn
    • Ken Parker – When You're Gone
    • Sound Dimension – Traveling Home
    • Errol Dunkley – Get Up Now
    • John Holt – My Heart Is Gone
    • Freedom Singers and Larry Marshall – Monkey Man
    • The Ethiopians – Let The Light Shine
    • Im and David – Money Maker
    • The Viceroys – Lose and Gain
    Add N To X - On The Wires Of Our Nerves (Special Limited Edition RSD 2021 silver vinyl)Record Store Day Exclusive #4Soul Jazz Records

    Super special 20th anniversary SILVER vinyl!

    Incredibly inspired electronic retro-futurists who were so ahead of their time that they eventually imploded. This is a classic album!

    In the space of five short years (and as many albums) at the end of the 20th century Add N To X caused havoc with their unique retro-futurist electronic music. Add N To X’s musical intensity proved too much for the group who split up in 2002. Their album On The Wires of Our Nerves, complete with its classic cover image, recorded on Soul Jazz Records’ then new offshoot label Satellite Records, launched them into the spotlight and included two NME Singles of the Week ‘Black Regent’ and ‘King Wasp’. Over twenty years since it was first released and long out of print the album 'On The Wires of Our Nerves’ stands up one of the most forward-looking electronic albums of then and now.

    This classic album is released in a very limited one-off pressing transparent vinyl edition as an Record Store Day exclusive title

    • Add N To X – The Black Regent
    • Add N To X – Planet Munich
    • Add N To X – Nevermind
    • Add N To X – We Are Add N To X
    • Add N To X – Murmur One
    • Add N To X – Sound Of Accelerating Concrete
    • Add N To X – Gentle Germans
    • Add N To X – King Wasp
    • Add N To X – Orgy Of Bubastus
    • Add N To X – Grey Body, Green Gun
    • Add N To X – On The Wire Of Our Nerves
    • Add N To X – Hit Me
    • Add N To X – Sir Ape
    Steve Reid Ensemble feat. Kieran Hebden - Spirit Walk (Special Limited Edition black vinyl RSD 2021)Record Store Day Exclusive #5Soul Jazz Records

    LONG OUT OF PRINT One-off RSD 2021 special limited edition black vinyl

    "Steve Reid played with Sun Ra, knew Coltrane, played at Motown. I mean this is a guy who at 19 was playing drums with Fela Kuti in Africa. He is a musical genius. It’s a creative joy and honour to work with him."Kieran Hebden (Fourtet) After a number of groundbreaking live shows between Kieran Hebden (Fourtet) and legendary New York drummer Steve Reid, these two artists have embarked on two amazing new recording projects.

    The first release is the Steve Reid Ensemble (featuring Kieran Hebden) "Spirit Walk". This will be followed by a second album by Kieran Hebden and Steve Reid which will be released by Domino Records at the beginning of 2006. Both albums blend electronic experimentation within the frame-work of Steve Reid’s musical heritage. Gilles Peterson will be touring the UK in November alongside The Steve Reid Ensemble. An ardent fan of the music, Peterson has contributed the sleeve-notes to "Spirit Walk" along with another long-time musical admirer Val Wilmer. Steve Reid is a true pioneer of boundary-breaking music.

    This latest project/collaboration is a continuation of a musical path that stretches back to the late 1960s. A self-taught master jazz drummer Steve Reid played in Sun Ra’s Arkestra as well as being a session musician at both Motown Records (he plays on for instance Martha and The Vandella’s "Heatwave") and in James Brown’s in-house band at the legendary Harlem Apollo. In the mid-60s Reid went to West Africa, playing and learning the music of Ghana, Nigeria (playing with Fela Kuti), Liberia, Sierra Leone, Senegal. On returning to New York he joined Sun Ra’s The Science Myth Solar Arkestra.

    In 1968 as a conscientious objector to the Vietnam war he was sentenced to 4 years in prison where he then taught a Black history course to his fellow inmates. In the 1970’s Reid formed the Legendary Master Brotherhood as well as running his own record company, Mustevic Sound, which released a series of his albums (2 of which have earlier been released by Soul Jazz Records). In a career now spanning over 40 years Steve Reid has worked with artists such as Lester Bowie, Miles Davis, Charles Tyler, Arthur Blythe, Ornette Coleman, Gary Bartz, Chief Bey, Archie Shepp, Sam Rivers, Dee Dee Bridgewater, Leon Thomas and more. This new project is the latest part in Steve Reid’s musical odyssey.

    "A truly phenomenal artist. This is the album we've all been waiting a long time for. Steve Reid is steeped in musical history and yet this album has a modernity all of it's own." Gilles Peterson.

    • Steve Reid Ensemble – Lugano
    • Steve Reid Ensemble – Bridget
    • Steve Reid Ensemble – For Coltrane
    • Steve Reid Ensemble – Blind Tom
    • Steve Reid Ensemble – Which One?
    • Steve Reid Ensemble – Lions Of Juda
    • Steve Reid Ensemble – It Cannot Be True
    • Steve Reid Ensemble – Unity
    • Steve Reid Ensemble – Drum Story
    Studio One RootsSoul Jazz Records

    LAST COPIES

    This is the new 20th anniversary edition of one of Soul Jazz Records’ classic Studio One releases now available as a one-off pressing special blue vinyl very limited-edition pressing ( 2000 copies worldwide).

    ----------------------------------------------------------------------------------------------------------

    Studio One Roots set the standard for Soul Jazz Records’ long-standing series of Studio One collections and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae.

    This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining crack-session men groups of Jamaican reggae history - The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. As ever the album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.

    Stand-out tracks include Alton Ellis’s Blackish White, a surreal and powerful Afro-centric dream, Count Ossie Nyabinghi and Rastafarian drummers genre-defying interpretation of Booker T and The MGs ‘Meditation’, Willie Williams awe-inspiring versioning of the Skatalites' seminal Rastafari anthem Addis Ababa and many, many more.

    This album has been fully digitally remastered, analog cut and packaged complete with the following: Original sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Honest Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves.

    REVIEWS:

    "Having established himself as one of Jamaica's top producers the day Studio One opened its doors in the early '60s, Clement "Coxsone" Dodd was unable to maintain his status during the roots era of the subsequent decade. This can be attributed to a couple of factors. One was Dodd's apparent reluctance to record the new, overtly Rasta-inspired music. The other was an infusion of new blood into the Jamaican music business. Eager to make a name for themselves, producers like Joe Gibbs, Bunny Lee, Lee "Scratch" Perry, and Winston "Niney" Holness managed to supplant the island's "big three" (Dodd, Duke Reid, and Prince Buster) in the process, driving the music's evolution in the '70s.

    There isn't a weak number across these 16 tracks, from the Gaylads' ode to "Africa" and Devon Russell's version of the heavyweight "Drum Song" rhythm, to a trio of stunning instrumentals: Jackie Mittoo and the Cyclones with nyahbinghi drummer Count Ossie on "Meditation," Lenny Hibbert's sparkling vibe work over Mittoo's "Ghetto Organ" ("More Creation"), and Sound Dimension's "Congo Rock."

    The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection." All Music

    • The Cyclones With Count Ossie – Meditation
    • Cornell Campbell & The Brentford Rockers – Natty Don't Go
    • Freddy Mcgregor With The Sound Dimension – Africa Here I Come
    • Bunny & Skitter – Lumumbo
    • Willie Williams & The All Stars – Addis A Baba
    • L.Crosdale With Drummond Bago & the Rebel Group – Set Me Free
    • Leroy Wallace & The New Establishment – Far Beyond
    • Lennie Hibbert – More Creation
    • Alton Ellis & The Sound Dimension – Blackish White
    • Winston Jarrett & The Sound Dimension – Fear Not
    • Devon Russell – Drum Song
    • The Gaylads – Africa
    • Black Brothers & The New Establishment – School Children
    • Linton Cooper & The Brentford Disco Set – You'll Get Your Pay
    • Sound Dimension – Congo Rock
    • Zoot Simms – African Challenge
    • 1. The Cyclones With Count Ossie – Meditation
    • 2. Cornell Campbell & The Brentford Rockers – Natty Don't Go
    • 3. Freddy Mcgregor With The Sound Dimension – Africa Here I Come
    • View full info and tracklisting
    • 2×LP£30.00
      Limited edition blue coloured vinyl + inners + download
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    • CD£12.00
      In stockAdd to Bag
    • MP3 Release£8.99
      In stockAdd to Bag
    Steve ReidNova (1976)Soul Jazz Records

    New edition of this seminal album available as a 1000 copies edition only on new premium RED vinyl!

    --------------------------------------------------------------------------------------------------------------

    'A truly phenomenal artist.' GILLES PETERSON

    'Steve Reid is one of the greatest drummers. He is a musical genius' KIERAN HEBDEN (Four Tet)

    --------------------------------------------------------------------------------------------------------------

    As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, , Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver!

    Reid was born in the South Bronx, and grew up in Queens, New York. He played in the house band at Harlem's Apollo Theatre, accompanying James Brown, as well as playing in Sun Ra's Arkestra. He lived next to John Coltrane, worked in a department store with Ornette Coleman, had a son who played drums with NWA. He began his career as a teenager in the 1960s as a drummer at Motown when he played on Martha and The Vandellas "Heatwave" (aged 14).

    At the end of the 1960s Reid was sentenced to four years in jail as a conscientious objector of the Vietnam war. On his release from prison in 1974, he formed the Legendary Master Brotherhood and started the independent record label, Mustevic Sound, to release his debut LP Nova in 1976. This album is released in its entirety and with full original cover art here. Nova was the first in a series of stunning independent records he released in the 1970s.

    At the start of the 21st century, his career took a new twist when Steve Reid began a successful collaboration with Kieran Hebden (Four Tet). Hebden referred to Reid as his ‘musical soul mate’, resulting in a number of joint albums.

    Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.

    • Steve Reid – Nova
    • Steve Reid – Lions Of Juda
    • Steve Reid – Free Spirits-Unknown
    • Steve Reid – Long Time Black
    • Steve Reid – Sixth House
    Arthur RussellThe World Of Arthur RussellSoul Jazz Records

    New fully remastered re-release of Soul Jazz Records’ ‘The World of Arthur Russell’, the seminal collection of Arthur Russell’s essential music back in print on awesome limited-edition heavy deluxe triple vinyl and deluxe CD edition.

    ------------------------------------------------------------------------------------------------------

    This album brings together some of Russell’s best-loved and most accessible works including his wide-ranging music both solo and in groups including Dinosaur L (the essential ‘Go Bang’), Loose Joints (the equally classic ‘Is It All Over My Face’) as well as rarities such as the 7” only ‘Pop Your Funk’, Indian Ocean’s ‘Schoolbell/Treehouse’, Lola’s ‘Wax The Van’ and more.

    -------------------------------------------------------------------------------------------------

    “Arthur Russell fused the avant-garde with disco and sounds like nothing else on earth.” The GUARDIAN

    “Russell is the great enigma of the New York music scene” THE WIRE

    “Simply one of the best compilations of this or any year.” RECORD COLLECTOR

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    Arthur Russell’s music effortlessly crossed musical boundaries making it timeless. His dance music credentials are faultless and this collection features mixes from Larry Levan, Françcois Kervorkian and Walter Gibbons. Similarly, his song-writing, musicality and performance skills are equally cherished as composer Philip Glass wrote, ‘this was a guy who could sit down with a cello and sing with it in a way that no one on earth has ever done before or will do again.’

    When Soul Jazz Records’ The World of Arthur Russell first came out in 2003, Russell’s music had slipped into near obscurity. Nearly 18 years later there are over a dozen releases of his music, reissues of his original albums and more. ‘The World of Arthur Russell’ is the classic first collection of his work available once more.

    • Dinosuar L – Go Bang (Francois K Mix)
    • Lola – Wax The Van
    • Loose Joints – Is It All Over My Face (Larry Levan Mix)
    • Arthur Russell – Keeping Up
    • Arthur Russell – In The Light Of The Miracle
    • Arthur Russell – A Little Lost
    • Loose Joints – Pop Your Funk
    • Arthur Russell – Lets Go Swimming (Walter Gibbons Mix)
    • Dinosuar L – In The Cornbelt (Larry Levan Mix)
    • Arthur Russell – Treehouse
    • Indian Ocean – Schoolbell/Treehouse (Walter Gibbons Mix)
    Two Synths, A Guitar (And) A Drum Machine - Soul Jazz Records #1 Post Punk DanceSoul Jazz Records

    OUT NOW!

    Soul Jazz Records new ‘Two Synths, A Guitar (and) A Drum Machine’ is a new collection of current D-I-Y post-punk bands shaped by the mutant sounds of no wave, punk funk and New York Noise bands from the late 70s and early 80s that collided with the world of underground dance music found at the Paradise Garage, Mudd Club in New York City (ESG, Arthur Russell, Bush Tetras, Talking Heads, Suicide, Liquid Liquid).

    Other influences cited here include Manchester and Sheffield’s industrial post-punk sounds of the 1980s (Joy Division, Cabaret Voltaire, Gang of Four) as well as the 1970s German electronic experimentalism of Cluster, Neu!, Harmonia and Can.

    Featured artists from around the globe include Los Angeles D-I-Y band Automatic, New Fries from Toronto, artist/music collaborators Toresch from Germany, Susumu Makai from Japan/UK, Vex Ruffin from the Phillipines/California and Madmadmad, Gramme, Tom of England and other UK groups

    That all the bands featured here manage to make distinctive contemporary music out of these 80s roots is testament to the wide range of other musics that are seamlessly absorbed into a modern melting pot of sound – hip-hop, the electronic European avant-garde, rave culture, and more.

    The double vinyl comes in two editions:

    1) Limited edition indies EXCLUSIVE heavyweight green double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

    2) Limited edition heavyweight black double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

    The album is also available as a CD and digital release

    • Automatic – Too Much Money
    • Zongamin – Underwater Paramid
    • New Fries – Lily
    • Vex Ruffin & Fab 5 Freddy – The Balance
    • Ixna – Somebody Said
    • Leroy Duncann – Dream River
    • Tom Of England – Neon Green
    • Toresch – Tocar
    • Becker & Mukai – La Rivière des Perles
    • Gramme – Discolovers
    • Niagara – Ida
    • Charles Manier – Sift Through Art Collecting People
    • Black Deer – Baseball Shorts
    • Madmadmad – Hot Disco
    • Wino D – Untitled
    Cuba: Music and Revolution - Compiled by Gilles Peterson and Stuart BakerSoul Jazz Records

    Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state of Cuba.

    The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

    The album is released to coincide with the massive new deluxe large format book Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90, published in November, which is also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), and which features the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

    The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba – and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states.

    The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

    Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

    -------------------------------------------------------

    REVIEWS:

    "It may only be January, but we already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

    "It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

    "Priceless comp goes beyond Buena Vista" UNCUT

    --------------------------------------------------------------------------------------

    *Please note the vinyl sticker of this album says "+download code" but it's a mistake! There is no download with this particular album due to legal reasons. Sorry for this error!

    • Grupo Irakere – Chequere Son
    • Conjunto Rumbavana – El Son Del Campeon
    • Juan Formell & Los Van Van – Mi Ritmo Caliente
    • Grupo Monumental – Mi Son Caridad
    • Grupo de Experimentación Sonora del ICAIC – Sondeando
    • Las D'Aida – Con Cadencia y Con Dulzura
    • Juan Formell & Los Van Van – Y No Le Conviene
    • Pablo Milanés – Te Quiero Porque Te Quiero
    • Emíliano Salvador – Luna Wanestain
    • Los Reyes 73 – Un Lamento Hecho Cancion
    • Eduardo Ramos – Vocación Revolución
    • Grupo Mounmental – Hasta Las Cuantas
    • Los 5 U 4 – Solo Esta Musica
    • Grupo de Experimentación Sonora del ICAIC – Canción Con Todos
    • Orquesta Los Van Van – Yo Se Que Van Van
    • Grupo Monumental – Nadie Se Siente Cansado
    • Orquesta Ritmo Oriental – Maria, Baila El Son
    • Juan Pablo Torres y Algo Nuevo – Rompe Cocorioco
    • Los Reyes 73 – Grandes Amigos
    • Paquito D'Rivera – La Patica
    • Grupo de Experimentación Sonora del ICAIC – Grifo
    • Raúl Gómez – Dacapo
    • Grupo Irakere – Juana 1600
    • 1. Grupo Irakere – Chequere Son
    • 2. Conjunto Rumbavana – El Son Del Campeon
    • 3. Juan Formell & Los Van Van – Mi Ritmo Caliente
    • View full info and tracklisting
    Studio One Rockers (Black vinyl edition)Soul Jazz Records

    Owned and founded by Clement "Coxsone" Dodd, Studio One's output serves as a comprehensive guide to the history of Reggae music. The music on Studio One Rockers covers all areas of Reggae such as Ska, Rocksteady, Roots and Dancehall, all areas in which Studio One led the field.


    Studio One Rockers features many legendary Studio One tracks brought together for the first time by Soul Jazz Records. From the beginning of Reggae, when the Skatalites developed a new sound of Ska in 1962 up until today, Studio One has been the number one innovator in Jamaican music.


    Included in this compilation are classic Ska tracks ("Phoenix City"), Rocksteady ("Feel Like Jumping"), Roots music ("Truth and Rights"), Dancehall (Freddy McGregor, Michigan and Smiley) and many more.


    Featured here are many of the classic tracks from Studio One. From Dawn Penn's legendary "No, No, No" to classics such as Horace Andy's "Skylarking" and Marcia Griffith's "Feel Like Jumping".


    The Coxsone Soundsystem in the early 60s was one of the three main soundsystems operating in Jamaica alongside his competitors, Prince Buster and Duke Reid. The Studio One catalogue is possibly the largest in Jamaican music and this release is the first in a series of Studio One compilations on Soul Jazz Records.


    This album comes with an in depth interview with Mr C.S. Dodd, about how he set up and ran his record label in the 1960s and 1970s.


    "Compilation of the month. 100% Essential" SEVEN "Compilation of the month. A compilation of unbelievable quality. Awesome" MUZIK "A who's who of Jamaican music" MUSICWEEK "An essential slice of musical history" WAX "The most credible compilation of reggae you can 

    • Sound Dimension – Real Rock
    • Marcia Griffiths – Feel Like Jumping
    • Freddy Mcgregor – Bobby Babylon
    • Horace Andy – Skylarking
    • Lennie Hibbert – Village Soul
    • Brentford All-Stars – Greedy G
    • Johnny Osbourne – Truth And Rights
    • Ernest Ranglin – Surfin
    • Michigan & Smiley – Eye Of Danger
    • Dawn Penn – No, No, No
    • The Skatalites – Phoenix City
    • Prince Jazzbo – Crabwalking
    • Jackie Mittoo – Hot Milk
    • Lone Ranger – Badder Dan Dem
    • Cedric Brooks – Ethiopia
    Deutsche Elektronische Musik 4Soul Jazz Records

    This is the new instalment of Soul Jazz Records’ ground-breaking Deutsche Elektronische Musik series, ‘A near-definitive guide to some of the world's most extraordinary music’ (The Guardian).

    This latest edition features many of the classic German electronic and Krautrock groups from the 1970s & 80s – including Can, Amon Duul II, Harmonia, Conrad Schnitzler, Agitiation Free, Roedelius – as well as a host of lesser known artists such as Dzyan, Klauss Weiss, Gruppe Between and many more.

    Deutsche Elektronische rarities unearthed on the album include Kalacakra (whose fan-base included the great Moondog!) and their superb ‘Nearby Shiras,’ taken from their super-rare spiritual/psychedelic private press concept album Crawling to Lhasa, from 1972.

    Deutsche Elektronische 4 includes a wealth of German electronic experimental artists – the seminal pioneering group Harmonia (Roedelius, Moebius and Michael Rother), avant-garde guru Conrad Schnitzler as well as lesser known synthetic artists such as Klauss Weiss, Deutsche Wertarbeit, E.M.A.K. (Electronische Musik Aus Koln), Gunter Schickert and others.

    Finally, the album also features an array of heavy and progressive German cosmic rock groups – Dzyan, Virus and the amazing Turkish/German tripped out sound of Alex’s ‘Patella Black’, recorded at Can’s Inner Space in 1973, produced by Holger Czukay and Jackie Liebezeit.

    Deutsche Elektronische 4 comes with extensive newly commissioned sleevenotes by David Stubbs, author of the seminal books ‘Future Days: Krautrock and the building of Modern Germany’, ‘Mars By 1980: The story of Electronic Music’, and ‘Krautrock: Cosmic Rock and its Legacy’.

    This album comes as a heavyweight triple vinyl edition with full colour inner sleeves, as well as a deluxe double CD edition with outsize booklet and slipcase. Both formats include full liner notes and extensive rare photography.

    • Alex – Patella Black
    • Klaus Weiss – Driving Sequences
    • Can – I'm So Green
    • Agitation Free – Laila, Part II
    • Deutsche Wertarbeit – Guten Abend, Leute
    • Amon Düül II – Wolf City
    • Michael Rother – Flammende Herzen
    • Klaus Weiss – Pink Sails
    • Virus – My Strand-Eyed Girl
    • Conrad Schnitzler – Ballet Statique
    • Kalacakra – Nearby Shiras
    • EMAK – Tanz In Den Himmel
    • Et Cetera – Mellodrama 2a
    • Between – Triumphzug Kaiser Maximilian I
    • Roedelius – Halmharfe
    • Dzyan – Dragonsong
    • Harmonia – Deluxe (Immer Wieder)
    • Günter Schickert – Suleika
    • Witthüser & Westrupp – Schöpfung (1. Mose 1)
    Enrique Rodriguez and The Negra Chiway BandFase LiminalSoul Jazz Records

    Powerful new spiritual jazz from Chile on Soul Jazz Records!

    This album comes as a very limited one-off unique pressing of 1000-edition vinyl, limited editon CD and digital release.

    Enrique Rodríguez and the Negra Chiway Band group have an instantly powerful and unique sound that is reminiscent of the ensembles of Sun Ra and his Arkestra as well as Horace Tapscott and his Pan-Afrikan Peoples Arkestra, one that channels the righteous spirits of Alice Coltrane, John Coltrane, Pharoah Sanders, Archie Shepp and McCoy Tyner together with a stunning Latin rhythmical and new consciousness and percussive energy. Added to this are elements of the Samurai film soundtracks of Akira Kurosawa, Popol Vuh’s musical spirituality (especially their work with film director Werner Herzog), Tibetan Buddhism and over-blowing chants, that all combine to give a truly unique new sound.

    Enrique Rodríguez is a composer, percussionist, keyboardist, and producer from Santiago, Chile, whose work shows many similarities with the music featured on Soul Jazz Records’ recent collection ‘Kaleidoscope - New Spirts Known and Unknown’, featuring new forward-looking jazz artists including Mathew Halsall, Theon Cross, Emma-Jean Thackray and Makaya McCraven.

    Like all these artists, Rodríguez’s work is a progressive and experimental fusion of earlier influences that combine into a new and definitely 21st century ground-breaking sound that, on account of its South American setting, give the group its truly unique feeling. Hypnotic modal piano riffs, powerful brass and flutes, an army of Latin percussion instruments, and addictive vocal chants all combine in this powerful mix of radical 60s Afro-centric jazz, eastern spirituality and cosmology, and Latin American rhythmical movement.

    Awesome!

    • Enrique Rodriquez and The Negra Chiway Band – Dónde ?
    • Enrique Rodriquez and The Negra Chiway Band – Descenso
    • Enrique Rodriquez and The Negra Chiway Band – Vindakalla-Welukan (Autoconfrontación)
    • Enrique Rodriquez and The Negra Chiway Band – No Quiero Seguir Así
    • Enrique Rodriquez and The Negra Chiway Band – Acabar de Conocerse
    • Enrique Rodriquez and The Negra Chiway Band – Paso Firme
    • Enrique Rodriquez and The Negra Chiway Band – Dónde ? (Alternate Take)
    • 1. Enrique Rodriquez and The Negra Chiway Band – Dónde ?
    • 2. Enrique Rodriquez and The Negra Chiway Band – Descenso
    • 3. Enrique Rodriquez and The Negra Chiway Band – Vindakalla-Welukan (Autoconfrontación)
    • View full info and tracklisting
    KaleidoscopeSoul Jazz Records

    Soul Jazz Records’ new album ‘Kaleidoscope – New Spirits Known and Unknown’ brings together many of the ground-breaking artists involved in the new jazz scene that has developed in the UK over the last few years. Featured artists include Matthew Halsall, Yazmin Lacey, Ill Considered, Tenderlonious, Theon Cross, Emma-Jean Thackray and many, many more in this ground-breaking release.

    As well as sharing a pioneering spirit in these new artists’ approach to frontier-crossing musical boundaries, a further theme of this album is that many also share a determination to independent practices - and most of these artists’ recordings featured here are either self-published or released on independent labels. While the attention of this new wave of jazz artists has up until now has been London-based, this album shows how this movement is spread across the whole of Britain (and indeed beyond).

    ‘Kaleidoscope – New Spirits Known and Unknown’ shows that while there is commonality in these artists approach to music, there is a wide variety of styles – from deep spiritual jazz, electronic experimentalisation, punk-edged funk, uplifting modal righteousness, deep soulful vocals and much more.

    Soul Jazz Records’ new release comes as a superb one-off pressing special deluxe triple album edition which comes with a bonus limited-edition one-off pressing 7" single, a standard triple album, and a deluxe double CD pack. This album also comes with extensive sleevenotes, artist interviews and exclusive photography.

    --------------------------------------------------------------------------------------------------------------

    Soul Jazz records are also releasing an exclusive one-off pressing double-headed 12” single featuring Theon Cross and Pokus released on the same day as the ‘Kaleidoscope’ album release. These two tracks do not feature on the vinyl edition of the album - this 12" single will will also be deleted on day of release.

    • Matthew Halsall & The Gondwana Orchestra – When The World Was One
    • Yazmin Lacey – 90 Degrees
    • Hector Plimmer – Communication Control
    • Ill Considered – Long Way Home (Live At The Crypt)
    • The Expansions – Mosaic
    • Chip Wickham – Red Planet
    • Levitation Orchestra – Odyssey
    • Emma-Jean Thackray – Walrus
    • Tenderlonious and The 22archestra – The Shakedown
    • Pokus – Pokus One
    • Theon Cross – Candace Of Meroe
    • Joe Armon-Jones & Maxwell Owin – Tanner's Tango
    • Collocutor – Gozo
    • Makaya McCraven – Untitled
    • Nat Birchall – Ancient World
    • Ruby Rushton – Moonlight Woman
    • Ebi Soda – Dimmsdale
    • The Cromagnon Band – Thunder Perfect
    • SEED Ensemble – Mirrors
    • Ishmael Ensemble – Kito's Theme
    • Vels Trio – Yellow Ochre (Part 1)
    • 1. Matthew Halsall & The Gondwana Orchestra – When The World Was One
    • 2. Yazmin Lacey – 90 Degrees
    • 3. Hector Plimmer – Communication Control
    • View full info and tracklisting
    Theon Cross / PokusCandace of Meroe / Pokus OneSoul Jazz Records

    This is a one-time only pressing of this 12" single and will be deleted on release. Two killer tracks that are not on the vinyl version of the Kaleidoscope album. Theon Cross's superb Candace of Meroe and Pokus' equally striking Pokus One

    • Theon Cross – Candace of Meroe
    • Pokus – Pokus One
    • Limited-edition one-off 12" single£12.99
      In stockAdd to Bag

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    ‘Space Funk – Afro Futurist Electro Funk in Space 1976-84’, is an intergalactic journey into black space, fuelled by funk, powered by computers.

    ‘Space Funk’ is a lovingly compiled collection of superb, rare and off-the-wall space funk and electro releases mostly released on small independent labels in the late 1970s and 1980s.

    Reactors are reacting, boosters are boosting, pack your funk and shake your booty! Computer funk … makes you jump! This is the space funk program!

    The album comes in deluxe artwork and three formats – digipack + slipcase CD, a very limited deluxe 2xLP + bonus 7” single + download vinyl version, and a standard 2xLP + download standard vinyl version.

    Features music by Jamie Jupitor, Solaris, Robotron 4, Juju & the Space Rangers and many more intergalactic space warriors!

    The shuttle program has been altered – there is no Star Wars only electro funk jam joyriders in Space – hold tight!


    • L E O – Fee Fi Fo Fum
    • The Sonarphonic – Super Breaker
    • Santiago – Bionic Funk
    • Frank Cornilius – Computer Games
    • JUJU & The Space Rangers – Plastic
    • Jamie Jupitor – Computer Power
    • Solaris – Space Invaders
    • Copperfield – Make It Good To Me Baby
    • Robotron 4 – Electro-?
    • Ernest Flippin II – Supersonic Space Lady
    • Funk Machine – Funk Machine
    • Ramsey 2C-3D – Fly Guy and The Unemployed
    • Osé – Computer Funk
    • 7 Below Zero Band – Seven (We Are)
    • Rodney Stepp – Break-Out
    Coxsone's MusicSoul Jazz Records

    Coxsone's Music is a stunning new 3-CD/two separate double LP (+ free download) collection featuring over two and half hours of early Jamaican proto-ska, rhythm and blues, jazz, rastafari and gospel music - charting the earliest recordings produced by Clement Dodd, in the years before he launched the mighty Studio One Records, brought together here for the first time ever. 

    Clement Dodd's Sir Coxsone The Downbeat Soundsystem ruled Kingston's dancehalls during this era and these recordings strongly reflect the influences of American rhythm and blues and jump jazz on Jamaican music fans. By the time the new record company formed in Brentford Road, Kingston in 1963, the young Clement 'Sir Coxsone' Dodd had already managed to release an incredible wealth of recordings by the talented musicians and artists on the island of Jamaica and this collection reflects just that:

    Featuring Don Drummond, Roland Alphonso, Derrick Harriott, Owen Gray, Clancy Eccles, Count Ossie, Monty Alexander, The Blues Busters, Ernest Ranglin, Rico Rodriguez and many, many more all captured here in their formative early years. 

    Before Studio One, Clement Dodd released this music on a variety of his early record labels such as Worldisc, All Stars, Coxsone, D Darling (named after Coxsone's mother, who received a production credit on the label), Muzik City (named after Dodd's record store on East Queen's Street), Port O Jam, Supreme and Sensational. Sleevenotes to this collection are by Studio One authority Rob Chapman, author of the Never Grow Old and Downbeat Special books cataloguing the many recordings of the label.

    (Vinyl Double Record A is tracks 1-24, Vinyl Double Record B is tracks 25-46)

    • Don Drummond – Roll On Sweet Don
    • Derrick Harriott – Answer Me
    • Aubrey Adams – Do Du Wap
    • Busty & Cool – What A World
    • Roland Alphonso – Counter Punch
    • Owen & Millie – Do You Know
    • Workshop Musicians – Calypso Jazz
    • Don Drummond – Elevation Rock
    • The Blues Busters – There's Always Sunshine
    • Clue J and his Blues Blasters – Unkown Shuffle Blues
    • The Jiving Juniors – Darling Don't Leave Me
    • The Mellow Larks – Time To Pray
    • Owen Gray – Twisting My Baby
    • Cecil Loyd Quintet – What Is The Thing Called Love
    • Theo Beckford – That's Me
    • Simms & Robinson – White Christmas
    • Cecil Lloyd Quintet – Sometimes I'm Happy
    • Owen Gray – Best Twist
    • The Blues Busters – Tell Me Why
    • Don Drummond – Dew Drops
    • Clancy Eccles – River Jordan
    • Workshop Musicians – Serenade In Sound
    • Owen Gray – Young Lover
    • The City Slickers – Oceans 11
    • The Blues Busters – You Had It All Wrong
    • Clue J and his Blues Blasters – Salt Lane Shuffle
    • Lascelles Perkins – Real Gone Clown
    • Don Drummond – Reload
    • Clancy Eccles – Freedom
    • Clue J and his Blues Blasters – Pine Juice
    • The Jiving Juniors – Over The River
    • Don Drummond – Schooling The Duke
    • The Mellow Cats & Count Ossie – Rock A Man Soul
    • Monty & The Cyclones – Summertime
    • The Mellowlarks – No More Wedding
    • Roland Alphonso & Carol McLaughlin – Just Cool
    • Owen & Millie – Sugar Plum
    • Clue J and his Blues Blasters – Silky
    • Basil Gabbidon – Independent Blues
    • Don Drummond and The City Slickers – That Man Is Back
    • Simms & Robinson – Searching
    • The Shinners – Romantic Shuffle
    • Cecil Lloyd Quintet – Grooving With The Beat
    • Neville Esson – I Do
    • Workshop Musicians – Burnie's Tune
    • Owen & Millie – Sit and Cry
    Disco 2Soul Jazz Records

    This is a second selection of independent disco records featuring rare and classic tracks originally released in the USA between the halcyon years of 1977 and 1985.


    This release features only the finest disco, modern soul and boogie and is compiled by Disco Patrick who put together for Soul Jazz Records the mighty 'Disco - An Encyclopedic Guide to the Cover Art of Disco Records' 400+ page deluxe book, as well as the first installment of 'Disco - A Fine Selection of Independent Disco, Modern Soul and Boogie.'


    This album is released as a double CD, as well as two separate volumes of double vinyl (plus free download codes) and a worldwide digital release.


    Rare, classic and in-demand tracks from the mighty vaults of labels such as New York's Salsoul and Miami's TK Records - which during the main disco era became the main competitors to the major established record industry - through to killer virtually unknown tracks released on tiny bespoke one-off labels, now impossible to find either in the history books or record shops of the world.


    All the music on this album has been sonically and digitally remastered with love and is presented complete with sleevenotes, original label artwork and full-length extended disco editions.

    • Stevo – Pay The Price
    • High Frequency – Summertime
    • Dunn Pearson Jr. – Groove On Down
    • Mad Dog Fire Department – Cosmic Funk
    • Needa – Rock-A-Freak
    • Cream De Coco – Disco Strut
    • Anita Maldonado – What Can I Do To Make You Dance
    • The Shades Of Love – Come Inside
    • Skip Jackson – Micro Wave Boogie
    • Jahneen – Everybody's Dancin'
    • Montego Joe – Freestyle
    • Timmy Thomas – Africano
    • Paper Doll – Get Down Boy
    • Jazz – I Feel Like Love
    • Paco & Flaco & Coco – He's Here
    • Ripple – Victorious
    • Universal Love – Moon Ride
    • Panache – Jam On
    • Otis Brown's Grade A – Strut On
    Arthur RussellThe World Of Arthur RussellSoul Jazz Records

    New fully remastered re-release of Soul Jazz Records’ ‘The World of Arthur Russell’, the seminal collection of Arthur Russell’s essential music back in print on awesome limited-edition heavy deluxe triple vinyl and deluxe CD edition.

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    This album brings together some of Russell’s best-loved and most accessible works including his wide-ranging music both solo and in groups including Dinosaur L (the essential ‘Go Bang’), Loose Joints (the equally classic ‘Is It All Over My Face’) as well as rarities such as the 7” only ‘Pop Your Funk’, Indian Ocean’s ‘Schoolbell/Treehouse’, Lola’s ‘Wax The Van’ and more.

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    “Arthur Russell fused the avant-garde with disco and sounds like nothing else on earth.” The GUARDIAN

    “Russell is the great enigma of the New York music scene” THE WIRE

    “Simply one of the best compilations of this or any year.” RECORD COLLECTOR

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    Arthur Russell’s music effortlessly crossed musical boundaries making it timeless. His dance music credentials are faultless and this collection features mixes from Larry Levan, Françcois Kervorkian and Walter Gibbons. Similarly, his song-writing, musicality and performance skills are equally cherished as composer Philip Glass wrote, ‘this was a guy who could sit down with a cello and sing with it in a way that no one on earth has ever done before or will do again.’

    When Soul Jazz Records’ The World of Arthur Russell first came out in 2003, Russell’s music had slipped into near obscurity. Nearly 18 years later there are over a dozen releases of his music, reissues of his original albums and more. ‘The World of Arthur Russell’ is the classic first collection of his work available once more.

    • Dinosuar L – Go Bang (Francois K Mix)
    • Lola – Wax The Van
    • Loose Joints – Is It All Over My Face (Larry Levan Mix)
    • Arthur Russell – Keeping Up
    • Arthur Russell – In The Light Of The Miracle
    • Arthur Russell – A Little Lost
    • Loose Joints – Pop Your Funk
    • Arthur Russell – Lets Go Swimming (Walter Gibbons Mix)
    • Dinosuar L – In The Cornbelt (Larry Levan Mix)
    • Arthur Russell – Treehouse
    • Indian Ocean – Schoolbell/Treehouse (Walter Gibbons Mix)
    Nigeria Soul Fever - Afro Funk, Disco and BoogieSoul Jazz Records

    Soul Jazz Records’ new Nigeria Soul Fever is their first release to explore the vast wealth of Nigerian music recorded in the 1970s. The new album comes with introductory sleevenotes by Bill Brewster (author of Last Night A DJ Saved My Life).

    Packed-full with Afro-Funk, Disco and Boogie all from Nigeria, this triple album/double CD set brings together a stunning collection of diverse West African sounds. Whilst a small handful of the artists featured (Joni Haastrup, Tee Mac, Christy Essien) have seen the light of day outside Africa, this is essentially a collection of killer tracks by an array of artists completely unknown outside of Nigeria. 

    Artists such as Don Bruce & The Angels, Akin Richards & The Executives, Angela Starr, Jimmy Sherry & The Music Agents. It’s no surprise that these records are extremely rare and expensive to buy individually so this album will save you going broke trying to find them.

    These recordings were made at a time when Nigeria’s trade restrictions banned imported records. Whilst new musical trends (such as American soul, funk, disco etc) entered and influenced the country, the local music scene remained just that – local. Consequently, these recordings remain practically unknown to anyone outside of the country.

    Nigeria Soul Fever is released as triple-album vinyl + download, double-CD digi-pack and digital download. This album follows on from Soul Jazz Records’ 1960s collection Nigeria Freedom Sounds, released last month, and will be followed by the reissue of the incredibly rare and groovy Nigerian 1980 disco boogie funk album Tee Mac’s Night Illusion.

    "Excellent new soul jazz compilation Nigeria Soul Fever: Afrofunk, Disco And Boogie: West African Disco Mayhem!" THE GUARDIAN

    READ Guardian top 10 Nigerian Disco full feature here


    • Joni Haastrup – Free My People
    • Christy Essien – You Can't Change A Man
    • Akin Richards & The Executives – Afrikana Disco
    • Tee Mac – Nam Myoho Renge Kyo
    • Joni Haastrup – Greetings
    • Don Bruce and The Angels – Ocheche (Happy Song)
    • Benis Cletin – Get Up and Dance
    • Colomach – Enoviyin
    • Joni Haastrup – Do The Funkro
    • Tee Mac featuring Marjorie Barnes – Living Everyday
    • Arakatula – Mr Been To
    • Angela Starr – Disco Dancing
    • Joni Haastrup – Wake Up Your Mind
    • Jimmy Sherry & The Musik Agents – Nwaeze
    • Benis Cletin – Soul Fever
    • Arakatula – Wake Up Africa
    • 1. Joni Haastrup – Free My People
    • 2. Christy Essien – You Can't Change A Man
    • 3. Akin Richards & The Executives – Afrikana Disco
    • View full info and tracklisting
    Studio One DJ'sSoul Jazz Records

    For this Studio One release we return to the roots of Reggae music-The Soundsystem. Throughout the late 1950s and 1960s Soundsystems played throughout the city of Kingston, Jamaica. As well as Sir Coxsone's Downbeat Soundsystem other famous Soundsystem operators included Duke Reid (the Trojan), Prince Buster, Tom the Great and King Edwards. 

    These Soundystems were the birthplace of much of Jamaica's musical culture ­ Soundclashes, Dancehall and the idea of the Toaster who sang over records- theDJ. As ever Clement "Sir Coxsone" Dodd led the field and so for this release the focus is on DJ's at Studio One and features legendary toasters such as Denis Alcapone, Dillinger and Prince Far I as well as a host of rare material by lesser known artists. Also included is Count Machuki ­ the original DJ- the first man ever to speak over the mic-at Sir Coxsone¹s Downbeat Sound System- from where it all began.

    As Steve Barrow (author of The Rough Guide to Reggae/Blood and Fire Records) writes in the sleevenotes, Jamaican deejay music is the source for all Rap music: From Count Machuki talking over records on Sir Coxsone's legendary Downbeat Sound System this style would eventually travel to America when the Jamaican-born Kool Herc began playing at Block parties (a version of the Kingston Soundsystem parties) in the Bronx. Cutting up rare-groove classics for the first B-Boys to rap over, Hip-Hop was born and theDJ music that had started on the early Soundsystems of Kingston would go on to conquer the world! 

    Studio One Records is the original Jamaican record label. Studio One Records started the career of hundreds of Jamaican artists from Bob Marley to The Skatalites, from Horace Andy to The Heptones. Studio One DJs (compiled by Mark Ainley) is the next in the series of releases where Soul Jazz Records are showcasing the music of Studio One, the label that literally defines Reggae. 

    • Count Machuki – More Scorcha
    • Prince Francis – Rock Fort Shock
    • Dennis Alcapone – Power Version
    • Dillinger – Natty Kung Fu
    • Jah Scotchie – Man Of Creation
    • Jim Brown – Seen Him
    • Jah Buzz – Love In The Arena
    • Prince Francis – Street Doctor
    • Lone Ranger – The Answer
    • Prince Jazzbo – Crime Don't Pay
    • Brigadier Jerry – Every Man A Me Brethren
    • Big Joe – Version Of Rights
    • Lone Ranger – The Big Match
    • Jah Jesco – Warning
    • Prince Far I – Natty Farmyard
    • Charlie Ace & Scorcher – Father And Dread Locks
    Soul of a Nation 2Soul Jazz Records

    Soul Jazz Records’ new release ‘Soul of A Nation: Jazz is the Teacher, Funk is the Preacher’ is a powerful new collection of radical jazz, street funk and proto-rap made in the era of Black Power (1969-75).

    This is the second ‘Soul of A Nation’ album released by Soul Jazz Records to coincide with the exhibition ‘Soul of a Nation – Art in the Age of Black Power’, critically acclaimed and enormously successful when it opened at the Tate Modern in London last year (as was Soul Jazz Records’ accompanying first album ‘Soul of A Nation – Afro-Centric Visions in the Age of Black Power 1968-79’). The blockbuster international exhibition is now at the Brooklyn Museum, New York and then travels to Los Angeles in 2019.

    This new album features a number of important and ground-breaking African-American artists – The Art Ensemble of Chicago, Don Cherry, Funkadelic, Gil Scott-Heron and more – alongside a host of lesser-known artists all of whom in the early 1970s were exploring new Afrocentric poly-rhythmical styles of music – radical jazz, street funk and proto-rap – while at the same time exploring the Black Power and civil-rights inspired notions of self-definition, self-respect and self-empowerment in their own lives.

    During this era African-American jazz musicians ripped up traditional definitions – rejecting the term ‘entertainer’ to redefine themselves instead as ‘artists’. They worked outside of the mainstream music industry perceiving this artistic relationship to be fundamentally exploitative and politically flawed. Artists instead formed their own pan-arts community-centric collectives, set up their own record labels, ran concerts in alternative performance spaces – art galleries, parks, lofts, community centres – all as a way of taking control of their own creative destinies.

    At the start of 1960s jazz musicians had embarked on an intense period of musical experimentation as artists John Coltrane, Ornette Coleman and Don Cherry sought to dismantle the traditional definitions of jazz by creating new music that broke free from its establishment shackles. By the end of the 1960s, forward-thinking African-American jazz musicians had absorbed the ideas of this radical and avant-garde path but also began to introduce many new elements – not just civil rights concepts of freedom but also black power ideas of self-respect, righteousness and anger.

    Their music developed into a radical and intense Afrocentric mix of jazz, funk, soul and street poetry, all in search of a new musical language that could better represent artistic African-American cultural expression.

    All of the featured artists here were involved in this search in different ways; A shared sense of Afrocentric collectivism joined the dots between the deep avant-garde experimentalism of The Art Ensemble of Chicago (here featuring soul singer Fontella Bass singing the powerful ‘Theme de Yoyo’) to the hyper funk psychedelia of George Clinton’s Funkadelic.

    The poetry of Gil Scott-Heron and Sarah Webster Fabio performed with a backdrop of street funk and heavyweight percussion laid down the template for the birth of rap. The Har-You Percussion Group, a group of young Harlem teenagers, showed how government-sponsored social initiatives helped create great art and music. Gary Bartz and The Oneness of Juju offer spirituality and cosmology. Collectives like The Pharaohs and Detroit’s Tribe add deep jazz and street funk in equal measures. And so on.

    Influenced and radicalised by Black Power and civil rights, all these artists were involved in creating – in the words of the Art Ensemble of Chicago – ‘Great Black Music: Ancient to Future.’

    This album is available as heavyweight triple vinyl (+free download), full and extensive text, exclusive photography, with house inners, and as deluxe CD with slipcase, 40-page outsize booklet and jewel case.

    • The Art Ensemble Of Chicago – Theme De Yoyo
    • The Har-You Percussion Group – Welcome To The Party
    • The Pharaohs – Damballa
    • Baby Huey – Hard Times
    • James Mason – Sweet Power, Your Embrace
    • Byron Morris and Unity – Kitty Bey
    • Funkadelic – Nappy Dugout
    • Rashied Ali & Frank Lowe – Exchange Part 2 (II)
    • Gary Bartz NTU Troop – Celestial Blues
    • Oneness Of Juju – Space Jungle Funk
    • Sarah Webster Fabio – Work It Out
    • Tribe (Wendell Harrison and Phillip Ranelin) – Beneficent
    • Gil Scott-Heron – Whitey On The Moon
    • Don Cherry – Brown Rice
    • 1. The Art Ensemble Of Chicago – Theme De Yoyo
    • 2. The Har-You Percussion Group – Welcome To The Party
    • 3. The Pharaohs – Damballa
    • View full info and tracklisting
    Studio One Lovers RockSoul Jazz Records

    Soul Jazz Records new Studio One album is a fantastic selection featuring all-star legendary Studio One vocalists – Alton Ellis, Marcia Griffiths, The Heptones, Horace Andy, Freddie McGregor, Sugar Minott – alongside a host of classic and super-rare Lovers Rock cuts all of which Clement Dodd recorded at the Brentford Road studio.

    Lovers rock brought together many elements and here you will find sweet harmonies, late 1960s rocksteady, 1970s soul covers, discomixes, recuts and new rhythms – which all fit together in a timeless twilight of love & harmony – as if lovers silhouetted by a Kingston sunset.

    Here you will find stone-cold classic Studio One tunes – Marcia Griffiths ‘Truly’, Horace Andy’s I’ll Be Gone super-rare cuts like Carlton and The Shoes killer 70s versions of Never Give Your Heart Away and Let Me Love You (vocal cut to Jackie Mittoo’s mighty Wall Street), The Invaders sweet lovers rocksteady bomb ‘Sweet Soul Rocking’ (currently for sale at £2,500 on discogs!) and many more!

    This new album comes with sleevenotes by Lloyd Bradley, the acclaimed author of Bass Culture, Sounds Like London and Reggae: The Story of Jamaican Music. The album is pressed on heavyweight double gatefold vinyl (+ free download), deluxe slipcase CD and digital.

    • Alton Ellis – Tumbling Tears (12" Discomix)
    • The Heptones – I Hold The Handle
    • Carlton and The Shoes – Never Give Your Heart Away (70s 12" Version)
    • The Minstrels – Yours Until Tomorrow
    • Jerry Jones – Oh Me Oh My
    • Horace Andy – I'll Be Gone
    • Carlton and The Shoes – Let Me Love You (12" Discomix)
    • The Invaders – Soulful Music
    • Sugar Minott – Ghetto Girl
    • Marcia Griffiths – Truly
    • Devon Russell – My Woman's Love
    • Billy Cole – Rock All Night
    • Freddie McGregor – I Don't Know
    • Cornel Campbell – Didn't I
    • Horace Andy – Wanna Be Free
    • The Heptones – My Ting A Ling (12" Discomix)
    • Alton Ellis – Someone (Extended Mix)
    • The Righteous Flames – I Was Born To Be Loved
    • 1. Alton Ellis – Tumbling Tears (12" Discomix)
    • 2. The Heptones – I Hold The Handle
    • 3. Carlton and The Shoes – Never Give Your Heart Away (70s 12" Version)
    • View full info and tracklisting
    Sound DimensionMojo Rocksteady BeatSoul Jazz Records
    BACK IN PRINT!!!!!!! 2xLP now with bonus download code!
    Compilation of classic recordings from the heaviest group in the history of reggae!
     
     Sound Dimension have recorded some of the most important songs in reggae music; songs such as 'Real Rock,' 'Drum Song,' 'Heavy Rock,' 'Rockfort Rock,' 'In Cold Blood' -- all classic songs that have become the 'foundation' of reggae music, endlessly versioned and re-versioned by Jamaican artists since the time they were first recorded to the present day.
     
     As the in-house band at Studio One in the late 1960s, Sound Dimension played alongside everyone from The Heptones, Alton Ellis, Ken Boothe, Marcia Griffiths and more.
     
    Similar to their U.S. counterparts, The Funk Brothers at Motown and Booker T. and The MGs at Stax, Sound Dimension recorded on a daily basis incredibly catchy and funky tunes and matched by a seamless musicality.
     
     Featuring musicians of the calibre of Ernest Ranglin, Jackie Mittoo, Eric Frater, Leroy Sibbles, Don Drummond Jr., Deadley Headley and more; Sound Dimension existed from around 1967-70 and all the recordings featured here were originally released during this period.

    REVIEWS:

    "A juicy compilation that does justice to the forgotten of the history of reggae." LES INROCKS

    "Since copyright laws were virtually non-existent in Jamaica for most of the 20th century, it is common to hear innumerable mutations of any given riddim track. Discerning the creators of each song can be a daunting task. From 1967 to ’70, however, the Sound Dimension was the house band at Studio One, creating memorable cuts for the lyrical pantheon of Jamaica to sing and toast over. This 18-song collection of instrumentals shows how pivotal these men were in the sonic architecture of reggae." XLR8R

    "Legendary Studio One band Sound Dimension find themselves on the receiving end of another celebrative retrospective courtesy of the ever-reliable Soul Jazz, bringing together classic recordings of 'Mojo Rocksteady', 'Real Rock', 'Heavy Rock'Rockfort Rock', 'Jamaica Underground' and more. The breadth of this band's influence can be heard throughout the annals of reggae, with these timelessly funky cuts revisited and re-versioned by anyone and everyone since being committed to tape in the '60s. Another great document from Soul Jazz" BOOMKAT

     

    • – Less Problem
    • – Rockfort Rock
    • – Funky
    • – Ten To Ten
    • – Jamaica Underground
    • – Real Rock
    • – Reggae Time
    • – In Cold Blood
    • – Heavy Rock
    • – Great Mu Ga Ru Ga
    • – Park View
    • – Ironside
    • – Mojo Rocksteady
    • – Scorcia
    • – Drum Song
    • – Summertime
    • – Straight Flush
    • – Jamaica Bag
    Studio One SoulSoul Jazz Records

    More classic Reggae from Jamaica's most important label ever .

    Studio One Soul tracks the link between American Funk and Soul and Jamaican Reggae at the legendary Studio One Records.

    Curtis Mayfield, Aretha Franklin, Otis Redding, The Temptations, King Floyd, Booker T and The MGs - all these artists had a huge influence on Jamaican artists and this CD contains versions of songs by all of them. Featuring classic and rare Reggae Funk and Soul cuts from the Reggae giants alongside rarer cuts, Studio One Soul spans over 20 years of classic Reggae from the Rocksteady Funk through to the deep Roots music.


    Following on from Studio One Rockers, this second journey into the vaults of Studio One tells the story of the important link between American Funk and Soul and Jamaican Reggae. Ranging from music taken from the mid-1960s (and the arrival of Rocksteady) through to the beginning of the 1980s, Studio One Soul features versions of US Funk and Soul hits (many rarely heard before) from some of the many classic artists who recorded at Studio One. American Soul music has always been an important influence on Jamaican Reggae.

    The beginning of the Jamaican recording industry at the end of the 1950s started with Clement "Coxsone" Dodd (owner of Studio One) and a group of select in-house musicians (originally The Skatalites) recording their own version of American R'n'B. Playing on the off-beat this music became Ska. As American R'n'B progressed through Funk, Soul and Disco, Jamaican music was going through its own musical changes, from Rocksteady throught to Reggae and Roots music. The house-band at Studio One recorded on a daily basis behind all Studio One vocalists as well as recording instrumentally in its own right.

    Soul singers such as Curtis Mayfield and The Impressions (Queen Of The Minstrels) had a profound influence on Jamaican artists and many other US artists were constantly re-interpreted and re-worked. Artists such as Aretha Franklin (Respect), Charles Wright (Express Yourself), King Floyd (Groove Me), Otis Redding (How Strong) were all very popular in Jamaica in the 1960s. At the end of the 1960s Black Consciousness became an important part of American Soul music. At the same time many Jamaican artists were starting to look to their roots. Many artists would shortly become involved in Rastafarianism. The "conscious" lyrics of American Funk and Soul again struck a chord with Jamaican artists. "Message From A Blackman" (originally by The Temptations) and "Is It Because I'm Black" (Syl Johnson) are examples of this. Through the 1970s Soul/Disco artists such as Barry White ("Can't Get Enough" and "Deeper and Deeper") and The Detroit Spinners ("I'll Be Around") became the flavour of the day. This CD finishes with Willie William's interpretation of Ashford and Simpson's classic "Ain't No Stopping Us Now".

    "Compilation of the month" MOJO "Another essential purchase from Soul Jazz" SEVEN "Latest in Soul Jazz's indespensible compilations" I-D "Near perfect" JOCKEY SLUT

    • Leroy Sibbles – Express Yourself
    • Norma Fraser – Respect
    • Leroy Sibbles – Groove Me
    • Sound Dimension – Time Is Tight
    • The Heptones – Message From A Black Man
    • Otis Gayle – I'll Be Around
    • Jerry Jones – Still Water
    • Sound Dimension – Soulful Strut
    • Richard Ace – Can't Get Enough
    • The Eternals – Queen Of The Minstrels
    • Ken Parker – How Strong
    • Ken Boothe – Set Me Free
    • Senior Soul – Is It Because I'm Black
    • Jackie Mittoo – Deeper And Deeper
    • Willie Williams – No One Can Stop Us
    Steve ReidNova (1976)Soul Jazz Records

    New edition of this seminal album available as a 1000 copies edition only on new premium RED vinyl!

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    'A truly phenomenal artist.' GILLES PETERSON

    'Steve Reid is one of the greatest drummers. He is a musical genius' KIERAN HEBDEN (Four Tet)

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    As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, , Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver!

    Reid was born in the South Bronx, and grew up in Queens, New York. He played in the house band at Harlem's Apollo Theatre, accompanying James Brown, as well as playing in Sun Ra's Arkestra. He lived next to John Coltrane, worked in a department store with Ornette Coleman, had a son who played drums with NWA. He began his career as a teenager in the 1960s as a drummer at Motown when he played on Martha and The Vandellas "Heatwave" (aged 14).

    At the end of the 1960s Reid was sentenced to four years in jail as a conscientious objector of the Vietnam war. On his release from prison in 1974, he formed the Legendary Master Brotherhood and started the independent record label, Mustevic Sound, to release his debut LP Nova in 1976. This album is released in its entirety and with full original cover art here. Nova was the first in a series of stunning independent records he released in the 1970s.

    At the start of the 21st century, his career took a new twist when Steve Reid began a successful collaboration with Kieran Hebden (Four Tet). Hebden referred to Reid as his ‘musical soul mate’, resulting in a number of joint albums.

    Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.

    • Steve Reid – Nova
    • Steve Reid – Lions Of Juda
    • Steve Reid – Free Spirits-Unknown
    • Steve Reid – Long Time Black
    • Steve Reid – Sixth House
    Studio One SupremeSoul Jazz Records

    By the 1970s Studio One and Clement ‘Sir Coxsone’ Dodd had already proved himself to be the defining force in Reggae for almost two decades. From running the Downbeat sound system on the lawns and yards of Kingston in the late 1950s to opening Studio One at 13 Brentford Road at the start of the 1960s, ushering in Ska and Rocksteady and establishing the careers of most of Jamaica’s artists – everyone from Bob Marley and The Wailers, Ken Boothe, Toots and The Maytals, The Skatalites, Jackie Mittoo and more – Clement Dodd had until this point dominated the Jamaican musical world.

    And yet, incredibly, Clement Dodd was barely half way through his musical path, maintaining Studio One’s number one position in the Jamaican music scene throughout the 1970s with a combination of musical and creative innovation and an endless capacity to adapt and create new musical fashions. By the end of the 1970s Dancehall had become the defining sound on the island. Dancehall was essentially a tribute by other Jamaican producers and artists to the classic music of Studio One created in the 1960s as young artists across the island created new songs, while musicians recreated these original classic foundation Studio One rhythms. As on other occasions, Clement Dodd rose to this new musical challenge by producing a whole new era of classics for Studio One.

    The roots of Dancehall begin with the DJs of the early 1970s, who were the first to sing new material over earlier classic rhythms. Early DJ pioneers such as Dillinger and Prince Jazzbo both feature here toasting over classic songs - The Mad Lad’s Ten to One and The Eternals’ Queen of the Minstrel. But it is the new wave of artists who arrived at Studio One at the onset of Dancehall which enabled Studio One to maintain its number one status as the whole of Kingston’s rival music producers – Channel One, Joe Gibbs and many others – attempted to challenge this position.

    Sugar Minott, Michigan and Smiley, Willie Williams, Lone Ranger had all grown up listening to the classic Studio One music of the 1960s and were able to pay the greatest compliment to the label by creating the defining new music of this new era with songs that combined all the musical and technological developments of the 1970s – dub, deejaying, discomixes, syndrums, synthesizers and more – into the sound of the future: Dancehall.

    Throughout this era Clement Dodd also continued to work with a number of original and returning artists – such as Alton Ellis, Horace Andy, Freddie McGregor, Johnny Osbourne – updating old rhythms and creating new ones while employing the in-house band variously known as The Brentford All-Stars/Rockers/Disco Set to update these sounds in order to maintain Studio One’s number one position as the defining force in Reggae.

    This is Soul Jazz Records’ latest new collection of classic and rare Studio One recordings and is released on triple LP (+ download code), deluxe CD and digital album.

    • Johnny Osbourne & The Prophets – Keep That Light
    • Dillinger – Natty Ten To One
    • Lone Ranger – Natty Dread On The Go
    • Prince Jazzbo – Minstral
    • Johnny Osbourne – Jah Promise
    • Freddie McGregor – Wine Of Violence
    • Papa Michigan and General Smiley – Compliment To Studio One
    • Willie Williams – Easy
    • Lone Ranger – Quarter Pound Of Ishen
    • Alton Ellis – A Fool
    • Jackie Mittoo & Brentford All Stars – In Cold Blood
    • Jim Nastic – Chanting
    • Brentford Rockers – Bushmaster
    • The Gladiators & Brentford Disco Set – Happy Man
    • Dub Specilaist – Still Dubbing
    • Sugar Minott – Jah A Love You
    • Horace Andy – Show and Tell
    • Freddie McGregor – Rastaman Camp
    • 3×LP + Download Code £24.00
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    RastafariSoul Jazz Records

    Soul Jazz Records new album Rastafari: The Dreads Enter Babylon 1955-83 charts the many links between reggae music and the Rastafarian religion.

    Spanning nearly 30 years of revolutionary music and featuring the music of Count Ossie, Johnny Clarke, The Mystic Revelation of Rastafari, Ras Michael and The Sons of Negus, Bongo Herman, Roy Ashanti (The Congos), Earth & Stone, Mutabaruka and many more, this is an in-depth look at some of the most unique and righteous music ever made and comes complete with a 40+ page outsize booklet, containing exclusive photography and extensive historical and contextual sleevenotes.

    The new religion of Rastafari emerged in Jamaica during a time of intense political and social change in the 1930s. The first stirrings of anti-colonialism and workers’ rights were in motion, while Marcus Garvey’s Back-to-Africa movement was beginning to wane. But the pivotal catalyst to the birth of the Rastafari faith was the crowning of a black king in Africa in 1930.

    One of the earliest mentions of Ethiopia in Jamaican music can be found on mento singer Lord Lebby and the Jamaican Calpysonians’ 1955 recording ‘Etheopia’. In the song Noel Williams, aka Lord Lebby, discusses Ethiopianism, the political movement that calls for a return to Africa for black people.

    The 1960s saw the emergence of the first Rastafarian music on record with Count Ossie’s Rastafarian drummers. The visit of Haile Selassie to Kingston in 1966 was like an electric current throughout Kingston’s music scene – many of who had become adherents to the Rastafari faith.  By the 1970s Rastafarianism become practically synonymous with reggae, as many roots reggae artists became known throughout the world, led by the success of Bob Marley and The Wailers.

    At the source of the music of Rastafari is the figurehead master drummer and leader Count Ossie, who first bought the deeply spiritual nyabinghi and burro rhythms heard and played at sacred Rastafarian grounation (reasoning) sessions into popular Jamaican music through his many collaborations and performances with artists – from The Skatalites to The Folks Brothers - and producers – including Clement Dodd, Prince Buster and Harry Mudie.

    At the start of the 1970s Count Ossie formed the Mystic Revelation of Rastafari with saxophonist Cedric Brooks, which immediately became the most significant group of the Rastafari faith, bringing together authentic rasta nyabinghi drumming together with spiritual and avant-garde jazz influences of Sun Ra, John Coltrane and Albert Ayler into a truly unique and groundbreaking sound.

    As ‘roots reggae’ artists in the 1970s continued to spread the word of Jah (God) in their music, Rastafari reggae became the ultimate rebel sound throughout the world.

    This album comes in three separate formats: Deluxe CD with slipcase and 40-page outsize booklet featuring stunning photography plus text, deluxe limited-edition heavyweight gatefold-vinyl edition + free download code (w/full sleeve notes etc) and as a worldwide digital release.

    REVIEWS/FEATURES:

    "This may be the most righteous compilation to come from the Soul Jazz stable to date, as they focus on links between the Rastafarian religion and reggae music." IRISH TIMES

    "Soul Jazz's most recent in a line of high-quality compilations" PITCHFORK

     "Ambitious but incredibly informative compendium from Soul Jazz Records" BLEEP

    "Outstanding compilation from the masters, Soul Jazz"  HOT SALVATION

    "Fascinating compilation of deep Rastafari themed music" DUB VENDOR 

    Read full Pitchfork feature here

    • Count Ossie & The Rasta Family – Africa We Want Fe Go
    • Johnny Clarke – None Shall Escape The Judgement
    • Laurel Aitken – Haile Selassie
    • Count Ossie & The Mystic Revelation of Rastafari – Tales of Mozambique
    • Ras Michael – Booma Yeah
    • Mutabaruka – Say
    • Bongo Herman & Jah Lloyd – African Drums
    • Ashanti Roy – Hail The Words Of Jah
    • Count Ossie & The Mystic Revelation of Rastafari – Sam's Intro
    • Bongo Herman, Les and Bunny – Salaam
    • Winston and Ansell – Zion I
    • Techniques All Stars – Zion I Version
    • Lord Lebby & The Jamaican Calypsonians – Ethiopia
    • Count Ossie and Leslie Butler – Soul Drums
    • The Heaven Singers – Rasta Dreadlocks
    • Rod Taylor – His imperial Majesty
    • QQ – Betta Must Come
    • Earth and Stone – Jah Will Cut You Down
    • Count Ossie & The Mystic Revelation of Rastafari – Narration
    • Ronald Downer & Count Ossie – A Ju Ju Wa
    • 1. Count Ossie & The Rasta Family – Africa We Want Fe Go
    • 2. Johnny Clarke – None Shall Escape The Judgement
    • 3. Laurel Aitken – Haile Selassie
    • View full info and tracklisting
    Boombox 2Soul Jazz Records

    Soul Jazz Records’ new Boombox 2 is a new selection of early rap music from the period 1979-83, with barely a household name in sight. Featured here are some the earliest hip-hop records that came out of New York City following the enormous commercial success of the first ever rap record, ‘Rapper’s Delight’ by the Sugarhill Gang, in September 1979. Artists and producers alike tried to jump aboard the new commercial possibilities of hip-hop. By the end of the year there were 30 hip-hop singles, all released by independent New York labels. The following year there were over 100 more, and so on.

    Boombox 2 tells the story of how hip-hop went from its evolutionary roots in the Bronx through DJs Kool Herc, Grandmaster Flash and Afrika Bambaataa through to this second phase where veteran music producers – Paul Winley, Peter Brown, Joe Robinson and others – all based in Harlem, began to put rap on vinyl for the first time.

    Harlem is also where the separate worlds of disco and hip-hop met through the styles and influence of earlier ‘uptown’ DJs - DJ Hollywood and Eddie Cheba. In similar fashion these veteran Harlem-based producers instinctively tapped into a long lineage of African-American rhythm and blues, soul and disco.

    The album features many early and rare cuts from the first generation of early rap artists including Lovebug Starski (as Little Starsky), Busy Bee, Eddie Cheba, Kool DJ AJ as well as many other little known artists.

    Boombox 2 is a triple-vinyl set (+ download code) LP and double CD pack that features extensive text, exclusive interviews and stunning photography by Jamel Shabazz, Martha Cooper and others.

    Reviews of Boombox 1:

    ‘The vital launch pad between hip-hop’s birth and its worldwide impact’   THE WIRE

    ‘This compilation of early rap is a legit party in a box, one of the best Soul Jazz Records releases in years.’   FACT

    ‘A brilliant compilation of first wave underground rap records made in New York circa 1979-83'   TWISTED SOUL

    • Harlem World – Let's Rock
    • Lonnie Love – Young Ladies
    • Kool DJ A.J. – Ah, That's The Joint
    • Terry Lewis and Wild Flower – The Peoples Message Take Two
    • Rappers Rapp Group – Rappin' Partee Groove (Club Version)
    • Eddie Cheba – Lookin' Good
    • MC Rock Lovely – One Time Two Time Blow Your Mind
    • Little Starsky – Dancin' Party People
    • Manujothi – Shake Your Body
    • Busy Bee – School Days
    • TJ Swann, Pee Wee Mel and Swann Controllers – Maximus Party
    • Margo's Kool Out Crew – Death Rap
    • Grand Master Chilly T and Stevie G – Rock The Message Rap
    • Zoot II – Dr. Ice Rap
    Studio One Rocksteady Volume 2 : Rocksteady, Soul and Early Reggae at Studio OneSoul Jazz Records

    Soul Jazz Records’ new journey into the mighty vaults of Clement Dodd’s Studio One steps once more into the fertile musical environment of Jamaican music in the late 1960s and early 1970s, from the sweet harmony vocals of seminal 1960s Rocksteady right up to the nascent birth of Reggae and Roots music at the start of the 1970s.

    Sleevenotes to this album are by Steve Barrow, author of ‘Rough Guide to Reggae’ as well as Soul Jazz Records’ own ‘Reggae Soundsystem Cover Art’ books.

    While Ska at the start of the 1960s had taken American rhythm and blues as its main influence, Rocksteady focused on the emergence of American Soul music – with Jamaican vocal harmony groups such as The Gaylads, John Holt & The Paragons, Carlton & The Shoes showing a particular fascination with the close harmonies of Curtis Mayfield and The Impressions and other US soul acts. Here The Heptones even feature with a cover of Bob Dylan’s ‘I Shall Be Released’.

    The influence of Soul music on Jamaican rock steady and reggae is almost palpable, so much so that one wonders how much more successful singers like Delroy Wilson, Alton Ellis, Slim Smith and John Holt would have been had they been born in Chicago, Detroit or Memphis

    Artists such as Alton Ellis, Delroy Wilson and Owen Gray defined the era – a slowed down beat as Jamaican political and social heat slowly increased as the 1960s progressed into the start of the 1970s –  and the music evolved further from rock steady into roots reggae.

    Wicked tunes!

    Double vinyl + download code, Deluxe CD, Digital album.

    Reviews:

    "Every tune is a bonaflide classic" Pitchfork

    Read full Pitchfork article here

    • Hortense Ellis – Sitting In The Park
    • The Termites – Rub Up Push Up
    • Carlton and The Shoes – Never Let Go
    • Alton Ellis – I'm Still In Love With You
    • Owen Gray – Give Me A Little Sign
    • The Bassies – Big Mistake
    • Hortense and Alton Ellis – Breaking Up Is Hard To Do
    • Slim Smith – Born To Love
    • Cannon and The Soul Vendors – Bad Treatment
    • John Holt – Strange Things
    • The Actions – Giddy Up
    • Larry Marshall – It Makes Me Feel
    • The Paragons – Change Your Style
    • Jerry Jones – Trying Times
    • The Heptones – I Shall Be Released
    • The Gaylads – The Soul Beat
    • Delroy Wilson – Run Run
    • The Soul Two – Puppy Love
    • Delroy Wilson – Riding For A Fall
    Soul Jazz Records presents Yoruba!Songs and Rhythms For The Yoruba Gods In NigeriaSoul Jazz Records

    Soul Jazz Records’ latest album ‘Yoruba! Songs and Rhythms for the Yoruba Gods in Nigeria’ is newly recorded in Lagos, Nigeria.

    The album is co-produced by Laolu Akins, founding member of the legendary 1970s Nigerian Afro-Funk/Rock group Blo, and Soul Jazz Records label head Stuart Baker.

    This album features songs honouring the Nigerian gods of the Yoruba traditional religion – Yemoja, Obatala, Ogun, Sango and others – as well as a selection of instrumental cuts focussing on the Bata and Dundun drums. The album comes complete with extensive text and photography (40-page outsize booklet in CD/ full text in gatefold double vinyl + inners) showing the influence of Yoruba culture throughout the world and the social and historical context for the music contained here.

    The enormous impact of Yoruba and West African music and culture is worldwide – from the first Afro-centric explorations of African-American jazz musicians in the 1950s such as Art Blakey, Randy Weston and Dizzy Gillespie, the explosion of Nu Yorican Latin music in New York City starting in the 1960s – Mambo, Boogaloo, Latin funk and soul - through to the sacred and powerful Afro-derived music of the religions of Santería in Cuba, Candomblé in Brazil and Voodoo in Haiti, which all came in to existence on account the Atlantic slave trade which began over 400 years ago. On a wider scale West African music remains the primary root of all African-American musical forms – from New Orleans jazz to Bronx rap, gospel, soul and more.

    Yoruba! features an array of local master drummers led by Olatunji Samson Sotimirin and singers (featuring the lead vocals of Janet Olufanmilayo Abe) performing heavyweight Afro-rhythms, with talking drums, Bata and Dundun drums and a mass of percussion in these deep spiritual and sacred songs used to honour and worship the traditional and ancient Yoruba gods in Nigeria, West Africa.

    'Hypnotic, spiritual rhythms' FACT Magazine



    • – Homage To Yemoja
    • – Homage To Esu
    • – Sakara Instrumental Ensemble
    • – Homage To Obatala
    • – Eulogy To Amila
    • – Homage To Sango
    • – Agbe Gbe-Wadele
    • – Eulogy To Ori-Ola
    • – Bata Drums Ensemble
    • – Homage To Osun
    • – Eshere
    • – Dundun Instrumental Ensemble
    • – Homage To Ogun
    Studio One ScorcherSoul Jazz Records

    BACK IN PRINT!!!!!!! 2xLP now with bonus download code!

    Heavy, heavy tunes! Studio One instrumentals are the foundation of Reggae. These rhythm tracks became the basis for all Dancehall as countless artists and producers re-versioned these classic Studio One instrumentals.

    REVIEWS:

    " sheer volume of output from Studio One is astonishing, combined with the fact that the quality of the recordings never seem to diminish. These instrumentals touch on ska, rocksteady, dub, and begin to hint at the reggae sound of the late '70s. Each instrumental is perfect and has the feel that it could hardly be improved upon. Soul Jazz has once again put together a wonderfully rounded collection of music from Studio One". All Music

    "I think if a nuclear family could have a soundtrack, ours would be the Soul Jazz comp Studio One: Scorcher. I wouldn't say it's the best record ever made, but if I heard it every single day for the rest of my life, I'd be 100% cool with it." DJ

    "Compilation of essential & rare Studio One instrumentals" Hard Wax

    "Studio One Scorcher is the latest of these, collecting instrumental tracks spanning the years from the late-'60s rocksteady vogue through the onset of dancehall and digital rhythms in the early 80s featuring The Skatalites, trombonist Don Drummond, Pablove Black and others." Billboard 

    Comes as Triple LP + download code, CD, Digital album.

    • The Skatalites – Coconut Rock
    • Cedric Im Brooks & The Sound Dimension – Mun-Dun-Gu
    • Tommy Mccook, Richard Ace, The Skatalites & Disco Height – Shockers Rock
    • Soul Vendors – Ringo Rock
    • Jackie Mittoo & Ernest Ranglin – Jericho Skank
    • New Establishment – The People Skanking
    • Karl Bryan & The Afrokats – Money Generator
    • Lester Sterling – Afrikaan Beat
    • Sound Dimension – Heavy Rock
    • Sugar Belly – In Cold Blood
    • Don Drummond & The Skatalites – Heavenless
    • Soul Bros. – Bugaloo
    • Vin Gordon – Red Blood
    • Pablove Black – Push Pull
    • Jackie Mittoo & Brentford Rockers – Sidewalk Doctor
    • Liberation Group – Namibia
    • Brentford Road All Stars – Last Call
    • Soul Defenders – Still Calling
    • Karl Bryan & Count Ossie – Black Up
    • 1. The Skatalites – Coconut Rock
    • 2. Cedric Im Brooks & The Sound Dimension – Mun-Dun-Gu
    • 3. Tommy Mccook, Richard Ace, The Skatalites & Disco Height – Shockers Rock
    • View full info and tracklisting
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    Brown SugarI'm In Love With A Dreadlocks: Brown Sugar and The Birth Of Lovers Rock 1977 - 80Soul Jazz Records

    Soul Jazz Records are releasing this first ever collection of the pioneering British reggae Lovers Rock group Brown Sugar including rare singles, dubs and extended mixes. The album comes with extensive sleevenotes and interviews with Dennis Bovell, Pauline Catlin, John Kpiaye and Winston Edwards (Studio 16).

    Brown Sugar were formed by three young teenage girls – Pauline Catlin, Caron Wheeler and Carol Simms in South London in 1976. In the short period of time 1976-1980, the group – working with Dennis Bovell on the mixing desk and John Kpiaye (‘Brownie T) in the studio – recorded barely a handful of singles on the new Lovers Rock label, a number of which went to the top of the UK reggae charts. But success stopped there, and with no album release and no industry support the group broke up in the early 1980s.

    Following their split Caron Wheeler became the lead vocalist for the hugely successful group Soul II Soul, Carol Simms launched a solo career as Kofi (re-making a number of Brown Sugar songs with producer Mad Professor) and Pauline Catlin returned to education.

    Despite their relatively low-key mainstream public exposure Brown Sugar (and the label on which their first records appeared) announced to the world a new genre of reggae music, Lovers Rock, which spoke for the first time with the sensibility of a new segment of British society; that of first generation-born Black British female youth.

    And while Lovers Rock became synonymous with sweet love songs, Brown Sugar’s music in fact expressed far more; a righteous pride and consciousness in being Black and British, a political stance more often associated with UK roots groups like Black Slate, Aswad, Misty in Roots and other British reggae acts in the late 1970s. Brown Sugar were in fact their own genre of ‘conscious lovers rock’ – an expression of ideological black cultural pride.

    Brown Sugar’s handful of three-minute love songs (often plus extended dubs) somehow manage to encapsulate all the complexities of identity, sexual politics and youthful righteousness of Afro-Caribbean youth living in Britain in the 1970s. Songs such as ‘I’m in Love with A Dreadlocks’, ‘Our Reggae Music’, ‘Black Pride’ and ‘Dreaming of Zion’ spoke with a straightforward righteousness and consciousness that few roots groups could hope to match. The fact that they were all teenagers is even more striking.

    In the mid-70s British reggae came into being as first generation Black Britain was able to find a voice able to express the issues of growing up British with Caribbean roots. This came about in two different ways – the British roots music of (essentially male) groups such as Aswad, Steel Pulse and Black Slate – and Lovers Rock, the expression of a black essentially (but not totally) female consciousness – Brown Sugar, Louisa Mark, 15-16-17, Marie Pierre, Janet Kay, Carroll Thompson, Jean Adebambo and others. And significantly, while British roots music was a variant on a Jamaican style, Lovers Rock was uniquely British – the first authentic British reggae sound.

    Dennis Bovell comments, “For Lovers Rock we needed a pulpit, a way of saying ‘this is the style’. Sound systems were already saying ‘this is lovers,’ brandishing it in the dance. Our intention was to create a style of music that my generation could identify with – one that had a beat, and you could dance to with your partner in a sound system setting.”

    Dennis Bovell’s mixes for the group gave a further dimension to Brown Sugar records – a sound system mentality, adding sound effects and dub elements. ‘I’m in Love with A Dreadlocks’ was the debut release for both Brown Sugar and the Lovers Rock label, a fitting calling card for both. The record was a hit on many sound systems across the UK, reaching the top of the reggae charts.

    John Kpiaye: “They never put out an album. And all these records were seven-inch singles; when 12-inches turned up it just killed the seven-inch.”

    Although the career of Brown Sugar was short-lived, their legacy and influence remains significant and now, 40 years on from these first records, all of the members are still involved in music. Pauline Catlin has recently re-launched her career under a new moniker, Shezekiel; Carol Simms, aka Kofi, remains a successful solo artist, one of the queens of Lovers Rock; Caron Wheeler, after leaving Soul II Soul at the end of the 1980s, embarked on a solo career, before re-joining the soul super-group which she continues to front to this day.

    This new collection brings together all the groups essential recordings for the first ever time and is released as double gatefold heavyweight vinyl + free download (+ full sleevenotes), CD with large booklet, and digital album.

    • – Black Pride
    • – Our Reggae Music
    • – Hello Stranger
    • – I'm In Love With A Dreadlocks
    • – Hurtin' (with Dennis Bovell)
    • – I'm So Proud
    • – Runaway Love
    • – Dreaming Of Zion
    • – Loving Dreadlocks Dub
    • – You and Your Smiling Face
    • – Do You Really Love Me
    • – Proud
    • – Confession Hurts
    Jackie MittooThe Keyboard King At Studio OneUniversal Sound

    As Soul Jazz Records enter into the mighty vaults of Studio One, the most respected label in reggae history, we present you with this showcase of Jackie Mittoo, one of the defining figureheads of reggae music !

    From forming The Skatalites, at age 15, alongside Don Drummond, Roland Alphonso, Tommy McCook and others, to his work as writer, arranger, producer at Studio One records during the sixties, writing and playing for artists such as Alton Ellis, Ken Boothe, Marcia Griffiths and The Heptones (to name a few), to his career as a solo artist as well as leader of bands such as The Soul Brothers, Soul Vendors and The Sound Dimension, Jackie Mittoo is at the heart of reggae music. He was one of the instigators of Ska, Rocksteady and Reggae. In the seventies, DJ music and Dancehall were based upon classic rhythms of the sixties, many using the instrumental tracks that Jackie Mittoo created at Studio One at this time.

    This compilation features the work of Jackie Mittoo at Studio One. It features music recorded as a solo artist (as opposed to the numerous singers that he accompanied). Most of these are taken from his recordings in the mid sixties where he was recording on an almost daily basis at Studio One's Brentford Road studios developing the funky reggae sound that was his trademark.

    Soul Jazz Records are releasing this CD as the first of a series of Reggae artists to be covered following the success of the 100% Dynamite releases. Jackie Mittoo is as much an icon of Reggae as he is to fans of Funk music. He is without doubt the funkiest keyboard player ever to come out of Jamaica !

    Reviews:

    "CD of the Week. The coolest man who ever lived" THE GUARDIAN***** "

    Named by MOJO as one of the 100 cult heroes of all time, this is a lovingly curated compilation" THE INDEPENDENT

    "After Soul Jazz Records' groundbreaking 100% Dynamite CD's comes Jackie Mittoo. If you've caught the funky reggae bug, you need this" MUZIK

    "Rocksteady, compulsively funky Ska and Soul. An excellent Soul Jazz compilation" MOJO

    • Jackie Mittoo – Get Up And Get It
    • Jackie Mittoo – Black Organ
    • Jackie Mittoo – Killer Diller
    • Jackie Mittoo – Totally Together
    • Jackie Mittoo – Hot Tamale
    • Jackie Mittoo – Reggae Rock
    • Jackie Mittoo – Oboe
    • Jackie Mittoo – Juice Box
    • Jackie Mittoo – Summer Breeze
    • Jackie Mittoo – Drum Song
    • Jackie Mittoo – P. Cafe
    • Jackie Mittoo – Henry The Great
    • Jackie Mittoo – Stereo Freeze
    • Jackie Mittoo – Wall Street
    • Jackie Mittoo – Darker Shade Of Black
    Studio One WomenSoul Jazz Records

    Ska, rocksteady, funky reggae, roots, dub mixes, disco mixes, they're all here from the queens of the Jamaican music scene - Studio One Women features a wide mix of classics and obscurities from the finest female voices in reggae.

    Until now most of these tracks have only ever been available as extremely hard to find Jamaican 7 inch and 12 inch singles and even if you were lucky enough to find them they'd cost you a small fortune

    Marcia Griffiths and Rita Marley (here with her first group The Soulettes) are two of Jamaica's most famous female singers hugely popular today. Both these artists became internationally famous as The I – Threes (along with Judy Mowatt), Bob Marley's backing singers alongside The Wailers. Also featured are Hortense Ellis, sister of Alton who cut many smash hits on the island, and Jennifer Lara, a lady who had a long career with Studio One, singing on countless sides.

    Studio One is the greatest label in the history of reggae and is the foundation of all reggae music. It's where virtually every world renowned Jamaican superstar started out, Bob Marley and The Wailers included. Under the guidance of the legendary Clement Coxsone Dodd the musicians at Studio One recorded hundreds of instrumental rhythms which still provide the backbone for many of the records made in Jamaica today

    • Claudette Mclean – Give Love Another Try
    • Jennifer Lara – My Man
    • The Soulettes – A Deh Pon Dem
    • Della Humphrey – Dream Land
    • Jennifer Lara – Consider Me
    • Denise Darlington – War No Right
    • Hortense Ellis – I'm Just A Girl
    • Angela Prince – No Bother With No Fuss
    • Jerry Jones – There's A Chance For Me
    • The Soulettes – King Street
    • Jennifer Lara – Tell Me Where
    • The Tonettes – I'll Give It To You
    • Marcia Griffiths – Tell Me Now
    • The Jay Tees – Come to me
    • Angela Prince – You A Fool Boy
    • Jennifer Lara – I am In love
    Studio One RocksteadySoul Jazz Records

    Out now!

    Get ready .. 

    With excellent sleevenotes by Lloyd Bradley (author of the classic book Bass Culture - When Reggae Was King (Penguin)) this album is dedicated to rocksteady at Studio One as well as covering reggae soul and the birth of reggae.

    Featuring an all-star selection of artists: Ken Boothe, Marcia Griffiths, Jackie Mittoo, The Heptones, John Holt, Alton Ellis, Dennis Brown and more.

    Soul Jazz Records' Studio One Rocksteady is released in CD- jewel case, 16-page booklet with card slipcase, as well as a heavyweight double-vinyl edition in deluxe strong gatefold sleeve (with full sleeve notes and free download code) and also as a digital download.

    "A Superb choice of songs, an essential selection" David Rodigan

    REVIEWS:

    "Soul Jazz’s excellent collection… even without the history, the importance, and the ins and outs, this music isn’t as much of an intellectual pursuit as it is a pleasure in every note… tremendously tight vocal arrangements… just chock full of creativity, developing a unique sound in every single." Pitchfork

    "This stunning compile… perfectly articulates rocksteady's correlation with sweet, sweet soul music… Heart-warming, life-affirming stuff." Stack Magazine, Australia 

    "Songs of love and lust had never channelled such a rich slice of cultural and social life as here" Wire Magazine

    “Splendid anthology” Rock & Folk, France

    "First class compilation for connoisseurs.” SKUG Magazine, Austria

    • The Eternals – Stars
    • John Holt – Fancy Make Up
    • Cecille Campbell – Whisper To Me
    • The Heptones – Party Time
    • The Gaylads – Joy In The Morning
    • Marcia Griffiths – My Ambition
    • The Heptones – Love Won't Come Easy
    • Alton Ellis – Hurting Me
    • The Wailing Souls – Row Fisherman Row
    • Ken Boothe – Home Home Home
    • Jackie Mittoo – Our Thing
    • Ken Boothe – When I Fall In Love
    • Larry & Alvin – Throw Me Corn
    • Duke Morgan – Lick It Back
    • Carlton and The Shoes – Me and You
    • Dennis Brown – Easy Take It Easy
    • The Classics – Pack Up
    • Ken Boothe – Moving Away
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    Lijadu SistersAfro-Beat Soul Sisters: The Lijadu Sisters at Afrodisia, Nigeria, 1976-79.Soul Jazz

    Killer new female Afro-Beat Funk from Nigeria in the 1970s.

    The Lijadu Sisters released a series of albums in the 1970s in Nigeria that blended heavyweight Afro-Beat with psychedelic Afro-Rock, High-Life, Disco and Soul in a truly unique combination. These albums are impossibly rare to find and this collection brings together the best of those recordings.

    The Lijadu Sisters were the most successful female group in Nigeria in the 1970s and managed to overturn many stereotypes and attitudes as they carved out a unique space for themselves in a predominantly male arena.

    Their influences ranged from female soul singers such as Aretha Franklin, The Pointer Sisters and Miriam Makeba to the afro-beat of Fela Anikulapo-Kuti as well as the juju music of I.K. Dairo and the highlife of Victor Olaiya.

    The Lijadu Sisters, identical twins Taiwo and Kehinde Lijadu, grew up in Ibadan, Nigeria. They recorded their debut albumfor Decca Records in 1969. At the start of the 1970s the two singers joined ex-Cream drummer Ginger Baker’s short-lived all-African group Salt (which also included future members of the Afro-Rock group Blo).

    In recent years, Lijadu Sisters have featured on releases on the Soundway and Strut labels. This album brings together the best of their tracks from the four albums recorded for the Afrodisia label in Nigeria – Danger (1976), Mother Africa (1977), Sunshine (1978) and Horizon Unlimited (1979). 

    Read Guardian newspaper feature and review here.

    Licensed from Afodisia, Nigeria.

    Digital availabe outside USA only.


    • – Danger
    • – Orere - Elejigbo
    • – Erora
    • – Bayi L'ense
    • – Sunshine
    • – Life's Gone Down Low
    • – Gbowo Mi
    • – Come and Dance
    • – Osupa
    • – Cashing In
    • – Amebo
    • – Gbalo - Alogbalo
    • – Not Any Longer
    New Orleans FunkSoul Jazz Records

    Album features Ernie K Doe’s ‘Here Come The Girls’, The Meters, Eddie Bo, Professor Longhair, Lee Dorsey, Wild Magnolias and more.


    This is the definitive collection of New Orleans Funk featuring acknowledged masters next to some of the earlier artists who shaped the meaning of funk. The album is also filled with many rare, sought after and undiscovered funk tracks. It covers the period from the emergence of New Orleans Funk in the early 1960's through to the mid-seventies.


    The record is an essential part of anyone in any way interested in Funk's record collection. It has some vital ingredients in it that you can't find elsewhere. With the sound of the New Orleans Funeral March Bands, Mardi Gras Indian Tribes and Saturday Night Fish Fries all as inspiration New Orleans Funk developed into a unique sound. 


    New Orleans is a port town. Originally owned by the French, this was where many slaves were brought from the West Indies. Many of these slaves came from Haiti and brought with them the religion of Voodoo and its drums and music. It became one of the first parts of America to develop a strong African-American culture leading to the invention of Jazz in the early 1900s. 


    A main feature of Jazz in New Orleans were the Jazz Funeral Marching bands. Solemn Brass bands accompanying a coffin would, on burial, be joined by a second line of drummers and dancers which would turn the event into a celebration of the spirit cutting free from earth. This African tradition is strong in New Orleans and still goes on to this day. The backline drums play a syncopated style that is neither on the beat nor the off-beat. It is these rhythms that are the basis of New Orleans Funk. 


    The album comes with a booklet presenting a historical explanation to how and why this music came about, and with lots of information about the people involved.


    Reviews:
    "A Perfect Primer For Funk Fans" Q (Top 5 albums of the year)
    "Probably the finest compilation that Soul Jazz has released. Essential" Time Out

    • The Explosions – Hip Drop
    • Lee Dorsey – Who's Gonna Help Brother Get Further
    • Gentleman June Gardner – It's Gonna Rain
    • Eddie Bo – Check Your Bucket
    • Professor Longhair – Big Chief
    • Huey "Piano" Smith & His Clowns – Free, Single And Disengaged
    • Chuck Carbo – Can I Be Your Squeeze
    • Aaron Neville – Hercules
    • Mary Jane Hooper – I've Got Reasons
    • The Gaturs – Gator Bait
    • Allen Toussaint – Get Out Of My Life Woman
    • Cyril Neville – Tell Me What's On Your Mind
    • Bo Dollis & The Wild Magnolia Mardi Gras Indian Band – Handa Wanda
    • Lee Dorsey & Betty Harris – Love Lots Of Lovin
    • The Explosions – Garden Of Four Trees
    • Ernie & The Top Notes – Dap Walk
    • The Meters – Just Kissed My Baby
    • Marilyn Barbarin – Reborn
    • Dr. John – Mama Roux
    • Danny White – Natural Soul Brother
    • Eddie Bo – Hook 'N' Sling, Pt. 2
    • Ernie K. Doe – Here Come The Girls
    • Robert Parker – Hip-Huggin
    • The Meters – Handclapping Song
    • 2. The Explosions – Hip Drop
    • 3. Lee Dorsey – Who's Gonna Help Brother Get Further
    • 4. Gentleman June Gardner – It's Gonna Rain
    • View full info and tracklisting
    Studio One IronsidesSoul Jazz Records

    Soul Jazz Records continues to dig deeper into the vaults of the mighty Studio One, the most important record label in the history of Reggae music.

    Founded by legendary producer Clement 'Sir Coxsone' Dodd and famously dubbed 'the university of Reggae' by Chris Blackwell, Studio One is the Reggae equivalent of Motown - launching and establishing the careers of countless Reggae artists - everyone from Bob Marley to The Skatalites.

    This new instalment features many classic Studio One cuts alongside a heavy dose of superb rarities and spans all eras - everything from classic ska and rocksteady  to the deepest roots, heaviest dub and dancehall roots.

    As ever the album includes an incredible line-up of only the finest reggae artists - The Skatalites, Freddie McGregor, Alton Ellis, The Gladiators, Johnny Osbourne, Cornell Campbell, Dennis Alcapone, Prince Jazzbo, Lone Ranger - all of whom made their names at Studio One.

    Studio One Ironsides refers back to a time in the 1960s and 1970s when Clement Dodd was at the height of his powers, releasing so much amazing music that Studio One had to invent new label names to trick radio DJs, wary of playing too much music from the legendary studio, into playing records. These creatively titled new label names included Ironsides, Money Disc, ND Records, BongoMan, Forward and more.

    The large accompanying booklet contains extensive text from reggae historian Noel Hawks, interesting information on each track and label scans.

    Soul Jazz Records' Studio One Ironsides is released in CD- jewel case, 24-page booklet with card slipcase, as well as a heavyweight double-vinyl edition in deluxe strong gatefold sleeve (with full sleeve notes) and also as a digital download.

    • Fabian Cooke – Mother and Child
    • Marcia Griffiths – Mark My Word
    • Freddie McGregor – I Man A Rasta
    • Prince Jazzbo – Natty Ting A Ling
    • The Paragons – Danger In Your Eyes
    • Drum Bago & The Rebel Group – Reggae Version
    • Don Drummond – Nanny's Corner
    • The Stingers – Rasta Don't Stop No One
    • Lone Ranger – Three Mile Skank
    • The Soul Sister – Another Night
    • Freddie McGregor – Come Now Sister
    • Dennis Alcapone – Joe Frazier
    • The Soul Brothers – Soho
    • Alton Ellis – Can I Change My Mind
    • Johnny Osbourne – Jealousy, Heartache and Pain
    • The Gladiators – Bongo Red
    • Pablove Black – Jamrec Dub
    • Cornel Campbell – I'm Still Waiting
    Chris BowdenTime Capsule (1992)Soul Jazz Records

    The stunning and ground-breaking album from the composer and saxophonist Chris Bowden back in print 20 years on!

    “This is the album that connected it all.” Gilles Peterson 2018

    Chris Bowden’s debut album Time Capsule was first released on Soul Jazz Records in 1992 to universal and widespread critical acclaim. Now 20 years on a new wave of current jazz artists led by the likes of Kamasi Washington in the USA and a host of British artists - Shabaka Hutchings /Sons of Kemet, The Ezra Collective, Moses Boyd, Nubya Garcia, Fourtet, Yussef Kamaal, Tenderlonious, Binker & Moses - have brought this original ground-breaking album into the limelight once more as a pivotal starting point, sharing many of the aesthetics of these current artists at work today.

    Musically all are inspired by the spiritual jazz of John Coltrane, Alice Coltrane, Pharoah Sanders, Archie Shepp, Don Cherry et al paired with a modern electronic music sensibility. Chris Bowden’s Time Capsule has stood the test of time like few other albums (as the title of the album suggested), and remains a pivotal, wholly-successful and original experimental musical collage, a radical inspiration and forebearer to many of the best progressive jazz and electronic artists working today.

    The album has been fully hi-spec re-mastered and is available as a limited-edition heavyweight double-vinyl release with gatefold sleeve (+ free download code), slipcase CD and digital album.


    A selection of original reviews:

    “Lush strings and woodwind with a powerful combination of dub beats and classical orchestration. True future music.” The Face

    “A divine soundtrack that Miles Davis would rise from his grave for. Heaven-sent laid back lusciousness.” Muzik

    “Reminiscent of Miles Davis, Stravinsky and Star trek. Drop dead gorgeous.” True

    “A beautiful and mysterious record.” Mixmag

    “Out on the left field, past the edge of the solar system, music exploring new territory, forging new alliances with outer space and the future.” DJ

    “A vibrant filmic quality. Bowden is out on his own. Essential.” Straight No Chaser

    “True futurism: Satie, Webern and attitude creating a serious listening experience.” Echoes

    “An ambitious and adventurous excursion. A deep, complex and ever-changing piece that makes the competition look half-baked.” Observer

    “Sounding like a Michael Nyman tune that took a wrong turn and bumped into a Miles Davis record.” (Album of the week) The Guardian

    “Supreme” NME

    “Astro-jazz, luxurious strings and psycho-acoustic electronica. A journey to the centre of the head” ID

    • Chris Bowden – Natural Selection
    • Chris Bowden – Mother And Daughters Now Mothers
    • Chris Bowden – Forbidden Fruit
    • Chris Bowden – Epsilon Transmission
    • Chris Bowden – Epsilon
    • Chris Bowden – Love Lies Bleeding
    • Chris Bowden – Time Capsule
    • Chris Bowden – Mind And Matter
    • Chris Bowden – Retrospective
    • Chris Bowden – Solo
    • Chris Bowden – Extra Vehicular Activity (EVA)
    • Chris Bowden – Life Support
    • Chris Bowden – Telescopic One
    • Chris Bowden – Telescopic Two
    • Chris Bowden – Telescopic Three
    • Chris Bowden – Sane
    • Chris Bowden – Angel Falls
    • Chris Bowden – Mothers Too
    • Chris Bowden – Deaf Out