• Tamba Trio – Boranda
    • Tamba Trio – Nuvens
    • Tamba Trio – Se Eu Pudesse Voltar
    • Tamba Trio – Barumba
    • Tamba Trio – Pregao
    • Tamba Trio – Danielle
    • Tamba Trio – Berimbau
    • Tamba Trio – O Amor Em Paz
    • Tamba Trio – A Morte De Um Deus De Sal
    • Tamba Trio – Yansa
    • Tamba Trio – Consolacao
    • Tamba Trio – Moto Continuo
    • 1. Boranda
    • 2. Nuvens
    • 3. Se Eu Pudesse Voltar
    • 4. Barumba
    • 5. Pregao
    • 6. Danielle
    • 7. Berimbau
    • 8. O Amor Em Paz
    • 9. A Morte De Um Deus De Sal
    • 10. Yansa
    • 11. Consolacao
    • 12. Moto Continuo

    Soul Jazz Records/Universal Sounds Original Brazil Classics series.

    Following on from our earlier release ‘Avanco’ comes Tempo – an album blending bossa nova and jazz with an unparalleled experimentalism. Originally released in Brazil in 1964, The Tamba Trio’s third album Tempo is a deep bossa jazz masterpiece.

    The group were centred around the genius pianist/composer Luiz Eca, alongside Bebeto on flute and bass and Helcio Milito on drums. Emerging out of Brazil’s new Bossa Nova scene at the start of the 1960s, they became the key group of musicians associated with all the major singers of the period - Carlos Lyra, Edu Lobo, Nara Leão, Sylvia Telles and more - as well as a stunning body of work as a group in their own right.

    This is a bespoke high quality box-edition CD of this seminal album with exact-reproduction artwork of the original album.

    There is also a very collectable limited edition (1000 worldwide), exact-repro vinyl edition with hardback American-pressed sleeve and heavyweight 180 gm vinyl.

    Other Releases on Universal Sound

    Jackie MittooThe Keyboard King At Studio OneUniversal Sound

    SUPER NEW 20th anniversary special one-off pressing BLUE coloured vinyl gatefold sleeve edition of Soul Jazz Records’ seminal Jackie Mittoo – The Keyboard King at Studio One

    ----------------------------------------------------------------------------------------------------

    Jackie Mittoo is one of the defining figureheads of reggae music !

    From forming The Skatalites, at age 15, alongside Don Drummond, Roland Alphonso, Tommy McCook and others, to his work as writer, arranger, producer at Studio One records during the sixties, writing and playing for artists such as Alton Ellis, Ken Boothe, Marcia Griffiths and The Heptones (to name a few), to his career as a solo artist as well as leader of bands such as The Soul Brothers, Soul Vendors and The Sound Dimension, Jackie Mittoo is at the heart of reggae music. He was one of the instigators of Ska, Rocksteady and Reggae. In the seventies, DJ music and Dancehall were based upon classic rhythms of the sixties, many using the instrumental tracks that Jackie Mittoo created at Studio One at this time.

    This compilation features the work of Jackie Mittoo at Studio One. It features music recorded as a solo artist (as opposed to the numerous singers that he accompanied). Most of these are taken from his recordings in the mid-sixties where he was recording on an almost daily basis at Studio One's Brentford Road studios developing the funky reggae sound that was his trademark.

    Jackie Mittoo is as much an icon of Reggae as he is to fans of Funk music. He is without doubt the funkiest keyboard player ever to come out of Jamaica!

    Reviews:

    " The coolest man who ever lived" THE GUARDIAN***** "

    “Named by MOJO as one of the 100 cult heroes of all time, this is a lovingly curated compilation" THE INDEPENDENT

    • Jackie Mittoo – Get Up And Get It
    • Jackie Mittoo – Black Organ
    • Jackie Mittoo – Killer Diller
    • Jackie Mittoo – Totally Together
    • Jackie Mittoo – Hot Tamale
    • Jackie Mittoo – Reggae Rock
    • Jackie Mittoo – Oboe
    • Jackie Mittoo – Juice Box
    • Jackie Mittoo – Summer Breeze
    • Jackie Mittoo – Drum Song
    • Jackie Mittoo – P. Cafe
    • Jackie Mittoo – Henry The Great
    • Jackie Mittoo – Stereo Freeze
    • Jackie Mittoo – Wall Street
    • Jackie Mittoo – Darker Shade Of Black
    • New LP (Coloured Vinyl)£27.99
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    • CD£12.00
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    • MP3 Release£7.99
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    Lloyd McNeill and Marshall HawkinsTanner SuiteUniversal Sound

    Soul Jazz Records/Universal Sound are releasing here the third album from deep jazz flautist and composer Lloyd McNeill (alongside the earlier ‘Asha’ and ‘Washington Suite’ - both now sold out).

    Tanner Suite is one of the most beautiful and by far the rarest of all of McNeill’s records, a unique piece of music especially commissioned by the Smithsonian National Gallery Of Art in the late 1960s to accompany an exhibition of the work of Henry Ossawa Tanner, the first African-American painter ever to gain international success.

    Tanner Suite was originally released in 1969 as a private individually numbered pressing of 1000 copies on McNeill’s own Asha Record company and has never been issued since. Soul Jazz Records new pressing of this album is also limited to 1000 copies each on vinyl and CD. Both editions come in heavyweight exact-replica hard tip-on USA card sleeve original artwork.

    This beautiful and intense set of pieces based around improvisation was the soundscape to the significant exhibition of Tanner's work, created at an important point in post-civil rights African-American self-definition. The music is both profound and spiritual.

    Lloyd McNeill is flautist, composer and painter. As musician he studied with Eric Dolphy, played with Nina Simone, Mulatu Astatke, Nana Vasconceles, Ron Carter, Dom um Romao and Sabu Martinez. In the mid-1960s McNeill headed to Paris and became friends with Pablo Picasso. 

    • – Black Expatriate
    • – Tanner Blue
    • – Daniel In The Lion's Den
    • – The Banjo Lesson
    • Reissue LP£24.00
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    • CD£12.00
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    • MP3 Release£7.99
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    Gilberto GilLouvacaoUniversal Sound

    NOW ON CD as deluxe Jap-style hard-cased exact repro digitally remastered box edition with Obi-card.

    also:

    Superb collectors edition very limited deluxe (1000 copies worldwide ) VINYL ONLY  release on Soul Jazz Records/Universal Sound. bespoke 180gsm remastered audiophile vinyl, w/jap obi strip and thick card sleeve.

    This is the extremely rare debut first album from Gilberto Gil, first released in Brazil in 1967, at a time when Gil was a man already at the height of his creative powers and yet barely a few years into his career. 

    In 1967 Gil was already established as a Bossa Nova star in Brazil and had helped launch Musica Popular Brasileira, introducing traditional northern folkloric styles into the urban bossa nova style to create a new hybrid that effectively defined Brazilian popular music for the next 25 years.

    Just around the corner the musical and cultural anarchy of the Tropicalia movement was about to be created by Gilberto Gil, Caetano Veloso, Tom Ze and Os Mutantes. 

    Gil had first met Caetano Veloso in Bahia in the early 1960s. Alongside Maria Bethania, Gal Costa and Tom Ze they had formed the Group from Bahia. In 1965 he moved to Sao Paulo to launch his solo career after Elis Regina had a hit with Gil's own composition Louvacao.

    This debut 1967 album showed how confident Gil was in his musical inventiveness. As well as the title track, the album includes seminal tracks that have become classics of Brazilian contemporary music. 

    Viramundo (later covered by Sergio Mendes) effortlessly blended the north-eastern accordion baiao and xaxado rhythms of Luiz Gonzaga. Procissao, in contrast, took its starting point as the religious processions found in the Afro-Brazilian centre of Salvador. Songs such as Roda, instantly became classics of Brazilian popular music.

    Add to this the lyricism of poets and artists Chico Buarque, Torquato Neto, Capinam, Caetano Veloso, Tom Ze and Gil himself and we are presented with one of the most significant debut albums of Brazilian music from one of the most important artists in Brazil to this day.

    • – Louvacao
    • – Beira Mar
    • – Lunik 9
    • – Ensaio Geral
    • – Me Perdoe Maria
    • – A Rua
    • – Roda
    • – Rancho Da Rosa Encarnada
    • – Viramundo
    • – Mancada
    • – Água De Meninos
    • – Procissao
    • – Minha Senora
    • – A Moreninha
    Donald Alexander Strachan and The Freedom EnsembleSoul Translation: A Spiritual SuiteUniversal Sound

    Soul Jazz Records/Universal Sound are releasing “Soul Translation: A Spiritual Suite" a superb lost USA deep jazz independent private-press album originally self-published by Donald Alexander Strachan and the Freedom Ensemble on Triad Music Concepts in 1975.

    This great soulful/spiritual jazz album was the only album that Strachan released and consequently has become a lost rarity -  a must for fans of Tribe, Strata-East and other conscious jazz from the 1970s and features in Gilles Peterson/Soul Jazz Records' Freedom, Rhythm and Sound book.

    Donald Alexander Strachan is composer, conductor, guitarist, vocalist and more leading a large 11-piece line-up that includes Jay Hoggard on vibes.

    Strachan studied in New York City in the 1970s with composer/saxophonist Sam Rivers and Ghanaian Drum-master Abraham Adzenyah as well as avant-garde guitarist/composer Bruce Johnson all of who helped shape his unique sound.

    In the 1980s Strachan entered into the collaborative world of cinema by composing musical scores and has been involved in cinema ever since both musically, as a scriptwriter and director. Donald Alexander Strachan and the Freedom Ensemble’s “Soul Translation: A Spiritual Suite" is a unique product of Strachan’s multicultural and African-American heritage and aesthetic - polyrhythmically complex and spiritually intense.

    This is a bespoke high quality hardback-cased Japanese thick card CD edition with exact-reproduction artwork from the original album.

    The 180-gram vinyl thick card exact-reproduction artwork is strictly limted to 1000 copies wordwide. 

    • – Temptation
    • – The Word
    • – Song of Searching
    • – Spiritual Travelers
    • – Masters of The Bourchakoun
    • – Silent Jubilation
    • – Tenth Door
    • – Aquarian Voices
    • – Soul Release
    Oliver LakeNtu: Point From Which Creation Begins (1971)Universal Sound

    VINYL COMES WITH FREE DIGITAL DOWNLOAD VOUCHER FROM OUR WEBSITE ONLY!

    Soul Jazz Records/Universal Sound are reissuing jazz composer Oliver Lake's Ntu: The Point From Which Creation Begins, his stunning rhythmical Afro-centric deep spiritual jazz debut album originally recorded in 1971. This classic spiritual deep jazz album digitally remastered and cased in bespoke original artwork exact reproduction on hardboard Jap-style box case CD and a very limited (1000 worldwide) heavyweight 180gm audiophile vinyl edition.

    This album features in Gilles Peterson/Soul Jazz Records’ own Freedom, Rhythm and Sound large-format book of revolutionary jazz.

    Saxophonist Oliver Lake’s unique career path includes working with Lou Reed, A Tribe Called Quest, Bjork, composing for the Brooklyn Philharmonic and as long time member of the avant-garde jazz group World Saxophone Quartet. This genre-defying, wide-ranging and cross-pollinating creativity is a consequence of Lake’s musical roots in the radical Black Arts Movement of 1960s Afro-America.

    Oliver Lake’s career began in a creatively charged time and place. In the late 1960s, Lake alongside Julius Hemphill and Charles ‘Bobo’ Shaw, co-founded The Black Artists Group (BAG), the St Louis-based equivalent to Chicago’s Art Ensemble of Chicago/Association for the Advancement of Creative Musicians collective.

    Out of this BAG collective came many other variant groups and arts projects which included The Human Arts Ensemble, Red Black & Green Solidarity Unit, Onawali Dancers, Malinque Rhythm Tribe, BAG Drama Dept., Great Black Music Orchestra of St. Louis, Fire-Earth-Air-Water, Me We & Them and the Julius Hemphill Quartet.

    The first recordings from Oliver Lake and the Black Artist Group collective, true to keeping with the era’s radicalism, self-definition and economical empowerment value system, kept a wide birth from the mainstream music industry and were released on the private pressing record label, Universal Justice, self-distributed at concerts and events.

    In 1971, after appearing on two collective projects by The Human Art Ensemble and Children of The Sun, Oliver Lake recorded his own debut album Ntu: The Point From Which Creation Begins, self-financed for release on his own Passin Thru’ record company. However, shortly afterwards the tape of this album was put in storage, as Lake and the other BAG members headed off to Europe in the path of The Art Ensemble of Chicago and other free jazz African-American musicians, many of whom were finding a new open-minded audience across the Atlantic.

    Ntu: The Point From Which Creation Begins remained unreleased until 1976 when an association with major label Arista/Freedom issued a number of Lake and the Black Artists Group’s early releases and unreleased tapes. Long unavailable, this album has now itself become a rarity.

    Heavily progressive, rhythmical and intense, the album features Lake alongside an all-star cast of St. Louis’s finest radical, avant-garde and deep jazz musicians which includes Joe Bowie (Lester’s brother, who also later formed Defunkt and worked with James White and The Blacks), Don Moye (on loan from the Art Ensemble of Chicago), and regulars such as Charles Bobo Shaw.

    Lake returned from Europe to live in New York in the second-half of the 1970s to firmly ensconce himself in the emerging Loft Jazz scene, which soon became the dominant avant-garde movement of this era, and Lake an intrinsic member. At this time Lake also formed the World Saxophone Quartet alongside Julius Hemphill, Hamiet Bluiett and David Murray, which continues it’s own radical path to this day.

    • – Africa
    • – Tse'lane
    • – Electric Freedom Colors
    • – Eriee
    • – Zip
    Voodoo DrumsDrummers Of The Societe Absolument Guinin (Haiti)Universal Sound

    Unique collection containing authentic rhythms of Haitian Voodoo drumming. Recorded in Port-au-Prince, Haiti by Soul Jazz Records, this album features The Drummers of the Societe Absolument Guinen.

    Voodoo is the African religion at the heart of Haitian life. The complex rhythms of the drums are used to bring down African spirits in Voodoo ceremonies. These drums are the link between the music of Africa and the Caribbean. With links to Cuban Santeria, Jamaican and Trinidadian Afro-religions, Voodoo rhythms are the heaviest, most intense of all. Soul Jazz Records.

    REVIEWS

    "Soul Jazz yet again come correct with the roots and culture. This amazing set of ritual breakbeats Haitian style has to be the most phenomenal, left field battle breaks album you could imagine. The rhythms used cause spirits to manifest themselves in the physical world, all powerful, some benevolent, others less so. Enjoyable and really quite mind expanding, this is recommended to anyone who thinks traditional music is not for them. Really unparallelled, both in terms of quality and the competition." Boomkat

    "Haitian Voodoo is a religion of the new world that came about during the 16th century African slave trade. During their rituals they use drums to bring spirits down to the earth, faccilitating a possession of a worshipper by a specific spirit. Soul Jazz released these pristine recordings and I think it’s one of the best recordings of a drum ensemble I’ve ever heard. It documents the broad tonal range of these drums. I had to check the liner notes to make sure there wasn’t a bass guitar or synthesizer in the mix!" Type

    "This record, which consists entirely of recordings of voudou drumming made in Port-Au-Prince, is one of a series of Soul Jazz releases exploring Haitian music, all of which are worth your attention. Nonetheless there's something about the intensity and virtuosity of this particular drums-based album that's particularly transportive. Beautifully recorded so each strike of each drum punches with all the force of an electronic dance music kickdrum, it captures the extraordinary complexity and sophistication of these ceremonial rhythms, which shift, interlock and switch angle of attack with a logic that's near-indecipherable as a listener unable to see visually how they unfold. These drum rituals are central to Haitian voudou, whose roots lie in closely related religions on the West Coast of Africa, and which originated in the 18th century when Haiti was a French slave colony. Their roles in ceremonies seem as complex and detailed as the rhythms themselves, involved in drawing participants together through the shared pulse of the beat and inciting spiritual possession. Yet their power to awe and mesmerise isn't dimmed through being relatively unfamiliar with the traditions that underlie them; these recordings are dynamic and riveting in their intricacy and power." Quietus

    "I haven't heard anything quite like this; the rhythms are very deeply orchestrated yet it also sounds like improvisation. There are tonalities and textures coming from this album like I've never heard. A great album by Soul Jazz, it's very well recorded, the drums sound so warm and nuanced, a great representation of each drum in the mix. Some of the sounds I have no idea how they are getting them. I would love to see this group play! As a drummer, this album is bending my ear and setting off the dancing devils in my soul!! Unreal!" Guardian Guide

    • – Yanvalou
    • – Africanadou
    • – Rongol
    • – Zepol
    • – Dahome
    • – Congo
    • – Mai
    • – Parigol
    • – Contredance
    • – Afranchi
    • – Juba
    • – Petro
    • – Kita
    • – Boumba
    • – Koye
    • – Zepol
    • – Areyen
    • – Mas Karon
    • – Ibo
    • 2×LP£17.99
      Out of stock
    • CD£12.00
      Out of stock
    • MP3 Release£7.99
      In stockAdd to Bag
    Elis ReginaSamba, Eu Canto Assim !Universal Sound

    Soul Jazz Original Brazil Classics:

    In 1965, Elis Regina dominated the world of Brazilian music. Riding high on her success, the powerfully-voiced singer was the star of her own television show (O Fino da Bossa), winner of the first national broadcast musical competition (for TV Excelsior) and a stunning live performer on stage.

    Having emerged out of the Bossa Nova wave of the early 1960s, Elis Regina's stunning theatrical mixture of boss nova, samba, jazz and other music styles placed her at the top of her profession and her unique style effectively launched MPB (Musica Popular Brasileira), the new post-bossa nova modern musical movement in Brazil that would reign supreme for the next 20 years, as singers such as Gal Costa, Caetano Veloso, Jorge Ben, Chico Buarque and others embraced this new style.

    Artistically Elis Regina surrounded herself with only the finest songwriters and musicians such as Edu Lobo, Carlos Lyra, Marcos Valle, Vinicius de Moraes, Baden Powell.

    Whilst her music was apolitical, her criticism of the military dictatorship ( from a coup in 1964), led to persecution by the state, at one point the authorities forcing her to sing the Brazilian national anthem at a stadium concert, under threat of her family's safety.

    Elis was married twice, first to boss nova songwriter Ronaldo Boscoli and secondly to the musician Cesar Mariano. She tragically died in 1986, aged 36.

    Samba, Eu Canto Assim is one of Elis Regina's definitive albums recorded at the height of her career and long regarded as a classic release in Brazil. This is a bespoke high quality box-edition hardback-cased card CD edition of this seminal album with exact-reproduction artwork from the original album. 

    • Elis Regina – Reza
    • Elis Regina – Menino Das Laranjas
    • Elis Regina – Por Um Amor Maior
    • Elis Regina – Joao Valentao
    • Elis Regina – Maria Do Maranhao
    • Elis Regina – Resolucao
    • Elis Regina – Sou Sem Paz
    • Elis Regina – Pot - Pourri: Consolacao / Berimbau / Tem Do
    • Elis Regina – Aleluia
    • Elis Regina – Eternidade
    • Elis Regina – Preciso Aprender A Ser So
    • Elis Regina – Ultimo Canto
    Steve Colson & The Unity TroupeTriumph!Universal Sound

    In the early 1970s pianist and composer Adegoke Steve Colson and vocalist Iqua Colson were both members of The Association for Advancement of Creative Musicians (AACM), the radical home of jazz music in Chicago, and spiritual home of the Art Ensemble of Chicago.

    In 1980, Colson released ‘Triumph!’, recorded in Chicago with a stellar line-up of Art Ensemble and AACM members in the group including Joseph Jarman and Doug Ewart. This album was released on the private-press Silver Sphinx label, and distributed mainly in the local Chicago area. Universal Sound/Soul Jazz Records are releasing this extremely rare deep spiritual jazz album for the first time ever as a hardback edition CD and a very limited edition of 1000 –copy exact reproduction vinyl.

    • – Lateen
    • – Cidigie - Dicesui
    • – For Paul
    • – Unknown
    • – Temple at Dendera
    • – Triumph of the Outcasts, Coming
    Pheeroan ak LaffHouse of Spirit : MirthUniversal Sound

    American composer and drummer Pheeroan AkLaff's celebrated ‘House of Spirit:Mirth’ features in our recent revolutionary jazz records book (compiled by Gilles Peterson and Stuart Baker).

    This album was originally released in 1979 on the composer Oliver Lake's bespoke private-press label Passin Thru' Inc., a not for profit label 'dedicated to fostering, promoting and advancing the knowledge, understanding and appreciation of the arts'.  Consequently 'House of Spirit' remains one of the most elusive deep jazz releases of its time to collectors.

    Aklaff was an original of the Detroit jazz scene of the early 70s alongside musicians of the Tribe (Wendell Harrison, Phil Ranelin, Doug Hammond) and Strata collective (Kenny Cox and Charles Moore) and local luminaries such as Travis Biggs before moving to New York in the mid-1970s to work at the centre of the vibrant Loft/radical jazz scene. Here he worked and recorded with original greats such as Oliver Lake,  Wadada Leo Smith, Anthony Davis (with numerous releases on India Navigation and other radical NY avant-jazz labels). At this time Coltrane drummer Rashied Ali became mentor to AkLaff, with Aklaff practically living at Ali's legendary club/live space 'Ali's Alley'.

    In the 1980s Aklaff continued his solo career with releases such as 'Fits Like A Glove' (1985), and 'Sonogram' (1989) featuring the cream of the New York 80s avant-garde players (Sonny Sharrock, Geri Allen etc) as well his continued work alongside artists of the calibre of Don Byron, Anne Claudine Myers, Julius Hemphill, Henry Threadgill and Oliver Lake.

    ‘House of Spirit: Mirth’ is one of the most radical of deep jazz releases of its time. Avant-garde beyond a doubt but with an Afro-centric rhythmical intensity hard to find in the myriad of independent free/loft jazz recorded in New York at the time.

    Influenced by Alice Coltrane, Sun Ra, Duke Ellington and Rahsaan Roland Kirk, AkLaff also studied African drumming travelling to and working in the Ivory Coast, Togo, Swaziland, Malawi, Liberia as well as Nigeria, where he performed with Fela Kuti.

    Pheeroan AkLaff currently performs as a solo artist in New York and as part of the Cecil Taylor group. In 2006 he also co-founded Seed Artists Inc. for Artists and Communities, a non-profit organisation promoting inter-generational activities, concerts and music lessons, based in Brooklyn.

    This bespoke perfect replica reissue comes in a limited edition hardback box-case CD edition and a very limited  heavyweight vinyl and gatefold sleeve edition of 1000 copies worldwide.

    • – Ayin of Love
    • – Tzaddi Vau
    • – Michelle Del
    • – Jarawa
    • – Freedom
    • – 3 in 1
    Travis BiggsChallengeUniversal Sound

    Following on from their recent New Thing album of Deep Jazz in USA (Sun Ra, Art Ensemble of Chicago, Alice Coltrane, Archie Shepp), Soul Jazz Records are re-issuing this lost classic album.

    Travis Biggs' "Challenge" is a boogie/jazz-funk/jazz lp originally recorded in Detroit in 1975.

    This one off-album initially came out on his own tiny T & C label with a pressing of 500 copies and was used by Travis as a demo.

    This is the second of 3 lost albums that Soul Jazz Records are re-issuing following on from first appearing on New Thing. As well as the track "Tibetan Serenity" (as featured on "New Thing" album), the album also includes super-rare versions of Stevie Wonder's "I Wish" and a cover of the Loft/Paradise Garage classic track, Steve Miller's "Fly Like An Eagle".

    • Travis Biggs – I Wish
    • Travis Biggs – Autumn Jewel
    • Travis Biggs – Fly Like An Eagle
    • Travis Biggs – Ven A. Bailar Conmigo
    • Travis Biggs – Solar Funk
    • Travis Biggs – The Do-Do Walk
    • Travis Biggs – Stone Country
    • Travis Biggs – Tibetan Serenity
    OchoOcho 2Universal Sound

    The second of three albums by Ocho, one of the defining bands of the Latin New York Funk sound. Led by Chico Mendoza, Ocho have been featured heavily in Soul Jazz Records "Nu Yorica" series and these re-issues are the three definitive albums by the group. Along with other artists such as Ray Barretto, Eddie Palmieri, Joe Bataan and Tito Puente, Ocho mixed Latin, Funk and Jazz in equal measure. The music of Ocho has never been fully available in this country before and Soul Jazz Records are releasing them in their entirety for the first time. These releases come on CD and luxury vinyl. Ocho 1 includes "Coco May May" as featured on Nu Yorica. Ocho 2 includes "What are you Doing For The Rest Of Your Life" also featured on the "Nu Yorica" series. And Ocho 3 includes the Latin Funk classic "Hot Pants Road".

    • Ocho – Oye Mi Son Cha Cha Cha
    • Ocho – La Batanga

    People also bought

    TV Sound and ImageSoul Jazz Records

    The 36 track 2CD album comes with 50-page book featuring text, biographies and photography. It also comes in a limited run two volume double-vinyl super-loud super-heavy gatefold sleeve editions. Compiled by Stuart Baker (Soul Jazz Records) and sleevenotes biographies by Jonny Trunk (Trunk Records).

    TV Sound and Image features British composers who worked in television, film and music libraries the second half of the 20th century. 

    Aside from John Barry, whose work on the James Bond films made him a household name, or Tony Hatch and Laurie Johnson, the majority of composers featured here - Simon Park, Keith Mansfield, Reg Tilsley, Syd Dale, Keith Papworth – remain relatively unknown. And yet ironically they have created some of the most recognisable songs in British popular culture, their music widely disseminated on television.

    A quick role call of these would include Neil Richardson (who composed the theme tune to Mastermind) and Barry Stoller (who wrote Match of the Day). The Simon Park Orchestra’s Eye Level, theme song to the BBC series Van der Valk, reached number one in 1973. CCS’s cover of Led Zeppelin’s Whole Lotta Love was the theme tune to Top of the Pops. And so on.

    This album is not however a stroll through the TV memories of the mind, but an exploration of the serious contribution that these creative musicians have on the landscape of popular music in Britain.

    Here then is a guide to the amazing music of many of the composers (both well-known and obscure) responsible for some of the most widely known music ever to come out of Britain in the second-half of the 20th century.

    Reviews:

    Quietus

    Der Spiegel: "spannende Klänge ...  die oft funky und immer lässig klingen"

    "thrilling sounds.... often funky and always chilled"

    New Zealand Herald: ***** "Every track is a killer... This is more than just music to mooch too."

    Irish Times: **** "downright funky"

    Volkskrant: "Ze leverden spanning op maat, die onbekende makers van fenomenale Britse film en tv-muziek. Door de cd TV Sound and Image opnieuw in de aandacht"

    Evening Standard: "deeply funky"

    Uncut Magazine "excellent 36 track set ... welcome additions to your collection"

    Q Magazine: ****

    • Barry Stoller – Condition Red
    • Pentangle – Light Flight
    • Geoff Love – Three Days Of The Condor
    • The Tony Hatch Sound – Man Alive
    • Richard Denton and Martin Cook – Tomorrow's World
    • Brian Fahey – At The Sign Of The Swinging Cymbal
    • Bullet – The Contract Man
    • Syd Dale – Man Friday
    • The Laurie Johnson Orchestra – Echo Four Two
    • Keith Papworth – Hard Hitter
    • John Barry – The Persuaders
    • Roy Budd – Getting Nowhere In A Hurry
    • The Simon Park Orchestra – Dawn to Dusk
    • The Marylebone Orchestra – Fiesta Numero Uno
    • Birds 'n' Brass – Sort of Soul
    • Johnny Gregory and his Orchestra – The Avengers
    • Johnny Harris – Fragment of Fear
    • Roy Budd – Get Carter
    • Neil Richardson – Guide Path
    • Brian Bennett – Canvas
    • Wil Malone – Death Line
    • Syd Dale – Huckleberry Fine
    • The Harry Roche Constellation – Spiral
    • The Ivor and Basil Kirchin Band – Jungle Fire Dance
    • The Laurie Johnson Orchestra – The New Avengers Theme
    • James Clarke – Folk Song
    • The Reg Tilsley Orchestra – Strike Rich
    • The Barry Gray Orchestra – Joe 90
    • Keith Mansfield – Soul Thing
    • CCS – Whole Lotta Love
    • Syd Dale – Artful Dodger
    • John Gregory – Jaguar
    • Nick Ingman – Down Home
    • Barbara Moore – Steam Heat
    • Alan Parker – Angels
    • Alan Moorhouse – Face Up
    • Deluxe 2×CD£12.00
      Out of stock
    • 2×LP Vol.1£23.00
      Out of stock
    • 2×LP Vol.2£23.00
      Out of stock
    • MP3 Release£8.99
      In stockAdd to Bag
    Gilberto GilLouvacaoUniversal Sound

    NOW ON CD as deluxe Jap-style hard-cased exact repro digitally remastered box edition with Obi-card.

    also:

    Superb collectors edition very limited deluxe (1000 copies worldwide ) VINYL ONLY  release on Soul Jazz Records/Universal Sound. bespoke 180gsm remastered audiophile vinyl, w/jap obi strip and thick card sleeve.

    This is the extremely rare debut first album from Gilberto Gil, first released in Brazil in 1967, at a time when Gil was a man already at the height of his creative powers and yet barely a few years into his career. 

    In 1967 Gil was already established as a Bossa Nova star in Brazil and had helped launch Musica Popular Brasileira, introducing traditional northern folkloric styles into the urban bossa nova style to create a new hybrid that effectively defined Brazilian popular music for the next 25 years.

    Just around the corner the musical and cultural anarchy of the Tropicalia movement was about to be created by Gilberto Gil, Caetano Veloso, Tom Ze and Os Mutantes. 

    Gil had first met Caetano Veloso in Bahia in the early 1960s. Alongside Maria Bethania, Gal Costa and Tom Ze they had formed the Group from Bahia. In 1965 he moved to Sao Paulo to launch his solo career after Elis Regina had a hit with Gil's own composition Louvacao.

    This debut 1967 album showed how confident Gil was in his musical inventiveness. As well as the title track, the album includes seminal tracks that have become classics of Brazilian contemporary music. 

    Viramundo (later covered by Sergio Mendes) effortlessly blended the north-eastern accordion baiao and xaxado rhythms of Luiz Gonzaga. Procissao, in contrast, took its starting point as the religious processions found in the Afro-Brazilian centre of Salvador. Songs such as Roda, instantly became classics of Brazilian popular music.

    Add to this the lyricism of poets and artists Chico Buarque, Torquato Neto, Capinam, Caetano Veloso, Tom Ze and Gil himself and we are presented with one of the most significant debut albums of Brazilian music from one of the most important artists in Brazil to this day.

    • – Louvacao
    • – Beira Mar
    • – Lunik 9
    • – Ensaio Geral
    • – Me Perdoe Maria
    • – A Rua
    • – Roda
    • – Rancho Da Rosa Encarnada
    • – Viramundo
    • – Mancada
    • – Água De Meninos
    • – Procissao
    • – Minha Senora
    • – A Moreninha
    Elis ReginaSamba, Eu Canto Assim !Universal Sound

    Soul Jazz Original Brazil Classics:

    In 1965, Elis Regina dominated the world of Brazilian music. Riding high on her success, the powerfully-voiced singer was the star of her own television show (O Fino da Bossa), winner of the first national broadcast musical competition (for TV Excelsior) and a stunning live performer on stage.

    Having emerged out of the Bossa Nova wave of the early 1960s, Elis Regina's stunning theatrical mixture of boss nova, samba, jazz and other music styles placed her at the top of her profession and her unique style effectively launched MPB (Musica Popular Brasileira), the new post-bossa nova modern musical movement in Brazil that would reign supreme for the next 20 years, as singers such as Gal Costa, Caetano Veloso, Jorge Ben, Chico Buarque and others embraced this new style.

    Artistically Elis Regina surrounded herself with only the finest songwriters and musicians such as Edu Lobo, Carlos Lyra, Marcos Valle, Vinicius de Moraes, Baden Powell.

    Whilst her music was apolitical, her criticism of the military dictatorship ( from a coup in 1964), led to persecution by the state, at one point the authorities forcing her to sing the Brazilian national anthem at a stadium concert, under threat of her family's safety.

    Elis was married twice, first to boss nova songwriter Ronaldo Boscoli and secondly to the musician Cesar Mariano. She tragically died in 1986, aged 36.

    Samba, Eu Canto Assim is one of Elis Regina's definitive albums recorded at the height of her career and long regarded as a classic release in Brazil. This is a bespoke high quality box-edition hardback-cased card CD edition of this seminal album with exact-reproduction artwork from the original album. 

    • Elis Regina – Reza
    • Elis Regina – Menino Das Laranjas
    • Elis Regina – Por Um Amor Maior
    • Elis Regina – Joao Valentao
    • Elis Regina – Maria Do Maranhao
    • Elis Regina – Resolucao
    • Elis Regina – Sou Sem Paz
    • Elis Regina – Pot - Pourri: Consolacao / Berimbau / Tem Do
    • Elis Regina – Aleluia
    • Elis Regina – Eternidade
    • Elis Regina – Preciso Aprender A Ser So
    • Elis Regina – Ultimo Canto
    Nigeria Soul Fever - Afro Funk, Disco and BoogieSoul Jazz Records

    Soul Jazz Records’ new Nigeria Soul Fever is their first release to explore the vast wealth of Nigerian music recorded in the 1970s. The new album comes with introductory sleevenotes by Bill Brewster (author of Last Night A DJ Saved My Life).

    Packed-full with Afro-Funk, Disco and Boogie all from Nigeria, this triple album/double CD set brings together a stunning collection of diverse West African sounds. Whilst a small handful of the artists featured (Joni Haastrup, Tee Mac, Christy Essien) have seen the light of day outside Africa, this is essentially a collection of killer tracks by an array of artists completely unknown outside of Nigeria. 

    Artists such as Don Bruce & The Angels, Akin Richards & The Executives, Angela Starr, Jimmy Sherry & The Music Agents. It’s no surprise that these records are extremely rare and expensive to buy individually so this album will save you going broke trying to find them.

    These recordings were made at a time when Nigeria’s trade restrictions banned imported records. Whilst new musical trends (such as American soul, funk, disco etc) entered and influenced the country, the local music scene remained just that – local. Consequently, these recordings remain practically unknown to anyone outside of the country.

    Nigeria Soul Fever is released as triple-album vinyl + download, double-CD digi-pack and digital download. This album follows on from Soul Jazz Records’ 1960s collection Nigeria Freedom Sounds, released last month, and will be followed by the reissue of the incredibly rare and groovy Nigerian 1980 disco boogie funk album Tee Mac’s Night Illusion.

    "Excellent new soul jazz compilation Nigeria Soul Fever: Afrofunk, Disco And Boogie: West African Disco Mayhem!" THE GUARDIAN

    READ Guardian top 10 Nigerian Disco full feature here


    • Joni Haastrup – Free My People
    • Christy Essien – You Can't Change A Man
    • Akin Richards & The Executives – Afrikana Disco
    • Tee Mac – Nam Myoho Renge Kyo
    • Joni Haastrup – Greetings
    • Don Bruce and The Angels – Ocheche (Happy Song)
    • Benis Cletin – Get Up and Dance
    • Colomach – Enoviyin
    • Joni Haastrup – Do The Funkro
    • Tee Mac featuring Marjorie Barnes – Living Everyday
    • Arakatula – Mr Been To
    • Angela Starr – Disco Dancing
    • Joni Haastrup – Wake Up Your Mind
    • Jimmy Sherry & The Musik Agents – Nwaeze
    • Benis Cletin – Soul Fever
    • Arakatula – Wake Up Africa
    • 1. Joni Haastrup – Free My People
    • 2. Christy Essien – You Can't Change A Man
    • 3. Akin Richards & The Executives – Afrikana Disco
    • View full info and tracklisting
    New Orleans FunkSoul Jazz Records

    Album features Ernie K Doe’s ‘Here Come The Girls’, The Meters, Eddie Bo, Professor Longhair, Lee Dorsey, Wild Magnolias and more.


    This is the definitive collection of New Orleans Funk featuring acknowledged masters next to some of the earlier artists who shaped the meaning of funk. The album is also filled with many rare, sought after and undiscovered funk tracks. It covers the period from the emergence of New Orleans Funk in the early 1960's through to the mid-seventies.


    The record is an essential part of anyone in any way interested in Funk's record collection. It has some vital ingredients in it that you can't find elsewhere. With the sound of the New Orleans Funeral March Bands, Mardi Gras Indian Tribes and Saturday Night Fish Fries all as inspiration New Orleans Funk developed into a unique sound. 


    New Orleans is a port town. Originally owned by the French, this was where many slaves were brought from the West Indies. Many of these slaves came from Haiti and brought with them the religion of Voodoo and its drums and music. It became one of the first parts of America to develop a strong African-American culture leading to the invention of Jazz in the early 1900s. 


    A main feature of Jazz in New Orleans were the Jazz Funeral Marching bands. Solemn Brass bands accompanying a coffin would, on burial, be joined by a second line of drummers and dancers which would turn the event into a celebration of the spirit cutting free from earth. This African tradition is strong in New Orleans and still goes on to this day. The backline drums play a syncopated style that is neither on the beat nor the off-beat. It is these rhythms that are the basis of New Orleans Funk. 


    The album comes with a booklet presenting a historical explanation to how and why this music came about, and with lots of information about the people involved.


    Reviews:
    "A Perfect Primer For Funk Fans" Q (Top 5 albums of the year)
    "Probably the finest compilation that Soul Jazz has released. Essential" Time Out

    • The Explosions – Hip Drop
    • Lee Dorsey – Who's Gonna Help Brother Get Further
    • Gentleman June Gardner – It's Gonna Rain
    • Eddie Bo – Check Your Bucket
    • Professor Longhair – Big Chief
    • Huey "Piano" Smith & His Clowns – Free, Single And Disengaged
    • Chuck Carbo – Can I Be Your Squeeze
    • Aaron Neville – Hercules
    • Mary Jane Hooper – I've Got Reasons
    • The Gaturs – Gator Bait
    • Allen Toussaint – Get Out Of My Life Woman
    • Cyril Neville – Tell Me What's On Your Mind
    • Bo Dollis & The Wild Magnolia Mardi Gras Indian Band – Handa Wanda
    • Lee Dorsey & Betty Harris – Love Lots Of Lovin
    • The Explosions – Garden Of Four Trees
    • Ernie & The Top Notes – Dap Walk
    • The Meters – Just Kissed My Baby
    • Marilyn Barbarin – Reborn
    • Dr. John – Mama Roux
    • Danny White – Natural Soul Brother
    • Eddie Bo – Hook 'N' Sling, Pt. 2
    • Ernie K. Doe – Here Come The Girls
    • Robert Parker – Hip-Huggin
    • The Meters – Handclapping Song
    • 2. The Explosions – Hip Drop
    • 3. Lee Dorsey – Who's Gonna Help Brother Get Further
    • 4. Gentleman June Gardner – It's Gonna Rain
    • View full info and tracklisting
    Steve Colson & The Unity TroupeTriumph!Universal Sound

    In the early 1970s pianist and composer Adegoke Steve Colson and vocalist Iqua Colson were both members of The Association for Advancement of Creative Musicians (AACM), the radical home of jazz music in Chicago, and spiritual home of the Art Ensemble of Chicago.

    In 1980, Colson released ‘Triumph!’, recorded in Chicago with a stellar line-up of Art Ensemble and AACM members in the group including Joseph Jarman and Doug Ewart. This album was released on the private-press Silver Sphinx label, and distributed mainly in the local Chicago area. Universal Sound/Soul Jazz Records are releasing this extremely rare deep spiritual jazz album for the first time ever as a hardback edition CD and a very limited edition of 1000 –copy exact reproduction vinyl.

    • – Lateen
    • – Cidigie - Dicesui
    • – For Paul
    • – Unknown
    • – Temple at Dendera
    • – Triumph of the Outcasts, Coming
    OchoNumero Tres

    The third of three albums by Ocho, one of the defining bands of the Latin New York Funk sound. Led by Chico Mendoza, Ocho have been featured heavily in Soul Jazz Records "Nu Yorica" series and these re-issues are the three definitive albums by the group. Along with other artists such as Ray Barretto, Eddie Palmieri, Joe Bataan and Tito Puente, Ocho mixed Latin, Funk and Jazz in equal measure. The music of Ocho has never been fully available in this country before and Soul Jazz Records are releasing them in their entirety for the first time. These releases come on CD and luxury vinyl. Ocho 1 includes "Coco May May" as featured on Nu Yorica. Ocho 2 includes "What are you Doing For The Rest Of Your Life" also featured on the "Nu Yorica" series. And Ocho 3 includes the Latin Funk classic "Hot Pants Road".

    • Ocho – Hot Pants Road
    • Ocho – Ritmo De Pollos
    Sergio Mendes & Brasil 66Stillness: The Original Classic 1970 Brazil Album Universal Sound/Soul Jazz Records

    Absolutely 100% killer Brazil album.

    Includes stunning versions of "For What It's Worth", "Chelsea Morning" and Gilberto Gil's "Viramundo"! The bomb.

    This classic and groundbreaking album was recorded in Los Angeles in 1970, at a time when Sergio Mendes was at the height of his commercial status with his incredibly successful musical blend of Brazilian flavours and American pop sensibility. 'Stillness' was a decisive break away from commercial pop towards a more serious and mature sound.

     Powerful new vocal songs such as Stillness and Righteous Life signified a new era in the music of Sergio Mendes. The Brazilian influence is, if anything, even more pronounced than before as Mendes and guitarist Castro-Neves - originally two central figures in the Bossa Nova scene in Rio de Janeiro in the early 1960s - dig deep into Brazilian music with amazing versions of Gilberto Gil's Viramundo and Caetano Veloso's Lost in Paradise.

     But what is new about this album is the perfect blending of this Brazilian sensibility with the deep West Coast sound at the start of the 1970s. Mendes augments his Brasil '66 group with Los Angeles players to stunningly interpret songs by Buffalo Springfield (For What It's Worth), Joni Mitchell (Chelsea Morning) and Blood, Sweat and Tears (Sometimes in Winter), creating a fantastic unique and mature new sound.

    Long-regarded a cult classic due to the club tracks 'For What It's Worth', 'Viramundo'', and the spiritual and musical depth of tracks such as Stillness and Righteous Life, Stillness' is a tour-de-force album.

    • – Stillness
    • – Righteous Life
    • – Chelsea Morning
    • – Cancao Do Nosso Amor
    • – Viramundo
    • – Lost In Paradise
    • – For What It's Worth
    • – Sometimes In Winter
    • – Celebration Of The Sunrise
    • – Stillness (Reprise)
    • New LP £16.99
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    • CD£12.00
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    Punk 45: Kill the Hippies! Kill Yourself! The American Nation Destroys Its YoungSoul Jazz Records

    Soul Jazz Records’ new Punk 45 album charts the rise of underground punk across the United States of America in the years 1973-1980. The album coincides with the release of Soul Jazz Records’ massive new deluxe 400-page Punk 45s cover art book edited and compiled by Jon Savage (author of the seminal book on punk, England’s Dreaming) and Stuart Baker (founder of Soul Jazz Records).

    Watch Guardian newspaper video review here.

    Read Guardian newspaper 2 page album feature here.

    Read Quietus feature here.

    The Punk 45 album features a collection of seminal, classic, obscure and rare punk and proto-punk 45 singles from the likes of Pere Ubu, The Zeros, The Randoms, Electric Eels, The Pagans, The Deadbeats, The Lewd and many more - a  lightning rod journey across the states of America - Cleveland, Detroit, Los Angeles, Akron, New Orleans, Philadelphia – tracing the rise of punk music in these various towns and cities. The album comes complete with extensive text, biographies on each of the bands, exclusive photos and original record artwork.

    The album is released on CD with outsize large booklet and thick slipcase and is also available as a limited-edition super-loud, super-heavy double gatefold-sleeve vinyl editions with full sleevenotes. This is also the first release that Soul Jazz Records are making available as a worldwide digital release.

    Punk 45: Kill The Hippies! Kill Yourself! The American Nation Destroys Its Young - Underground Punk in the United States 1973-80 is the first in Soul Jazz Records’ Punk 45 series of album releases coinciding with the new book and will be followed at the start of next year by Punk 45 Vol. 2 Underground Punk in the UK.

    REVIEWS:

    "Soul Jazz's excellent compilation, Punk 45,  …intelligently compiled and beautifully annotated..."  Alexis Petrides, The Guardian

    *****  Mojo

     “rarities and underground gems” Le Monde, France

    “remarkable”  Les Inrocks, France

    “pure energy” l’Express, France

    “A project very much in the tradition of this label: twenty-one crackers… a fat high-gloss booklet with educationally valuable liner notes and many beautiful pictures... Very poignant, very good.”  SKUG, Austria

    “…whoever is in search of an introduction to the US punk scene… should get ready for their exams now with this CD and its very comprehensive booklet.” Ox Magazine, Germany 

    "nothing less than a historical chronicle…opulent" WDR 5, Germany 





    • The Urinals – I'm A Bug
    • The Normals – Almost Ready
    • The Hollywood Squares – Hillside Strangler
    • electric eels – Agitated
    • Pere Ubu – The Modern Dance
    • The Randoms – Let's Get Rid Of New York
    • The Bizarros – Ice Age
    • The Zeros – Wild Weekend
    • Tuxedomoon – Joeboy The Electronic Ghost
    • X Blank X – You're Full Of Shit
    • Flamin' Groovies – Dog Meat
    • The Deadbeats – Kill The Hippies
    • Theoretical Girls – U.S. Millie
    • The Skunks – Earthquake Shake
    • Knots – Action
    • Crash Course In Science – Cakes In The Home
    • The Pagans – Not Now No Way
    • Pastiche – Flash Of The Moment
    • The Lewd – Kill Yourself
    • Johnny Thunders & The Heartbreakers – Chinese Rocks
    • The Controllers – Neutron Bomb
    • 2×LP£23.00
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    • CD£12.00
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    • MP3 Release£7.99
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    Invasion Of The Mysteron Killer Sounds in 3-DSoul Jazz Records

    Kevin Martin (aka The Bug) and Stuart Baker (Soul Jazz Records) have collaborated on a unique project bringing together new, exclusive and in-demand cutting-edge digital music by electronic futurists such Harmonic 313, Diplo, Roots Manuva, South Rakkas Crew and The Bug alongside music from the pioneering electronic scientific dub and radical producers of the Jamaican digital dancehall revolution in music - King Jammy, Steely and Clevie, Sly Dunbar, Prince Jazzbo, King Tubby, Dave Kelly, Firehouse Crew and many more.


    Like the music of The Bug himself (whose seminal ‘London Zoo’ album is an apocalyptic mixture of dancehall, dubstep and grime), the new digital producers featured here all create work that is contemporary (whether dubstep, acid, hip-hop, electronic) and yet linked in some way back to Jamaican dancehall - especially the new digital styles that exploded out of Kingston in the 1980s with King Jammy’s revolutionary computer-based sounds.


    Producer King Jammy learnt his trade under the greatest of all dub producers King Tubby, and this music constantly references back to the origins of dub - but whereas Tubby’s revolution used echo-chambers and analogue tape-splicing, the Jamaican producers featured here were the first to use and embrace computer technology.


    The double album comes in limited edition heavyweight deluxe hardcover 2-CD card-casing complete with a limited-edition graphic novel by Italian comic book designer Paolo Parisi (whose books include subjects as diverse as John Coltrane and Chernobyl). This specially commissioned graphic novel is a science-fiction vision of the future of digital music, featuring King Tubby, Steely and Clevie, Jammy, Jazzbo, complete with Alien Sound Lord Abductors, Aural Freedom Fighters and Digi-Dub Voyagers!


    There are also two super-heavy, super-loud, deluxe gatefold double-vinyl editions (with the first copies also including a limited edition graphic-novel in volume 1 and a free poster in volume 2).
    Invasion of the Killer Mysteron Sounds brings together the most exciting electronic producers in Jamaica with current sound artists in the UK and beyond who all create music based on revolutionary sounds in 3D – Dancehall, Digital and Dub.


     PITCHFORK REVIEW HERE

    • Steely & Clevie – Street Sweeper
    • Lenky & Sly – Now Thing
    • Roots Manuva – Doogoo Dub
    • Dave Kelly – The Return
    • Harvel 'Gadaffi' Hart – Summer Bounce
    • Federation Sound – Flatlands (Brooklyn Dub Mix)
    • Steven 'Lenky' Marsden – Diwali
    • Matt Shadetek – Yoga Rhythm
    • Stereotyp ft. Alleycat – Modern Times
    • Da Grynch and Tippa Irie – Agony
    • Fresh Ear Productions – Hummer
    • Diplo – Diplo Rhythm
    • Harmonic 313 – Bazooka Riddim
    • Marlon Williams – Pitbull
    • Redlight – MDMA
    • The Bug – Aktion
    • Fat Eyes – Clothes Pin
    • Steven Ventura – Throw Your Hands Up
    • Sly Dunbar and Christopher Birch – Corners Boy
    • David Jahson – King of Kings
    • Fat Eyes – Steel Plate
    • South Rakkas Crew – Red Alert
    • Parara and McCoy – Them Can't Hold Yuh Girl
    • King Tubby – Fat Thing Version
    • World Beat – Goldmine
    • Andre 'Suku' Gray – Sign
    • Henfield and Shadowman – Babatunde
    • Firehouse Crew – No False Hair
    • Computer Paul – World Talk
    • Fat Eyes – Overdose
    • Prince Jazzbo – Great Dub
    • Kickin' Productions – What You Gonna Do
    • Pliers – I'm Your Man Dub
    • Wiz Kidz Team – In My Heart Version
    • Jammys Jam2 James – Peenie Peenie
    • Deluxe 2×CD£12.00
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    • 2×LP Vol.1£18.99
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    • 2×LP Vol.2£18.99
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    • MP3 Release£8.99
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    DiscoSoul Jazz Records

    Fantastic new album of disco, modern soul and boogie from 1978-82 on Soul Jazz Records.


    This album is released to coincide with the massive new 360-page deluxe hardback book Disco – An Encyclopedic Guide To The Cover Art of Disco featuring over 2,000 album cover designs as well as over 700 12” sleeves, including sections on roller disco, disco instruction albums and more. There are also interviews and introductions by Tom Moulton, Nicky Siano, Mel Cheren (West End Records), Ken Cayre (Salsoul), Marvin Schlachter (Prelude) and more. This book is compiled by Disco Patrick and Patrick Vogt, text by Claes Widlund.


    This album here is an amazing collection of rare and independent tracks from Disco’s halcyon period – 1978 to 1982 – expertly compiled by Disco Patrick, who also compiled the new deluxe book. Blurring the musical lines between disco, modern soul and boogie this double album features many exclusive and hard to find records from the era.


    Included here are in-demand classics such as The Fantastic Aleems featuring Leroy Burgess, John Gibbs and the US Steel Orchestra, rare Patrick Adams and Peter Brown productions, Jessie G, The Easton Assassin (a 12” given out free at boxing matches!) and much more!
    The album comes as a double CD, two separate volumes of heavyweight double-album vinyl (with free download codes) and worldwide digital release.

    • The Fantastic Aleems featuring Calebur – Hooked On Your Love (John Morales Mix)
    • Superfunk – Superfunk
    • Jessie G – That's Hot
    • Jupiter Beyond – The River Drive
    • The Sunburst Band – The Easton Assassin
    • John Gibbs and the US Steel Orchestra – Trinidad (Special Disco Mix)
    • Sparkle – Disco Madness
    • Chain Reaction – Sweet Lady
    • Wayne Ford – Dance To The Beat Freakout
    • Sympho-State – You Know What I Like
    • The Fantastic Aleems featuring Corky Hodges – Movin' To The Beat
    • Something Extra – Sexy Lady
    • Stwange Poweple – Get Up
    • Chemistry – Skateboard
    • Cirt Gill and The Jam-A-Ditty Band – Turn This Disco Out
    • Sugar Bear Johnson – When Your Jones Come Down
    • Retta Young – My Man Is On His Way
    • The Imperials – Fast Freddie The Roller Disco King
    • Cordial – Wave
    • 1. The Fantastic Aleems featuring Calebur – Hooked On Your Love (John Morales Mix)
    • 2. Superfunk – Superfunk
    • 3. Jessie G – That's Hot
    • View full info and tracklisting
    • 2×LP Record A£23.00
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    • 2×LP Record B£23.00
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    • Deluxe 2×CD£12.00
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    • MP3 Release£8.99
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    New Orleans SoulSoul Jazz Records

    For more than ten years Soul Jazz Records have been exploring and documenting the sound of New Orleans Funk. Now we turn their attention to the flipside of this musical coin - New Orleans Soul.


    These two musical forms share a lineage that begins with the city’s enormous rhythm and blues explosion in the post-war 1940s and 1950s. New Orleans Soul incorporated the soulful vocals of the gospel church, the driving beat of rhythm and blues, as well as traces of the second-line parade bands and the latinized rhythms of the city. Here you will find New Orleans soul in all its glorious variations – from the deep, deep soul of singers Aaron Neville, Willie Tee and Robert Parker to the storming northern soul of Maurice Williams and Eldridge Holmes, the funky soul of Eddie Bo, Lionel Robinson and Ernie K-Doe all alongside the Crescent City’s finest soul sisters – Irma Thomas, Betty Harris, Jean Knight, Inell Young and more! 

    The main force behind New Orleans Soul is Allen Toussaint, a virtual one-man hit-making machine in the 1960s, writing, arranging and producing hit after hit for an unending list of unbelievably talented local singers such as Eldridge Holmes, Maurice Williams, Betty Harris, Ernie K Doe and Diamond Joe all of whom are featured. New Orleans is also a city of great musical families. Vocalist Aaron Neville was the brother of Art Neville (who formed The Meters) and later in the 1970s joined with brother Cyril to form The Neville Brothers. Soul vocalist supreme Willie Tee is also known as Wilson Turbinton, who alongside brother Earl, formed the super-heavy funk band The Gaturs and backed the Mardi Gras Indian group The Wild Magnolias. Also included here are rare, lost and killer soulful tracks from New Orleans artists Eddie Bo (and protégée vocalist Inell Young), Jean Knight, Jimmy Hicks, Francine King and more! 

    This album tells the story of New Orleans Soul and comes complete with extensive sleevenotes, exclusive photography, supreme sound quality and comes as deluxe CD with slipcase, booklet, and super-heavy, super-loud limited-edition double vinyl album + download code.

    • Robert Parker – Caught You In A Lie
    • Willie Tee – First Taste Of Hurt
    • Curley Moore – Don't Pity Me
    • Lionel Robinson – Steppin' Out
    • Irma Thomas – What's So Wrong With You Loving Me
    • Aaron Neville – You Can Give But You Can't Take
    • Maurice Williams – Being Without You
    • Jean Knight – What One Man Won't Do Another Man Will
    • Eldridge Holmes – Worried Over You
    • Barbara West – Congratulations Baby
    • Ernie K Doe – Back Street Lover
    • Betty Harris – I Don't Wanna Hear It
    • Aaron Neville – She's On My Mind
    • Irma Thomas – She'll Never Be Your Wife
    • Eldridge Holmes – Lovely Woman
    • Jimmy Hicks – Tell Her That I Love You
    • Diamond Joe – The ABC Song
    • Eldridge Holmes – Gone, Gone, Gone
    • Francine King – Two Fools
    • Eddie Bo – Don't Turn Me Loose
    • Aaron Neville – A Hard Nut To Crack
    • Inell Young – I've Never Considered
    Studio One DancehallSoul Jazz Records

    Fantastic, mind-blowing, awesome new collection of killer Studio One dancehall and proto-dancehall!


    Featured here is a new collection spanning Studio One’s dancehall period – singers and deejays on classic Studio One rhythms, studio and electronic wizadry from the Brentford Road headquarters, lots of rare 12” singles, all effortlessly brought together to nice up the dance.


    When Clement ‘Sir Coxsone’ Dodd first ruled the dancehalls of Kingston in the 1950s, fighting off the soundsystem competition of Duke Reid, King Edwards and others, few could imagine how far the reign of Studio One would last. 

    But the emergence of  ‘Dancehall’ as a distinct style of reggae at the end of the 1970s, as upstart competing producers began recording vocalists and deejays performing over replayed classic Studio One rhythms, in many ways made the influence of Clement Dodd’s vision more omnipotent than ever before (and lasting to this day).


    Not surprisingly, Clement Dodd’s creativity and business acumen made him quick to respond to this musical phenomenon – and he soon began voicing the new stable of Studio One singers and deejays, such as Sugar Minott and Lone Ranger, over original classic Studio One rhythms recorded in the late 1960s – to produce some of the most innovative, time-bending and creative music of his career.


    This album comes as CD with slipcase, super-loud, super-heavy triple vinyl album with free download code and as a digital download.

    • Ernest Wilson – Why Oh Why
    • Johnny Osbourne – Lend Me The Sixteen
    • Windel Haye – Haunted House
    • Green Tea & Chassy – Ghetto Girl
    • Johnny Osbourne – Time A Run Out
    • Lone Ranger – Noah In The Ark
    • Devon Russell – Thanks and Praise
    • Brentford Disco Set – Rebel Disco
    • Doreen Schaffer – I Don't KNow Why
    • Slim Smith – Lonely Lover
    • Field Marshall Haye – Roots and Herb Style
    • DJ Dawn & The Ranking Queens – Peace True Thing
    • Jim Brown – Cure For The Fever
    • Sugar Minott – Peace Treaty Style
    • Lloyd Robinson – It Deep
    • Barry Brown – Far East
    • Windel Haye and Captain Morgan – Flood Victim
    • Ernest Wilson – Pick Them Up
    Soul Jazz Records presents Eddie RussFresh Out (1974)Soul Jazz Records

    Soul Jazz Records are re-releasing keyboardist Eddie Russ’s seminal debut deep jazz LP Fresh Out (and the first album ever released on Soul Jazz Records!) in a new limited edition COLOURED vinyl 1000 copies worldwide (+ free download code) and new CD edition.

    Eddie Russ's Fresh Out was independently released in Detroit in 1974 and has remained a collector's item ever since. Russ was an important figure to emerge from the vibrant underground jazz scene that thrived in Detroit in the early 1970s, existing in the cultural and economic desolation of the city after the departure of Motown in the late 1960s.

    This scene included the musical collective Tribe (including members Wendell Harrison, Marcus Belgrave, Phil Ranelin, Harold McKinney and Doug Hammond) and Kenny Cox’s Strata Records. Eddie Russ’s Fresh Out was first released in 1974 on the independent Jazz Masters record label.

    As well as including the classic jazz dance cut The Lope Song, Eddie Russ’s Fresh Out featured the debut of the group The Mixed Bag who subsequently recorded for both Tribe and Strata Records. Eddie Russ released two further classic jazz funk albums in the late 1970s, See the Light and Take a Look at Yourself.

    • Eddie Russ – The Lope Song
    • Eddie Russ – All But Blind
    • Eddie Russ – Shamading
    • Eddie Russ – Hill Where The Lord Hides
    • Eddie Russ – You Are The Sunshine Of My Life
    • Eddie Russ – Watergate Blues
    Tropicalia: The Definitive 1968 Classic Brazilian Album Ou Panis et CircencisUniversal Sound

    This is the definitive Tropicalia concept album, originally released in 1968 and featuring all the key players in the movement: Caetano Veloso, Gilberto Gil, Gal Costa, Os Mutantes, Tom Ze and Nara Leao. If you have the Soul Jazz Records' 'Tropicalia' compilation then this is the perfect accompaniment.

    Here you will find the original, groundbreaking mix of psychedelic rock combined with with boleros, sambas, bossa nova and jazz into a carnival-esque parade which redefined and first announced the new global sound of Brazilian music.

    What is stunning is that this anarchic and groundbreaking release was recorded at the height of the Brazilian military dictatorship, during an era where censorship, repression and the threat of violence was a constant in all (musical and) daily life inside the country.

    Rolling Stone magazine in Brazil has voted this album no.2 in the 100 Best Brazilian albums of all-time.

    This classic album is Tropicália’s manifesto - a fantastical syncretic fusing of psychedelic rock & pop, Brazilian traditional music and the avant-garde. Soul JAzz Records are proud to be presenting this original album in full exact reproduction glorious cover art and fully remastered sound.

    Essential!

    • Gilberto Gil – Misere Nobis
    • Caetano Veloso – Corocao Materno
    • Os Mutantes – Panis et Circencis
    • Nara Leao – Lindoneia
    • Gilberto Gil, Caetano Veloso, Gal Costa & Os Mutantes – Parque Industrial
    • Gilbero Gil – Geleia Geral
    • Gal Costa & Caetano Veloso – Baby
    • Caetano Veloso & Gilberto Gil – Tres Caravelas
    • Caetano Veloso – Enquanto Seu Lobo Nao Vem
    • Gal Costa – Mamae Coragem
    • Gilberto Gil – Batmacumba
    • Gilberto Gil, Caetano Veloso, Gal Costa & Os Mutantes – Hino Ao Senhor Do Bonfim Da Bahia
    • CD£12.00
      Out of stock
    No SeattleSoul Jazz Records

    Soul Jazz Records new release takes us on a serious road trip into the North-West region of the USA, 1986-97, to explore the amazing lost and forgotten sounds of the Grunge era.
    This Deluxe massive 28-track Double CD with 44 page outsize booklet features extensive text, band features and interviews, exclusive photos.+ Also Worldwide digital release + Also Ltd.Edition Two seperate double-vinyl albums with full notes and free download code.

    The underground music scene of the North-west of America arose from the early 1980s, strung out in isolated towns across the vast state of Washington. In its early days bands who showed an allegiance to their roots of punk. Yet, by 1991,Nirvana, the biggest band in the world, had been born from this community of outsiders.


    This compilation features some of the many divergent bands who emerged out of the North-west during this era. Intensely researched and documented this album features many bands who have now disappeared from history after releasing maybe just a couple of singles, or an album, or even never making it onto vinyl – alongside some bands that continue to this day.
    Perhaps most fascinating is the wide-ranging styles that these grunge bands  incorporated - from punk to metal, experimental and more.


    All Roads lead to Nirvana: 17 of the bands featured here played alongside Nirvana in the period 1987-93. All 23 bands featured feature members who shared a stage with Nirvana. Jack Endino (The Ones) produced 37 Nirvana songs. Dave Foster (Helltrout) was Nirvana's 3rd drummer. Bundle of Hiss became TAD who played more gigs with Nirvana than any other band.
    With fantastically in-depth sleevenotes, interviews with most of the bands, exclusive photography and all sonically remastered tracks this is a comprehensive double CD (and 2 volumes of 2xLP vinyl releases) bringing together the hidden, lost and forgotten sounds of the North-west grunge era.


    Reviews & Articles:
    Seattle Times feature here.
    Irish Times here.
    Read article by compiler Nick Soulsby in Nirvana Legacy here 
    Read second article by the compiler here.
    Read article about the artwork here.

    • Starfish – This Town
    • Vampire Lezbos – Stop Killing The Seals
    • Nubbin – Windyyy
    • Saucer – Jail Ain't Stopping Us
    • Machine – Blind Man's Holiday
    • Medelicious – Beverly
    • Hitting Birth – Same 18
    • Nubbin – Wonderama
    • Crunchbird – Woodstock Unvisited
    • The Ones – Talk To Me
    • Pod – 123
    • Thrillhammer – Alice's Palace
    • Yellow Snow – Take Me For A Ride
    • Helltrout – Precious Hyde
    • Bundle Of Hiss – Wench
    • Starfish – Run Around
    • Thrillhammer – Bleed
    • Chemistry Set – Fields
    • My Name – Voice Of A Generation Gap
    • Small Stars – It's Getting Late
    • Shug – AM FM
    • Treehouse – Debbie Had A Dream
    • My Name – Why I Fight
    • Soylent Green – It Smiles
    • Kill Sybil – Best
    • Calamity Jane – Magdalena
    • Saucer – Chicky Chicky Frown
    • Attica – The System
    Deutsche Elektronische MusikSoul Jazz Records

    AVAILABLE AGAIN! Soul Jazz Records new 2018 edition of their long out of print classic first “Deutsche Elektronische Musik – Experimental German Rock and Electronic Music 1972-83” is ‘a near-definitive guide to some of the world’s most extraordinary music’ (The Guardian).


    Featuring a stunning line-up of groups including Cluster, Can, Faust, Popol Vuh, Neu!, Amon Düül, Harmonia, La Düsseldorf and Tangerine Dream as well as a host of lesser known groups such as Kollectiv, Ibliss, Between and many more. This new edition is fully re-mastered and features all the original artwork and tracks.


    The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream society, the war in Vietnam, imperialism and bourgeois values. The birth of a counter-culture, drug experimentation and social change expanded musical worlds. Germany experienced its own cultural revolution fuelled by these worldwide student and worker revolts and by a generation’s desire to rid itself of the guilt of war.


    German rock and experimental electronic music grew out of this worldwide counter-cultural revolution of 1968. The objectives were to create new music, ‘free’ from the past, many German youth turning their back on mainstream society. From the opening of the first collective/cooperative, Kommune 1, in Berlin, to the formation of the Baader-Meinhof terrorist group and the bombings, kidnappings and killings of the Revolutionary Armed Forces (RAF), young Germans sought out new values and a lifestyle outside of ‘the system’.


    These cooperative and communal experiences led to a number of new collective German bands forming such as Amon Düül, Faust, Can (all featured here) and others and these ideals drove this new movement. A music that gave seed out of the cultural ‘nothingness’ that young Germans felt as a consequence of Germany’s role in the Second World War. A generation who grew up stifled by the recent history of Nazi atrocities, the guilt of their parents’ generation and their disillusionment at the reintegration of old Nazis into mainstream society.



    Influenced equally by the electronic experimentalism of Stockhausen, the progressive rock of Pink Floyd and the black American jazz and soul music played at the occupying armed forces bases, young German artists seamlessly created out of this a new unique music with its own unique identity.


    Double CD pack with large 36-page outsize booklet encased in slipcase. The vinyl edition is made up of TWO separate volume heavyweight loud gatefold double albums (now + free download codes) featuring all sleevenotes and text.

    Double Vinyl Record A is tracks 1-13 (+ Download Code)

    Double Vinyl Record B is tracks 14 - 24 (+ Download Code)

    Digital download does not include track 3 and 23 which are physical only

    REVIEWS:

    ***** GUARDIAN REVIEW (John Savage)

    ***** GUARDIAN REVIEW (Dave Simpson)

    2x LP Record A/CD1:

    1. Can – A Spectacle
    2. Between – Devotion
    3. Harmonia – Dino
    4. Gila – This Morning
    5. Kollektiv – Rambo Zambo
    6. Michael Bundt – La Chasse Aux Microbes
    7. E.M.A.K. – Filmmuzik
    8. Popol Vuh – Morgengruss
    9. Conrad Schnitzler – Auf Dem Schwarzen Kanal
    10. La Düsseldorf – Rheinita
    11. Harmonia – Veterano
    12. Faust – It's A Rainy Day, Sunshine Girl
    13. Neu! – Hallo Gallo

    2x LP Record B/CD2:

    1. Cluster – Heisse Lippen
    2. Ibliss – High Life
    3. Moebius – Hasenheide
    4. Amon Düül II – Fly United
    5. Popol Vuh – Aguirre 1
    6. Ash Ra Tempel – Daydream
    7. Tangerine Dream – No Man's Land
    8. Amon Düül II – Wie Der Wind Am Ende Einer Strasse
    9. Roedelius – Geradewohl
    10. Can – I Want More
    11. Deuter – Soham

    • Can – Aspectacle
    • Between – Devotion
    • Harmonia – Dino
    • Gila – This Morning
    • Kollectiv – Rambo Zambo
    • Michael Bundt – La Chasse Aux Microbes
    • E.M.A.K – Filmmusik
    • Popol Vuh – Morgengruss
    • Conrad Schnitzler – Auf Dem Schwarzen Kanal
    • La Düsseldorf – Rheinita
    • Harmonia – Veterano
    • Faust – It's A Rainy Day, Sunshine Girl
    • Neu! – Hallo Gallo
    • Cluster – Heisse Lippen
    • Ibliss – Hi Life
    • Dieter Moebius – Hasenheide
    • Amon Duul II – Fly United
    • Popol Vuh – Aguirre 1
    • Ash Ra Tempel – Daydream
    • Tangerine Dream – No Man's Land
    • Amon Duul II – Wie Der Wind Am Ende Einer Strasse
    • Roedelius – Geradewohl
    • Can – I Want More
    • Deuter – Soham
    RastafariSoul Jazz Records

    Soul Jazz Records new album Rastafari: The Dreads Enter Babylon 1955-83 charts the many links between reggae music and the Rastafarian religion.

    Spanning nearly 30 years of revolutionary music and featuring the music of Count Ossie, Johnny Clarke, The Mystic Revelation of Rastafari, Ras Michael and The Sons of Negus, Bongo Herman, Roy Ashanti (The Congos), Earth & Stone, Mutabaruka and many more, this is an in-depth look at some of the most unique and righteous music ever made and comes complete with a 40+ page outsize booklet, containing exclusive photography and extensive historical and contextual sleevenotes.

    The new religion of Rastafari emerged in Jamaica during a time of intense political and social change in the 1930s. The first stirrings of anti-colonialism and workers’ rights were in motion, while Marcus Garvey’s Back-to-Africa movement was beginning to wane. But the pivotal catalyst to the birth of the Rastafari faith was the crowning of a black king in Africa in 1930.

    One of the earliest mentions of Ethiopia in Jamaican music can be found on mento singer Lord Lebby and the Jamaican Calpysonians’ 1955 recording ‘Etheopia’. In the song Noel Williams, aka Lord Lebby, discusses Ethiopianism, the political movement that calls for a return to Africa for black people.

    The 1960s saw the emergence of the first Rastafarian music on record with Count Ossie’s Rastafarian drummers. The visit of Haile Selassie to Kingston in 1966 was like an electric current throughout Kingston’s music scene – many of who had become adherents to the Rastafari faith.  By the 1970s Rastafarianism become practically synonymous with reggae, as many roots reggae artists became known throughout the world, led by the success of Bob Marley and The Wailers.

    At the source of the music of Rastafari is the figurehead master drummer and leader Count Ossie, who first bought the deeply spiritual nyabinghi and burro rhythms heard and played at sacred Rastafarian grounation (reasoning) sessions into popular Jamaican music through his many collaborations and performances with artists – from The Skatalites to The Folks Brothers - and producers – including Clement Dodd, Prince Buster and Harry Mudie.

    At the start of the 1970s Count Ossie formed the Mystic Revelation of Rastafari with saxophonist Cedric Brooks, which immediately became the most significant group of the Rastafari faith, bringing together authentic rasta nyabinghi drumming together with spiritual and avant-garde jazz influences of Sun Ra, John Coltrane and Albert Ayler into a truly unique and groundbreaking sound.

    As ‘roots reggae’ artists in the 1970s continued to spread the word of Jah (God) in their music, Rastafari reggae became the ultimate rebel sound throughout the world.

    This album comes in three separate formats: Deluxe CD with slipcase and 40-page outsize booklet featuring stunning photography plus text, deluxe limited-edition heavyweight gatefold-vinyl edition + free download code (w/full sleeve notes etc) and as a worldwide digital release.

    REVIEWS/FEATURES:

    "This may be the most righteous compilation to come from the Soul Jazz stable to date, as they focus on links between the Rastafarian religion and reggae music." IRISH TIMES

    "Soul Jazz's most recent in a line of high-quality compilations" PITCHFORK

     "Ambitious but incredibly informative compendium from Soul Jazz Records" BLEEP

    "Outstanding compilation from the masters, Soul Jazz"  HOT SALVATION

    "Fascinating compilation of deep Rastafari themed music" DUB VENDOR 

    Read full Pitchfork feature here

    • Count Ossie & The Rasta Family – Africa We Want Fe Go
    • Johnny Clarke – None Shall Escape The Judgement
    • Laurel Aitken – Haile Selassie
    • Count Ossie & The Mystic Revelation of Rastafari – Tales of Mozambique
    • Ras Michael – Booma Yeah
    • Mutabaruka – Say
    • Bongo Herman & Jah Lloyd – African Drums
    • Ashanti Roy – Hail The Words Of Jah
    • Count Ossie & The Mystic Revelation of Rastafari – Sam's Intro
    • Bongo Herman, Les and Bunny – Salaam
    • Winston and Ansell – Zion I
    • Techniques All Stars – Zion I Version
    • Lord Lebby & The Jamaican Calypsonians – Ethiopia
    • Count Ossie and Leslie Butler – Soul Drums
    • The Heaven Singers – Rasta Dreadlocks
    • Rod Taylor – His imperial Majesty
    • QQ – Betta Must Come
    • Earth and Stone – Jah Will Cut You Down
    • Count Ossie & The Mystic Revelation of Rastafari – Narration
    • Ronald Downer & Count Ossie – A Ju Ju Wa
    • 1. Count Ossie & The Rasta Family – Africa We Want Fe Go
    • 2. Johnny Clarke – None Shall Escape The Judgement
    • 3. Laurel Aitken – Haile Selassie
    • View full info and tracklisting
    Deutsche Elektronische Musik 2 - SPECIAL 4-LP BOX SET EDITIONSoul Jazz Records

    Out-of print since its initial release over 8 years ago and not reissued and it features a monster 2 and a half hours of music!

    -------------------------------------------------------------------------------------------------------------

    Very Limited Edition Super Deluxe Heavyweight Box Edition (includes 4 LP + Insert + 2 Art prints + individual inners + download) + excellent extensive sleevenotes (by David Stubbs, writer for Wire/Guardian and author of the definitive ‘Krautrock’ book) + lots of exclusive photos. This is a one-off pressing of 500 in UK/1,500 copies worldwide.

    --------------------------------------------------------------------------------------------------------------

    Includes seminal German groups: Can, Faust, Neu, Amon Duul II as well as a host of lesser known groups and artists such as Agitation Free, Broselmachine, Niagara and many more! And as well as the original pioneers, Deutsche Electronische Musik 2 also features many of the second wave of German electronic artists and groups from the late 70s and early 80s (DAF, Asmus Tietchens, Rolf Trostel) who successfully connected new wave, minimal synth and a European post-punk avant-gardism with the earlier more established Krautrock pioneers who began at the start of the 70s.

    The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream society, the war in Vietnam, imperialism and bourgeois values. The birth of a counter-culture, drug experimentation and social change expanded musical worlds. Germany experienced its own cultural revolution fuelled by these worldwide student and worker revolts and by a generation’s desire to rid itself of the guilt of war.

    Many German youth turning their back on mainstream society. From the opening of the first collective/cooperative in 1967, Commune 1, in Berlin, to the formation of the Baader-Meinhof terrorist group and the bombings, kidnappings and killings of the Revolutionary Armed Forces (RAF), young Germans sought out new values and a lifestyle outside of ‘the system’. These cooperative and communal experiences led to a number of new radical German bands including Amon Duul, Faust and Can.

    Many artists and musicians believed a complete rejection of everything musically that had gone before was also necessary in order to build a new identity for German culture. At this time German music meant ‘schlager’ music – insipid pop music that hardly confronted the country’s recent historical events.

    Holger Czukay and Irmin Scmidt of Can studied music under the radical avant-garde composer Karheinz Stockhausen and Conrad Schnitzler studied art under the conceptual artist Joseph Beuys. German rock groups were as interested in musique concrète and serial compostion as they were in the psychedelia of Pink Floyd or the rock, soul and jazz music played by resident American forces.

    From this beginning German rock music began an evolutionary journey of experimentation. Electronic music became a pathway to notions of space and the cosmos. Conversely, the emergence of communal living led to a number of musicians setting up live/work spaces in rural areas and developing a ‘pastoral’ outlook, with musical ideas engaged closely with nature.

    German electronic music, kosmische music, cosmic rock, space music. The objectives were to create new music, ‘free’ from the past. A music that gave seed out of the cultural ‘nothingness’ that young Germans felt as a consequence of Germany’s role in the Second World War. A generation who grew up stifled by the recent history of Nazi atrocities, the guilt of their parents’ generation and their disillusionment at the reintegration of old Nazis into mainstream society.


    --------------------------------------------------------------------------------------------------------------

    Deutsche Elektronische Musik:

    "A near-definitive guide to some of the world's most extraordinary music." ***** The Guardian

    • A.R. & Machines – Globus
    • Can – Halleluwah
    • Roedelius – Le Jardin
    • Michael Rother – Karussell
    • Michael Hoenig – Sun and Moon
    • Agitation Free – You Play for Us Today
    • DAF – Co Co Pino
    • Harald Grosskopf – Emphasis
    • Amon Duul II – A Morning Excuse
    • Conrad Schnitzler & Wolf Sequenza – Fata Morgana
    • Broselmaschine – Nossa Bova
    • Eno, Moebius and Roedelius – Base & Apex
    • Gila – In A Sacred Manner
    • Wolfgang Riechmann – Himmelblau
    • A.R. & Machines – Als Hatt Ich Das Alles Schon Mal Gesehen
    • Gila – Sundance Chant
    • Neu – Isi
    • Pyrolator – Danger Cruising
    • Sergius Golowin – Die Weisse Alm
    • You – Electric Day
    • Niagara – Gibli
    • Rolf Trostel – Der Prophet
    • Electric Sandwich – China
    • Asmus Tietchens – Zeebrugge
    • Faust – Krautrock
    Studio One Dub Vol 2Soul Jazz Records

    Studio One Dub 2 is a second collection bringing together some of the finest dubs from the legendary Studio One Records, Kingston, Jamaica. Dub music was the creation of a generation of brilliant recording studio engineers in Jamaica. But although Clement "Coxsone" Dodd's Studio One is hailed as the greatest of the Jamaican recording labels, and although many talented engineers worked the board at Dodd's Brentford Road studio over the years (including Sylvan Morris, Syd Bucknor, Overton "Scientist" Brown and Dodd himself), Studio One was never typically known as a centre for dub. This is because for many fans the studio's commercial and stylistic heyday was in the 1960s, prior to the rise of dub as a distinct sub-genre of Jamaican music in the 1970s.

    By the 1970s, however, dub music was the rage in Jamaica's sound systems. Always the pioneer — and since Sylvan Morris had left the Studio One operation around 1972 — Coxsone supervised the dubs till leaving Jamaica at the end of the decade. This meant that for the most part, for example, the twelve Studio One dub albums released during the 1970s were mixed by Dodd himself, using the moniker "Dub Specialist." Throughout the decade, the mixes became more sophisticated and atmospheric.

    Along with the first volume of Studio One Dub, the cuts here demonstrate that Studio One's contribution to the innovative musical form of dub was substantial, and go straight to the head of listeners who feel that the only centres for dub were studios such as King Tubby's, Lee Perry's Black Ark, Channel One, or Joe Gibbs's. 

    The tracks on this compilation are taken from this period in the 1970s when dub was the cutting-edge of Jamaican music studio production. Most of them are the dub-version flip-sides of rare Jamaican 45s, and none have appeared on CD before. 

    Sleeve-notes are by Michael E. Veal, author of Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Wesleyan University Press, 2007).

    • Sound Dimension – I'll Be Around
    • Soundstorm – Dub Rock
    • Albert and the Gladiators – Watch Out Version
    • Brentford Reggae Band – Moses Version
    • Brentford Disco Set – Peace Version
    • Brentford Disco Set – Natty Ting A Ling PT.2
    • Marcia Griffiths – Feel Like Jumping PT.2
    • Drum Bago and The Rebel Group – Reggae Version
    • St. Ct. and The Gladiators Band – Soul Locks
    • Freddie and Sound Dimension – How Could You Version
    • Sound Dimension Band – Run Run Version
    • Holt and Sound Dimension – Any Where Version
    • Alton and Sound Vendors – Live and Dub
    • Freddie Mckay – Drunken Sailor Version
    • Ital Sound – Welding
    • Dub Specialist – Dar Es Salaam
    • Dub Specialist – Always Dubbing
    • Dub Specialist – Mojo Papa
    Punk 45: Sick on You ! One Way Spit !Soul Jazz Records

    This new Punk 45 album is a collection of tracks of twisted, raw and energized proto-punk music from the early 1970s, ahead-of-its-time music which led the way for the birth of punk in the second-half of the 1970s.

    This new album is compiled and has extensive sleeve-notes by Jon Savage.

    Punk 45: Sick on You! One Way Spit! After the Love & Before the Revolution: Proto-Punk 1969-77 is the third volume in this series, following on from the two earlier albums as well as the massive 400-page Punk 45s cover art book published last year.

    While the first in the series, Punk 45: Kill The Hippies! Kill Yourself!, focused on the rise of underground punk in America, and the second album, Punk 45: There is No Such Thing as Society did the same for punk and post-punk in Britain, this album draws upon some of the stripped-down hard garage and post-glam sounds of mainly obscure bands that existed in the early 1970s - that were to prove the template for the forthcoming punk movement.

    This is a unique and fascinating collection of proto-punk tracks from across the USA - Cleveland’s Electric Eels, San Francisco’s Crime, Los Angeles’ Zolar X, Baltimore’s George Brigman and more – as well as from the UK –  with Joe Strummer’s pre-Clash 101ers, the speed- induced r’n’b of the Count Bishops and others also included.

    As usual the album comes complete with text, biographies on each of the bands, exclusive photos and original record artwork.

    The album is released on CD with outsize large booklet and thick slipcase and limited-edition super-loud, super-heavy double vinyl edition complete with full sleeve-notes and free download code. These Punk 45 releases are also the first that Soul Jazz Records are making available as worldwide digital releases.

    'Top 50 best reissues of 2014" Rolling Stone magazine

    • Debris – One Way Spit
    • George Brigman – Jungle Rot
    • Death – Politicians In My Eyes
    • The Hammersmith Gorillas – You Really Got Me
    • Crime – Hot Wire My Heart
    • Mirrors – She Smiled Wild
    • The Hollywood Brats – Sick On You
    • Pastiche – Derelict Boulevard
    • Cabaret Voltaire – Makes Your Mouth Go Funny
    • Jack Ruby – Hit & Run
    • Victoria Vein and The Thunderpunks – Rear Guard Action
    • Electric Eels – Cyclotron
    • The Count Bishops – Ain't Got You
    • Rob Jo Star Band – Acid Revolution
    • The 101ers – Keys To Your Heart
    • The Killer Kane Band – Mr Cool
    • Simply Saucer – Here Come The Cyborgs Part 2
    • Zolar X – Space Age Love
    • Hector – Wired Up
    • Stavely Makepeace – I Wanna Love You Like A Mad Dog
    • Radio Pete – Just A Patsy
    The Legendary Studio One RecordsSoul Jazz Records

    Brand new album featuring non-stop killer Studio One cuts from The Skatalites, Heptones, Lone Ranger, Horace Andy and loads more. 

    Album comes in jewel case with slipcase style CD, limited edition gatefold heavyweight double vinyl and EXCLUSIVE DIGITAL DOWNLOAD from here.

    This is the first new Studio One/Soul Jazz release in over 3 years and is being released to coincide with our forthcoming monster new deluxe hardback 12x12" 200 page full colour book featuring hundreds of super classic and rare Studio One sleeves. 

    • The Skatalites – Ball of Fire
    • The Heptones – I'm Your Man
    • Lone Ranger – Everything She Want
    • Horace Andy – New Broom
    • Michigan and Smiley – Rub A Dub Style (12" Mix)
    • The Maytals – Treat Me Bad
    • Freddie McKay – Watch Your Step
    • Pablove Black – Mr. Music
    • Wailing Souls – Run My People
    • Willie Williams – Master Plan
    • The Skatalites – Fidel Castro
    • Marcia Griffiths – Hold You Tight
    • Dub Specialist – Sitting With Stupid
    • Prince Jazzbo – Rock For Dub
    • Super and Sleepy – Enemy
    • Dub Specialist – Luanda
    • Doreen Schaeffer – This Love
    • Ernest Ranglin – Ranglin Doddlin'