• CD£12.00
      Out of stock
    • MP3 Release£7.99
      Out of stock
    • Polyphonic Voices Of Georgia – Alilo
    • Polyphonic Voices Of Georgia – O, Holy God
    • Polyphonic Voices Of Georgia – God Is The Lord
    • Polyphonic Voices Of Georgia – St Nino's Collect-Hymn
    • Polyphonic Voices Of Georgia – O Come, Let Us Worship
    • Polyphonic Voices Of Georgia – The Angels In Heaven
    • Polyphonic Voices Of Georgia – Alilo (ver.2)
    • Polyphonic Voices Of Georgia – Alilo (ver.3)
    • Polyphonic Voices Of Georgia – You Are A Vine
    • Polyphonic Voices Of Georgia – Cross Your Worship
    • Polyphonic Voices Of Georgia – That We May Raise
    • Polyphonic Voices Of Georgia – A Mercy Of Peace
    • Polyphonic Voices Of Georgia – O Come, Let Us Worship (Ver.2)
    • Polyphonic Voices Of Georgia – Lord Forces, Be With Us
    • Polyphonic Voices Of Georgia – Christ Is Risen From The Dead
    • Polyphonic Voices Of Georgia – O Lord, Save Thy People
    • 1. Alilo
    • 2. O, Holy God
    • 3. God Is The Lord
    • 4. St Nino's Collect-Hymn
    • 5. O Come, Let Us Worship
    • 6. The Angels In Heaven
    • 7. Alilo (ver.2)
    • 8. Alilo (ver.3)
    • 9. You Are A Vine
    • 10. Cross Your Worship
    • 11. That We May Raise
    • 12. A Mercy Of Peace
    • 13. O Come, Let Us Worship (Ver.2)
    • 14. Lord Forces, Be With Us
    • 15. Christ Is Risen From The Dead
    • 16. O Lord, Save Thy People

    The second release on our own World Audio Foundation sub-label features the deep sacred and spiritual vocal music from the Georgian Republic in Eastern Europe - at the border between Europe and Asia. Dating back to pre-Christian times, Georgian polyphonic chants are uniquely complex polyphonic melodies and comprise music sung for the Georgian Orthodox liturgical services. In 2001, Georgian polyphonic singing was proclaimed by Unesco as one of the Oral and Intangible Masterpieces of Humanity. The aim of this proclamation is to help sustain cultural diversity and human creativity in the face of the perceived effects of globalisation. The Anchiskhati Choir is the world’s leading exponent of Georgian polyphonic music. 

    Recorded in Tbilisi, the members of the choir are both celebrated musicians and ethno-musicologists performing the documenting the history of this unique music. The CD comes with accompanying text, postcards and poster as well as coming in a distinctive WAF CD casing!

    Other Releases on Soul Jazz Records

    Cuba: Music and Revolution Vol.2 Compiled by Gilles Peterson and Stuart BakerSoul Jazz Records

    Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 2 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that takes off in exactly the same vein as the much-acclaimed Vol. 1 - exploring the many styles that came out of Cuba in the 1970s as Latin and Salsa mixed with heavy doses of Jazz, Funk, and Disco to create some of the most dancefloor-friendly music every made!

    The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

    Much of the music on this album is featured in the deluxe large format book ‘Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90’, released by Soul Jazz Books and also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), featuring the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

    The music on this new album features a host of rarities from legendary Cuban artists such as Los Van Van, alongside Grupo De Experimentación, Farah Maria, Ricardo Eddy Martinez, Juan Pablo Torres, Grupo Sintesis and Orquesta Riverside, most of whose names remain largely unknown outside of Cuba but have long been favourite club tracks and secret-weapons in Gilles Peterson and Stuart Baker's record boxes!

    The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – all searching for a new Cuban identity and new musical forms reflecting both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

    ------------------------------------------------------

    Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

    -------------------------------------------------------

    REVIEWS of CUBA: Music and Revolution vol. 1:

    "We already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

    "It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

    "Priceless comp that goes far beyond Buena Vista!" UNCUT

    • Juan Pablo Torres Y Algo Nuevo – Y Que Bien
    • Orquesta Los Van Van – Por Que Lo Haces
    • Los Latinos – Quemando
    • Farah María – Amame y No Pienses Mas
    • FA 5 – Muevete Con Las Fuerzas Del Corazon
    • Tambores De Enrique Bonne – Como Arrullos De Palma
    • Ricardo Eddy Martinez – Expreso Ritmico
    • Los Papines – Solo De Tumba y Bongo
    • Grupo Sintesis – Aqui Estamos
    • Los Van Van – Llegada
    • Grupo Raices Nuevas – Baila Mi Guaguancó
    • Luis Carbonell – La Rumba
    • Orquesta Riverside – En Casa Del Trompo No Bailes
    • Juan Formel & Los Van Van – Llegue, Llegue
    • Grupo Los Yoyi – Tu No Me Puedes Conquistar
    • Los Papines – Para Que Niegas ?
    • Grupo De Experimentación Sonora Del ICAIC – ¡ Cuba Va !
    • Raul Gomez – Luces En La Pista
    • Los Brito – El 4-5-6
    • Leo Brouwer – Tema de El Rancheador De La Naturaleza
    • Ricardo Eddy Martinez – La 132
    • Los Reyes 73 – Finalizo Un Amor
    • 3×LP + Download Code £26.00
      Expected 29 OctPreorder
    • 2×CD£13.00
      Expected 29 OctPreorder
    Deutsche Elektronische Musik 2 - SPECIAL 4-LP BOX SET EDITIONSoul Jazz Records

    Out-of print since its initial release over 8 years ago and not reissued and it features a monster 2 and a half hours of music!

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    Very Limited Edition Super Deluxe Heavyweight Box Edition (includes 4 LP + Insert + 2 Art prints + individual inners + download) + excellent extensive sleevenotes (by David Stubbs, writer for Wire/Guardian and author of the definitive ‘Krautrock’ book) + lots of exclusive photos. This is a one-off pressing of 500 in UK/1,500 copies worldwide.

    --------------------------------------------------------------------------------------------------------------

    Includes seminal German groups: Can, Faust, Neu, Amon Duul II as well as a host of lesser known groups and artists such as Agitation Free, Broselmachine, Niagara and many more! And as well as the original pioneers, Deutsche Electronische Musik 2 also features many of the second wave of German electronic artists and groups from the late 70s and early 80s (DAF, Asmus Tietchens, Rolf Trostel) who successfully connected new wave, minimal synth and a European post-punk avant-gardism with the earlier more established Krautrock pioneers who began at the start of the 70s.

    The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream society, the war in Vietnam, imperialism and bourgeois values. The birth of a counter-culture, drug experimentation and social change expanded musical worlds. Germany experienced its own cultural revolution fuelled by these worldwide student and worker revolts and by a generation’s desire to rid itself of the guilt of war.

    Many German youth turning their back on mainstream society. From the opening of the first collective/cooperative in 1967, Commune 1, in Berlin, to the formation of the Baader-Meinhof terrorist group and the bombings, kidnappings and killings of the Revolutionary Armed Forces (RAF), young Germans sought out new values and a lifestyle outside of ‘the system’. These cooperative and communal experiences led to a number of new radical German bands including Amon Duul, Faust and Can.

    Many artists and musicians believed a complete rejection of everything musically that had gone before was also necessary in order to build a new identity for German culture. At this time German music meant ‘schlager’ music – insipid pop music that hardly confronted the country’s recent historical events.

    Holger Czukay and Irmin Scmidt of Can studied music under the radical avant-garde composer Karheinz Stockhausen and Conrad Schnitzler studied art under the conceptual artist Joseph Beuys. German rock groups were as interested in musique concrète and serial compostion as they were in the psychedelia of Pink Floyd or the rock, soul and jazz music played by resident American forces.

    From this beginning German rock music began an evolutionary journey of experimentation. Electronic music became a pathway to notions of space and the cosmos. Conversely, the emergence of communal living led to a number of musicians setting up live/work spaces in rural areas and developing a ‘pastoral’ outlook, with musical ideas engaged closely with nature.

    German electronic music, kosmische music, cosmic rock, space music. The objectives were to create new music, ‘free’ from the past. A music that gave seed out of the cultural ‘nothingness’ that young Germans felt as a consequence of Germany’s role in the Second World War. A generation who grew up stifled by the recent history of Nazi atrocities, the guilt of their parents’ generation and their disillusionment at the reintegration of old Nazis into mainstream society.


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    Deutsche Elektronische Musik:

    "A near-definitive guide to some of the world's most extraordinary music." ***** The Guardian

    • A.R. & Machines – Globus
    • Can – Halleluwah
    • Roedelius – Le Jardin
    • Michael Rother – Karussell
    • Michael Hoenig – Sun and Moon
    • Agitation Free – You Play for Us Today
    • DAF – Co Co Pino
    • Harald Grosskopf – Emphasis
    • Amon Duul II – A Morning Excuse
    • Conrad Schnitzler & Wolf Sequenza – Fata Morgana
    • Broselmaschine – Nossa Bova
    • Eno, Moebius and Roedelius – Base & Apex
    • Gila – In A Sacred Manner
    • Wolfgang Riechmann – Himmelblau
    • A.R. & Machines – Als Hatt Ich Das Alles Schon Mal Gesehen
    • Gila – Sundance Chant
    • Neu – Isi
    • Pyrolator – Danger Cruising
    • Sergius Golowin – Die Weisse Alm
    • You – Electric Day
    • Niagara – Gibli
    • Rolf Trostel – Der Prophet
    • Electric Sandwich – China
    • Asmus Tietchens – Zeebrugge
    • Faust – Krautrock
    Black RiotEarly Jungle, Rave and HardcoreSoul Jazz Records

    VINYL FACTORY COMPILATION OF THE YEAR 2020!!!

    See chart here

    ----------------------------------------------------------------------------------------------------

    LIMITED EDITION COMES WITH FREE GRAPHIC STORY!

    Soul Jazz Records’ new Black Riot: Early Jungle, Rave and Hardcore is a brand new collection of heavyweight ragga-influenced hardcore jungle tracks from the early 1990s. Dark and heavy!

    Featuring classic and seminal tracks from the likes of Levictus and Krome &Time, alongside a host of rare and little-known ragga & junglist hardcore tunes from the likes of Babylon Timewarp’s hypnotic Durban Poison, Rhythm for Reasons’ mad ‘The Smokers Rhythm’, The Freaky rave-y breakbeat sound of ‘Time and Age,’ Trip One’s super dark ‘Snowball’ and loads more!

    Expect super heavy basslines, equally heavy twisted Amen drum loops, even heavier ragga vocals! Original jungle style - roots and culture - from the earliest days of drum and bass.

    Included with the album is a free limited-edition graphic mini-novel “Black Riot: The Mysterons save Planet Earth from the Xatheroid Angels.” This is the third collaboration between Soul Jazz Records and writer/illustrator Paulo Parisi, the highly respected author of graphic books on Jean Michel Basquiat and John Coltrane.

    This new graphic story continues the story of black electronic dance music – this time set around the birth of Jungle and continues onwards from Soul Jazz’s earlier ‘Invasion of the Killer Mysterons’ (Jamaican electronic Dub, co-compiled by Kevin Martin (The Bug)) and Mysterons Invade the Jackin’ Zone (about Chicago Acid & Experimental House).


    • Rhythm For Reasons – The Smokers Rhythm
    • Babylon Timewarp – Durban Poison
    • The Terrorist – RK1
    • DJ Dubplate – Tings A Go On
    • Leviticus – Burial (Lovers Rock Mix)
    • The Freaky – Time and Age
    • Trip One – Snowball Remix
    • DJ Krome & Mr. Time – Ganja Man
    • New Vision – Way Of Life
    • DJ Dubplate – Original Rubadubstyle
    • Hi Fi Power – Chill Out (Raggafunks U)
    • Nu Jacks featuring Ivory Ranks – House Sensation
    • New 2×LP + Download Code + Limited Edition Graphic story£24.00
      In stockAdd to Bag
    • CD plus Limited Edition Graphic story£12.00
      In stockAdd to Bag
    • MP3 Release£7.99
      In stockAdd to Bag
    Lloyd McNeill QuartetWashington Suite (1970)Soul Jazz Records

    Soul Jazz Records’ new ox-blood red coloured vinyl limited-edition 1000-copies worldwide LP (+ download code) issue of this very rare deep spiritual jazz album first released as a private-press album in 1970 on flautist Lloyd McNeill’s own Asha Record label in Washington, DC.

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    CLASSIC! DEEP Jazz includes the wicked 'Home Rule'

    Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

    McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.


    • – Home Rule
    • – Just 71% Moor
    • – 2504 Cliffbourne Pl.
    • – Fountain In The Circle
    • – City Tryptych
    • – Fountain In The Circle
    The WinstonsAmen Brother / Color Him FatherSoul Jazz Records

    It's back in stock!!! EXCLUSIVE - ONLY AVAILABLE HERE!

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    WORLD EXCLUSIVE limited edition seven-inch 45 ONLY AVAILABLE to customers at Soul Jazz Records and Sounds of the Universe!

    The world's greatest ever break? Here it is - The first official re-release of The Winston's Amen Brother with the LEGENDARY Amen Break as featured on 1000s of hip-hop and jungle releases. This record has been a collectors' 45 for ages and OUT OF PRINT for 50 years - sounding fresh!

    Not only that but the flip-side Color Him Father is a superb Curtis Mayfield-esque ANTHEMIC soul tune - as essential as the A-side.

    WORLD EXCLUSIVE limited edition seven-inch 45 ONLY AVAILABLE to customers at Soul Jazz Records and Sounds of the Universe!

    THIS RECORD IS 100% ESSENTIAL and ONLY available HERE - DO NOT MISS OUT!


    • The Winstons – Amen Brother
    • The Winstons – Color Him Father
    Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio OneSoul Jazz Records

    Soul Jazz Records’ new Studio One collection ‘Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio One’ features a stellar selection of 70s roots music – classic and rare tracks recorded at Clement Dodd’s musical empire at 13 Brentford Road in the 1970s.

    -----------------------------------------------------------------------------------------------------------

    Rastafarian-inspired Roots music was an ever-important aspect of Studio One’s output from the start of the 1970s onwards and this album features many of the ground-breaking groups and artists that established the sound of Jamaica during this decade and beyond.

    Featured here are seminal artists such as Freddie McGregor, The Wailing Souls, The Gladiators, Horace Andy, Devon Russell, Cedric Brooks, Count Ossie, Judah Eskender Tafari alongside a host of lesser-known rare cuts made at Studio One from artists such as The Prospectors, Viceroys and Pablove Black.

    Studio One and founder Clement Dodd’s connection with Rastafarianism dates back to the early 1960s, with Dodd accompanying members of the Skatalites up to the hills of Kingston to listen to the music of the Rastafarianism Count Ossie and his drummers. The album sleevenotes discuss how Clement Dodd’s musical links, as well as his role in heading the most important record label in Reggae, are in many ways linked to the beliefs of Rastafarianism.

    This album is released as a heavyweight black vinyl double-album with gatefold sleeve, full notes and download code, deluxe CD with full booklet and slipcase and digital album.

    • Freddie McGregor – I Am a Revolutionist
    • The Silvertones – Burning In My Soul
    • Wailing Souls – Without You
    • Devon Russell – Jah Jah Fire
    • Trevor Clarke – Sufferation
    • The Gladiators – Sonia
    • Judah Eskender Tafari – Always Trying
    • The Viceroys – Ya Ho
    • Im and Count Ossie – Give Me Back Me Language And Me Culture
    • The Gladiators – Serious Thing
    • The Prospectors – Glory For I
    • Wailing Souls – Things and Time
    • Pablove Black – Inner Peace
    • The Gladiators – Peace
    • Horace Andy – Mr. Jolly Man
    • Wailing Souls – Rock But Don't Fall
    • Albert Griffiths and The Gladiators – Righteous Man
    • The Viceroys – So Many Problems
    Brentford All StarsGreedy G / Granny Scratch ScratchSoul Jazz Records

    These are very limited Studio One 12" pressings (worldwide 1000) that sell out on the day they are released. So don't miss out here!

    BRAND NEW LTD. EDN. 12" All-time Studio One party ANTHEM. 100% ESSENTIAL MONSTER TUNE - ROCKS ANY DANCEFLOOR!

    'Greedy G’ is the ultimate reggae/funk/hip-hop party tune.

    The all-time epic sample for Boogie Down Productions’ seminal ‘Jack of Spades’ based on James Brown’s funk bomb ‘Get on the Good Foot’.

    The flipside is another Brentford Road All Stars essential cut, ‘Granny Scratch Scratch’, the heaviest, funkiest dub monster ever with bass to shake more speakers than a juggernaut lorry!

    Boom!


    • – Greedy G
    • – Granny Scratch Scratch
    Lloyd McNeillToriSoul Jazz Records

    Soul Jazz Records’ limited-edition black vinyl 1000-copies worldwide LP (+ download code), (as well as CD and digital) issue of this very rare deep spiritual jazz meets Brazilian and Latin album first released as a private-press album in 1978 on flautist Lloyd McNeill’s own Baobob Record label in Washington, DC. The album has been out-of-print for 43 years and is lovingly remastered by Soul Jazz Records.

    Tori is a stunning album that blends Brazilian and Latin flavours with deep Spiritual Jazz, recorded in 1978. The album features an unbelievably strong line-up which includes legendary Brazilian figures like Dom Um Romao, Nana Vasconcelos and Dom Salvador alongside jazz heavyweights such as Buster Williams, Howard Johnson, John La Barbera and more. These A-team musicians were all regulars in McNeill’s long-running and highly successfull resident live group in New York all set up to blend deep jazz, Brazilian and Latin music together.

    Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

    McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.

    • Lloyd McNeill – O Mercado (Brazilian Market)
    • Lloyd McNeill – Tori (Segment One)
    • Lloyd McNeill – Tzigane
    • Lloyd McNeill – Tori (Segment Two)
    • Lloyd McNeill – Sambinha
    • Lloyd McNeill – Time Still / Passaro - Pifaro (Flute Bird)
    • Lloyd McNeill – Tori (Segment Three)
    • Lloyd McNeill – Tranquil
    Trees SpeakPostHumanSoul Jazz Records

    This is incredibly Trees Speak’s third album on Soul Jazz Records to be released in the space of one year – and it’s amazing!

    Trees Speak’s new album ‘Post-Human’ once again blends 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New York No Wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!

    The new album ‘Post-Human’ draws further upon German krautrock high-concept albums from the likes of Tangerine Dream and Klaus Schulze from the 1970s, as Trees Speak create their own powerful new landscapes of sound that manage to be at once contemporary as well as both timeless and with a sense of science-fiction futurism.

    Trees Speak’ seamlessly segue together all these musical elements into ‘Post-Human,’ a conceptually expansive album which follows on from their critically-acclaimed debut LP ‘Ohms,’ and the follow-up ‘Shadow Forms’ released on Soul Jazz Records less than six months ago.

    This powerful new album is a high-concept collage of retro-futurist science-fiction music, which is fantastically illustrated by a specially commissioned cover design by the artist Eric Lee, a dramatic vision of life after humanity.

    Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

    The album includes an INDIES ONLY exclusive bonus 45 single with two extra tracks ‘Machine Vision’ and ‘Seventh Mirror’ available with the vinyl edition of this amazing and ground-breaking new album.

    With ‘Post-Human,’ Trees Speak take the listener deep into their unique musical world of unknown visions of the past and the future.

    ABOUT Ohms: Album of the Month - Splintered Eye /50 Best albums 2020 - Pop Matters / Favourite albums 2020 -The Soap Company / Albums of the Year 2020 -Bear Tree Records / Independent Albums of the Year 2020-Love Records / Albums of the Year 2020-Concrete Islands

    ABOUT Shadow Forms: Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year 2020 -South / Albums of the Year 2020 - Concrete Island / Albums of the month - Reveal / Albums of the Year 2020 -Piccadilly / Albums of the Year 2020-Buzzsaw / About Shadow forms / Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year-South / Albums of the Year-Concrete Island / Albums of the month-Reveal / Albums of the Year-Piccadilly /Albums of the Year-Buzzsaw

    About Ohms:

    “This might well be the Dark Side of the Moon of the XXI century” Discogs


    • Trees Speak – Double Slit
    • Trees Speak – Glass
    • Trees Speak – Chamber of Frequencies
    • Trees Speak – Divided Light
    • Trees Speak – Elements of Matter
    • Trees Speak – Magic Transistor
    • Trees Speak – Scheinwelt
    • Trees Speak – PostHuman
    • Trees Speak – Synthesis
    • Trees Speak – X Zeit
    • Trees Speak – Incandescent Sun
    • Trees Speak – Healing Rods
    • Trees Speak – Steckdose
    • Trees Speak – Amnesia Transmitter
    • Trees Speak – Quantize Humanize
    • Trees Speak – Gläserner Mensch
    • Trees Speak – Machine Vision
    • Trees Speak – Hidden Machine
    Trees SpeakShadow FormsSoul Jazz Records

    Super-limited new 1000 copies special ox-blood red vinyl edition!

    -------------------------------------------------------------------------------------------------------------

    It's a big one ... Absolutely stunning second album from Trees Speak new on Soul Jazz Records.

    Trees Speak’s new album ‘Shadow Forms’ is a blend of 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New Nork no wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!

    Trees Speak’ segue together all these elements into ‘Shadow Forms,’ which follows on from their critically-acclaimed debut LP ‘Ohms,’ released on Soul Jazz Records less than six months ago.

    Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

    Trees Speak - Shadow Forms:

    Records of the week-Drift/Album of the week-Resident/Album of the week-Norman/Records of the Year-South/Albums of the Year-Concrete Island/Albums of the month-Reveal/Albums of the Year-Piccadilly/Albums of the Year-Buzzsaw

    • Trees Speak – Large Array
    • Trees Speak – Tear Kisser
    • Trees Speak – Those Who Know
    • Trees Speak – Transforming
    • Trees Speak – Automat
    • Trees Speak – False Ego
    • Trees Speak – Communication
    • Trees Speak – Crystal System
    • Trees Speak – Agonize Signal
    • Trees Speak – Magick Knives
    • Trees Speak – Shadow Forms
    • Trees Speak – Outtake 3
    • Trees Speak – Transmitter
    Cold Wave # 2Soul Jazz Records

    Cold Wave #2

    Ltd. Edn. Dayglo sleeve + PURPLE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

    -------------------------------------------------------------------------------------------------------------

    Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

    This is the second release of Soul Jazz Records’ new Cold Wave overview.

    ------------------------------------------------------------------------------------------------------------

    This second edition Cold Wave #2 comes in two vinyl editions – a one-off pressing purple coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

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    These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

    Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

    Most of the featured artists are based in Europe and include Krikor from France, Beta Evers and L.F.T. from Germany, Lena Willikens, Job Siffre and De Ambassade from the Netherlands, Toulouse Low Trax from Germany, Dave I.D. and Broken English Club from the UK, and V.C.V.S from Georgia

    All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.

    • Lena Willikens – Howlin Lupus
    • Beta Evers – Hiding
    • L.F.T. – Stay Away From The Light
    • Job Sifre – At Least We Try
    • De Ambassade – Niet Van Mij
    • Toulouse Low Trax – Rushing Into Water
    • V.C.V.S. – Hum
    • Dave I.D. – Help Starts
    • Broken English Club – Vacant Cars
    • Krikor Kouchian – Deserver Dub
    Marcia GriffithsFeel Like Jumping / Part 2Soul Jazz Records

    IN STOCK NOW!

    BRAND NEW LTD. EDN. 12" All-time Studio One party ANTHEM now available for the first time ever on loud 12" with version on the flip. 100% ESSENTIAL MONSTER TUNE - ROCKS ANY DANCEFLOOR!

    • Marcia Griffiths – Feel Like Jumping
    • Dub Specialist – Feel Like Jumping Part 2
    Cold WaveSoul Jazz Records

    Ltd. Edn. Dayglo sleeve + ORANGE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

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    Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

    This is the first release of Soul Jazz Records’ new Cold Wave overview and a second volume will be released just four weeks later.

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    This first edition of Cold Wave comes in two vinyl editions – a one-off pressing orange coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

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    These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

    Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

    Most of the featured artists are based in Europe and include Krikor, Dissemblance and VQOA from France, De Ambassade from the Netherlands, Moisture from Sweden, Kriedler from Germany, Céline Gillain and Carcass Identity from Belgium. One exception is FIT Siegel out of Detroit, connecting the electronic pathways of Europe to the Motor City.

    All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.


    • Dissemblance – Capture
    • Carcass Identity – Reflexion Ocean
    • FIT Siegel – Wayne County Stomp
    • De Ambassade – Standhouden
    • Wang Inc – Approdo
    • Krikor Kouchian – Niños Matadores
    • Céline Gillain – Fight or Flight
    • Kreidler – Kannibal
    • Moisture – Gammut
    • Violent Quand On Aime – Of Course I'm A Liar
    Studio One Rocksteady Got SoulSoul Jazz Records

    Back in stock!

    Soul Jazz Records new Studio One release Rocksteady Got Soul is a collection of uplifting and superb rocksteady and soulful reggae from the late 1960s and early 1970s. Studio One is the number one label in the history of reggae and he album features - as ever with Studio One - an impeccable and unbeatable line-up of reggae superstars all soaring at the height of their creative powers. Alton Ellis, John Holt, The Heptones, Jackie Mittoo, The Ethiopians, Lee Perry and more.

    The album is a mix of classic tunes and rhythms alongside super-rarities that were released in a dazzlingly complex web of Studio One labels and issues, deftly navigated with new sleevenotes from author and Studio One authority Rob Chapman. But enough with the chatter, just spin the platter - these tunes rule the town, hands down!


    This Soul Jazz/Studio One album is released as deluxe gatefold double-vinyl + house inners + download code. Also as jewel case CD housed in card slipcase. Both formats come with full sleeve notes/discography and exclusive photography. (The album is also available digitally on day of release onwards)

    • Alton Ellis – It's True
    • The Heptones – You Turned Away
    • The Gladiators – Mr Sweet
    • The Jail Breakers – Work It Up
    • Lee Perry & The Gaylads – Run Rudie Run
    • The Heptones – Young Generation
    • Jackie Mittoo – Good Feeling
    • C. Marshall – I Need Your Loving
    • Alton Ellis – I'll Be Waiting
    • The Clarendonians – The Tables Gonna Turn
    • Ken Parker – When You're Gone
    • Sound Dimension – Traveling Home
    • Errol Dunkley – Get Up Now
    • John Holt – My Heart Is Gone
    • Freedom Singers and Larry Marshall – Monkey Man
    • The Ethiopians – Let The Light Shine
    • Im and David – Money Maker
    • The Viceroys – Lose and Gain
    • 2xLP (+ Download Code)£25.00
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    • CD£12.00
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    • MP3 Release£9.99
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    Steve Reid Ensemble feat. Kieran Hebden - Spirit Walk (Special Limited Edition black vinyl RSD 2021)Soul Jazz Records


    "Steve Reid played with Sun Ra, knew Coltrane, played at Motown. I mean this is a guy who at 19 was playing drums with Fela Kuti in Africa. He is a musical genius. It’s a creative joy and honour to work with him."Kieran Hebden (Fourtet) After a number of groundbreaking live shows between Kieran Hebden (Fourtet) and legendary New York drummer Steve Reid, these two artists have embarked on two amazing new recording projects.

    The first release is the Steve Reid Ensemble (featuring Kieran Hebden) "Spirit Walk". This will be followed by a second album by Kieran Hebden and Steve Reid which will be released by Domino Records at the beginning of 2006. Both albums blend electronic experimentation within the frame-work of Steve Reid’s musical heritage. Gilles Peterson will be touring the UK in November alongside The Steve Reid Ensemble. An ardent fan of the music, Peterson has contributed the sleeve-notes to "Spirit Walk" along with another long-time musical admirer Val Wilmer. Steve Reid is a true pioneer of boundary-breaking music.

    This latest project/collaboration is a continuation of a musical path that stretches back to the late 1960s. A self-taught master jazz drummer Steve Reid played in Sun Ra’s Arkestra as well as being a session musician at both Motown Records (he plays on for instance Martha and The Vandella’s "Heatwave") and in James Brown’s in-house band at the legendary Harlem Apollo. In the mid-60s Reid went to West Africa, playing and learning the music of Ghana, Nigeria (playing with Fela Kuti), Liberia, Sierra Leone, Senegal. On returning to New York he joined Sun Ra’s The Science Myth Solar Arkestra.

    In 1968 as a conscientious objector to the Vietnam war he was sentenced to 4 years in prison where he then taught a Black history course to his fellow inmates. In the 1970’s Reid formed the Legendary Master Brotherhood as well as running his own record company, Mustevic Sound, which released a series of his albums (2 of which have earlier been released by Soul Jazz Records). In a career now spanning over 40 years Steve Reid has worked with artists such as Lester Bowie, Miles Davis, Charles Tyler, Arthur Blythe, Ornette Coleman, Gary Bartz, Chief Bey, Archie Shepp, Sam Rivers, Dee Dee Bridgewater, Leon Thomas and more. This new project is the latest part in Steve Reid’s musical odyssey.

    "A truly phenomenal artist. This is the album we've all been waiting a long time for. Steve Reid is steeped in musical history and yet this album has a modernity all of it's own." Gilles Peterson.

    • Steve Reid Ensemble – Lugano
    • Steve Reid Ensemble – Bridget
    • Steve Reid Ensemble – For Coltrane
    • Steve Reid Ensemble – Blind Tom
    • Steve Reid Ensemble – Which One?
    • Steve Reid Ensemble – Lions Of Juda
    • Steve Reid Ensemble – It Cannot Be True
    • Steve Reid Ensemble – Unity
    • Steve Reid Ensemble – Drum Story
    Add N To X - On The Wires Of Our Nerves (Special Limited Edition RSD 2021 silver vinyl)Soul Jazz Records

    Super special 20th anniversary SILVER vinyl!

    Incredibly inspired electronic retro-futurists who were so ahead of their time that they eventually imploded. This is a classic album!

    In the space of five short years (and as many albums) at the end of the 20th century Add N To X caused havoc with their unique retro-futurist electronic music. Add N To X’s musical intensity proved too much for the group who split up in 2002. Their album On The Wires of Our Nerves, complete with its classic cover image, recorded on Soul Jazz Records’ then new offshoot label Satellite Records, launched them into the spotlight and included two NME Singles of the Week ‘Black Regent’ and ‘King Wasp’. Over twenty years since it was first released and long out of print the album 'On The Wires of Our Nerves’ stands up one of the most forward-looking electronic albums of then and now.

    This classic album is released in a very limited one-off pressing transparent vinyl edition as an Record Store Day exclusive title

    • Add N To X – The Black Regent
    • Add N To X – Planet Munich
    • Add N To X – Nevermind
    • Add N To X – We Are Add N To X
    • Add N To X – Murmur One
    • Add N To X – Sound Of Accelerating Concrete
    • Add N To X – Gentle Germans
    • Add N To X – King Wasp
    • Add N To X – Orgy Of Bubastus
    • Add N To X – Grey Body, Green Gun
    • Add N To X – On The Wire Of Our Nerves
    • Add N To X – Hit Me
    • Add N To X – Sir Ape
    • New 2×LP (Coloured Vinyl)£32.00
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    Studio One RootsSoul Jazz Records

    LAST COPIES!

    This is the new 20th anniversary edition of one of Soul Jazz Records’ classic Studio One releases now available as a one-off pressing special blue vinyl very limited-edition pressing ( 2000 copies worldwide).

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    Studio One Roots set the standard for Soul Jazz Records’ long-standing series of Studio One collections and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae.

    This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining crack-session men groups of Jamaican reggae history - The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. As ever the album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.

    Stand-out tracks include Alton Ellis’s Blackish White, a surreal and powerful Afro-centric dream, Count Ossie Nyabinghi and Rastafarian drummers genre-defying interpretation of Booker T and The MGs ‘Meditation’, Willie Williams awe-inspiring versioning of the Skatalites' seminal Rastafari anthem Addis Ababa and many, many more.

    This album has been fully digitally remastered, analog cut and packaged complete with the following: Original sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Honest Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves.

    REVIEWS:

    "Having established himself as one of Jamaica's top producers the day Studio One opened its doors in the early '60s, Clement "Coxsone" Dodd was unable to maintain his status during the roots era of the subsequent decade. This can be attributed to a couple of factors. One was Dodd's apparent reluctance to record the new, overtly Rasta-inspired music. The other was an infusion of new blood into the Jamaican music business. Eager to make a name for themselves, producers like Joe Gibbs, Bunny Lee, Lee "Scratch" Perry, and Winston "Niney" Holness managed to supplant the island's "big three" (Dodd, Duke Reid, and Prince Buster) in the process, driving the music's evolution in the '70s.

    There isn't a weak number across these 16 tracks, from the Gaylads' ode to "Africa" and Devon Russell's version of the heavyweight "Drum Song" rhythm, to a trio of stunning instrumentals: Jackie Mittoo and the Cyclones with nyahbinghi drummer Count Ossie on "Meditation," Lenny Hibbert's sparkling vibe work over Mittoo's "Ghetto Organ" ("More Creation"), and Sound Dimension's "Congo Rock."

    The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection." All Music

    • The Cyclones With Count Ossie – Meditation
    • Cornell Campbell & The Brentford Rockers – Natty Don't Go
    • Freddy Mcgregor With The Sound Dimension – Africa Here I Come
    • Bunny & Skitter – Lumumbo
    • Willie Williams & The All Stars – Addis A Baba
    • L.Crosdale With Drummond Bago & the Rebel Group – Set Me Free
    • Leroy Wallace & The New Establishment – Far Beyond
    • Lennie Hibbert – More Creation
    • Alton Ellis & The Sound Dimension – Blackish White
    • Winston Jarrett & The Sound Dimension – Fear Not
    • Devon Russell – Drum Song
    • The Gaylads – Africa
    • Black Brothers & The New Establishment – School Children
    • Linton Cooper & The Brentford Disco Set – You'll Get Your Pay
    • Sound Dimension – Congo Rock
    • Zoot Simms – African Challenge
    • 1. The Cyclones With Count Ossie – Meditation
    • 2. Cornell Campbell & The Brentford Rockers – Natty Don't Go
    • 3. Freddy Mcgregor With The Sound Dimension – Africa Here I Come
    • View full info and tracklisting
    • New 2×LP (Coloured Vinyl)£30.00
      Limited edition blue coloured vinyl + inners + download
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    • CD£12.00
      In stockAdd to Bag
    • MP3 Release£8.99
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    Steve ReidNova (1976)Soul Jazz Records

    New edition of this seminal album available as a 1000 copies edition only on new premium RED vinyl!

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    'A truly phenomenal artist.' GILLES PETERSON

    'Steve Reid is one of the greatest drummers. He is a musical genius' KIERAN HEBDEN (Four Tet)

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    As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, , Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver!

    Reid was born in the South Bronx, and grew up in Queens, New York. He played in the house band at Harlem's Apollo Theatre, accompanying James Brown, as well as playing in Sun Ra's Arkestra. He lived next to John Coltrane, worked in a department store with Ornette Coleman, had a son who played drums with NWA. He began his career as a teenager in the 1960s as a drummer at Motown when he played on Martha and The Vandellas "Heatwave" (aged 14).

    At the end of the 1960s Reid was sentenced to four years in jail as a conscientious objector of the Vietnam war. On his release from prison in 1974, he formed the Legendary Master Brotherhood and started the independent record label, Mustevic Sound, to release his debut LP Nova in 1976. This album is released in its entirety and with full original cover art here. Nova was the first in a series of stunning independent records he released in the 1970s.

    At the start of the 21st century, his career took a new twist when Steve Reid began a successful collaboration with Kieran Hebden (Four Tet). Hebden referred to Reid as his ‘musical soul mate’, resulting in a number of joint albums.

    Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.

    • Steve Reid – Nova
    • Steve Reid – Lions Of Juda
    • Steve Reid – Free Spirits-Unknown
    • Steve Reid – Long Time Black
    • Steve Reid – Sixth House
    Arthur RussellThe World Of Arthur RussellSoul Jazz Records

    New fully remastered re-release of Soul Jazz Records’ ‘The World of Arthur Russell’, the seminal collection of Arthur Russell’s essential music back in print on awesome limited-edition heavy deluxe triple vinyl and deluxe CD edition.

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    This album brings together some of Russell’s best-loved and most accessible works including his wide-ranging music both solo and in groups including Dinosaur L (the essential ‘Go Bang’), Loose Joints (the equally classic ‘Is It All Over My Face’) as well as rarities such as the 7” only ‘Pop Your Funk’, Indian Ocean’s ‘Schoolbell/Treehouse’, Lola’s ‘Wax The Van’ and more.

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    “Arthur Russell fused the avant-garde with disco and sounds like nothing else on earth.” The GUARDIAN

    “Russell is the great enigma of the New York music scene” THE WIRE

    “Simply one of the best compilations of this or any year.” RECORD COLLECTOR

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    Arthur Russell’s music effortlessly crossed musical boundaries making it timeless. His dance music credentials are faultless and this collection features mixes from Larry Levan, Françcois Kervorkian and Walter Gibbons. Similarly, his song-writing, musicality and performance skills are equally cherished as composer Philip Glass wrote, ‘this was a guy who could sit down with a cello and sing with it in a way that no one on earth has ever done before or will do again.’

    When Soul Jazz Records’ The World of Arthur Russell first came out in 2003, Russell’s music had slipped into near obscurity. Nearly 18 years later there are over a dozen releases of his music, reissues of his original albums and more. ‘The World of Arthur Russell’ is the classic first collection of his work available once more.

    • Dinosuar L – Go Bang (Francois K Mix)
    • Lola – Wax The Van
    • Loose Joints – Is It All Over My Face (Larry Levan Mix)
    • Arthur Russell – Keeping Up
    • Arthur Russell – In The Light Of The Miracle
    • Arthur Russell – A Little Lost
    • Loose Joints – Pop Your Funk
    • Arthur Russell – Lets Go Swimming (Walter Gibbons Mix)
    • Dinosuar L – In The Cornbelt (Larry Levan Mix)
    • Arthur Russell – Treehouse
    • Indian Ocean – Schoolbell/Treehouse (Walter Gibbons Mix)
    Two Synths, A Guitar (And) A Drum Machine - Soul Jazz Records #1 Post Punk DanceSoul Jazz Records

    OUT NOW!

    Soul Jazz Records new ‘Two Synths, A Guitar (and) A Drum Machine’ is a new collection of current D-I-Y post-punk bands shaped by the mutant sounds of no wave, punk funk and New York Noise bands from the late 70s and early 80s that collided with the world of underground dance music found at the Paradise Garage, Mudd Club in New York City (ESG, Arthur Russell, Bush Tetras, Talking Heads, Suicide, Liquid Liquid).

    Other influences cited here include Manchester and Sheffield’s industrial post-punk sounds of the 1980s (Joy Division, Cabaret Voltaire, Gang of Four) as well as the 1970s German electronic experimentalism of Cluster, Neu!, Harmonia and Can.

    Featured artists from around the globe include Los Angeles D-I-Y band Automatic, New Fries from Toronto, artist/music collaborators Toresch from Germany, Susumu Makai from Japan/UK, Vex Ruffin from the Phillipines/California and Madmadmad, Gramme, Tom of England and other UK groups

    That all the bands featured here manage to make distinctive contemporary music out of these 80s roots is testament to the wide range of other musics that are seamlessly absorbed into a modern melting pot of sound – hip-hop, the electronic European avant-garde, rave culture, and more.

    The double vinyl comes in two editions:

    1) Limited edition indies EXCLUSIVE heavyweight green double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

    2) Limited edition heavyweight black double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

    The album is also available as a CD and digital release

    • Automatic – Too Much Money
    • Zongamin – Underwater Paramid
    • New Fries – Lily
    • Vex Ruffin & Fab 5 Freddy – The Balance
    • Ixna – Somebody Said
    • Leroy Duncann – Dream River
    • Tom Of England – Neon Green
    • Toresch – Tocar
    • Becker & Mukai – La Rivière des Perles
    • Gramme – Discolovers
    • Niagara – Ida
    • Charles Manier – Sift Through Art Collecting People
    • Black Deer – Baseball Shorts
    • Madmadmad – Hot Disco
    • Wino D – Untitled
    Cuba: Music and Revolution - Compiled by Gilles Peterson and Stuart BakerSoul Jazz Records

    Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state of Cuba.

    The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

    The album is released to coincide with the massive new deluxe large format book Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90, published in November, which is also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), and which features the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

    The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba – and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states.

    The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

    Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

    -------------------------------------------------------

    REVIEWS:

    "It may only be January, but we already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

    "It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

    "Priceless comp goes beyond Buena Vista" UNCUT

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    *Please note the vinyl sticker of this album says "+download code" but it's a mistake! There is no download with this particular album due to legal reasons. Sorry for this error!

    • Grupo Irakere – Chequere Son
    • Conjunto Rumbavana – El Son Del Campeon
    • Juan Formell & Los Van Van – Mi Ritmo Caliente
    • Grupo Monumental – Mi Son Caridad
    • Grupo de Experimentación Sonora del ICAIC – Sondeando
    • Las D'Aida – Con Cadencia y Con Dulzura
    • Juan Formell & Los Van Van – Y No Le Conviene
    • Pablo Milanés – Te Quiero Porque Te Quiero
    • Emíliano Salvador – Luna Wanestain
    • Los Reyes 73 – Un Lamento Hecho Cancion
    • Eduardo Ramos – Vocación Revolución
    • Grupo Mounmental – Hasta Las Cuantas
    • Los 5 U 4 – Solo Esta Musica
    • Grupo de Experimentación Sonora del ICAIC – Canción Con Todos
    • Orquesta Los Van Van – Yo Se Que Van Van
    • Grupo Monumental – Nadie Se Siente Cansado
    • Orquesta Ritmo Oriental – Maria, Baila El Son
    • Juan Pablo Torres y Algo Nuevo – Rompe Cocorioco
    • Los Reyes 73 – Grandes Amigos
    • Paquito D'Rivera – La Patica
    • Grupo de Experimentación Sonora del ICAIC – Grifo
    • Raúl Gómez – Dacapo
    • Grupo Irakere – Juana 1600
    • 1. Grupo Irakere – Chequere Son
    • 2. Conjunto Rumbavana – El Son Del Campeon
    • 3. Juan Formell & Los Van Van – Mi Ritmo Caliente
    • View full info and tracklisting
    • 3×LP£26.00
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    • 2×CD£13.00
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    Studio One Rockers (Black vinyl edition)Soul Jazz Records

    Owned and founded by Clement "Coxsone" Dodd, Studio One's output serves as a comprehensive guide to the history of Reggae music. The music on Studio One Rockers covers all areas of Reggae such as Ska, Rocksteady, Roots and Dancehall, all areas in which Studio One led the field.


    Studio One Rockers features many legendary Studio One tracks brought together for the first time by Soul Jazz Records. From the beginning of Reggae, when the Skatalites developed a new sound of Ska in 1962 up until today, Studio One has been the number one innovator in Jamaican music.


    Included in this compilation are classic Ska tracks ("Phoenix City"), Rocksteady ("Feel Like Jumping"), Roots music ("Truth and Rights"), Dancehall (Freddy McGregor, Michigan and Smiley) and many more.


    Featured here are many of the classic tracks from Studio One. From Dawn Penn's legendary "No, No, No" to classics such as Horace Andy's "Skylarking" and Marcia Griffith's "Feel Like Jumping".


    The Coxsone Soundsystem in the early 60s was one of the three main soundsystems operating in Jamaica alongside his competitors, Prince Buster and Duke Reid. The Studio One catalogue is possibly the largest in Jamaican music and this release is the first in a series of Studio One compilations on Soul Jazz Records.


    This album comes with an in depth interview with Mr C.S. Dodd, about how he set up and ran his record label in the 1960s and 1970s.


    "Compilation of the month. 100% Essential" SEVEN "Compilation of the month. A compilation of unbelievable quality. Awesome" MUZIK "A who's who of Jamaican music" MUSICWEEK "An essential slice of musical history" WAX "The most credible compilation of reggae you can 

    • Sound Dimension – Real Rock
    • Marcia Griffiths – Feel Like Jumping
    • Freddy Mcgregor – Bobby Babylon
    • Horace Andy – Skylarking
    • Lennie Hibbert – Village Soul
    • Brentford All-Stars – Greedy G
    • Johnny Osbourne – Truth And Rights
    • Ernest Ranglin – Surfin
    • Michigan & Smiley – Eye Of Danger
    • Dawn Penn – No, No, No
    • The Skatalites – Phoenix City
    • Prince Jazzbo – Crabwalking
    • Jackie Mittoo – Hot Milk
    • Lone Ranger – Badder Dan Dem
    • Cedric Brooks – Ethiopia
    Deutsche Elektronische Musik 4Soul Jazz Records

    This is the new instalment of Soul Jazz Records’ ground-breaking Deutsche Elektronische Musik series, ‘A near-definitive guide to some of the world's most extraordinary music’ (The Guardian).

    This latest edition features many of the classic German electronic and Krautrock groups from the 1970s & 80s – including Can, Amon Duul II, Harmonia, Conrad Schnitzler, Agitiation Free, Roedelius – as well as a host of lesser known artists such as Dzyan, Klauss Weiss, Gruppe Between and many more.

    Deutsche Elektronische rarities unearthed on the album include Kalacakra (whose fan-base included the great Moondog!) and their superb ‘Nearby Shiras,’ taken from their super-rare spiritual/psychedelic private press concept album Crawling to Lhasa, from 1972.

    Deutsche Elektronische 4 includes a wealth of German electronic experimental artists – the seminal pioneering group Harmonia (Roedelius, Moebius and Michael Rother), avant-garde guru Conrad Schnitzler as well as lesser known synthetic artists such as Klauss Weiss, Deutsche Wertarbeit, E.M.A.K. (Electronische Musik Aus Koln), Gunter Schickert and others.

    Finally, the album also features an array of heavy and progressive German cosmic rock groups – Dzyan, Virus and the amazing Turkish/German tripped out sound of Alex’s ‘Patella Black’, recorded at Can’s Inner Space in 1973, produced by Holger Czukay and Jackie Liebezeit.

    Deutsche Elektronische 4 comes with extensive newly commissioned sleevenotes by David Stubbs, author of the seminal books ‘Future Days: Krautrock and the building of Modern Germany’, ‘Mars By 1980: The story of Electronic Music’, and ‘Krautrock: Cosmic Rock and its Legacy’.

    This album comes as a heavyweight triple vinyl edition with full colour inner sleeves, as well as a deluxe double CD edition with outsize booklet and slipcase. Both formats include full liner notes and extensive rare photography.

    • Alex – Patella Black
    • Klaus Weiss – Driving Sequences
    • Can – I'm So Green
    • Agitation Free – Laila, Part II
    • Deutsche Wertarbeit – Guten Abend, Leute
    • Amon Düül II – Wolf City
    • Michael Rother – Flammende Herzen
    • Klaus Weiss – Pink Sails
    • Virus – My Strand-Eyed Girl
    • Conrad Schnitzler – Ballet Statique
    • Kalacakra – Nearby Shiras
    • EMAK – Tanz In Den Himmel
    • Et Cetera – Mellodrama 2a
    • Between – Triumphzug Kaiser Maximilian I
    • Roedelius – Halmharfe
    • Dzyan – Dragonsong
    • Harmonia – Deluxe (Immer Wieder)
    • Günter Schickert – Suleika
    • Witthüser & Westrupp – Schöpfung (1. Mose 1)
    Enrique Rodriguez and The Negra Chiway BandFase LiminalSoul Jazz Records

    Powerful new spiritual jazz from Chile on Soul Jazz Records!

    This album comes as a very limited one-off unique pressing of 1000-edition vinyl, limited editon CD and digital release.

    Enrique Rodríguez and the Negra Chiway Band group have an instantly powerful and unique sound that is reminiscent of the ensembles of Sun Ra and his Arkestra as well as Horace Tapscott and his Pan-Afrikan Peoples Arkestra, one that channels the righteous spirits of Alice Coltrane, John Coltrane, Pharoah Sanders, Archie Shepp and McCoy Tyner together with a stunning Latin rhythmical and new consciousness and percussive energy. Added to this are elements of the Samurai film soundtracks of Akira Kurosawa, Popol Vuh’s musical spirituality (especially their work with film director Werner Herzog), Tibetan Buddhism and over-blowing chants, that all combine to give a truly unique new sound.

    Enrique Rodríguez is a composer, percussionist, keyboardist, and producer from Santiago, Chile, whose work shows many similarities with the music featured on Soul Jazz Records’ recent collection ‘Kaleidoscope - New Spirts Known and Unknown’, featuring new forward-looking jazz artists including Mathew Halsall, Theon Cross, Emma-Jean Thackray and Makaya McCraven.

    Like all these artists, Rodríguez’s work is a progressive and experimental fusion of earlier influences that combine into a new and definitely 21st century ground-breaking sound that, on account of its South American setting, give the group its truly unique feeling. Hypnotic modal piano riffs, powerful brass and flutes, an army of Latin percussion instruments, and addictive vocal chants all combine in this powerful mix of radical 60s Afro-centric jazz, eastern spirituality and cosmology, and Latin American rhythmical movement.

    Awesome!

    • Enrique Rodriquez and The Negra Chiway Band – Dónde ?
    • Enrique Rodriquez and The Negra Chiway Band – Descenso
    • Enrique Rodriquez and The Negra Chiway Band – Vindakalla-Welukan (Autoconfrontación)
    • Enrique Rodriquez and The Negra Chiway Band – No Quiero Seguir Así
    • Enrique Rodriquez and The Negra Chiway Band – Acabar de Conocerse
    • Enrique Rodriquez and The Negra Chiway Band – Paso Firme
    • Enrique Rodriquez and The Negra Chiway Band – Dónde ? (Alternate Take)
    • 1. Enrique Rodriquez and The Negra Chiway Band – Dónde ?
    • 2. Enrique Rodriquez and The Negra Chiway Band – Descenso
    • 3. Enrique Rodriquez and The Negra Chiway Band – Vindakalla-Welukan (Autoconfrontación)
    • View full info and tracklisting
    KaleidoscopeSoul Jazz Records

    Soul Jazz Records’ new album ‘Kaleidoscope – New Spirits Known and Unknown’ brings together many of the ground-breaking artists involved in the new jazz scene that has developed in the UK over the last few years. Featured artists include Matthew Halsall, Yazmin Lacey, Ill Considered, Tenderlonious, Theon Cross, Emma-Jean Thackray and many, many more in this ground-breaking release.

    As well as sharing a pioneering spirit in these new artists’ approach to frontier-crossing musical boundaries, a further theme of this album is that many also share a determination to independent practices - and most of these artists’ recordings featured here are either self-published or released on independent labels. While the attention of this new wave of jazz artists has up until now has been London-based, this album shows how this movement is spread across the whole of Britain (and indeed beyond).

    ‘Kaleidoscope – New Spirits Known and Unknown’ shows that while there is commonality in these artists approach to music, there is a wide variety of styles – from deep spiritual jazz, electronic experimentalisation, punk-edged funk, uplifting modal righteousness, deep soulful vocals and much more.

    Soul Jazz Records’ new release comes as a superb one-off pressing special deluxe triple album edition which comes with a bonus limited-edition one-off pressing 7" single, a standard triple album, and a deluxe double CD pack. This album also comes with extensive sleevenotes, artist interviews and exclusive photography.

    --------------------------------------------------------------------------------------------------------------

    Soul Jazz records are also releasing an exclusive one-off pressing double-headed 12” single featuring Theon Cross and Pokus released on the same day as the ‘Kaleidoscope’ album release. These two tracks do not feature on the vinyl edition of the album - this 12" single will will also be deleted on day of release.

    • Matthew Halsall & The Gondwana Orchestra – When The World Was One
    • Yazmin Lacey – 90 Degrees
    • Hector Plimmer – Communication Control
    • Ill Considered – Long Way Home (Live At The Crypt)
    • The Expansions – Mosaic
    • Chip Wickham – Red Planet
    • Levitation Orchestra – Odyssey
    • Emma-Jean Thackray – Walrus
    • Tenderlonious and The 22archestra – The Shakedown
    • Pokus – Pokus One
    • Theon Cross – Candace Of Meroe
    • Joe Armon-Jones & Maxwell Owin – Tanner's Tango
    • Collocutor – Gozo
    • Makaya McCraven – Untitled
    • Nat Birchall – Ancient World
    • Ruby Rushton – Moonlight Woman
    • Ebi Soda – Dimmsdale
    • The Cromagnon Band – Thunder Perfect
    • SEED Ensemble – Mirrors
    • Ishmael Ensemble – Kito's Theme
    • Vels Trio – Yellow Ochre (Part 1)
    • 1. Matthew Halsall & The Gondwana Orchestra – When The World Was One
    • 2. Yazmin Lacey – 90 Degrees
    • 3. Hector Plimmer – Communication Control
    • View full info and tracklisting

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    Black Fire ! New Spirits !Soul Jazz Records

    Soul Jazz Records’ new release Black Fire! New Spirits! is a deluxe double CD (and limited triple LP) exploring deep, radical and spiritual jazz in the USA in the period 1957-1975.

    In the 1960s and into the 1970s jazz music in the USA was in an almost constant state of revolution, with the music and lives of African-American artists radicalised by the advent of the civil rights movement, Black Power, and a new spiritual awakening.

    For over 20 years now Soul Jazz Records have been exploring this rich area of deep and spiritual jazz music with an array of albums such as Freedom, Rhythm and Sound, Universal Sounds of America, New Thing, Soul Jazz Love Strata East and more. Soul Jazz Records have also released a steady stream of reissues of lost and classic deep jazz releases over the years from artists such as Art Ensemble of Chicago, Steve Reid, Pharaoh Sanders and others.

    This new album features groundbreaking and revolutionary artists such as Don Cherry, Archie Shepp, The Last Poets and Yusef Lateef as well as many rare and deep lost tracks from lesser known artists such as Creative Artists Ensemble, Granchan Moncur, Lloyd McNeill, Tyrone Washington and others.

    This album coincides with the recent ‘Black Fire! New Spirits! Images of A Revolution: Radical Jazz in the USA 1960-75’ book, published by Soul Jazz Books, which as well as including pioneering artists such as John Coltrane, Miles Davis, Roland Kirk and Alice Coltrane also features many of the artists included in this album. 

    REVIEWS

    "This double-disc set is the companion soundtrack to Soul Jazz's book of the same name. It documents 14 wide-ranging tracks by well-known foundational artists and those who followed the New Thing path to other realms during a fertile period during and after the Civil Rights Era. Soul Jazz has always done an admirable job both in curation and presentation." All Music

    Read full All Music review here

    • Yusef Lateef – Chang, Chang, Chang
    • The Last Poets – It's A Trip
    • Don Cherry – Utopia and Visions
    • Richard Davis – Dealin'
    • Archie Shepp and Jeanne Lee – Blase
    • Harold McKinney and The Creative Profile – In The Moog
    • Grachan Moncur III and The Jazz Composers Orchestra – Angela's Angel
    • Creative Arts Ensemble – Flashback Of Time
    • David Lee Jr – Second Line March
    • Lloyd McNeill and Marshall Hawkins – The Banjo Lesson
    • Tyrone Washington – Universal Spiritual Revolt
    • Pheeroan Ak Laff – Tzaddi Vau (Part 1)
    • Joe Henderson – Black Narcissus
    • Doug Hammond – Spaces and Things
    Voodoo DrumsDrummers Of The Societe Absolument Guinin (Haiti)Universal Sound

    Unique collection containing authentic rhythms of Haitian Voodoo drumming. Recorded in Port-au-Prince, Haiti by Soul Jazz Records, this album features The Drummers of the Societe Absolument Guinen.

    Voodoo is the African religion at the heart of Haitian life. The complex rhythms of the drums are used to bring down African spirits in Voodoo ceremonies. These drums are the link between the music of Africa and the Caribbean. With links to Cuban Santeria, Jamaican and Trinidadian Afro-religions, Voodoo rhythms are the heaviest, most intense of all. Soul Jazz Records.

    REVIEWS

    "Soul Jazz yet again come correct with the roots and culture. This amazing set of ritual breakbeats Haitian style has to be the most phenomenal, left field battle breaks album you could imagine. The rhythms used cause spirits to manifest themselves in the physical world, all powerful, some benevolent, others less so. Enjoyable and really quite mind expanding, this is recommended to anyone who thinks traditional music is not for them. Really unparallelled, both in terms of quality and the competition." Boomkat

    "Haitian Voodoo is a religion of the new world that came about during the 16th century African slave trade. During their rituals they use drums to bring spirits down to the earth, faccilitating a possession of a worshipper by a specific spirit. Soul Jazz released these pristine recordings and I think it’s one of the best recordings of a drum ensemble I’ve ever heard. It documents the broad tonal range of these drums. I had to check the liner notes to make sure there wasn’t a bass guitar or synthesizer in the mix!" Type

    "This record, which consists entirely of recordings of voudou drumming made in Port-Au-Prince, is one of a series of Soul Jazz releases exploring Haitian music, all of which are worth your attention. Nonetheless there's something about the intensity and virtuosity of this particular drums-based album that's particularly transportive. Beautifully recorded so each strike of each drum punches with all the force of an electronic dance music kickdrum, it captures the extraordinary complexity and sophistication of these ceremonial rhythms, which shift, interlock and switch angle of attack with a logic that's near-indecipherable as a listener unable to see visually how they unfold. These drum rituals are central to Haitian voudou, whose roots lie in closely related religions on the West Coast of Africa, and which originated in the 18th century when Haiti was a French slave colony. Their roles in ceremonies seem as complex and detailed as the rhythms themselves, involved in drawing participants together through the shared pulse of the beat and inciting spiritual possession. Yet their power to awe and mesmerise isn't dimmed through being relatively unfamiliar with the traditions that underlie them; these recordings are dynamic and riveting in their intricacy and power." Quietus

    "I haven't heard anything quite like this; the rhythms are very deeply orchestrated yet it also sounds like improvisation. There are tonalities and textures coming from this album like I've never heard. A great album by Soul Jazz, it's very well recorded, the drums sound so warm and nuanced, a great representation of each drum in the mix. Some of the sounds I have no idea how they are getting them. I would love to see this group play! As a drummer, this album is bending my ear and setting off the dancing devils in my soul!! Unreal!" Guardian Guide

    • – Yanvalou
    • – Africanadou
    • – Rongol
    • – Zepol
    • – Dahome
    • – Congo
    • – Mai
    • – Parigol
    • – Contredance
    • – Afranchi
    • – Juba
    • – Petro
    • – Kita
    • – Boumba
    • – Koye
    • – Zepol
    • – Areyen
    • – Mas Karon
    • – Ibo
    • 2×LP£17.99
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    • CD£12.00
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    • MP3 Release£7.99
      In stockAdd to Bag
    Country Soul Sisters Volume 2Women In Country Music 1956-79Soul Jazz Records

    Country Soul Sisters is a second guide to the great female country singers who helped define a musical genre as artists such as Dolly Parton, Loretta Lynn and Tammy Wynette attained staggering commercial success in the previously male-dominated musical world of country music.

    As well as extensive sleeve-notes the accompanying large outsize booklet also includes stunning photography from the Getty picture archive.  The album features a stunning line-up of classic female country artists – Tammy Wynette, Dolly Parton, Loretta Lynn, Bobbie Gentry, Kitty Wells, Wanda Jackson and many more.

    Female country artists fought hard for equal rights for women in their songs, their careers and their personal lives. Whilst groundbreaking artists such as Kitty Wells and Patsy Cline paved the way for female empowerment in the 1950s, it was in the 1960s that artists such as Dolly Parton, Loretta Lynn, Jeannie C Riley and Tammy Wynette first achieved great commercial success – a moment in time coinciding with the rise of both the women’s liberation and the civil rights movements.

    At the same time these female artists also in many cases broke down musical barriers and consequently this album showcases some of country music’s many colours. From the Nashville Sound of Patsy Cline and the Appalachian roots and authenticity of Dolly Parton, Tammy Wynette and Loretta Lynn through to the country soul of Diana Trask and Jody Miller, the rockabilly stylings of Wanda Jackson, the west coast pop and rock sound of Bobby Gentry, Linda Rondstadt and Cher, as well as the often maligned crossover modern soul of Barbara Mandrell.

    Here you will also find Kitty Wells - the first solo female career recording artist - singing her stunning version of Bob Dylan’s Forever Young, joined by an all star-group of Allman Brothers alumni, as well as African-American country singer Linda Martell’s incredible version of the Winston’s 60s soul classic Color Him Father. In fact the links between country and soul music feature throughout and also included are songs by Aretha Franklin, Luther Ingram and more.

    As well as the slipcase CD edition there is also a limited edition heavyweight double gatefold vinyl edition complete with full sleeve-notes and super-loud pressing.

    Reviews of Country Soul Sisters 1:

    “This superbly presented collection of songs by female pioneers in country music is a celebration of feminism.” The Times

    “Illuminating. Prior to any collective theoretical consensus of feminism these women were already doing it on their own terms.” The Guardian

    “A superb compendium of honky-tonk women” Q

    “An unsurprisingly excellent emission from the imperious Soul Jazz stable.” Clash

    • Jeannie C. Riley – Little Town Square
    • Linda Martell – Color Him Father
    • Dolly Parton – The Bargain Store
    • Diana Trask – Don't Let It Get Away
    • Wanda Jackson – My Baby Walked Right Out On Me
    • Loretta Lynn and Conway Twitty – Working Girl
    • Cher – Chastity's Song
    • Dolly Parton – Jolene
    • Tammy Wynette – Baby Come Home
    • Vikki Carr – Living On A Prayer, a Hope and a Hand Me Down
    • Jody Miller – Don't Throw Your Love To The Wind
    • Jeannie C. Riley – The Rib
    • Bobbie Gentry – Okolona River Bottom Band
    • Joan Harris – Fact of Life
    • Linda Ronstadt – Baby You've Been On My Mind
    • Jody Miller – Natural Woman
    • Jean Shepard – I'm Alone
    • Barbara Mandrell – If Loving You Is Wrong
    • Lynn Anderson – Stay There Til I Get There
    • Kitty Wells – Forever Young
    • Jan Howard – Your Ole Handy Man
    • Patsy Cline – Come On In
    • Barbara Mandrell – I Never Said I Love You
    • Lynn Anderson – If I Can't Be Your Woman
    Rara in HaitiStreet Music of HaitiSoul Jazz Records

    Anarchic carnival street music from Haiti. Traces of New Orleans' Second Line jazz meets Cuban carnival Comparsas and Brazilian afro blocs and the ancient to modern spirit of Kinshasa's Konono no.1 meets the Art Ensemble of Chicago!

    To coincide with the release of the new Kanaval book on Soul Jazz Publishing, Soul Jazz Records are releasing this new CD, "Rara in Haiti: Street music of Haiti".

    Rara is the music played throughout Kanaval, an anarchic folk-meets-punk collision of drums, voices and bamboo sticks which all creates an exciting, energising soundtrack to Kanaval in Haiti. Rara bands tour the countryside for days at a time accosting people, car drivers and anyone in their way, demanding payment before they move on and the crowd of musicians and singers gets bigger all the time.

    This music was recorded by Soul Jazz Records in Port-au-Prince. CD comes with sleenotes by Richard Fleming (author of 'Walking to Guantanamo"), and stunning photography on the cover by Leah Gordon.

    Guardian Review:

    "Recorded in Port-au-Prince, featuring musicians who literally stop traffic in Haiti with their edgy, rousing and hypnotic dance music. Rara is both a distinctive style, with its roots in Africa's slavery days, and the name give to parades in which crowds dance through the streets following bands, in events that can be political or religious.

    This is DIY music at its best, with percussion instruments made from bottles, sticks or old car parts; konet horns, made from the flattened tin of food cans, and vaksins, constructed from lengths of bamboo or even plastic water pipes.

    The result is a furious noise that sounds at times as if football fans were attempting psychedelic marching tunes on vuvuzelas, with lengthy passages of repeated riffs against drumming and chanting vocals. There are similarities with bands in present-day Kinshasa that use homemade instruments to create trance music." (Robin Denslow)

    • – Rara 1
    • – Rara 2
    • – Rara 3
    • CD£12.00
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    • MP3 Release£7.99
      In stockAdd to Bag
    Spirits Of Life : Haitian VodouSociete Absolument GuinenSoul Jazz Records

    This album was recorded by Soul Jazz Records in Port au Prince, Haiti and features the music and songs of Vodou (or Voodoo), the African derived religion that slaves brought to the country. The music has an intensity that reflects the history and isolation of Haiti from the outside world. Heavyweight drumming accompanies the vocals of the priest and choir of the Societe Absolument Guinin. With it’s roots in West Africa, Vodou also has links with the music of Cuba, Brasil, Jamaica and New Orleans (where many Haitian slaves went after the Haitian Slave Revolution – the only succesful slave revolt in the West which led to the first Black Republic). In New Orleans the religion took hold and musically influenced many New Orleans musicians such as Doctor John and Professor Longhair. Haitian Vodou has strong roots and continues to thrive today. The religion was illegal for many years and consequently continues to hold an element of secrecy. As well as Haiti, Vodou is now also widely practised in New York and Miami by the many Haitians who have emigrated to USA from the continual troubles of the poorest country in the West. For more info on Haiti visit the Haiti Support Group website: www.haitisupport.gn.apc.org

    • Spirits of Life – Agoue-dambala (yanvalou)
    • Spirits of Life – Zepol
    • Spirits of Life – Agoue-dambala (yanvalou)
    • Spirits of Life – Ogou (mahi)
    • Spirits of Life – Agoue-dambala (yanvalou Zepol)
    • Spirits of Life – Agoue-dambala (yanvalou Zepol)
    • Spirits of Life – Ogou (nago-zepol)
    • Spirits of Life – Erzulie-ti Jean (petro)
    • Spirits of Life – Erzulie-ti Jean (petro)
    • Spirits of Life – Erzulie-ti Jean (petro)
    • Spirits of Life – Erzulie-ti Jean (petro)
    • Spirits of Life – Erzulie-ti Jean (petro)
    • Spirits of Life – Erzulie-ti Jean (petro)
    • Spirits of Life – Gue De Baron Samedi (mascaron)
      PUNK 45: Burn Rubber City Burn!Soul Jazz Records

      Soul Jazz Records' new 'Punk 45' album Burn, Rubber City Burn charts the rise of the music scene in the mid-west city of Akron, Ohio at a time when the city and the rubber industry it was associated with was in deep decline.
      Featuring a fantastic collection of Akron groups including Devo, The Bizarros, Rubber City Rebels, Jane Aire, Chi-Pig, The Waitresses and more.
      The album comes complete with extensive text as well as exclusive photos and original record artwork. CD comes with large booklet and thick slipcase. Vinyl edition is on deluxe gatefold double-vinyl with free download code.
      The album follows on from Soul Jazz Records' earlier Punk 45 albums about USA and British punk (Kill The Hippies! Kill Yourself! and There Is No Such Thing As Society) as well as the cover art book Punk 45.
      Burn, Rubber City Burn, coincides with the release of as a second album about Ohio’s early punk scene, Extermination Nights in the Sixth City – featuring the music scene of nearby Cleveland.
      REVIEWS:
       “Soul Jazz Records’ story of American punk opens up a whole 1970s history that is still underexposed.” The Guardian
      Read PITCHFORK piece on the album here.
      Read Quietus feature here

      • The Bizarros – I Bizarro
      • The Waitresses – The Comb
      • Hammer Damage – Laugh
      • Devo – Mechanical Man
      • Tin Huey – Squirm You Worm
      • The Bizarros – Lady Doubonette
      • Chi-Pig – Ring Around The Collar
      • Devo – Auto Modown
      • Rubber City Rebels – Kidnapped
      • Denis DeFrange and Mark Frazier – The Manikin Shuffle
      • Jane Aire and The Belvederes – When I Was Young
      • Tin Huey – Puppet Wipes
      • Chi-Pig – Apu Api
      • The Bizarros – Nova
      • Rubber City Rebels – Such A Fool
      • Denis DeFrange – Sector Wars
      • Ralph Carney – Closet Bears
      • 15 60 75 Numbers Band – Narrow Road
      Lloyd McNeill QuartetWashington Suite (1970)Soul Jazz Records

      Soul Jazz Records’ new ox-blood red coloured vinyl limited-edition 1000-copies worldwide LP (+ download code) issue of this very rare deep spiritual jazz album first released as a private-press album in 1970 on flautist Lloyd McNeill’s own Asha Record label in Washington, DC.

      --------------------------------------------------------------------------------------------------------------

      CLASSIC! DEEP Jazz includes the wicked 'Home Rule'

      Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

      McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.


      • – Home Rule
      • – Just 71% Moor
      • – 2504 Cliffbourne Pl.
      • – Fountain In The Circle
      • – City Tryptych
      • – Fountain In The Circle
      SaltHung UpSoul Jazz Records

      NEW LTD. 300 copies (2nd Press, yellow label)

      Only available EXCLUSIVELY to customers at Soul Jazz Records/Sounds of the Universe.

      FACT mag. no. 6 BEST FUNK RECORD EVER MADE! 

      Soul Jazz Records' latest EXCLUSIVE New Orleans Funk bomb: SALT - HUNG UP

      Last original copy sold on EBAY for £1450.

      Has not turned up in the last 8 years!

      And for those of you who have never heard the B-side - it's also a killer SUPER HEAVY FUNK/PSYCH WORKOUT.

      Two killer tunes on this amazing exact replica FUNK 45

      THIS 7-inch can ONLY be bought directly here from Soul Jazz Records or Sounds of the Universe websites and shop.


      • – Hung Up
      • – I Can't Believe
      • 7"£9.99
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      Classic Hip Hop MastercutsVolume 2Mastercuts

      Well groovy innit - hip-hop cassettes BOOM!

      Great Original still-sealed cassette tape !!!

        • Cassette Tape £4.99
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        Punk 45: Sick on You ! One Way Spit !Soul Jazz Records

        This new Punk 45 album is a collection of tracks of twisted, raw and energized proto-punk music from the early 1970s, ahead-of-its-time music which led the way for the birth of punk in the second-half of the 1970s.

        This new album is compiled and has extensive sleeve-notes by Jon Savage.

        Punk 45: Sick on You! One Way Spit! After the Love & Before the Revolution: Proto-Punk 1969-77 is the third volume in this series, following on from the two earlier albums as well as the massive 400-page Punk 45s cover art book published last year.

        While the first in the series, Punk 45: Kill The Hippies! Kill Yourself!, focused on the rise of underground punk in America, and the second album, Punk 45: There is No Such Thing as Society did the same for punk and post-punk in Britain, this album draws upon some of the stripped-down hard garage and post-glam sounds of mainly obscure bands that existed in the early 1970s - that were to prove the template for the forthcoming punk movement.

        This is a unique and fascinating collection of proto-punk tracks from across the USA - Cleveland’s Electric Eels, San Francisco’s Crime, Los Angeles’ Zolar X, Baltimore’s George Brigman and more – as well as from the UK –  with Joe Strummer’s pre-Clash 101ers, the speed- induced r’n’b of the Count Bishops and others also included.

        As usual the album comes complete with text, biographies on each of the bands, exclusive photos and original record artwork.

        The album is released on CD with outsize large booklet and thick slipcase and limited-edition super-loud, super-heavy double vinyl edition complete with full sleeve-notes and free download code. These Punk 45 releases are also the first that Soul Jazz Records are making available as worldwide digital releases.

        'Top 50 best reissues of 2014" Rolling Stone magazine

        • Debris – One Way Spit
        • George Brigman – Jungle Rot
        • Death – Politicians In My Eyes
        • The Hammersmith Gorillas – You Really Got Me
        • Crime – Hot Wire My Heart
        • Mirrors – She Smiled Wild
        • The Hollywood Brats – Sick On You
        • Pastiche – Derelict Boulevard
        • Cabaret Voltaire – Makes Your Mouth Go Funny
        • Jack Ruby – Hit & Run
        • Victoria Vein and The Thunderpunks – Rear Guard Action
        • Electric Eels – Cyclotron
        • The Count Bishops – Ain't Got You
        • Rob Jo Star Band – Acid Revolution
        • The 101ers – Keys To Your Heart
        • The Killer Kane Band – Mr Cool
        • Simply Saucer – Here Come The Cyborgs Part 2
        • Zolar X – Space Age Love
        • Hector – Wired Up
        • Stavely Makepeace – I Wanna Love You Like A Mad Dog
        • Radio Pete – Just A Patsy
        Joe BataanAftershower Funk / FinSoul Jazz Records

        NEW EXCLUSIVE SUPER LTD. edition of 300 copies. Only available EXCLUSIVELY to customers at Soul Jazz Records/Sounds of the Universe.

        KILLER, KILLER 100% Nu Yorican LATIN FUNK masterpiece just landed! Alongside 'Latin Strut' (also available on a ltd. edition 7") this is one of the toughest latin/funk tunes ever recorded in New York in 1974. THE BOMB!

        THIS 7-inch can ONLY be bought directly here from Soul Jazz Records or Sounds of the Universe websites and shop. Ships friday.

        See all the EXCLUSIVE 45s titles only available here!

        • Joe Bataan – Aftershower Funk
        • Joe Bataan – Fin
        • 7"£9.99
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        Punk 45: Kill the Hippies! Kill Yourself! The American Nation Destroys Its YoungSoul Jazz Records

        Soul Jazz Records’ new Punk 45 album charts the rise of underground punk across the United States of America in the years 1973-1980. The album coincides with the release of Soul Jazz Records’ massive new deluxe 400-page Punk 45s cover art book edited and compiled by Jon Savage (author of the seminal book on punk, England’s Dreaming) and Stuart Baker (founder of Soul Jazz Records).

        Watch Guardian newspaper video review here.

        Read Guardian newspaper 2 page album feature here.

        Read Quietus feature here.

        The Punk 45 album features a collection of seminal, classic, obscure and rare punk and proto-punk 45 singles from the likes of Pere Ubu, The Zeros, The Randoms, Electric Eels, The Pagans, The Deadbeats, The Lewd and many more - a  lightning rod journey across the states of America - Cleveland, Detroit, Los Angeles, Akron, New Orleans, Philadelphia – tracing the rise of punk music in these various towns and cities. The album comes complete with extensive text, biographies on each of the bands, exclusive photos and original record artwork.

        The album is released on CD with outsize large booklet and thick slipcase and is also available as a limited-edition super-loud, super-heavy double gatefold-sleeve vinyl editions with full sleevenotes. This is also the first release that Soul Jazz Records are making available as a worldwide digital release.

        Punk 45: Kill The Hippies! Kill Yourself! The American Nation Destroys Its Young - Underground Punk in the United States 1973-80 is the first in Soul Jazz Records’ Punk 45 series of album releases coinciding with the new book and will be followed at the start of next year by Punk 45 Vol. 2 Underground Punk in the UK.

        REVIEWS:

        "Soul Jazz's excellent compilation, Punk 45,  …intelligently compiled and beautifully annotated..."  Alexis Petrides, The Guardian

        *****  Mojo

         “rarities and underground gems” Le Monde, France

        “remarkable”  Les Inrocks, France

        “pure energy” l’Express, France

        “A project very much in the tradition of this label: twenty-one crackers… a fat high-gloss booklet with educationally valuable liner notes and many beautiful pictures... Very poignant, very good.”  SKUG, Austria

        “…whoever is in search of an introduction to the US punk scene… should get ready for their exams now with this CD and its very comprehensive booklet.” Ox Magazine, Germany 

        "nothing less than a historical chronicle…opulent" WDR 5, Germany 





        • The Urinals – I'm A Bug
        • The Normals – Almost Ready
        • The Hollywood Squares – Hillside Strangler
        • electric eels – Agitated
        • Pere Ubu – The Modern Dance
        • The Randoms – Let's Get Rid Of New York
        • The Bizarros – Ice Age
        • The Zeros – Wild Weekend
        • Tuxedomoon – Joeboy The Electronic Ghost
        • X Blank X – You're Full Of Shit
        • Flamin' Groovies – Dog Meat
        • The Deadbeats – Kill The Hippies
        • Theoretical Girls – U.S. Millie
        • The Skunks – Earthquake Shake
        • Knots – Action
        • Crash Course In Science – Cakes In The Home
        • The Pagans – Not Now No Way
        • Pastiche – Flash Of The Moment
        • The Lewd – Kill Yourself
        • Johnny Thunders & The Heartbreakers – Chinese Rocks
        • The Controllers – Neutron Bomb
        • 2×LP£23.00
          Out of stock
        • CD£12.00
          Out of stock
        • MP3 Release£7.99
          In stockAdd to Bag
        Soul Jazz Records 'Classic' WhiteT-shirtSoul Jazz Records

        "Soul Jazz Records" T-shirt. Black and red on white.

          90 Degrees Of ShadeSoul Jazz Records

          Soul Jazz Records’ new album 90 Degrees of Shade features the music of the Caribbean – Mambo, Calypso, Mento, Merengue, Latin Jazz and much more. The music of Cuba, Jamaica, Haiti, Puerto Rico, Dominican Republic and more all feature in this lightning journey through the many island sounds.

          This is the sound of independence, righteous and hot jump-up sounds from the 1950s and 60s, an exciting period of endless new musical styles that would travel across the world – Mento, the Jamaican precursor to reggae; mambos and descargas from Cuba, Dominican merengue, Haitian compas – and more.

          This album coincides with the release of Soul Jazz Records’ massive new deluxe large format hardback book 90 Degrees of Shade: 100 Years of Photography In The Caribbean (with foreward by Paul Gilroy) featuring hundreds of fascinating and unique photographs spanning one hundred years of Caribbean history.

          The new album comes as a deluxe two-CD pack complete with large outsize booklet, packed full of info and original artwork. There are also two limited edition separate heavyweight double LP vinyl editions, each one housed in gatefold sleeves complete with insert, full text and free download code. Also comes as a worldwide digital release.

          • The Eloise Trio – Come To The Caribbean
          • Cachao – Trombon Criollo
          • Duke Of Iron – Bambouche
          • Lucho Azcarraga – Tamboritos Panamenos
          • Alfredito – Timbales
          • King Scratch – Christmas Time In Nassau
          • Guy De Rosier Orchestra – Panono M'Tombe
          • Noro Morales Orchestra – Mississippi Mambo
          • Peanuts Taylor – Nassau Blues
          • Katherine Dunham Ensemble – Nago
          • Hubert Porter – Rum and Coconut Water
          • The Bay Street Boys – Donkey Wants Water
          • Guy Du Rosier Orchestra – Anatole
          • Sonny Burke Orchestra – West Indies
          • Dioris Valladares – Los Dos Merengues
          • Julio Gutierrez – Theme For Conga
          • Hubert Porter – Mary's Lamb
          • Count Lasha – Perseverance
          • Tito Puente – Swingin' Mambo
          • The Duke Of Iron – Fifty Cents
          • Katherine Dunham Presents The Singing Gods – Maiz
          • Fajardo y sus Estrellas – El Aguardiente
          • The Eloise Trio – Anna Macao
          • Lord Fly – Whai, Whai, Whai
          • Gina Martin – Omo Belli
          • Billo's Caracas Boys – Bombele
          • King Scratch – Liza See Me Hear
          • Cortijo – Con La Punta Del Pie Teresa
          • The Calypso Steel-O-Rama Band – Java
          • Super Ensemble Nemours Jean-Baptiste – Rinmin Ce Folie
          • Lord Lebby – Dr. Kinsey Report
          • Celia Cruz – Yembe Laroco
          New Orleans Funk Vol. 4Soul Jazz Records

          Soul Jazz Records’ latest excursion into the Crescent City vaults delves deep into the roots and history of the Voodoo world of New Orleans Funk.

          Packed to the brim with serious break-heavy, heavyweight funk tunes from classic New Orleans artists including Eddie Bo, Betty Harris, Dave Bartholomew, Johnny Adams and Eldridge Holmes (with the ever-present Allen Toussaint and The Meters as always behind the scenes). There is also a host of rare cuts from a number of lesser-known second line New Orleans artists, whose fame rarely reached past the walls of the city, including Gus ‘The Groove’ Lewis, James K-Nine, Norma Jean, Bob French, Chuck Colbert, Zilla Mayes and Joe Haywood.

          In the 1960s the syncopated beat of New Orleans Funk developed out of a gumbo mix of New Orleans local flavours – rhythm and blues, Mardi Gras Indians, the street percussion Second Line of the Jazz Funeral and Marching bands, Caribbean rhumba and mambo rhythms – all of which are in full effect. Even Zydeco, the rhythm and blues offspring of Louisiana Cajun music, had the funk as the King of Zydeco, Clifton Chenier, shows us here. 

          New Orleans music and Voodoo both have their roots in the African-American free black and slave gatherings held at Congo Square from the 18th century onwards. Here Voodoo king Doctor John (the original one!) and Voodoo queen Marie Levaux held court over their followers, and here also could be heard the first sounds of New Orleans jazz music. Soul Jazz Records’ latest album describes how these two cultural forms are inextricably inter-related. 

          The album traces the path of funk from the very first glimpses of the style – Dave Bartholomew’s super-tight ‘The Monkey’ (recorded in 1957) and James Waynes’ junkie jailbird anthem ‘Junco Partner’ (1951, later covered by Dr John, Professor Longhair, James Booker, and The Clash) through to the 1970s heavyweight boogie funk of Chocolate Milk’s rare groove classic Action Speak Louder Than Words and The Baron’s ‘Making It Better’. 

          Also featured is a selection of hard-core classic funk productions from the legendary Eddie Bo (James K-Nine, David Robinson) and the genius of Allen Toussaint (Eldridge Holmes, Gus ‘The Groove’ Lewis, Lou Johnson). There also a number of super-rare independent New Orleans’ one-off 45 single funk productions from the likes of Chick Colbert and Bob French. And lastly, New Orleans Funk female vocalists are in full effect with tracks by Betty Harris (whose ‘Lost Queen of New Orleans Soul’ has just come out on Soul Jazz Records), Zilla Mayes and Norma Jean. 

          This album is released as a heavyweight double gatefold vinyl (+ download code), CD pack and digital album, and comes with extensive long-form sleeve-notes and stunning photography from the Ralston Crawford New Orleans collection and Hogan Jazz Archives at Tulane University, New Orleans.

          Recent related Soul Jazz Records release: Betty Harris 'The Queen of New Orleans Soul' (SJR LP/CD/D345).

          Digital album includes all tracks. Tracks 4,7,11,12 not available individually (only as bundle).

          • Eldridge Holmes – Pop, Popcorn Children
          • Gus 'The Groove' Lewis – Let The Groove Move You
          • Dave Bartholomew – The Monkey
          • Chocolate Milk – Action Speaks Louder Than Words
          • James K-Nine – Live It Up
          • Lou Johnson – Frisco Here I Come
          • Norma Jean – No Competition
          • James Waynes – Junco Partner
          • David Robinson – I'm A Carpenter (Part 1)
          • The Barons Ltd – Making It Better
          • Johnny Adams – You Make A New Man Out Of Me
          • Clifton Chenier – Party Down
          • Eddie Bo – Can You Handle It
          • Bob French's Storyville Jazz Band – Y'er Comes The Funky Man
          • Joe Haywood – Play Me A Cornbread Song
          • Betty Harris – I'm Gonna Git Ya
          • Chuck Colbert & Viewpoint – Stay
          • Zilla Mayes – All I Want Is You
          • 1. Eldridge Holmes – Pop, Popcorn Children
          • 2. Gus 'The Groove' Lewis – Let The Groove Move You
          • 3. Dave Bartholomew – The Monkey
          • View full info and tracklisting
          New Orleans Funk Vol. 3: The Original Sound of FunkSoul Jazz Records

          This new instalment of New Orleans Funk subtitled 'Two-Way-Pocky-Way, Gumbo Ya Ya and the Mardi Gras Mambo' features more classic New Orleans funk in all its forms.


          The syncopated percussion beat of the second line jazz parade bands, the secret language and dances of the Mardi Gras Indians, the mambo and latin rhythms of Professor Longhair and the city’s many piano players help make New Orleans a unique musical melting pot.


          New Orleans long musical heritage begins at Congo Square with the creation of jazz, the original creole culture clash of African heritage and European instrumentation.


          In the 1960s and into the early 1970s add to this the creative powerhouses of Allen Toussaint, The Meters, Eddie Bo and others alongside the famous musical families of the city – the Nevilles, the Marsalis’s, the Lasties – and we find ourselves at the birthplace of the original sound of funk - New Orleans Funk.


          A seemingly endless line of amazing singers - Lee Dorsey, Betty Harris, Willie West, Eldridge Holmes – released a constant stream of stunning 45s, backed by the super-funk Meters and produced by Allen Toussaint. The multi-talented Eddie Bo, similarly wrote and produced for an elite set of artists including The Explosions, Chuck Carbo and others.


          But limited local record distribution meant that most of these artists remained unknown outside of the city borders and as a consequence many of these records are serious collectors items today.


          Add to this the syncopated poly-rhythm funk of Mardi Gras Indians with a rare version of the carnival classic Two-Way-Pock-A-Way, and the parade band jazz of the Rebirth Jazz Band (with their twisted take on the Blackbyrd’s rare groove classic Do It Fluid) and you have the latest instalment in Soul Jazz Records’ New Orleans Funk series.


          Read Quietus large feature here


          REVIEWS:
          "The hallmark of a great Soul Jazz compilation is the balance between the stone cold classic and the well selected deep cut, and this compilation serves up both well." Quietus
          **** 

           "The Soul Jazz label’s long-running curation of New Orleans’s funky past has already yielded several premier league collections for hungry musical gumbo fans. The latest catch from the Nola freak scene... doesn’t disappoint with its swaggering and swinging line of classic cuts."  The Irish Times


          “Every New Orleans Funk release confirms that Soul Jazz Records should keep a triple A in the genre of Soul/Funk.” 90BPM

          • Willie West w/ The Meters – Fairchild
          • Professor Longhair – Go To The Mardi Gras
          • Betty Harris – Trouble With My Lover
          • Tony Owens – Got A Get My Baby Back Home
          • Lee Dorsey – Little Baby
          • The Dixie Cups – Two Way Poc A Way
          • Eldridge Holmes – If I Were A Carpenter
          • Dirty Dozen Brass Band – Do It Fluid
          • Lee Dorsey w/ The Meters – What You Want
          • The Explosions – Jockey Ride (Parts 1 & 2)
          • Allen Toussaint – We The People
          • Chuck Carbo – Take Care Your Homework Friend
          • Betty Harris – What'd I Do Wrong
          • Eldridge Holmes w/The Meters – The Book
          • The Deacons – Fagged Out
          • Diamond Joe – Gossip Gossip
          • Professor Longhair – Big Chief Part 2
          • The Rubaiyats – Omar Khayyam
          • 1. Willie West w/ The Meters – Fairchild
          • 2. Professor Longhair – Go To The Mardi Gras
          • 3. Betty Harris – Trouble With My Lover
          • View full info and tracklisting
          Riddim BoxSoul Jazz Records

          Soul Jazz Records new compilation of the UK Funky scene.


          ‘Riddim Box’ explores the most unique, left-field and innovative UK Funky releases of the recent past with loads of killer tracks and exclusives! UK Funky inhabits the space between dubstep and house mixing together elements of grime, dancehall and R'n' B with the percussive rhythms of Nigerian afrobeat and Caribbean soca to produce one of the UK’s most interesting recent musical developments.


          Following swiftly on from 'Future Bass', Soul Jazz continues its travels through contemporary UK underground dance music (Box of Dub, Steppers Delight, Future Bass).


          Lots of favourite names such as Zed Bias, MJ Cole, Lil’ Silva, Kode9, Crazy Cousins feature alongside exclusive new tracks from LV, Grievous Angel and more.


          With its roots in the UK Garage scene UK Funky continues the chronological musical line from the original sounds of jungle and drum & bass and dancehall through to contemporary sounds of grime, dubstep and 2-Step. Heavyweight!


          Deluxe double CD pack and two volumes of heavyweight double vinyl. 
          (Volume One vinyl is tracks 1-9, Volume Two is 10-19)

          • Altered Natives – Rass Out
          • MJ Cole – Volcano Riddim
          • NB Funky – Riddim Box
          • Tubby T – Ready She Ready (Seiji Remix)
          • Sunship feat Warrior Queen – Almighty Father (Solid Groove Underground Souljah Mix)
          • Zumen featuring Leafnuts & Aaron Phiri – Rolexxx
          • Hard House Banton – Sirens
          • Ghosts On Tape – Predator Mode (Roska Remix)
          • Donae'o – African Warrior (Instrumental)
          • Stereotyp meets Al Haca – Blaze 'n' Cook (Radioslave Remix)
          • Kode9 – Black Sun
          • Lil Silva – Pulse vs Flex
          • LV feat. Rubi Dan & Errol Bellot – Crossfire
          • Zed Bias & Omar – Dancing
          • D-Malice – Gabryelle (Refix)
          • Grievous Angel – Move Down Low (Dubplate Mix)
          • DVA – Natty
          • Shystie – Pull It (Ill Blu Instrumental)
          • Crazy Cousinz – Attract
          Chicago SoulElectric Blues, Funk and Soul: The New Sound of Chicago in the 1960sSoul Jazz Records

          New edition of this classic set of funk and soul from Chicago's legendary Chess Records. CD comes in new deluxe hardback card case edition and perfect bound booklet, 2xLP comes on heavyweight loud vinyl with with full accompanying sleevenotes.

          Soul Jazz Records latest release features classic and rare electric blues, funk and psychedelic soul music recorded in Chicago in the 1960s.

          Chess Records, the infamous soul, blues and jazz powerhouse record company in Chicago was, in the 1960s, one of the main rivals to Motown in neighbouring Detroit and Atlantic Records in New York in its relentless charting of black music in the US charts. Owned by Leonard and Phil Chess, two Polish immigrants, the label brought Chicago’s urban black music to the masses on a huge scale.

          Later Leonard’s son Marshall took the label in new directions, first by courting rock artists such as the Rolling Stones to record at the studios and then in the late 60s releasing genre defying radical psychedelic and experimental rock and funk releases by blues legends Muddy Waters, Howlin’ Wolf and the progressive Rotary Connection, featuring a young vocalist Minnie Riperton, originally a secretary at the company.

          After the closing of Chess in the 1970s, Marshall went on to launch Rolling Stones Records with the legendary group.

          The label was recently the subject of two Hollywood films, ‘Who Do You Love’ and 'Cadillac Records', as well as both a BBC4 television documentary and a four-part BBC6 radio documentary celebrating the story of this amazing independent label that took on the mighty giants of soul music in the 1960s.

          This hardback CD edition showcases a stunning selection of the radical funk, psychedelic soul, rock and jazz tracks recorded for Chess mostly under the production of the genius composer arranger Charles Stepney or Richard Evans and the direction of Marshall Chess. Stepney would later become partners with Maurice White producing seminal Earth, Wind and Fire albums in the 1970s. White was both founder of E,W and F and pert of the regular in-house players at Chess in the 1960s (as a drummer).

          Other regulars included the crack team of Pete Cosey (who later played with Miles Davis), Louis Saterrsfield (another future E,W and F member) and Phil Upchurch. Chess's position on the south side of Chicago led to many musical connections with the jazz scene of the AACM, a link that continued even though the music released on the label was solidly dance-led throughout.

          THe album comes with a 40 page booklet featuring extensive social, cultural and historical text and info and exclusive photographs showing how Chess Records launched urban blues in south-side Chicago, then brought it to the American masses and then in the 1960s recorded and released a stunning array of black styles, music that was both progressive and yet rich in the cities black urban musical legacy, as they created hits on an almost daily basis.

          • Howlin' Wolf – Evil
          • Bo Diddley – Another Sugar Daddy
          • Etta James – Tell Mama
          • The Stereos – Stereo Freeze
          • The Soulful Strings – Burning Spear
          • Ramsey Lewis – Party Time
          • Eve Barnum – Please Newsboy
          • Dorothy Ashby – Soul Vibrations
          • Little Milton – More And More
          • Lorez Alexandria – Baltimore Oriole
          • The Soul Stirrers – Why Am I Treated So Bad
          • Phil Upchurch – The Way I Feel
          • Buddy Guy – She Suits Me To A Tee
          • Rotary Connection – Memory Band
          • Etta James – You Got It
          • Muddy Waters – I Just Want To Make Love To You
          • Laura Lee – Mama's Got A Good Thing
          • Sonny Cox – The Wailer
          • Gene Chandler – In My Body's House
          • Fontella Bass – Leave It In The Hands Of Love
          • 2×LP£23.00
            Out of stock
          New Orleans Funk 2: The Original Sound of FunkSoul Jazz Records

          This is Soul Jazz Records’ new journey into the heart of New Orleans and a guide to the city’s finest Funk music produced in the late 1960s and early 1970s.’ Featuring everyone from The Meters to Eddie Bo, Lee Dorsey to Betty Harris, this is a who’s who of the Crescent City’s most famous and most funky! 


          The city of New Orleans has deep musical roots that stretch back to Africa. New Orleans first gave birth to Jazz music, a Black musical form centred on rhythm, improvisation, freedom and collectivity at the turn of the century. Similarly in the late 1960s New Orleans Funk came to define a unique sound, mixing Caribbean rhythms, New Orleans second-line syncopation and rhythm and blues, all played by the Big Easy’s finest musicians. 


          Whilst Jazz and Funk music spread throughout the world, many African-American musical traditions remained within the city limits such as Mardi Gras and Carnival, Saturday Night Fish Fries, Funeral Marching bands and much more which partly explains why New Orleans music is so unique. 


          The album comes with extensive sleeve-notes, exclusive photography and more, and is an essential guide to the musical landscape of New Orleans and - together with Soul Jazz Records’ earlier New Orleans’ releases - presents the definitive story of New Orleans Funk.
          Although on the mainland coast, New Orleans is also surrounded by lakes giving the city an island feel. Similarly its proximity to Puerto Rico, Cuba, Haiti and the other West Indian Isles means that Latin and Caribbean musical influences are in its veins as much as American musical traditions. The upside of this city’s isolation is that New Orleans musical traditions flourished away from those of the rest of America. A thriving city full of artists, musicians, singers, producers, record companies, studios (well one studio actually) led to a 24-hour, 7-day a week musical life, playing in clubs, bars, brothels, carnivals and parades. 


          The downside of the cities isolation from the rest of the US was that the city never developed a solid music industry to back up the creative over-supply. Whilst New York had Atlantic, Detroit had Motown, Memphis had Stax, Chicago had Chess, Los Angeles had Modern, New Orleans had a multitude of small businesses fighting for space - and often each other. Without the marketing, promotional weight, business nouse and financial clout, New Orleans labels found it hard to get the nationwide distribution necessary to fill the million-odd jukeboxes throughout the country. So whilst every family in America knows the music of Gladys Knight or Smokey Robinson few could tell you about – let alone hum a tune from - Benny Spellman, Inell Young, Warren Lee….This is far from being a reflection of the artists creativity or musicality - as anyone can tell you New Orleans melodies are the catchiest of all - more it is a reflection of the limitations of the local music industry. Some New Orleans artists became successful throughout the US such as Fats Domino in the 1950s and in the late 1960s The Meters and Lee Dorsey, but many artists remained within the city limits. 
          This makes for a fascinating goldmine of music released by a complex myriad of small labels run mainly by New Orleans producers, promoters and artists themselves. New Orleans Funk 2 brings together many of these artists along with text, sleeve-notes and photographs that gives social and historical context to the incredibly funky music of New Orleans.

          • Cyril Neville – Gossip
          • Eddie Bo – If It's Good To You (It's Good For You)
          • Ray J – Right Place Wrong Time
          • The Meters – Chicken Strut
          • Allen Toussaint – Tequila
          • The Prime Mates – Hot Tamales
          • Betty Harris – Show It
          • Lee Dorsey – Four Corners
          • Bonnie and Sheila – You Keep Me Hanging On
          • The Gaturs – Yeah You're Right, You Know You're Right
          • Danny White – The Twitch
          • Inell Young – What Do You See In Her
          • Earl King – Street Parade
          • Eddie Bo & The Soul Finders – The Rubber Band
          • Benny Spellman – Fortune Teller
          • Warren Lee – Mama Said We Can't Get Married
          • Betty Harris – 12 Red Roses
          • Joe Chopper & The Swinging 7 Soul Band – Soul Pusher
          • Eddie Bo – Hey Bo
          • Johnny Moore – Haven't I Been Good To You
          • Jimmy Hicks – I'm Mr Big Stuff
          • Warren Lee – Funky Belly
          • G. Davis and R. Tyler – Hold On Help Is On The Way
          • Art Neville – Bo Diddley
          • Porgy Jones – Dap
          • 3×LP£24.00
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          • CD£12.00
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          • MP3 Release£7.99
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          New Orleans FunkSoul Jazz Records

          Album features Ernie K Doe’s ‘Here Come The Girls’, The Meters, Eddie Bo, Professor Longhair, Lee Dorsey, Wild Magnolias and more.


          This is the definitive collection of New Orleans Funk featuring acknowledged masters next to some of the earlier artists who shaped the meaning of funk. The album is also filled with many rare, sought after and undiscovered funk tracks. It covers the period from the emergence of New Orleans Funk in the early 1960's through to the mid-seventies.


          The record is an essential part of anyone in any way interested in Funk's record collection. It has some vital ingredients in it that you can't find elsewhere. With the sound of the New Orleans Funeral March Bands, Mardi Gras Indian Tribes and Saturday Night Fish Fries all as inspiration New Orleans Funk developed into a unique sound. 


          New Orleans is a port town. Originally owned by the French, this was where many slaves were brought from the West Indies. Many of these slaves came from Haiti and brought with them the religion of Voodoo and its drums and music. It became one of the first parts of America to develop a strong African-American culture leading to the invention of Jazz in the early 1900s. 


          A main feature of Jazz in New Orleans were the Jazz Funeral Marching bands. Solemn Brass bands accompanying a coffin would, on burial, be joined by a second line of drummers and dancers which would turn the event into a celebration of the spirit cutting free from earth. This African tradition is strong in New Orleans and still goes on to this day. The backline drums play a syncopated style that is neither on the beat nor the off-beat. It is these rhythms that are the basis of New Orleans Funk. 


          The album comes with a booklet presenting a historical explanation to how and why this music came about, and with lots of information about the people involved.


          Reviews:
          "A Perfect Primer For Funk Fans" Q (Top 5 albums of the year)
          "Probably the finest compilation that Soul Jazz has released. Essential" Time Out

          • The Explosions – Hip Drop
          • Lee Dorsey – Who's Gonna Help Brother Get Further
          • Gentleman June Gardner – It's Gonna Rain
          • Eddie Bo – Check Your Bucket
          • Professor Longhair – Big Chief
          • Huey "Piano" Smith & His Clowns – Free, Single And Disengaged
          • Chuck Carbo – Can I Be Your Squeeze
          • Aaron Neville – Hercules
          • Mary Jane Hooper – I've Got Reasons
          • The Gaturs – Gator Bait
          • Allen Toussaint – Get Out Of My Life Woman
          • Cyril Neville – Tell Me What's On Your Mind
          • Bo Dollis & The Wild Magnolia Mardi Gras Indian Band – Handa Wanda
          • Lee Dorsey & Betty Harris – Love Lots Of Lovin
          • The Explosions – Garden Of Four Trees
          • Ernie & The Top Notes – Dap Walk
          • The Meters – Just Kissed My Baby
          • Marilyn Barbarin – Reborn
          • Dr. John – Mama Roux
          • Danny White – Natural Soul Brother
          • Eddie Bo – Hook 'N' Sling, Pt. 2
          • Ernie K. Doe – Here Come The Girls
          • Robert Parker – Hip-Huggin
          • The Meters – Handclapping Song
          • 2. The Explosions – Hip Drop
          • 3. Lee Dorsey – Who's Gonna Help Brother Get Further
          • 4. Gentleman June Gardner – It's Gonna Rain
          • View full info and tracklisting
          12" Record CLASSIC BagNavy BlueSoul Jazz Records

          This is our CLASSIC Soul Jazz Records 12" Bag (Navy blue/White). 100% Essential!

          Get down with the get down! Fantastic new season colours in Soul Jazz Records' classic 12" & 7" Record Bags (holds about 30LPs). Fantastic for DJing, impressing your stylish friends or just 'carrying stuff'.

          As well as the classic blue bag with white strap and stripes these are now available in limited edition red, green, cyan and more with matching straps - 'nuff colours!

            Soul Jazz Records 7” CLASSIC 7" BagNavy Blue Blue and White BAGSoul Jazz Records

            This is our CLASSIC ORIGINAL 7" Record Bag (Navy blue/white). 100% Essential!

            Get down with the get down! Fantastic new season colours in Soul Jazz Records' classic 12" & 7" Record Bags (holds about 50 7"s). Fantastic for DJing, impressing your stylish friends or just 'carrying stuff'.

            As well as the classic blue bag with white strap and stripes these are now available in limited edition red, green, cyan and more with matching straps - 'nuff colours!

              Vodou Drums in Haiti 2: The Living Gods Of HaitiSoul Jazz Records

              Soul Jazz Records’ new album features the truly intense, hypnotic and fascinating Vodou drums of Haiti, a stunning collection of trance-like rhythms and beats traditionally used to induce spirit possession in the Vodou religion.

              Soul Jazz Records first journeyed to Haiti in 1996 to record a series of three albums about Haitian Vodou music and culture. One of these, ‘Voodoo Drums’, featuring the drum rhythms used to bring about spirit possession struck a striking chord with listeners, and amazingly went on to become one of their best-selling albums.

              "I haven't heard anything quite like this; the rhythms are very deeply orchestrated yet it also sounds like improvisation. There are tonalities and textures coming from this album like I've never heard. A great album by Soul Jazz, very well recorded. Some of the sounds I have no idea how they are getting them! This album is bending my ear and setting off the dancing devils in my soul!! Unreal!" Guardian

              In 2016 Soul Jazz Records returned to Haiti once more to record a new second volume of the same intense Vodou drumming. Recorded in the capital of Port-au-Prince, Haiti, some 20 years after their first visit, this album also features the very same musicians, the Drummers of the Société Absolument Guinin.

              "This record, which consists entirely of recordings of vodou drumming made in Port-Au-Prince, is one of a series of Soul Jazz releases exploring Haitian music, all of which are worth your attention. Nonetheless there's something about the intensity and virtuosity of this particular drums-based album that's particularly transportive. It captures the extraordinary complexity and sophistication of these ceremonial rhythms, which shift, interlock and switch angle of attack with a logic that's near-indecipherable as a listener unable to see visually how they unfold.

              These drum rituals are central to Haitian vodou, their power to awe and mesmerise isn't dimmed through being relatively unfamiliar with the traditions that underlie them; these recordings are dynamic and riveting in their intricacy and power." Quietus

              Like the first album, these new recordings somehow manage to walk the line between serious ethnological authenticity and a connection with the energy and intensity of the dance rhythms of techno and house music that make them quite unique:

              "Soul Jazz yet again come correct with the roots and culture. This amazing set of ritual breakbeats Haitian style has to be the most phenomenal, left field battle breaks album you could imagine. The rhythms used cause spirits to manifest themselves in the physical world, all powerful, some benevolent, others less so. Enjoyable and really quite mind expanding, this is recommended to anyone who thinks traditional music is not for them. Really unparallelled, both in terms of quality and the competition." Boomkat

              This album is released worldwide on heavyweight double LP + download code, deluxe CD and digital album.

              • – Bolero
              • – Adaptation
              • – Kod Kout
              • – Pastorelle
              • – Ti Mole
              • – Doki
              • – Rara
              • – Mazoune
              • – Tichampet
              • – Chay-O-Pye
              • – Kokoplim
              • – Raboday
              • – Indien
              • – Ti Jocelin
              • – Kalipso
              • – Banda
              Soul Jazz Records presents Gwo KaMusic of Guadeloupe, French West Indies by Tradisyon KaSoul Jazz Records

              Soul Jazz Records continues its journey into the world of Afro-Caribbean roots music with this album of newly recorded music of Gwo Ka music recorded and produced by Soul Jazz Records on the island of Guadeloupe, French West Indies.

              Gwo Ka music is a fantastic fusion of  African-­derived musical form ( call and response), with vocal styles that draw upon the equally powerful French chanson singers to create a truly unique combination.

              Tradition Ka, made up of some of the island’s finest singers and master drummers, is part of a powerful network of politicised Gwo Ka groups on the island – upholding the traditions and cultural importance of Gwo Ka as part of a larger process of defining the identity of Guadeloupe and its culture.

              This album is newly studio recorded in Pointe-­A-­Pitre, Guadeloupe by Soul Jazz Records. Like   the cult music of Haiti’s Vodou and Cuba’s Santeria or the roots music of Belize’s Garifuna (all of which Soul Jazz have also released), Gwo Ka is the musical and cultural product of the region’s African ancestry, forcibly brought to the Caribbean through slavery.

              Gwo Ka exists only in Guadeloupe, a very different island from much of the Caribbean, in that it remains a ‘department’ of its original colonial master, France. Here, the currency is the Euro and   the baker sells croissant and café au lait.

              This constant ‘European-­ising’ of the island means that Gwo Ka plays a fundamental and important role in the defining of Guadeloupean identity. As an African-­derived music, its position    as a counter-­balance to French influence means that the definition of how and what Gwo Ka represents is also in a constant state of flux. 

              These new recordings show how Gwo Ka is both a modern Caribbean music form and one firmly rooted in ancestral history.

              ---------------------------------------------------------

              Over the last 20 years Soul Jazz Records have been documenting and presenting the often hidden histories and deep musical worlds of Cuba, Haiti, Jamaica, Belize, Trinidad, the Bahamas and more. This documentation encompasses reissuing lost recordings, such as the mighty Studio One catalogue of reggae, producing films/dvds (such as the 3-­hour documentary  Mirror To The Soul in conjunction with British Pathé, and Dub Echoes), books (check the forthcoming photography book on the Caribbean 90 Degrees of Shade, with text by Paul Gilroy, and Kanaval) as well as travelling to the region to produce new recordings.

              • Tradisyon Ka feat Patrick Tulippe – Adam é Eve
              • Tradisyon Ka feat Henri Louis – Ansanm pou dèmen
              • Tradisyon Ka feat Patrick Tulippe – Konsyans
              • Tradisyon Ka feat William Casse – Elwa
              • Tradisyon Ka feat Leonard Zozio – Yenki Sa An Pa Enme
              • Tradisyon Ka feat Francois Dinane – Kan La Line Lévé
              • Tradisyon Ka feat Thierry Dernault – La Gwadloupéyen
              • Tradisyon Ka feat William Casse – Latilyé Valo
              • Tradisyon Ka feat Francois Dinane – Lékiri a Misié O
              • Tradisyon Ka feat Francois Dinane – O La Ou Té Yé
              • Tradisyon Ka feat Patrick Tulippe – O Moman Lesclavaj
              • Tradisyon Ka feat Patrick Tulippe – Yo pé ké jen chanjé
              • 1. Tradisyon Ka feat Patrick Tulippe – Adam é Eve
              • 2. Tradisyon Ka feat Henri Louis – Ansanm pou dèmen
              • 3. Tradisyon Ka feat Patrick Tulippe – Konsyans
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