Country Soul Sisters Women In Country Music 1952 - 78

    Soul Jazz Records
    • Deluxe CD£12.00
      Out of stock
    • Dolly Parton – Don't Let It Trouble Your Mind
    • Lynn Anderson – Fancy
    • Jeannie C. Riley – I've Done A Lot Of Living Since Then
    • Bobbie Gentry – Reunion
    • Tammy Wynette – Tonight My Baby's Coming Home
    • Jean Shepard – A Satisfied Mind
    • Nancy Sinatra – Get While The Gettin's Good
    • Tanya Tucker – California Cotton Fields
    • Sammi Smith – Saunders Ferry Lane
    • Connie Smith – If It Ain't Love
    • Jean Shepard – Two Whoops And A Holler
    • Billie Jo Spears – Mr. Walker, It's All Over
    • Patsy Cline – Ain't No Wheels On This Ship
    • Barbara Fairchild – Color My World
    • Loretta Lynn and Conway Twitty – You're The Reason Our Kids Are Ugly
    • Jeannie C. Riley – Harper Valley PTA
    • Jody Miller – A Woman Left Lonely
    • Kitty Wells – Delta Dawn
    • Diana Trask – Show Me
    • Norma Jean – He's All I've Got
    • Bobbie Gentry – Ode To Billie Joe
    • Bonnie Guitar – Tender Words
    • Barbara Mandrell – Husband Stealer
    • Diana Trask – I'll Never Do You Wrong
    • Kitty Wells – It Wasn't God Who Made Honky Tonk Angels
    • 1. Don't Let It Trouble Your Mind
    • 2. Fancy
    • 3. I've Done A Lot Of Living Since Then
    • 4. Reunion
    • 5. Tonight My Baby's Coming Home
    • 6. A Satisfied Mind
    • 7. Get While The Gettin's Good
    • 8. California Cotton Fields
    • 9. Saunders Ferry Lane
    • 10. If It Ain't Love
    • 11. Two Whoops And A Holler
    • 12. Mr. Walker, It's All Over
    • 13. Ain't No Wheels On This Ship
    • 14. Color My World
    • 15. You're The Reason Our Kids Are Ugly
    • 16. Harper Valley PTA
    • 17. A Woman Left Lonely
    • 18. Delta Dawn
    • 19. Show Me
    • 20. He's All I've Got
    • 21. Ode To Billie Joe
    • 22. Tender Words
    • 23. Husband Stealer
    • 24. I'll Never Do You Wrong
    • 25. It Wasn't God Who Made Honky Tonk Angels

    Country Soul Sisters charts the rise of female singers in country music from 1952 to 1978.

    As well as country legends Dolly Parton, Loretta Lynn, Tanya Tucker and Tammy Wynette, Country Soul Sisters also features artists such as Bobbie Gentry, Nancy Sinatra - who also made country music but existed outside the traditional Nashville framework. Also highlighted are country soul music protagonists such as Jeannie C Riley, Diana Trask and Barbara Mandrell.

    Far from the traditional conservative image of country music this album features songs whose lyrics deal with female empowerment and subjects that include child prostitution, abortion, death and angels, workplace sexual exploitation, small town bigotry and more.

    It was not until Kitty Wells’ groundbreaking 1952 hit It Wasn’t God Who Made Honky Tonk Angels that women were first taken seriously as country artists. Wells’ song was written in reply to a popular country hit (Hank Thompson’s The Wild Side of Life) whose lyrics expressed the dominant view that the only women who frequented bars were those of loose moral fibre. Wells’ musical reply - that in fact it was married men who acted as if they were single that caused good women to take the wrong path – revolutionised the position of women in country music.

    Forget outlaw country or alt. country, male dominance of country music meant that female country singers were the original outsiders – simply by nature of being themselves. What is so equally fascinating is how these artists managed to negotiate a space for themselves that was acceptable to the general male conservative hierarchies whilst at the same time remaining true to themselves as both artists and women for their largely female public.

    The album comes with extensive sleevenotes charting the rise of female artists in country music from early stars such as Patsy Cline and Kitty Wells up to the astute-minded superstar figures who came to dominate the industry in the late-1960s and 1970s – figures such as Dolly Parton, whose businesses and enterprises include the theme park Dollywood, a film production company as well as the philanthropic ‘Dolly Parton’s Imagination Library’ which has now distributed over 40 million free books to young children in USA, Canada and the UK.

    As well as the extensive sleevenotes, the accompanying large 68 page outsize book also includes artists interviews as well as stunning archive photography from the Getty picture archive.

    There is also a very limited edition heavyweight double gatefold vinyl edition (complete with full sleeve-notes) and super-loud pressing.

    Reviews:

    'This superbly presented collection of songs by female pioneers in country music from 1958 to 1978 is a celebration of feminism.' The Times

    Features:

    Read Guardian newspaper feature here.

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    VINYL FACTORY COMPILATION OF THE YEAR 2020!!!

    See chart here

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    LIMITED EDITION COMES WITH FREE GRAPHIC STORY!

    Soul Jazz Records’ new Black Riot: Early Jungle, Rave and Hardcore is a brand new collection of heavyweight ragga-influenced hardcore jungle tracks from the early 1990s. Dark and heavy!

    Featuring classic and seminal tracks from the likes of Levictus and Krome &Time, alongside a host of rare and little-known ragga & junglist hardcore tunes from the likes of Babylon Timewarp’s hypnotic Durban Poison, Rhythm for Reasons’ mad ‘The Smokers Rhythm’, The Freaky rave-y breakbeat sound of ‘Time and Age,’ Trip One’s super dark ‘Snowball’ and loads more!

    Expect super heavy basslines, equally heavy twisted Amen drum loops, even heavier ragga vocals! Original jungle style - roots and culture - from the earliest days of drum and bass.

    Included with the album is a free limited-edition graphic mini-novel “Black Riot: The Mysterons save Planet Earth from the Xatheroid Angels.” This is the third collaboration between Soul Jazz Records and writer/illustrator Paulo Parisi, the highly respected author of graphic books on Jean Michel Basquiat and John Coltrane.

    This new graphic story continues the story of black electronic dance music – this time set around the birth of Jungle and continues onwards from Soul Jazz’s earlier ‘Invasion of the Killer Mysterons’ (Jamaican electronic Dub, co-compiled by Kevin Martin (The Bug)) and Mysterons Invade the Jackin’ Zone (about Chicago Acid & Experimental House).


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    • Babylon Timewarp – Durban Poison
    • The Terrorist – RK1
    • DJ Dubplate – Tings A Go On
    • Leviticus – Burial (Lovers Rock Mix)
    • The Freaky – Time and Age
    • Trip One – Snowball Remix
    • DJ Krome & Mr. Time – Ganja Man
    • New Vision – Way Of Life
    • DJ Dubplate – Original Rubadubstyle
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    • New 2×LP + Download Code + Limited Edition Graphic story£24.00
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    • CD plus Limited Edition Graphic story£12.00
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    • MP3 Release£7.99
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    Lloyd McNeill QuartetWashington Suite (1970)Soul Jazz Records

    Soul Jazz Records’ new ox-blood red coloured vinyl limited-edition 1000-copies worldwide LP (+ download code) issue of this very rare deep spiritual jazz album first released as a private-press album in 1970 on flautist Lloyd McNeill’s own Asha Record label in Washington, DC.

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    CLASSIC! DEEP Jazz includes the wicked 'Home Rule'

    Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

    McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.


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    WORLD EXCLUSIVE limited edition seven-inch 45 ONLY AVAILABLE to customers at Soul Jazz Records and Sounds of the Universe!

    THIS RECORD IS 100% ESSENTIAL and ONLY available HERE - DO NOT MISS OUT!


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    This album is released as a heavyweight black vinyl double-album with gatefold sleeve, full notes and download code, deluxe CD with full booklet and slipcase and digital album.

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    These are very limited Studio One 12" pressings (worldwide 1000) that sell out on the day they are released. So don't miss out here!

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    The all-time epic sample for Boogie Down Productions’ seminal ‘Jack of Spades’ based on James Brown’s funk bomb ‘Get on the Good Foot’.

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    Boom!


    • – Greedy G
    • – Granny Scratch Scratch
    Lloyd McNeillToriSoul Jazz Records

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    About Ohms:

    “This might well be the Dark Side of the Moon of the XXI century” Discogs


    • Trees Speak – Double Slit
    • Trees Speak – Glass
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    Trees SpeakShadow FormsSoul Jazz Records

    Super-limited new 1000 copies special ox-blood red vinyl edition!

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    Cold Wave # 2Soul Jazz Records

    Cold Wave #2

    Ltd. Edn. Dayglo sleeve + PURPLE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

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    Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

    This is the second release of Soul Jazz Records’ new Cold Wave overview.

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    This second edition Cold Wave #2 comes in two vinyl editions – a one-off pressing purple coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

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    These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

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    All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.

    • Lena Willikens – Howlin Lupus
    • Beta Evers – Hiding
    • L.F.T. – Stay Away From The Light
    • Job Sifre – At Least We Try
    • De Ambassade – Niet Van Mij
    • Toulouse Low Trax – Rushing Into Water
    • V.C.V.S. – Hum
    • Dave I.D. – Help Starts
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    Marcia GriffithsFeel Like Jumping / Part 2Soul Jazz Records

    IN STOCK NOW!

    BRAND NEW LTD. EDN. 12" All-time Studio One party ANTHEM now available for the first time ever on loud 12" with version on the flip. 100% ESSENTIAL MONSTER TUNE - ROCKS ANY DANCEFLOOR!

    • Marcia Griffiths – Feel Like Jumping
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    Cold WaveSoul Jazz Records

    Ltd. Edn. Dayglo sleeve + ORANGE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

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    Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

    This is the first release of Soul Jazz Records’ new Cold Wave overview and a second volume will be released just four weeks later.

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    This first edition of Cold Wave comes in two vinyl editions – a one-off pressing orange coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

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    These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

    Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

    Most of the featured artists are based in Europe and include Krikor, Dissemblance and VQOA from France, De Ambassade from the Netherlands, Moisture from Sweden, Kriedler from Germany, Céline Gillain and Carcass Identity from Belgium. One exception is FIT Siegel out of Detroit, connecting the electronic pathways of Europe to the Motor City.

    All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.


    • Dissemblance – Capture
    • Carcass Identity – Reflexion Ocean
    • FIT Siegel – Wayne County Stomp
    • De Ambassade – Standhouden
    • Wang Inc – Approdo
    • Krikor Kouchian – Niños Matadores
    • Céline Gillain – Fight or Flight
    • Kreidler – Kannibal
    • Moisture – Gammut
    • Violent Quand On Aime – Of Course I'm A Liar
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    Back in stock!

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    The album is a mix of classic tunes and rhythms alongside super-rarities that were released in a dazzlingly complex web of Studio One labels and issues, deftly navigated with new sleevenotes from author and Studio One authority Rob Chapman. But enough with the chatter, just spin the platter - these tunes rule the town, hands down!


    This Soul Jazz/Studio One album is released as deluxe gatefold double-vinyl + house inners + download code. Also as jewel case CD housed in card slipcase. Both formats come with full sleeve notes/discography and exclusive photography. (The album is also available digitally on day of release onwards)

    • Alton Ellis – It's True
    • The Heptones – You Turned Away
    • The Gladiators – Mr Sweet
    • The Jail Breakers – Work It Up
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    • The Heptones – Young Generation
    • Jackie Mittoo – Good Feeling
    • C. Marshall – I Need Your Loving
    • Alton Ellis – I'll Be Waiting
    • The Clarendonians – The Tables Gonna Turn
    • Ken Parker – When You're Gone
    • Sound Dimension – Traveling Home
    • Errol Dunkley – Get Up Now
    • John Holt – My Heart Is Gone
    • Freedom Singers and Larry Marshall – Monkey Man
    • The Ethiopians – Let The Light Shine
    • Im and David – Money Maker
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    Add N To X - On The Wires Of Our Nerves (Special Limited Edition RSD 2021 silver vinyl)Record Store Day Exclusive #4Soul Jazz Records

    Super special 20th anniversary SILVER vinyl!

    Incredibly inspired electronic retro-futurists who were so ahead of their time that they eventually imploded. This is a classic album!

    In the space of five short years (and as many albums) at the end of the 20th century Add N To X caused havoc with their unique retro-futurist electronic music. Add N To X’s musical intensity proved too much for the group who split up in 2002. Their album On The Wires of Our Nerves, complete with its classic cover image, recorded on Soul Jazz Records’ then new offshoot label Satellite Records, launched them into the spotlight and included two NME Singles of the Week ‘Black Regent’ and ‘King Wasp’. Over twenty years since it was first released and long out of print the album 'On The Wires of Our Nerves’ stands up one of the most forward-looking electronic albums of then and now.

    This classic album is released in a very limited one-off pressing transparent vinyl edition as an Record Store Day exclusive title

    • Add N To X – The Black Regent
    • Add N To X – Planet Munich
    • Add N To X – Nevermind
    • Add N To X – We Are Add N To X
    • Add N To X – Murmur One
    • Add N To X – Sound Of Accelerating Concrete
    • Add N To X – Gentle Germans
    • Add N To X – King Wasp
    • Add N To X – Orgy Of Bubastus
    • Add N To X – Grey Body, Green Gun
    • Add N To X – On The Wire Of Our Nerves
    • Add N To X – Hit Me
    • Add N To X – Sir Ape
    Steve Reid Ensemble feat. Kieran Hebden - Spirit Walk (Special Limited Edition black vinyl RSD 2021)Record Store Day Exclusive #5Soul Jazz Records

    LONG OUT OF PRINT One-off RSD 2021 special limited edition black vinyl

    "Steve Reid played with Sun Ra, knew Coltrane, played at Motown. I mean this is a guy who at 19 was playing drums with Fela Kuti in Africa. He is a musical genius. It’s a creative joy and honour to work with him."Kieran Hebden (Fourtet) After a number of groundbreaking live shows between Kieran Hebden (Fourtet) and legendary New York drummer Steve Reid, these two artists have embarked on two amazing new recording projects.

    The first release is the Steve Reid Ensemble (featuring Kieran Hebden) "Spirit Walk". This will be followed by a second album by Kieran Hebden and Steve Reid which will be released by Domino Records at the beginning of 2006. Both albums blend electronic experimentation within the frame-work of Steve Reid’s musical heritage. Gilles Peterson will be touring the UK in November alongside The Steve Reid Ensemble. An ardent fan of the music, Peterson has contributed the sleeve-notes to "Spirit Walk" along with another long-time musical admirer Val Wilmer. Steve Reid is a true pioneer of boundary-breaking music.

    This latest project/collaboration is a continuation of a musical path that stretches back to the late 1960s. A self-taught master jazz drummer Steve Reid played in Sun Ra’s Arkestra as well as being a session musician at both Motown Records (he plays on for instance Martha and The Vandella’s "Heatwave") and in James Brown’s in-house band at the legendary Harlem Apollo. In the mid-60s Reid went to West Africa, playing and learning the music of Ghana, Nigeria (playing with Fela Kuti), Liberia, Sierra Leone, Senegal. On returning to New York he joined Sun Ra’s The Science Myth Solar Arkestra.

    In 1968 as a conscientious objector to the Vietnam war he was sentenced to 4 years in prison where he then taught a Black history course to his fellow inmates. In the 1970’s Reid formed the Legendary Master Brotherhood as well as running his own record company, Mustevic Sound, which released a series of his albums (2 of which have earlier been released by Soul Jazz Records). In a career now spanning over 40 years Steve Reid has worked with artists such as Lester Bowie, Miles Davis, Charles Tyler, Arthur Blythe, Ornette Coleman, Gary Bartz, Chief Bey, Archie Shepp, Sam Rivers, Dee Dee Bridgewater, Leon Thomas and more. This new project is the latest part in Steve Reid’s musical odyssey.

    "A truly phenomenal artist. This is the album we've all been waiting a long time for. Steve Reid is steeped in musical history and yet this album has a modernity all of it's own." Gilles Peterson.

    • Steve Reid Ensemble – Lugano
    • Steve Reid Ensemble – Bridget
    • Steve Reid Ensemble – For Coltrane
    • Steve Reid Ensemble – Blind Tom
    • Steve Reid Ensemble – Which One?
    • Steve Reid Ensemble – Lions Of Juda
    • Steve Reid Ensemble – It Cannot Be True
    • Steve Reid Ensemble – Unity
    • Steve Reid Ensemble – Drum Story
    Studio One RootsSoul Jazz Records

    LAST COPIES

    This is the new 20th anniversary edition of one of Soul Jazz Records’ classic Studio One releases now available as a one-off pressing special blue vinyl very limited-edition pressing ( 2000 copies worldwide).

    ----------------------------------------------------------------------------------------------------------

    Studio One Roots set the standard for Soul Jazz Records’ long-standing series of Studio One collections and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae.

    This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining crack-session men groups of Jamaican reggae history - The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. As ever the album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.

    Stand-out tracks include Alton Ellis’s Blackish White, a surreal and powerful Afro-centric dream, Count Ossie Nyabinghi and Rastafarian drummers genre-defying interpretation of Booker T and The MGs ‘Meditation’, Willie Williams awe-inspiring versioning of the Skatalites' seminal Rastafari anthem Addis Ababa and many, many more.

    This album has been fully digitally remastered, analog cut and packaged complete with the following: Original sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Honest Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves.

    REVIEWS:

    "Having established himself as one of Jamaica's top producers the day Studio One opened its doors in the early '60s, Clement "Coxsone" Dodd was unable to maintain his status during the roots era of the subsequent decade. This can be attributed to a couple of factors. One was Dodd's apparent reluctance to record the new, overtly Rasta-inspired music. The other was an infusion of new blood into the Jamaican music business. Eager to make a name for themselves, producers like Joe Gibbs, Bunny Lee, Lee "Scratch" Perry, and Winston "Niney" Holness managed to supplant the island's "big three" (Dodd, Duke Reid, and Prince Buster) in the process, driving the music's evolution in the '70s.

    There isn't a weak number across these 16 tracks, from the Gaylads' ode to "Africa" and Devon Russell's version of the heavyweight "Drum Song" rhythm, to a trio of stunning instrumentals: Jackie Mittoo and the Cyclones with nyahbinghi drummer Count Ossie on "Meditation," Lenny Hibbert's sparkling vibe work over Mittoo's "Ghetto Organ" ("More Creation"), and Sound Dimension's "Congo Rock."

    The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection." All Music

    • The Cyclones With Count Ossie – Meditation
    • Cornell Campbell & The Brentford Rockers – Natty Don't Go
    • Freddy Mcgregor With The Sound Dimension – Africa Here I Come
    • Bunny & Skitter – Lumumbo
    • Willie Williams & The All Stars – Addis A Baba
    • L.Crosdale With Drummond Bago & the Rebel Group – Set Me Free
    • Leroy Wallace & The New Establishment – Far Beyond
    • Lennie Hibbert – More Creation
    • Alton Ellis & The Sound Dimension – Blackish White
    • Winston Jarrett & The Sound Dimension – Fear Not
    • Devon Russell – Drum Song
    • The Gaylads – Africa
    • Black Brothers & The New Establishment – School Children
    • Linton Cooper & The Brentford Disco Set – You'll Get Your Pay
    • Sound Dimension – Congo Rock
    • Zoot Simms – African Challenge
    • 1. The Cyclones With Count Ossie – Meditation
    • 2. Cornell Campbell & The Brentford Rockers – Natty Don't Go
    • 3. Freddy Mcgregor With The Sound Dimension – Africa Here I Come
    • View full info and tracklisting
    • 2×LP£30.00
      Limited edition blue coloured vinyl + inners + download
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    • CD£12.00
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    • MP3 Release£8.99
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    Steve ReidNova (1976)Soul Jazz Records

    New edition of this seminal album available as a 1000 copies edition only on new premium RED vinyl!

    --------------------------------------------------------------------------------------------------------------

    'A truly phenomenal artist.' GILLES PETERSON

    'Steve Reid is one of the greatest drummers. He is a musical genius' KIERAN HEBDEN (Four Tet)

    --------------------------------------------------------------------------------------------------------------

    As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, , Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver!

    Reid was born in the South Bronx, and grew up in Queens, New York. He played in the house band at Harlem's Apollo Theatre, accompanying James Brown, as well as playing in Sun Ra's Arkestra. He lived next to John Coltrane, worked in a department store with Ornette Coleman, had a son who played drums with NWA. He began his career as a teenager in the 1960s as a drummer at Motown when he played on Martha and The Vandellas "Heatwave" (aged 14).

    At the end of the 1960s Reid was sentenced to four years in jail as a conscientious objector of the Vietnam war. On his release from prison in 1974, he formed the Legendary Master Brotherhood and started the independent record label, Mustevic Sound, to release his debut LP Nova in 1976. This album is released in its entirety and with full original cover art here. Nova was the first in a series of stunning independent records he released in the 1970s.

    At the start of the 21st century, his career took a new twist when Steve Reid began a successful collaboration with Kieran Hebden (Four Tet). Hebden referred to Reid as his ‘musical soul mate’, resulting in a number of joint albums.

    Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.

    • Steve Reid – Nova
    • Steve Reid – Lions Of Juda
    • Steve Reid – Free Spirits-Unknown
    • Steve Reid – Long Time Black
    • Steve Reid – Sixth House
    Arthur RussellThe World Of Arthur RussellSoul Jazz Records

    New fully remastered re-release of Soul Jazz Records’ ‘The World of Arthur Russell’, the seminal collection of Arthur Russell’s essential music back in print on awesome limited-edition heavy deluxe triple vinyl and deluxe CD edition.

    ------------------------------------------------------------------------------------------------------

    This album brings together some of Russell’s best-loved and most accessible works including his wide-ranging music both solo and in groups including Dinosaur L (the essential ‘Go Bang’), Loose Joints (the equally classic ‘Is It All Over My Face’) as well as rarities such as the 7” only ‘Pop Your Funk’, Indian Ocean’s ‘Schoolbell/Treehouse’, Lola’s ‘Wax The Van’ and more.

    -------------------------------------------------------------------------------------------------

    “Arthur Russell fused the avant-garde with disco and sounds like nothing else on earth.” The GUARDIAN

    “Russell is the great enigma of the New York music scene” THE WIRE

    “Simply one of the best compilations of this or any year.” RECORD COLLECTOR

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    Arthur Russell’s music effortlessly crossed musical boundaries making it timeless. His dance music credentials are faultless and this collection features mixes from Larry Levan, Françcois Kervorkian and Walter Gibbons. Similarly, his song-writing, musicality and performance skills are equally cherished as composer Philip Glass wrote, ‘this was a guy who could sit down with a cello and sing with it in a way that no one on earth has ever done before or will do again.’

    When Soul Jazz Records’ The World of Arthur Russell first came out in 2003, Russell’s music had slipped into near obscurity. Nearly 18 years later there are over a dozen releases of his music, reissues of his original albums and more. ‘The World of Arthur Russell’ is the classic first collection of his work available once more.

    • Dinosuar L – Go Bang (Francois K Mix)
    • Lola – Wax The Van
    • Loose Joints – Is It All Over My Face (Larry Levan Mix)
    • Arthur Russell – Keeping Up
    • Arthur Russell – In The Light Of The Miracle
    • Arthur Russell – A Little Lost
    • Loose Joints – Pop Your Funk
    • Arthur Russell – Lets Go Swimming (Walter Gibbons Mix)
    • Dinosuar L – In The Cornbelt (Larry Levan Mix)
    • Arthur Russell – Treehouse
    • Indian Ocean – Schoolbell/Treehouse (Walter Gibbons Mix)
    Two Synths, A Guitar (And) A Drum Machine - Soul Jazz Records #1 Post Punk DanceSoul Jazz Records

    OUT NOW!

    Soul Jazz Records new ‘Two Synths, A Guitar (and) A Drum Machine’ is a new collection of current D-I-Y post-punk bands shaped by the mutant sounds of no wave, punk funk and New York Noise bands from the late 70s and early 80s that collided with the world of underground dance music found at the Paradise Garage, Mudd Club in New York City (ESG, Arthur Russell, Bush Tetras, Talking Heads, Suicide, Liquid Liquid).

    Other influences cited here include Manchester and Sheffield’s industrial post-punk sounds of the 1980s (Joy Division, Cabaret Voltaire, Gang of Four) as well as the 1970s German electronic experimentalism of Cluster, Neu!, Harmonia and Can.

    Featured artists from around the globe include Los Angeles D-I-Y band Automatic, New Fries from Toronto, artist/music collaborators Toresch from Germany, Susumu Makai from Japan/UK, Vex Ruffin from the Phillipines/California and Madmadmad, Gramme, Tom of England and other UK groups

    That all the bands featured here manage to make distinctive contemporary music out of these 80s roots is testament to the wide range of other musics that are seamlessly absorbed into a modern melting pot of sound – hip-hop, the electronic European avant-garde, rave culture, and more.

    The double vinyl comes in two editions:

    1) Limited edition indies EXCLUSIVE heavyweight green double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

    2) Limited edition heavyweight black double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

    The album is also available as a CD and digital release

    • Automatic – Too Much Money
    • Zongamin – Underwater Paramid
    • New Fries – Lily
    • Vex Ruffin & Fab 5 Freddy – The Balance
    • Ixna – Somebody Said
    • Leroy Duncann – Dream River
    • Tom Of England – Neon Green
    • Toresch – Tocar
    • Becker & Mukai – La Rivière des Perles
    • Gramme – Discolovers
    • Niagara – Ida
    • Charles Manier – Sift Through Art Collecting People
    • Black Deer – Baseball Shorts
    • Madmadmad – Hot Disco
    • Wino D – Untitled
    Cuba: Music and Revolution - Compiled by Gilles Peterson and Stuart BakerSoul Jazz Records

    Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state of Cuba.

    The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

    The album is released to coincide with the massive new deluxe large format book Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90, published in November, which is also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), and which features the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

    The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba – and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states.

    The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

    Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

    -------------------------------------------------------

    REVIEWS:

    "It may only be January, but we already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

    "It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

    "Priceless comp goes beyond Buena Vista" UNCUT

    --------------------------------------------------------------------------------------

    *Please note the vinyl sticker of this album says "+download code" but it's a mistake! There is no download with this particular album due to legal reasons. Sorry for this error!

    • Grupo Irakere – Chequere Son
    • Conjunto Rumbavana – El Son Del Campeon
    • Juan Formell & Los Van Van – Mi Ritmo Caliente
    • Grupo Monumental – Mi Son Caridad
    • Grupo de Experimentación Sonora del ICAIC – Sondeando
    • Las D'Aida – Con Cadencia y Con Dulzura
    • Juan Formell & Los Van Van – Y No Le Conviene
    • Pablo Milanés – Te Quiero Porque Te Quiero
    • Emíliano Salvador – Luna Wanestain
    • Los Reyes 73 – Un Lamento Hecho Cancion
    • Eduardo Ramos – Vocación Revolución
    • Grupo Mounmental – Hasta Las Cuantas
    • Los 5 U 4 – Solo Esta Musica
    • Grupo de Experimentación Sonora del ICAIC – Canción Con Todos
    • Orquesta Los Van Van – Yo Se Que Van Van
    • Grupo Monumental – Nadie Se Siente Cansado
    • Orquesta Ritmo Oriental – Maria, Baila El Son
    • Juan Pablo Torres y Algo Nuevo – Rompe Cocorioco
    • Los Reyes 73 – Grandes Amigos
    • Paquito D'Rivera – La Patica
    • Grupo de Experimentación Sonora del ICAIC – Grifo
    • Raúl Gómez – Dacapo
    • Grupo Irakere – Juana 1600
    • 1. Grupo Irakere – Chequere Son
    • 2. Conjunto Rumbavana – El Son Del Campeon
    • 3. Juan Formell & Los Van Van – Mi Ritmo Caliente
    • View full info and tracklisting
    Studio One Rockers (Black vinyl edition)Soul Jazz Records

    Owned and founded by Clement "Coxsone" Dodd, Studio One's output serves as a comprehensive guide to the history of Reggae music. The music on Studio One Rockers covers all areas of Reggae such as Ska, Rocksteady, Roots and Dancehall, all areas in which Studio One led the field.


    Studio One Rockers features many legendary Studio One tracks brought together for the first time by Soul Jazz Records. From the beginning of Reggae, when the Skatalites developed a new sound of Ska in 1962 up until today, Studio One has been the number one innovator in Jamaican music.


    Included in this compilation are classic Ska tracks ("Phoenix City"), Rocksteady ("Feel Like Jumping"), Roots music ("Truth and Rights"), Dancehall (Freddy McGregor, Michigan and Smiley) and many more.


    Featured here are many of the classic tracks from Studio One. From Dawn Penn's legendary "No, No, No" to classics such as Horace Andy's "Skylarking" and Marcia Griffith's "Feel Like Jumping".


    The Coxsone Soundsystem in the early 60s was one of the three main soundsystems operating in Jamaica alongside his competitors, Prince Buster and Duke Reid. The Studio One catalogue is possibly the largest in Jamaican music and this release is the first in a series of Studio One compilations on Soul Jazz Records.


    This album comes with an in depth interview with Mr C.S. Dodd, about how he set up and ran his record label in the 1960s and 1970s.


    "Compilation of the month. 100% Essential" SEVEN "Compilation of the month. A compilation of unbelievable quality. Awesome" MUZIK "A who's who of Jamaican music" MUSICWEEK "An essential slice of musical history" WAX "The most credible compilation of reggae you can 

    • Sound Dimension – Real Rock
    • Marcia Griffiths – Feel Like Jumping
    • Freddy Mcgregor – Bobby Babylon
    • Horace Andy – Skylarking
    • Lennie Hibbert – Village Soul
    • Brentford All-Stars – Greedy G
    • Johnny Osbourne – Truth And Rights
    • Ernest Ranglin – Surfin
    • Michigan & Smiley – Eye Of Danger
    • Dawn Penn – No, No, No
    • The Skatalites – Phoenix City
    • Prince Jazzbo – Crabwalking
    • Jackie Mittoo – Hot Milk
    • Lone Ranger – Badder Dan Dem
    • Cedric Brooks – Ethiopia
    Deutsche Elektronische Musik 4Soul Jazz Records

    This is the new instalment of Soul Jazz Records’ ground-breaking Deutsche Elektronische Musik series, ‘A near-definitive guide to some of the world's most extraordinary music’ (The Guardian).

    This latest edition features many of the classic German electronic and Krautrock groups from the 1970s & 80s – including Can, Amon Duul II, Harmonia, Conrad Schnitzler, Agitiation Free, Roedelius – as well as a host of lesser known artists such as Dzyan, Klauss Weiss, Gruppe Between and many more.

    Deutsche Elektronische rarities unearthed on the album include Kalacakra (whose fan-base included the great Moondog!) and their superb ‘Nearby Shiras,’ taken from their super-rare spiritual/psychedelic private press concept album Crawling to Lhasa, from 1972.

    Deutsche Elektronische 4 includes a wealth of German electronic experimental artists – the seminal pioneering group Harmonia (Roedelius, Moebius and Michael Rother), avant-garde guru Conrad Schnitzler as well as lesser known synthetic artists such as Klauss Weiss, Deutsche Wertarbeit, E.M.A.K. (Electronische Musik Aus Koln), Gunter Schickert and others.

    Finally, the album also features an array of heavy and progressive German cosmic rock groups – Dzyan, Virus and the amazing Turkish/German tripped out sound of Alex’s ‘Patella Black’, recorded at Can’s Inner Space in 1973, produced by Holger Czukay and Jackie Liebezeit.

    Deutsche Elektronische 4 comes with extensive newly commissioned sleevenotes by David Stubbs, author of the seminal books ‘Future Days: Krautrock and the building of Modern Germany’, ‘Mars By 1980: The story of Electronic Music’, and ‘Krautrock: Cosmic Rock and its Legacy’.

    This album comes as a heavyweight triple vinyl edition with full colour inner sleeves, as well as a deluxe double CD edition with outsize booklet and slipcase. Both formats include full liner notes and extensive rare photography.

    • Alex – Patella Black
    • Klaus Weiss – Driving Sequences
    • Can – I'm So Green
    • Agitation Free – Laila, Part II
    • Deutsche Wertarbeit – Guten Abend, Leute
    • Amon Düül II – Wolf City
    • Michael Rother – Flammende Herzen
    • Klaus Weiss – Pink Sails
    • Virus – My Strand-Eyed Girl
    • Conrad Schnitzler – Ballet Statique
    • Kalacakra – Nearby Shiras
    • EMAK – Tanz In Den Himmel
    • Et Cetera – Mellodrama 2a
    • Between – Triumphzug Kaiser Maximilian I
    • Roedelius – Halmharfe
    • Dzyan – Dragonsong
    • Harmonia – Deluxe (Immer Wieder)
    • Günter Schickert – Suleika
    • Witthüser & Westrupp – Schöpfung (1. Mose 1)
    Enrique Rodriguez and The Negra Chiway BandFase LiminalSoul Jazz Records

    Powerful new spiritual jazz from Chile on Soul Jazz Records!

    This album comes as a very limited one-off unique pressing of 1000-edition vinyl, limited editon CD and digital release.

    Enrique Rodríguez and the Negra Chiway Band group have an instantly powerful and unique sound that is reminiscent of the ensembles of Sun Ra and his Arkestra as well as Horace Tapscott and his Pan-Afrikan Peoples Arkestra, one that channels the righteous spirits of Alice Coltrane, John Coltrane, Pharoah Sanders, Archie Shepp and McCoy Tyner together with a stunning Latin rhythmical and new consciousness and percussive energy. Added to this are elements of the Samurai film soundtracks of Akira Kurosawa, Popol Vuh’s musical spirituality (especially their work with film director Werner Herzog), Tibetan Buddhism and over-blowing chants, that all combine to give a truly unique new sound.

    Enrique Rodríguez is a composer, percussionist, keyboardist, and producer from Santiago, Chile, whose work shows many similarities with the music featured on Soul Jazz Records’ recent collection ‘Kaleidoscope - New Spirts Known and Unknown’, featuring new forward-looking jazz artists including Mathew Halsall, Theon Cross, Emma-Jean Thackray and Makaya McCraven.

    Like all these artists, Rodríguez’s work is a progressive and experimental fusion of earlier influences that combine into a new and definitely 21st century ground-breaking sound that, on account of its South American setting, give the group its truly unique feeling. Hypnotic modal piano riffs, powerful brass and flutes, an army of Latin percussion instruments, and addictive vocal chants all combine in this powerful mix of radical 60s Afro-centric jazz, eastern spirituality and cosmology, and Latin American rhythmical movement.

    Awesome!

    • Enrique Rodriquez and The Negra Chiway Band – Dónde ?
    • Enrique Rodriquez and The Negra Chiway Band – Descenso
    • Enrique Rodriquez and The Negra Chiway Band – Vindakalla-Welukan (Autoconfrontación)
    • Enrique Rodriquez and The Negra Chiway Band – No Quiero Seguir Así
    • Enrique Rodriquez and The Negra Chiway Band – Acabar de Conocerse
    • Enrique Rodriquez and The Negra Chiway Band – Paso Firme
    • Enrique Rodriquez and The Negra Chiway Band – Dónde ? (Alternate Take)
    • 1. Enrique Rodriquez and The Negra Chiway Band – Dónde ?
    • 2. Enrique Rodriquez and The Negra Chiway Band – Descenso
    • 3. Enrique Rodriquez and The Negra Chiway Band – Vindakalla-Welukan (Autoconfrontación)
    • View full info and tracklisting
    KaleidoscopeSoul Jazz Records

    Soul Jazz Records’ new album ‘Kaleidoscope – New Spirits Known and Unknown’ brings together many of the ground-breaking artists involved in the new jazz scene that has developed in the UK over the last few years. Featured artists include Matthew Halsall, Yazmin Lacey, Ill Considered, Tenderlonious, Theon Cross, Emma-Jean Thackray and many, many more in this ground-breaking release.

    As well as sharing a pioneering spirit in these new artists’ approach to frontier-crossing musical boundaries, a further theme of this album is that many also share a determination to independent practices - and most of these artists’ recordings featured here are either self-published or released on independent labels. While the attention of this new wave of jazz artists has up until now has been London-based, this album shows how this movement is spread across the whole of Britain (and indeed beyond).

    ‘Kaleidoscope – New Spirits Known and Unknown’ shows that while there is commonality in these artists approach to music, there is a wide variety of styles – from deep spiritual jazz, electronic experimentalisation, punk-edged funk, uplifting modal righteousness, deep soulful vocals and much more.

    Soul Jazz Records’ new release comes as a superb one-off pressing special deluxe triple album edition which comes with a bonus limited-edition one-off pressing 7" single, a standard triple album, and a deluxe double CD pack. This album also comes with extensive sleevenotes, artist interviews and exclusive photography.

    --------------------------------------------------------------------------------------------------------------

    Soul Jazz records are also releasing an exclusive one-off pressing double-headed 12” single featuring Theon Cross and Pokus released on the same day as the ‘Kaleidoscope’ album release. These two tracks do not feature on the vinyl edition of the album - this 12" single will will also be deleted on day of release.

    • Matthew Halsall & The Gondwana Orchestra – When The World Was One
    • Yazmin Lacey – 90 Degrees
    • Hector Plimmer – Communication Control
    • Ill Considered – Long Way Home (Live At The Crypt)
    • The Expansions – Mosaic
    • Chip Wickham – Red Planet
    • Levitation Orchestra – Odyssey
    • Emma-Jean Thackray – Walrus
    • Tenderlonious and The 22archestra – The Shakedown
    • Pokus – Pokus One
    • Theon Cross – Candace Of Meroe
    • Joe Armon-Jones & Maxwell Owin – Tanner's Tango
    • Collocutor – Gozo
    • Makaya McCraven – Untitled
    • Nat Birchall – Ancient World
    • Ruby Rushton – Moonlight Woman
    • Ebi Soda – Dimmsdale
    • The Cromagnon Band – Thunder Perfect
    • SEED Ensemble – Mirrors
    • Ishmael Ensemble – Kito's Theme
    • Vels Trio – Yellow Ochre (Part 1)
    • 1. Matthew Halsall & The Gondwana Orchestra – When The World Was One
    • 2. Yazmin Lacey – 90 Degrees
    • 3. Hector Plimmer – Communication Control
    • View full info and tracklisting
    Theon Cross / PokusCandace of Meroe / Pokus OneSoul Jazz Records

    This is a one-time only pressing of this 12" single and will be deleted on release. Two killer tracks that are not on the vinyl version of the Kaleidoscope album. Theon Cross's superb Candace of Meroe and Pokus' equally striking Pokus One

    • Theon Cross – Candace of Meroe
    • Pokus – Pokus One
    • Limited-edition one-off 12" single£12.99
      In stockAdd to Bag

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    Country Soul Sisters is a second guide to the great female country singers who helped define a musical genre as artists such as Dolly Parton, Loretta Lynn and Tammy Wynette attained staggering commercial success in the previously male-dominated musical world of country music.

    As well as extensive sleeve-notes the accompanying large outsize booklet also includes stunning photography from the Getty picture archive.  The album features a stunning line-up of classic female country artists – Tammy Wynette, Dolly Parton, Loretta Lynn, Bobbie Gentry, Kitty Wells, Wanda Jackson and many more.

    Female country artists fought hard for equal rights for women in their songs, their careers and their personal lives. Whilst groundbreaking artists such as Kitty Wells and Patsy Cline paved the way for female empowerment in the 1950s, it was in the 1960s that artists such as Dolly Parton, Loretta Lynn, Jeannie C Riley and Tammy Wynette first achieved great commercial success – a moment in time coinciding with the rise of both the women’s liberation and the civil rights movements.

    At the same time these female artists also in many cases broke down musical barriers and consequently this album showcases some of country music’s many colours. From the Nashville Sound of Patsy Cline and the Appalachian roots and authenticity of Dolly Parton, Tammy Wynette and Loretta Lynn through to the country soul of Diana Trask and Jody Miller, the rockabilly stylings of Wanda Jackson, the west coast pop and rock sound of Bobby Gentry, Linda Rondstadt and Cher, as well as the often maligned crossover modern soul of Barbara Mandrell.

    Here you will also find Kitty Wells - the first solo female career recording artist - singing her stunning version of Bob Dylan’s Forever Young, joined by an all star-group of Allman Brothers alumni, as well as African-American country singer Linda Martell’s incredible version of the Winston’s 60s soul classic Color Him Father. In fact the links between country and soul music feature throughout and also included are songs by Aretha Franklin, Luther Ingram and more.

    As well as the slipcase CD edition there is also a limited edition heavyweight double gatefold vinyl edition complete with full sleeve-notes and super-loud pressing.

    Reviews of Country Soul Sisters 1:

    “This superbly presented collection of songs by female pioneers in country music is a celebration of feminism.” The Times

    “Illuminating. Prior to any collective theoretical consensus of feminism these women were already doing it on their own terms.” The Guardian

    “A superb compendium of honky-tonk women” Q

    “An unsurprisingly excellent emission from the imperious Soul Jazz stable.” Clash

    • Jeannie C. Riley – Little Town Square
    • Linda Martell – Color Him Father
    • Dolly Parton – The Bargain Store
    • Diana Trask – Don't Let It Get Away
    • Wanda Jackson – My Baby Walked Right Out On Me
    • Loretta Lynn and Conway Twitty – Working Girl
    • Cher – Chastity's Song
    • Dolly Parton – Jolene
    • Tammy Wynette – Baby Come Home
    • Vikki Carr – Living On A Prayer, a Hope and a Hand Me Down
    • Jody Miller – Don't Throw Your Love To The Wind
    • Jeannie C. Riley – The Rib
    • Bobbie Gentry – Okolona River Bottom Band
    • Joan Harris – Fact of Life
    • Linda Ronstadt – Baby You've Been On My Mind
    • Jody Miller – Natural Woman
    • Jean Shepard – I'm Alone
    • Barbara Mandrell – If Loving You Is Wrong
    • Lynn Anderson – Stay There Til I Get There
    • Kitty Wells – Forever Young
    • Jan Howard – Your Ole Handy Man
    • Patsy Cline – Come On In
    • Barbara Mandrell – I Never Said I Love You
    • Lynn Anderson – If I Can't Be Your Woman
    Delta Swamp Rock Volume 2More Sounds From The South 1968 - 75: At The Crossroads Of Rock, Country And SoulSoul Jazz Records

    New on Soul Jazz Records, the second volume of Delta Swamp Rock continues to journey into the heartland of the American south, exploring the musical links between country, rock and soul music in the 1960s and early 1970s.

     Southern rock rose up in the 1970s on the huge commercial success of southern-based groups The Allman Brothers, Marshall Tucker, Lynyrd Skynyrd and others. Like the twisted roots of rock and roll, southern rock put country, rock and black music into a melting pot to create a unique sound. This gave rise to a new identity for white southern working-class youth.

    The roots of this revolution were to be found in an obscure corner of Alabama, in the sleepy town of Muscle Shoals, where, in the previous decade, a group of white in-house studio musicians together with the greatest rhythm and blues vocalists of the day - Aretha Franklin, Wilson Pickett, Etta James and many others - away from the segregated environment found just outside the studio walls.

    Delta Swamp Rock 2 contains extensive sleeve-notes in an accompanying deluxe large outsize book housed in double-backed card case, which also includes stunning photographs and new interviews with a number of the featured artists (including Tony Joe White) .

    As well as the deluxe slipcase CD edition there is also a similarly deluxe limited edition heavyweight double gatefold vinyl edition complete with full sleeve-notes and super-loud pressing.

    • Area Code 615 – Ruby
    • Captain Beyond – Sufficiently Breathless
    • Bobbie Gentry – Touch 'Em With Love
    • Cowboy – Houston
    • Marshall Tucker Band – Fire On The Mountain
    • Cher – For What It's Worth
    • Bobby Lance – Somewhere In Between
    • Tony Joe White – Who's Making Love
    • Barefoot Jerry – The Minstrel Is Free At Last
    • Gregg Allman – Midnight Rider
    • Bobbie Gentry – Something In The Way He Moves
    • Area Code 615 – Devil Weed and Me
    • Chet Atkins and Jerry Reed – Tennessee Stud
    • Joe South – No Fence Around Me
    • Cowboy – Road Gravy Chase
    • Lynyrd Skynyrd – Free Bird
    • Grinderswitch – Let The South Wind Blow
    • Captain Beyond – Thousand Days Of Yesterdays
    • The Box Tops – Deep In Kentucky
    • Earl Scruggs – Lonesome and a Long Way From Home
    New Orleans SoulSoul Jazz Records

    For more than ten years Soul Jazz Records have been exploring and documenting the sound of New Orleans Funk. Now we turn their attention to the flipside of this musical coin - New Orleans Soul.


    These two musical forms share a lineage that begins with the city’s enormous rhythm and blues explosion in the post-war 1940s and 1950s. New Orleans Soul incorporated the soulful vocals of the gospel church, the driving beat of rhythm and blues, as well as traces of the second-line parade bands and the latinized rhythms of the city. Here you will find New Orleans soul in all its glorious variations – from the deep, deep soul of singers Aaron Neville, Willie Tee and Robert Parker to the storming northern soul of Maurice Williams and Eldridge Holmes, the funky soul of Eddie Bo, Lionel Robinson and Ernie K-Doe all alongside the Crescent City’s finest soul sisters – Irma Thomas, Betty Harris, Jean Knight, Inell Young and more! 

    The main force behind New Orleans Soul is Allen Toussaint, a virtual one-man hit-making machine in the 1960s, writing, arranging and producing hit after hit for an unending list of unbelievably talented local singers such as Eldridge Holmes, Maurice Williams, Betty Harris, Ernie K Doe and Diamond Joe all of whom are featured. New Orleans is also a city of great musical families. Vocalist Aaron Neville was the brother of Art Neville (who formed The Meters) and later in the 1970s joined with brother Cyril to form The Neville Brothers. Soul vocalist supreme Willie Tee is also known as Wilson Turbinton, who alongside brother Earl, formed the super-heavy funk band The Gaturs and backed the Mardi Gras Indian group The Wild Magnolias. Also included here are rare, lost and killer soulful tracks from New Orleans artists Eddie Bo (and protégée vocalist Inell Young), Jean Knight, Jimmy Hicks, Francine King and more! 

    This album tells the story of New Orleans Soul and comes complete with extensive sleevenotes, exclusive photography, supreme sound quality and comes as deluxe CD with slipcase, booklet, and super-heavy, super-loud limited-edition double vinyl album + download code.

    • Robert Parker – Caught You In A Lie
    • Willie Tee – First Taste Of Hurt
    • Curley Moore – Don't Pity Me
    • Lionel Robinson – Steppin' Out
    • Irma Thomas – What's So Wrong With You Loving Me
    • Aaron Neville – You Can Give But You Can't Take
    • Maurice Williams – Being Without You
    • Jean Knight – What One Man Won't Do Another Man Will
    • Eldridge Holmes – Worried Over You
    • Barbara West – Congratulations Baby
    • Ernie K Doe – Back Street Lover
    • Betty Harris – I Don't Wanna Hear It
    • Aaron Neville – She's On My Mind
    • Irma Thomas – She'll Never Be Your Wife
    • Eldridge Holmes – Lovely Woman
    • Jimmy Hicks – Tell Her That I Love You
    • Diamond Joe – The ABC Song
    • Eldridge Holmes – Gone, Gone, Gone
    • Francine King – Two Fools
    • Eddie Bo – Don't Turn Me Loose
    • Aaron Neville – A Hard Nut To Crack
    • Inell Young – I've Never Considered
    Hustle! Reggae Disco (Expanded Edition)Soul Jazz Records

    Expanded edition which now features five extra tracks!

    This ground-breaking album features non-stop killer reggae versions of original funk and soul classics in a disco style. Reggae disco updates of seminal classics by Anita Ward (‘Ring My Bell’), Chaka Khan (‘I’m Every Woman’), Michael Jackson ‘Don’t Stop ‘til You Get Enough,’ Sugarhill Gang (‘Rappers Delight’ here performed by Derrick Laro & Trinity for producer Joe Gibbs) and more, all showing the hidden but inseparable link between the dance floors of New York, Kingston and London.

    New bonus tracks to this collection include Derrick Harriott’s funky take on Eddie Drennon’s ‘Do It Nice and Easy’, the classic disco reggae of Risco Connection’s performing McFadden and Whitehead’s ‘Ain’t No Stopping Us Now’ and the London rare groove lovers rock of Charmaine Burnett singing Barbara Acklin’s soul classic ‘Am I The Same Girl’.

    ‘Hustle! Reggae Disco’ has been one of Soul Jazz Records’ best-selling releases since its first release 15 years ago (and subsequently featured heavily in the early Grand Theft Auto games!). This new edition comes complete fully re-mastered and with all original titles plus new tracks. This new expanded edition now comes as a triple album (+ download code), CD and digital album.

    ‘The effect of American R&B and soul music on Jamaican reggae is well documented, but the story doesn't stop there, for disco (and more so now for rap and hip-hop) have also been subsumed into the reggae mix, and while one might suspect that the resulting hybrid would die of its own implausibility, the feral mix of disco with reggae rhythms is so darn infectious that it hardly matters. Once you take your brain out of the frame and just let your feet go, this collection is a dancer's delight all done up in full-blown disco style, but with huge dub-style rhythm tracks … if you're looking for an impossibly infectious dance collection, this is it.’ All Music

    • Blood Sisters – Ring My Bell
    • Derrick Laro and Trinity – Don't Stop Til You Get Enough
    • Chariot Riders – Do It Nice & Easy
    • Black Harmony – Don't Let It Go To Your Head
    • Latisha – I'm Every Woman
    • Ernest Ranglin – In The Rain
    • Family Choice – Reggae Beat Goes On
    • Risco Connection – Ain't No Stopping Us Now
    • Xanadu and Sweet Lady – Rappers Delight
    • Sharon Forrester – Love Don't Live Here Any More
    • Carol Cool – Upside Down
    • One Blood – Be Thankful For What You've Got
    • Charmaine Burnett – Am I The Same Girl
    • 1. Blood Sisters – Ring My Bell
    • 2. Derrick Laro and Trinity – Don't Stop Til You Get Enough
    • 3. Chariot Riders – Do It Nice & Easy
    • View full info and tracklisting
    Elis ReginaSamba, Eu Canto Assim !Universal Sound

    Soul Jazz Original Brazil Classics:

    In 1965, Elis Regina dominated the world of Brazilian music. Riding high on her success, the powerfully-voiced singer was the star of her own television show (O Fino da Bossa), winner of the first national broadcast musical competition (for TV Excelsior) and a stunning live performer on stage.

    Having emerged out of the Bossa Nova wave of the early 1960s, Elis Regina's stunning theatrical mixture of boss nova, samba, jazz and other music styles placed her at the top of her profession and her unique style effectively launched MPB (Musica Popular Brasileira), the new post-bossa nova modern musical movement in Brazil that would reign supreme for the next 20 years, as singers such as Gal Costa, Caetano Veloso, Jorge Ben, Chico Buarque and others embraced this new style.

    Artistically Elis Regina surrounded herself with only the finest songwriters and musicians such as Edu Lobo, Carlos Lyra, Marcos Valle, Vinicius de Moraes, Baden Powell.

    Whilst her music was apolitical, her criticism of the military dictatorship ( from a coup in 1964), led to persecution by the state, at one point the authorities forcing her to sing the Brazilian national anthem at a stadium concert, under threat of her family's safety.

    Elis was married twice, first to boss nova songwriter Ronaldo Boscoli and secondly to the musician Cesar Mariano. She tragically died in 1986, aged 36.

    Samba, Eu Canto Assim is one of Elis Regina's definitive albums recorded at the height of her career and long regarded as a classic release in Brazil. This is a bespoke high quality box-edition hardback-cased card CD edition of this seminal album with exact-reproduction artwork from the original album. 

    • Elis Regina – Reza
    • Elis Regina – Menino Das Laranjas
    • Elis Regina – Por Um Amor Maior
    • Elis Regina – Joao Valentao
    • Elis Regina – Maria Do Maranhao
    • Elis Regina – Resolucao
    • Elis Regina – Sou Sem Paz
    • Elis Regina – Pot - Pourri: Consolacao / Berimbau / Tem Do
    • Elis Regina – Aleluia
    • Elis Regina – Eternidade
    • Elis Regina – Preciso Aprender A Ser So
    • Elis Regina – Ultimo Canto
    Boombox 3Soul Jazz Records

    Limited Edition first copies bought directly from us here only come with free poster (with 3x LP edition) + free badge and sticker (with Deluxe 2xCD edition )!!!!

    -------------------------------------------------------------------------------------------------

    Soul Jazz Records’ new Boombox 3 continues the story of the first rap records to be put onto vinyl. It is a jam-packed collection of original independent ‘old-school’ hip-hop, created with just one thing in mind – to get this party jumping!

    After the explosion of hip hop in the parks and clubs of The Bronx in the mid-1970s, it was in Harlem where the first rap records emerged at the end of 1979 - an avalanche of superb rap tracks released on small independent labels all trying to capitalise on the success of ‘Rappers Delight.’

    Like hip hop culture itself, these first rap singles are the product of their own unique set of aesthetics – exciting and innovative rap performed with Bronx block party B-Boy funk breaks, disco jams and Jamaican sound system culture.

    The extensive sleevenotes discuss hip-hop’s trajectory from the first wave of Bronx creativity – the legendary DJs Kool Herc, Grandmaster Flash and Afrika Bambaataa – through to its arrival in Harlem via the entrepreneurism of old-school African-American rhythm and blues producers and émigré Jamaican producers all living in New York. Along the way the notes discuss everything from the New York power blackout of 1977, the Italian mafia involvement in the music industry, the links between rap and Jamaican dancehall and more besides!

    Boombox 3 features a line-up of stunning, near unknown New York rap artists, classic disco breaks (including Chic’s omnipotent Good Times, MFSB’s Love Is the Message, Queen’s Another One Bites The Dust etc.), proto-electro and more. And by the early 1980s the first rap records outside New York began to emerge – Los Angeles, Houston, Milwaukee, Phoenix – and the first of these are also featured here in this new collection.

    This Soul Jazz Records album is released on heavyweight triple vinyl (+ download code) with full notes, double CD pack with 44-page outsize booklet and slipcase, and digital album.

    Reviews of Boombox series:

    ‘The vital launch pad between hip-hop’s birth and its worldwide impact’ THE WIRE

    ‘This compilation of early rap is a legit party in a box, one of the best Soul Jazz Records releases in years.’ FACT

    • Majestics – Class A
    • Brother's Disco – Thumpin'
    • Mifflin Ensemble – On The Move
    • Sherod – Schooling (Put Your Mind To The Message)
    • Sugar Daddy – Another One Bites The Dust
    • Family Four – Rap Attack
    • She – Ms D.J. Rap It Up !
    • The Caution Crew – Rhythm Rock (Part 1)
    • Poor Boy Rappers – The DJ Rap
    • Family – Family Rap
    • Bobby Deemo – Bugs-B-Skate Rap
    • Teen-Machine – Teen-Machine Rap
    • T.J. Swann & Company – Get Fly
    • Poor Boy Rappers – Low Rider Rap
    • Sicle Cell & Rhapazooty – Rhapazooty In Blue
    • Mr. Fox – Smooth Talk
    • Solid C, Bobby D & Kool Drop – Wack Rap
    • Disco Daddy & Capt. Rapp – The Gigolo Rapp
    Nu Yorica ! Culture Clash in New York CitySoul Jazz Records

    This is the 20th anniversary expanded edition of one of Soul Jazz Records earliest definitive releases: ‘Nu Yorica : Culture Clash In New York City – Experiments in Latin Music 1970-77’, a stunning and ground-breaking collection of music bringing together Latin, Soul, Jazz, Funk and more from the melting pot of New York City in the 1970s.

    Out-of-print for more than ten years this new edition has been fully digitally remastered with new tracks, additional photography and is released as a deluxe 2CD pack + large outsize booklet, as well as a new edition of two super-loud super-heavy separate volumes of double vinyl. The album is also available for the first time as a worldwide digital release.

    Nu Yorica! is one of Soul Jazz Records most critically acclaimed albums of all time.

    The album features seminal Latin artists such as Eddie Palmieri, Joe Bataan, Machito, Ocho, Grupo Folklorico, Cortijo, Ricardo Marrero, Cachao and many more.

    Reviews:

    "Latin music never sounded so good. Ever.

    Some compilations are so influential and universally loved that they become classic albums in their own right – Harry Smith’s Anthology Of American Folk Music, for example. And just as Smith cemented forever the underground sound of the US between the wars, so did the then young Soul Jazz imprint immortalise the Latin music emerging from 70s New York with Nu Yorica!, originally released 20 years ago." Record Collector

    “A brilliant introduction to some of the most energising & misunderstood music ever” Wire

    “A truly inspired selection. If ever a CD was worth buying, this is it” The Guardian (CD of the week)

    “A percussive colossus. Mighty and frightening.” Q

    “If you buy one CD this week buy Nu Yorica!” The Observer

    “Soul Jazz go beyond dancefloor trends and explore the political agendas’ of their musical idols with this brave and diverse album” Maxim

    “From gritty funk to free-form experimentation, Soul Jazz’s selection of Latin-influenced dance music is sterling” The Face

    “A challenging and revelatory compilation of pure quality” Music Week

    “Positively throbs with energy.” NME

    “This music has influenced everything from Salsoul Disco to the Masters at Work”DJ

    “An excellent document of a key phase in musical history. Every single one of these tracks is superb. An absolute f***ing blinder” Echoes

    “Genre defying madness” Select

    “An utterly brilliant and well documented snapshot of the musical culture clash in 70’s New York” Muzik

    “Miraculous” Time Out, New York

    Tracklisting: CD1/LPA: Tracks 1-9, CD2/LPB: Tracks 10-18


    • Charlie Palmieri – Las Negritas De Carnaval
    • Cortijo – Gumbo
    • Cachao – La Trompeta Y La Flauta
    • Ricardo Marrero – Babalonia
    • Stone Alliance – Amigos
    • Joe Bataan – Latin Strut
    • Grupo Folklorico – Anabacoa
    • Tempo 70 – El Galleton
    • Eddie Palmieri – Un Dia Bonita
    • Eddie Palmieri – Condiciones Que Existen
    • Cortijo – Carnaval
    • Ocho – Tornado
    • Bobby Vince Paunetto – Little Rico's Theme
    • Joe Bataan – Aftershower Funk
    • Ocho – Mamey Colorao
    • Ricardo Marrero – My Friend
    • Machito Orchestra – Macho
    • 2×CD£12.00
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    • 2×LP Vol.2£23.00
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    Studio One ScorcherSoul Jazz Records

    BACK IN PRINT!!!!!!! 2xLP now with bonus download code!

    Heavy, heavy tunes! Studio One instrumentals are the foundation of Reggae. These rhythm tracks became the basis for all Dancehall as countless artists and producers re-versioned these classic Studio One instrumentals.

    REVIEWS:

    " sheer volume of output from Studio One is astonishing, combined with the fact that the quality of the recordings never seem to diminish. These instrumentals touch on ska, rocksteady, dub, and begin to hint at the reggae sound of the late '70s. Each instrumental is perfect and has the feel that it could hardly be improved upon. Soul Jazz has once again put together a wonderfully rounded collection of music from Studio One". All Music

    "I think if a nuclear family could have a soundtrack, ours would be the Soul Jazz comp Studio One: Scorcher. I wouldn't say it's the best record ever made, but if I heard it every single day for the rest of my life, I'd be 100% cool with it." DJ

    "Compilation of essential & rare Studio One instrumentals" Hard Wax

    "Studio One Scorcher is the latest of these, collecting instrumental tracks spanning the years from the late-'60s rocksteady vogue through the onset of dancehall and digital rhythms in the early 80s featuring The Skatalites, trombonist Don Drummond, Pablove Black and others." Billboard 

    Comes as Triple LP + download code, CD, Digital album.

    • The Skatalites – Coconut Rock
    • Cedric Im Brooks & The Sound Dimension – Mun-Dun-Gu
    • Tommy Mccook, Richard Ace, The Skatalites & Disco Height – Shockers Rock
    • Soul Vendors – Ringo Rock
    • Jackie Mittoo & Ernest Ranglin – Jericho Skank
    • New Establishment – The People Skanking
    • Karl Bryan & The Afrokats – Money Generator
    • Lester Sterling – Afrikaan Beat
    • Sound Dimension – Heavy Rock
    • Sugar Belly – In Cold Blood
    • Don Drummond & The Skatalites – Heavenless
    • Soul Bros. – Bugaloo
    • Vin Gordon – Red Blood
    • Pablove Black – Push Pull
    • Jackie Mittoo & Brentford Rockers – Sidewalk Doctor
    • Liberation Group – Namibia
    • Brentford Road All Stars – Last Call
    • Soul Defenders – Still Calling
    • Karl Bryan & Count Ossie – Black Up
    • 1. The Skatalites – Coconut Rock
    • 2. Cedric Im Brooks & The Sound Dimension – Mun-Dun-Gu
    • 3. Tommy Mccook, Richard Ace, The Skatalites & Disco Height – Shockers Rock
    • View full info and tracklisting
    • 3×LP + Download Code £24.00
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    Lijadu SistersAfro-Beat Soul Sisters: The Lijadu Sisters at Afrodisia, Nigeria, 1976-79.Soul Jazz

    Killer new female Afro-Beat Funk from Nigeria in the 1970s.

    The Lijadu Sisters released a series of albums in the 1970s in Nigeria that blended heavyweight Afro-Beat with psychedelic Afro-Rock, High-Life, Disco and Soul in a truly unique combination. These albums are impossibly rare to find and this collection brings together the best of those recordings.

    The Lijadu Sisters were the most successful female group in Nigeria in the 1970s and managed to overturn many stereotypes and attitudes as they carved out a unique space for themselves in a predominantly male arena.

    Their influences ranged from female soul singers such as Aretha Franklin, The Pointer Sisters and Miriam Makeba to the afro-beat of Fela Anikulapo-Kuti as well as the juju music of I.K. Dairo and the highlife of Victor Olaiya.

    The Lijadu Sisters, identical twins Taiwo and Kehinde Lijadu, grew up in Ibadan, Nigeria. They recorded their debut albumfor Decca Records in 1969. At the start of the 1970s the two singers joined ex-Cream drummer Ginger Baker’s short-lived all-African group Salt (which also included future members of the Afro-Rock group Blo).

    In recent years, Lijadu Sisters have featured on releases on the Soundway and Strut labels. This album brings together the best of their tracks from the four albums recorded for the Afrodisia label in Nigeria – Danger (1976), Mother Africa (1977), Sunshine (1978) and Horizon Unlimited (1979). 

    Read Guardian newspaper feature and review here.

    Licensed from Afodisia, Nigeria.

    Digital availabe outside USA only.


    • – Danger
    • – Orere - Elejigbo
    • – Erora
    • – Bayi L'ense
    • – Sunshine
    • – Life's Gone Down Low
    • – Gbowo Mi
    • – Come and Dance
    • – Osupa
    • – Cashing In
    • – Amebo
    • – Gbalo - Alogbalo
    • – Not Any Longer
    Studio One Freedom SoundsSoul Jazz Records

    Studio One Freedom Sounds is the new collection from Soul Jazz/Studio One focussing on the intense period in the second half of the 1960s when Studio One’s vast and unbeatable output of ska, soul, rock steady and reggae made it literally one of the hottest musical empires in the world.

    During this highly successful period, Clement ‘Sir Coxsone’ Dodd released hundreds and hundreds of superlative singles seemingly on an almost daily basis, in the process making huge stars out of Jamaican singers such as Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel and many more.


    Powered by the finest in-house musicians working in Jamaica, whether it was The Skatalites, Jackie Mittoo’s Soul Brothers, The Sounds Dimension or The Soul Vendors, Studio One functioned as hit factory on the scale of Motown in the USA, shaping and defining reggae music for decades to come.


    Singlehandedly Studio One’s founder Clement Dodd was able to create the most successful vertically-integrated record company that Jamaica had ever known with pressing plant, printers, studio, shops, and sound systems all running at once, with over 50 employees and hundreds of artists working with Studio One during this time.

    Studio One Freedom Sounds tells the story of Studio One in the 1960s with a stunning set of ska, soul, rock steady and reggae killer tunes as well as informative sleevenotes and track-by-track info by Noel Hawks. The album is released as heavyweight double vinyl (+ free download code), deluxe CD and digital album.

    • Don Drummond & The Skatalites – Rain Or Shine
    • The Gaylads – Morning Sun
    • Delroy Wilson – Just Because Of You
    • Alton Ellis – Sunday Coming
    • Jackie Opel – I Am What I Am
    • Peter Tosh – I Am The Toughest
    • Delroy Wilson – Get Ready
    • Mr Foundation – Timo-Oh
    • Roland Alphonso & The Soul Brothers – Provocation
    • Leroy & Rocky – Love Me Girl
    • Slim & Delroy – Look Who Is Back Again
    • The Skatalites – Spread Satin
    • Barrington Spence – Contemplating Mind
    • Ernest Ranglin – Psychedelic Rock
    • Bob Marley & The Wailers – Destiny
    • Roland Alphonso – Reggae In The Grass
    • Zoot Simms – We Can Talk It Over
    • Jackie Mittoo – Hi Jack
    • 2xLP + Download Code£23.00
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    Studio One Records Official T-ShirtBlue/OrangeStudio One/Soul Jazz Records

    Exclusive Studio One Official T-shirt!

      Tee MacNight Illusion (1980)Soul Jazz Records

      Soul Jazz Records’ are releasing Tee Mac’s ‘Night Illusion’, a lost classic Nigerian Afro soul meets disco boogie funk album originally released in Nigeria in 1980. Impossibly hard to find, the record remains practically unknown outside of Nigeria.

      Tee Mac Omatshola Iseli is a multi-instrumentalist, composer and arranger and features on Soul Jazz Records’ recent collection Nigeria Soul Fever – Afro Funk Disco and Boogie alongside Joni Haastrup, Christy Essien and others, as well as on a recent compilation ‘Nepa Oh Nepa’ (released on Hot Casa earlier this year). 

      The timelessness of this soulful, ground-breaking funk jazz lost masterpiece ‘Night Illusion’ leads to comparisons with James Mason’s legendary lost classic album Rhythm of Life, with his unique individualism and intensity hinting at the boogie funk of groups such as Mass Production and Slave so loved by artists such as Moodyman and Theo Parrish.  While Fela Kuti is now a cultural icon of Nigerian music throughout the world, the recent crossover success of William Onyeabor shows just how much undiscovered Nigerian music remains waiting to be explored outside of the country.

      Tee Mac was born in Lagos, the son of a Nigerian princess and a Swiss diplomat. He picked up the flute at age 7 and ten years later was studying classical musical in Switzerland under his uncle the composer J.J. Direndirger. Returning to Lagos, Nigeria in 1970 he formed the heavyweight afro rock group Tee Mac and Afro Collection (which included Johnny Haastrup on keyboards and The Lijadu Sisters on vocals). This band was famously joined by the legendary Cream drummer Ginger Baker who came to Nigeria to play with them in 1971 (captured in the film Ginger Baker in Africa).

      At age 24, Tee Mac moved to Germany where he co-wrote and recorded the European disco group Silver Convention (whose ‘Fly Robin Fly’ became number one in the USA charts). 

      Tee Mac continues to live in Lagos today and travels the world as a composer – one of whose pieces is The City of Mer Kailash (2009), a two-hour ballet featuring over 60 dancers and a 100+ piece orchestra.

      Soul Jazz Records are releasing this lost classic Nigerian album as a strictly limited-edition 1000 copies worldwide exact-replica artwork reproduction LP (+ sleevenotes + free download), CD and digital album.

      • – Living Everyday
      • – Struggle
      • – Talk To Me
      • – Hit Hit
      • – Night Illusion
      • – A Certain Way To Go
      • – Nam-Myoho-Renge-Kyo
      Soul Jazz Records Presents Bunny Lee: Dreads Enter The Gates With PraiseThe Mighty Striker Shoots The Hits!Soul Jazz Records

      ‘Bunny Lee, the Hit Maker from Jamaica.’

      Soul Jazz Records presents this collection featuring the heavy 70s roots reggae of Bunny Lee – a living legend, one of the last of the great Jamaican record producers who helped shape and define reggae music in the 1970s from a small island sound into an internationally successful musical genre.

      From teenage fan to young record plugger for Duke Reid, Sir Coxsone and other early pioneering Jamaican musical entrepreneurs, Lee has spent his whole professional life inside the Kingston music industry. In the 1970s he rose up to become one of the major record producers in Jamaica alongside Lee ‘Scratch’ Perry, and the other ‘small axe’ producers, who broke the dominance of the ‘big tree’ producers that had ruled Jamaican music in the 1960s.


      Featuring some of the heaviest Jamaican artists including Johnny Clarke, King Tubby, Dillinger, Prince Jazzbo, Tommy McCook, The legendary Aggrovators (featuring Sly and Robbie), The Mighty Diamonds and more, the album is a rollercoaster ride of rare, deep and classic 1970s roots, dub and DJ sounds.


      During this era ‘flying cymbals’, crashing reverbs, dark echoing thunderclap gunshots and other ‘implements of sound’ filled his record productions as Bunny Lee explored the outer limits of dub with his friend King Tubby in the mix on wild versions that accompanied any 45. A Bunny Lee record provides a creative and mysterious hidden guide to reggae music itself, a double-sided three-minute intangible history lesson etched in wax.

      Bunny Lee was one of the first Jamaican producers to travel to England in the late 1960s, at the beginning of the nascent British reggae music industry as record companies such as Trojan, Pama and others began licensing Jamaican music in the UK to supply the expanding West Indian communities living up and down England. Lee encouraged other Jamaican producers to do the same, including Lee Perry, Harry J and Niney the Observer, and also became a conduit between the British music industry and numerous younger Island-based producers - a frequent flyer reggae ambassador, a musical courier exchanging tapes for royalties.


      His first recordings in the late 1960s were mainly rock steady but as the 70s approached the music soon began to mutate and slow down into ‘reggae’ as the sound became heavier, more roots-y and the sound itself began to change with the explosion of dub. Lee was at the forefront to this dramatic musical shift into roots reggae, and by this time had become a major producer, capable of working with whoever he chose as world-famous singers, DJs and musicians lined up to work with the charismatic man. Lee also employed a fluid but stable set of crack session musicians who he named The Aggrovators.

      Most of the recordings featured here come from the mid-70s, a time when Bunny Lee was definitely ‘in the zone,’ releasing heavyweight singles at an almost unstoppable rate. Bunny Lee’s career stretches over five decades and he has upwards of 2,000 production credits on vinyl.

      Did you work all night?

      ‘Yeah man, night and day. One weekend I remember, I go in a Channel One on a Friday night and I never come out ‘til Monday morning. Just send out to get food and ting.’ Bunny Lee

      This album comes with extensive sleevenotes, an interview with Bunny Lee, and exclusive photography. The album is available as a massive triple LP vinyl + download code, house inner, full notes, as well as deluxe CD pack with 24-page booklet, and digital album.

      • Johnny Clarke – Enter Into His Gates With Praise
      • King Tubby Meets Tommy McCook and The Aggrovators – The Dub Station
      • Gene Rondo – Why You Do That
      • Vin Gordon & The Aggrovators – Magnum Force
      • Jackie Edwards – So Jah Seh
      • The Aggrovators – So Jah Seh Dub
      • Jah Youth – Principle and Dignity
      • King Tubby Meets Tommy McCook and The Aggrovators – King Tubby Dub
      • Jah Stitch – Real Born African
      • The Aggrovators – African Love Call
      • Gene Rondo – A Land Far Away
      • The Uniques – Queen Majesty
      • Johnny Clarke – Time Will Tell
      • The Aggrovators – Drums Of Africa
      • Dillinger and King Tubby – Jah Jah Dub
      • Winston Wright – Marvelous Rocker
      • The Mighty Diamonds – You Should Be Thankful
      • King Tubby, Prince Jammy and The Aggrovators – A Thankful Version
      • Dillinger – Check Sister Jane
      • Prince Jazzbo – The Wormer
      • The Uniques – You Don't Care For Me
      • Shorty The President – Natty Dread Have Ambition
      • King Tubby and The Aggrovators – This A The Hardest Version
      • 1. Johnny Clarke – Enter Into His Gates With Praise
      • 2. King Tubby Meets Tommy McCook and The Aggrovators – The Dub Station
      • 3. Gene Rondo – Why You Do That
      • View full info and tracklisting
      Chris BowdenTime Capsule (1992)Soul Jazz Records

      The stunning and ground-breaking album from the composer and saxophonist Chris Bowden back in print 20 years on!

      “This is the album that connected it all.” Gilles Peterson 2018

      Chris Bowden’s debut album Time Capsule was first released on Soul Jazz Records in 1992 to universal and widespread critical acclaim. Now 20 years on a new wave of current jazz artists led by the likes of Kamasi Washington in the USA and a host of British artists - Shabaka Hutchings /Sons of Kemet, The Ezra Collective, Moses Boyd, Nubya Garcia, Fourtet, Yussef Kamaal, Tenderlonious, Binker & Moses - have brought this original ground-breaking album into the limelight once more as a pivotal starting point, sharing many of the aesthetics of these current artists at work today.

      Musically all are inspired by the spiritual jazz of John Coltrane, Alice Coltrane, Pharoah Sanders, Archie Shepp, Don Cherry et al paired with a modern electronic music sensibility. Chris Bowden’s Time Capsule has stood the test of time like few other albums (as the title of the album suggested), and remains a pivotal, wholly-successful and original experimental musical collage, a radical inspiration and forebearer to many of the best progressive jazz and electronic artists working today.

      The album has been fully hi-spec re-mastered and is available as a limited-edition heavyweight double-vinyl release with gatefold sleeve (+ free download code), slipcase CD and digital album.


      A selection of original reviews:

      “Lush strings and woodwind with a powerful combination of dub beats and classical orchestration. True future music.” The Face

      “A divine soundtrack that Miles Davis would rise from his grave for. Heaven-sent laid back lusciousness.” Muzik

      “Reminiscent of Miles Davis, Stravinsky and Star trek. Drop dead gorgeous.” True

      “A beautiful and mysterious record.” Mixmag

      “Out on the left field, past the edge of the solar system, music exploring new territory, forging new alliances with outer space and the future.” DJ

      “A vibrant filmic quality. Bowden is out on his own. Essential.” Straight No Chaser

      “True futurism: Satie, Webern and attitude creating a serious listening experience.” Echoes

      “An ambitious and adventurous excursion. A deep, complex and ever-changing piece that makes the competition look half-baked.” Observer

      “Sounding like a Michael Nyman tune that took a wrong turn and bumped into a Miles Davis record.” (Album of the week) The Guardian

      “Supreme” NME

      “Astro-jazz, luxurious strings and psycho-acoustic electronica. A journey to the centre of the head” ID

      • Chris Bowden – Natural Selection
      • Chris Bowden – Mother And Daughters Now Mothers
      • Chris Bowden – Forbidden Fruit
      • Chris Bowden – Epsilon Transmission
      • Chris Bowden – Epsilon
      • Chris Bowden – Love Lies Bleeding
      • Chris Bowden – Time Capsule
      • Chris Bowden – Mind And Matter
      • Chris Bowden – Retrospective
      • Chris Bowden – Solo
      • Chris Bowden – Extra Vehicular Activity (EVA)
      • Chris Bowden – Life Support
      • Chris Bowden – Telescopic One
      • Chris Bowden – Telescopic Two
      • Chris Bowden – Telescopic Three
      • Chris Bowden – Sane
      • Chris Bowden – Angel Falls
      • Chris Bowden – Mothers Too
      • Chris Bowden – Deaf Out
      PUNK 45 : Chaos In The City Of Angels and DevilsSoul Jazz Records

      Chaos in the City of Angels and Devils’ is the new instalment of Soul Jazz Records’ Punk 45 series featuring an array of first generation Los Angeles punk bands including X, The Germs, The Zeros, The Urinals, The Weirdos through to second generation hardcore groups like The Circle Jerks, Adolescents and T.S.O.L.

      Unlike the other major cities of New York and London, Punk in Los Angeles was pretty much ignored by the major record industry. As bands sprang up, Los Angeles punk gave rise to a wide range of its own DIY independent records with labels like Dangerhouse, Bomp!, What? And Upsetter documenting the nascent emerging scene.

      Original Los Angeles punk came in two distinct phases. The first punk groups (c.77-79) all centred around The Masque club in Hollywood, and the birth of the first ever hardcore groups who emerged in the surrounding Los Angeles suburb and beach areas (c.1979-81), mixing punk, skate and surfer ideologies. This album includes music from both periods.

      Chaos in the City of Angels and Devils’ documents this in detail. The 64-page outsize CD booklet features extensive notes, exclusive photography from celebrated original photographers Jenny Lens, Melanie Nissen (Slash magazine) and Edward Colver, original cover art as well as interviews and features on bands and labels (including The Urinals, Flesh Eaters, Dangerhouse, Posh Boy, Frontier, Upsetter and more!).

      The deluxe double vinyl comes in gatefold sleeve, inner sleeves, insert + free download (+ full sleevenotes and photography). This is the sixth Punk 45 release on Soul Jazz Records and follows on from the earlier releases covering punk from Cleveland, Akron, UK, USA and proto-punk, as well as the book Punk 45 – Cover Art of Punk written in collaboration with Jon Savage.

      • The Middle Class – Out Of Vogue
      • X – We're Desperate
      • The Flesh Eaters – Disintegration Nation
      • The Weirdos – A Life Of Crime
      • The Urinals – I'm White and Middle Class
      • Iggy & The Stooges – I Got A Right
      • The Germs – Forming
      • Agent Orange – Bloodstains
      • Black Randy & The Metrosquad – Trouble At The Cup
      • The Urinals – Ack Ack Ack Ack
      • The Zeros – Don't Push Me Around
      • The Randoms – ABCD
      • Circle Jerks – What's Your Problem
      • The Bags – Survive
      • The Adolescents – Amoeba
      • The Dils – Class War
      • The Deadbeats – Brainless
      • The Simpletones – I Like Drugs
      • T.S.O.L. – World War 3
      • Eyes – TAQN
      • The Hollywood Squares – Hollywood Square
      • The Deadbeats – Final Ride
      Sugar MinottSugar Minott At Studio OneSoul Jazz Records

      Long-out-of-print re-release of this classic Sugar Minott album on Soul Jazz Records bringing together the best of his classic material recorded at Studio One in the 1970s.

      Lincoln Sugar Minott was born in Kingston, Jamaica in 1956. He grew up in a poor area of West Kingston and from an early age developed a love of Reggae music and the music of Studio One in particular. As a teenager, he became selector for Sound of Silence Keystone and Gathering of Youth local sound-systems. By the late 1970s Minott had risen to become one of the biggest stars in Jamaican music.

      Sugar Minott began his career at Studio One. After auditioning in front of Clement ‘Sir Coxsone’ Dodd in the early 1970s, he became the first artist to record new songs over classic rhythms, singing over original Studio One tapes – the significance of which led directly to the birth of dancehall, as Channel One, Joe Gibbs and hundreds of other Jamaican producers quickly began releasing their own material based on these same classic Studio One rhythms replayed by Sly and Robbie, The Aggrovators, Soul Syndicate, Roots Radics and many others.

      “I knew Studio One spiritually before I knew Studio One physically. You know I grew up beside a dancehall and Sir Coxsone’s sound used to play there from when I was a boy. So from that influence you know I used to love Studio One sound so much, I became a sound selector. So that was my first involvement with getting to know Studio One music like The Heptones, Alton Ellis, Ken Booth, the whole works and that was my life from a youth.”

      After Sugar Minott’s debut many other artists followed suit at the label such as Freddie McGregor, Johnny Osbourne, Lone Ranger and Michigan & Smiley leading to one of the most creative periods for the label. This is the first retrospective of Sugar Minott at the label and most of these recordings have never been widely available outside Jamaica.

      • Sugar Minott – Vanity
      • Sugar Minott – Please Be True
      • Sugar Minott – Hang On Natty
      • Sugar Minott – Never Give Up
      • Sugar Minott – Jahovia
      • Sugar Minott – Give A Hand
      • Sugar Minott – Try Love
      • Sugar Minott – Roof Over My Head
      • Sugar Minott – Jah Jah Lead Us
      • Sugar Minott – Is It True
      • Sugar Minott – Love Gonna Pack Up
      • Sugar Minott – Give Me Jah Jah
      • Sugar Minott – Jah Jah Children
      • Sugar Minott – Party Time
      • Sugar Minott – Change Your Ways
      • Sugar Minott – Jah Almighty
      Studio One Lovers RockSoul Jazz Records

      Soul Jazz Records new Studio One album is a fantastic selection featuring all-star legendary Studio One vocalists – Alton Ellis, Marcia Griffiths, The Heptones, Horace Andy, Freddie McGregor, Sugar Minott – alongside a host of classic and super-rare Lovers Rock cuts all of which Clement Dodd recorded at the Brentford Road studio.

      Lovers rock brought together many elements and here you will find sweet harmonies, late 1960s rocksteady, 1970s soul covers, discomixes, recuts and new rhythms – which all fit together in a timeless twilight of love & harmony – as if lovers silhouetted by a Kingston sunset.

      Here you will find stone-cold classic Studio One tunes – Marcia Griffiths ‘Truly’, Horace Andy’s I’ll Be Gone super-rare cuts like Carlton and The Shoes killer 70s versions of Never Give Your Heart Away and Let Me Love You (vocal cut to Jackie Mittoo’s mighty Wall Street), The Invaders sweet lovers rocksteady bomb ‘Sweet Soul Rocking’ (currently for sale at £2,500 on discogs!) and many more!

      This new album comes with sleevenotes by Lloyd Bradley, the acclaimed author of Bass Culture, Sounds Like London and Reggae: The Story of Jamaican Music. The album is pressed on heavyweight double gatefold vinyl (+ free download), deluxe slipcase CD and digital.

      • Alton Ellis – Tumbling Tears (12" Discomix)
      • The Heptones – I Hold The Handle
      • Carlton and The Shoes – Never Give Your Heart Away (70s 12" Version)
      • The Minstrels – Yours Until Tomorrow
      • Jerry Jones – Oh Me Oh My
      • Horace Andy – I'll Be Gone
      • Carlton and The Shoes – Let Me Love You (12" Discomix)
      • The Invaders – Soulful Music
      • Sugar Minott – Ghetto Girl
      • Marcia Griffiths – Truly
      • Devon Russell – My Woman's Love
      • Billy Cole – Rock All Night
      • Freddie McGregor – I Don't Know
      • Cornel Campbell – Didn't I
      • Horace Andy – Wanna Be Free
      • The Heptones – My Ting A Ling (12" Discomix)
      • Alton Ellis – Someone (Extended Mix)
      • The Righteous Flames – I Was Born To Be Loved
      • 1. Alton Ellis – Tumbling Tears (12" Discomix)
      • 2. The Heptones – I Hold The Handle
      • 3. Carlton and The Shoes – Never Give Your Heart Away (70s 12" Version)
      • View full info and tracklisting
      Brown SugarI'm In Love With A Dreadlocks: Brown Sugar and The Birth Of Lovers Rock 1977 - 80Soul Jazz Records

      Soul Jazz Records are releasing this first ever collection of the pioneering British reggae Lovers Rock group Brown Sugar including rare singles, dubs and extended mixes. The album comes with extensive sleevenotes and interviews with Dennis Bovell, Pauline Catlin, John Kpiaye and Winston Edwards (Studio 16).

      Brown Sugar were formed by three young teenage girls – Pauline Catlin, Caron Wheeler and Carol Simms in South London in 1976. In the short period of time 1976-1980, the group – working with Dennis Bovell on the mixing desk and John Kpiaye (‘Brownie T) in the studio – recorded barely a handful of singles on the new Lovers Rock label, a number of which went to the top of the UK reggae charts. But success stopped there, and with no album release and no industry support the group broke up in the early 1980s.

      Following their split Caron Wheeler became the lead vocalist for the hugely successful group Soul II Soul, Carol Simms launched a solo career as Kofi (re-making a number of Brown Sugar songs with producer Mad Professor) and Pauline Catlin returned to education.

      Despite their relatively low-key mainstream public exposure Brown Sugar (and the label on which their first records appeared) announced to the world a new genre of reggae music, Lovers Rock, which spoke for the first time with the sensibility of a new segment of British society; that of first generation-born Black British female youth.

      And while Lovers Rock became synonymous with sweet love songs, Brown Sugar’s music in fact expressed far more; a righteous pride and consciousness in being Black and British, a political stance more often associated with UK roots groups like Black Slate, Aswad, Misty in Roots and other British reggae acts in the late 1970s. Brown Sugar were in fact their own genre of ‘conscious lovers rock’ – an expression of ideological black cultural pride.

      Brown Sugar’s handful of three-minute love songs (often plus extended dubs) somehow manage to encapsulate all the complexities of identity, sexual politics and youthful righteousness of Afro-Caribbean youth living in Britain in the 1970s. Songs such as ‘I’m in Love with A Dreadlocks’, ‘Our Reggae Music’, ‘Black Pride’ and ‘Dreaming of Zion’ spoke with a straightforward righteousness and consciousness that few roots groups could hope to match. The fact that they were all teenagers is even more striking.

      In the mid-70s British reggae came into being as first generation Black Britain was able to find a voice able to express the issues of growing up British with Caribbean roots. This came about in two different ways – the British roots music of (essentially male) groups such as Aswad, Steel Pulse and Black Slate – and Lovers Rock, the expression of a black essentially (but not totally) female consciousness – Brown Sugar, Louisa Mark, 15-16-17, Marie Pierre, Janet Kay, Carroll Thompson, Jean Adebambo and others. And significantly, while British roots music was a variant on a Jamaican style, Lovers Rock was uniquely British – the first authentic British reggae sound.

      Dennis Bovell comments, “For Lovers Rock we needed a pulpit, a way of saying ‘this is the style’. Sound systems were already saying ‘this is lovers,’ brandishing it in the dance. Our intention was to create a style of music that my generation could identify with – one that had a beat, and you could dance to with your partner in a sound system setting.”

      Dennis Bovell’s mixes for the group gave a further dimension to Brown Sugar records – a sound system mentality, adding sound effects and dub elements. ‘I’m in Love with A Dreadlocks’ was the debut release for both Brown Sugar and the Lovers Rock label, a fitting calling card for both. The record was a hit on many sound systems across the UK, reaching the top of the reggae charts.

      John Kpiaye: “They never put out an album. And all these records were seven-inch singles; when 12-inches turned up it just killed the seven-inch.”

      Although the career of Brown Sugar was short-lived, their legacy and influence remains significant and now, 40 years on from these first records, all of the members are still involved in music. Pauline Catlin has recently re-launched her career under a new moniker, Shezekiel; Carol Simms, aka Kofi, remains a successful solo artist, one of the queens of Lovers Rock; Caron Wheeler, after leaving Soul II Soul at the end of the 1980s, embarked on a solo career, before re-joining the soul super-group which she continues to front to this day.

      This new collection brings together all the groups essential recordings for the first ever time and is released as double gatefold heavyweight vinyl + free download (+ full sleevenotes), CD with large booklet, and digital album.

      • – Black Pride
      • – Our Reggae Music
      • – Hello Stranger
      • – I'm In Love With A Dreadlocks
      • – Hurtin' (with Dennis Bovell)
      • – I'm So Proud
      • – Runaway Love
      • – Dreaming Of Zion
      • – Loving Dreadlocks Dub
      • – You and Your Smiling Face
      • – Do You Really Love Me
      • – Proud
      • – Confession Hurts
      Delta Swamp RockSoul Jazz Records

      Monster double CD pack with a whopping 68-page book accompaniment / Two volumes of seriously heavyweight vinyl gatefold and 8page insert.

      Featuring The Allman Brothers, Dan Penn, Leon Russell, Tony Joe White, Johnny Cash, Bobbie Gentry, Big Star, Link Wray, Area Code 615 and loads more!

      Delta Swamp Rock is an interstate southern road-trip through the United States of America where country, rock and soul met at the crossroads - an exploration of the musical and cultural links between the cities of Memphis, Muscle Shoals and Nashville in the 1960s and 70s.

      At the start of the 1970s, a new type of music emerged out of the southern states of Alabama, Tennessee, Georgia, Mississippi and Florida. Southern rock, the creation of young blue-collar white Americans, blended rock, soul, country and blues music together to present a new vision of the south – a post-civil rights southern identity complete with a celebration of the regions natural landscape and its way of life.

      The Allman Brothers and Lynyrd Skynyrd epitomised the definitive southern rock groups – a mixture of blues-rock and country with a southern rebelliousness and attitude. Unfortunately both The Allman Brothers and Lynyrd Skynyrd were to be struck by tragedy, which would affect the movement’s rise and fall.

      The backstory to southern rock is the fact that a number of the people involved in its creation had been central to the production of southern soul music in the 1960s mainly in Memphis, Tennessee, and the small town of Muscle Shoals (population around 10,000) deep within the bible-belt, liquor-free, deeply segregated state of Alabama, creating 100s of R&B hits on an almost daily basis.

      Here in Muscle Shoals, with its proximity to Memphis and Nashville, an all-white group of in-house musicians, (famously referred to by Lynyrd Skynyrd in the song ‘Sweet Home Alabama’ as the ‘Swampers’), created countless classic soul records for the likes of Aretha Franklin, Wilson Pickett, Etta James, Clarence Carter and more during the 1960s. 

      This album charts the rise and fall of southern rock from its funky swamp roots in southern soul to its phenomenal success in the first-half of the 1970s, including its influence on Nashville’s ‘outlaw’ country and tracing it right back to the arrival of rock and roll in the 1950s - the first meeting of black and white American music at the crossroads.

      CD One/Volume one vinyl is tracks 1-13.

      CD Two/Volume two vinyl is 14-25

      REVIEWS:

      "An impeccable collection of Southern Rock" THE GUARDIAN (*****)

      "Soul Jazz Records compilations are always worthwhile because of the care and detail they put into these nuggets of musical archaeology. There is not a bad track on Delta Swamp Rock. Southern rock continued the tradition of racial integration through music, that began in Memphis with rock and roll, combining soul, gospel, country and rock to come up with something that was, frequently, groovy in the extreme."  THE TIMES

      "An ambitious document of the tension between conservative musical aesthetics and breakout rock ’n’ roll styles that characterised the early 1970s inheritance of blues, soul and Country in the post- psychedelic South." THE WIRE

      • Lynyrd Skynyrd – The seasons
      • Barefoot Jerry – Smokies
      • Joe South – Hush
      • Bobbie Gentry – Papa Won't You Let Me Go To Town
      • Area code 615 – Stone Fox chase
      • Duane And Greg Allman – God Rest His Soul
      • Cher – I Walk On Guilded Splinters
      • Cowboy – Please Be With Me
      • The Allman Brothers – Ain't Wasting No Time
      • Link Wray – Be What You Want to
      • Boz Scaggs – I'll Be Long Gone
      • Lynyrd Skynyrd – Comin' Home
      • Bobbie Gentry – Seasons Come, Seasons Go
      • Leon Russell – Out In The Woods
      • Tony Joe White – Polk Salad Annie
      • Barefoot Jerry – Come To Me Tonight
      • Duane And Greg Allman – Morning Dew
      • Dan Penn – If Love Was Money
      • Linda Ronstadt – I Won't Be Hangin' Round
      • Waylon Jennings – Big D
      • Big Star – Thirteen
      • Bobbie Gentry – Mississippi Delta
      • Travis Wammack – I Forgot To Remember To Forget
      • Johnny Cash – If I Were A Carpenter
      • Billy Vera – I'm Leaving Here Tomorrow, Mama
      • 2×LP Vol.2£23.00
        Out of stock
      • 2×LP Vol.1£23.00
        Out of stock
      • Deluxe 2×CD£12.99
        Out of stock
      Arthur RussellThe World Of Arthur RussellSoul Jazz Records

      New fully remastered re-release of Soul Jazz Records’ ‘The World of Arthur Russell’, the seminal collection of Arthur Russell’s essential music back in print on awesome limited-edition heavy deluxe triple vinyl and deluxe CD edition.

      ------------------------------------------------------------------------------------------------------

      This album brings together some of Russell’s best-loved and most accessible works including his wide-ranging music both solo and in groups including Dinosaur L (the essential ‘Go Bang’), Loose Joints (the equally classic ‘Is It All Over My Face’) as well as rarities such as the 7” only ‘Pop Your Funk’, Indian Ocean’s ‘Schoolbell/Treehouse’, Lola’s ‘Wax The Van’ and more.

      -------------------------------------------------------------------------------------------------

      “Arthur Russell fused the avant-garde with disco and sounds like nothing else on earth.” The GUARDIAN

      “Russell is the great enigma of the New York music scene” THE WIRE

      “Simply one of the best compilations of this or any year.” RECORD COLLECTOR

      -----------------------------------------------------------------------------------------------------


      Arthur Russell’s music effortlessly crossed musical boundaries making it timeless. His dance music credentials are faultless and this collection features mixes from Larry Levan, Françcois Kervorkian and Walter Gibbons. Similarly, his song-writing, musicality and performance skills are equally cherished as composer Philip Glass wrote, ‘this was a guy who could sit down with a cello and sing with it in a way that no one on earth has ever done before or will do again.’

      When Soul Jazz Records’ The World of Arthur Russell first came out in 2003, Russell’s music had slipped into near obscurity. Nearly 18 years later there are over a dozen releases of his music, reissues of his original albums and more. ‘The World of Arthur Russell’ is the classic first collection of his work available once more.

      • Dinosuar L – Go Bang (Francois K Mix)
      • Lola – Wax The Van
      • Loose Joints – Is It All Over My Face (Larry Levan Mix)
      • Arthur Russell – Keeping Up
      • Arthur Russell – In The Light Of The Miracle
      • Arthur Russell – A Little Lost
      • Loose Joints – Pop Your Funk
      • Arthur Russell – Lets Go Swimming (Walter Gibbons Mix)
      • Dinosuar L – In The Cornbelt (Larry Levan Mix)
      • Arthur Russell – Treehouse
      • Indian Ocean – Schoolbell/Treehouse (Walter Gibbons Mix)
      Venezuela 70Cosmic Visions of A Latin American Earth: Venezuelan Experimental Rock In The 1970s and Beyond VOLUME TWOSoul Jazz Records

      This is the second collection of music from Venezuela in the 1970s and beyond to be released on Soul Jazz Records. The album once again features innovative figures in the history of underground Venezuelan music, mostly unknown outside of their home country – their music a blending of progressive rock, jazz, experimental electronics and disco –created mainly in the 1970s – during a time when the country was both a cultural and economic powerhouse in Latin America.

      While much of 1960s Venezuelan rock music emulated British and USA styles, and salsa dominated the dancefloors of Latin America, the 1970s saw the evolution of a new generation of creative local artists such as Vytas Brenner, Daniel Grau, Aldemaro Romero, Un Dos Tres Y Fuera who all explored the possibilities of mixing together rock with elements of electronica, funk, jazz, latin rhythms simultaneously exploring their links with Venezuelan roots music, creating a new sound which blended a multitude of new and old world influences, uniquely Venezuelan.

      Most of these artists featured on Venezuela 70 remain practically unknown outside of Venezuela’s borders and yet their progressive forward-thinking music is some of the most sophisticated in the world – a stunning ‘melting pot’ mix of sounds from the cosmic and psychedelic rock of Vytas Brenner to the Moroder-esque disco experimentation of Daniel Grau, and the tropical funk of Un Dos Tres Y Fuera and beyond.

      Aside from the relatively known Vytas Brenner and Daniel Grau, most of the music on this album is incredibly rare (even in Venezuela)! The album is released as heavy double gatefold vinyl with full colour inners, exclusive text on artwork, CD with slipcase and large booklet, and digital album.

      • Vytas Brenner – Agua Clara
      • Daniel Grau – Dejando Volar El Pensamiento
      • Un Dos Tres Y Fuera – Relafica Negra En Tiempo De Siembra
      • Orchestra Julian – Do It With Class
      • Vytas Brenner – Gavilan
      • Fernando Yvosky – Estoy Viviendo
      • Daniel Grau – Delirio En Fa Menor
      • Vytas Brenner – Mandingo
      • Un Dos Tres Y Fuera – Machu Picchu Dos (El Niño Anciano)
      • Vytas Brenner – La Sabana
      • Johnny Lamas – Noches En Caracas
      • Aldemaro Romero Y Su Onda Nuevo – Moilendo Cafe
      • Vytas Brenner – Morrocoy
      • Daniel Grau – Voy Caminando Feliz
      • Grupo Bota – Solos
      • Vytas Brenner – Tragavenado
      • La Cuarta Calle – Camino A Casa (On My Way Home)
      • Aldemaro Romero Y Su Onda Nuevo – Una Por Una
      • 1. Vytas Brenner – Agua Clara
      • 2. Daniel Grau – Dejando Volar El Pensamiento
      • 3. Un Dos Tres Y Fuera – Relafica Negra En Tiempo De Siembra
      • View full info and tracklisting
      Soul Jazz Records presents Brasil featuring Sivuca, Joyce, Raul de Souza and moreRecorded in Rio de Janeiro, BrazilSoul Jazz Records

      Brand new edition of Soul Jazz Records’ Brasil album recorded in Rio de Janeiro in 1994 with a host of legendary Brazilian musicians including Sivuca, Raul de Souza and singer Joyce Moreno – which has remained one of the key defining early releases from the record label. Out-of-print for over 20 years (!!!) the album has now been fully digitally re-mastered for this new 2018 edition.

      The album was recorded at the height of the first wave of interest in Brazilian music in London in the 1990s. Joyce and a group led by husband drummer Tutty Moreno had just been brought to the UK for the first time ever by Gilles Peterson and Brazilian music obsessive Joe Davis (and future head of Far Out Records) and performing to over 2,000 new young fans.

      Singer-songwriter Joyce has been a living legend in her native Brazil ever since the Bossa Nova movement of the 1960s and had made her first record when she was just 20, and described by Antonio Carlos Jobim as ‘one of the greatest singers of all time.’

      Joyce Moreno agreed to be involved in the project to record an album in Brazil produced with a UK sensibility and Tutty Moreno’s group signed up as the house-band for the project. Stuart Baker (founder of Soul Jazz Records) and Joe Davis then flew to Rio de Janeiro, searching out studios and rehearsal spaces.

      During this time in Brazil more artists signed up for the project including legendary figureheads of the Brazilian music Sivuca (who brought his own group) and trombonist Raul de Souza. Other key figures included singer/guitarist Celia Vaz who worked extensively as arranger with the legendary Quarteto Em Cy and drummer Dom Um Romao); Wanda Sá, who played in Sergio Mendes’ original seminal bossa nova group Brasil 65 (during which time she married the artist Edu Lobo); and legendary saxophone/flautist Teco Cardoso whose bio reads like a who’s who of Brazilian music and includes work with Edu Lobo, Dori Caymmi, Baden Powell, Joao Donato, Carlos Lyra and others.

      The final piece to this Brazilian jigsaw was the addition of percussionist Pirulito – whose stunning display of self-made instruments allowed him to magically create the massive sound of Rio’s Samba Schools live inside the studio. The album was recorded over one hot summer, mixed in London and then released at the end of 1994.

      Over 20 years on and Soul Jazz records’ Brasil album manages to capture both an important cross-cultural musical moment in time between Brazil and London while at the same time sounding as fresh as if it was recorded today! Following the original success of this album Soul Jazz Records’ continued its love affair with Brazil and went on to release a host of Brazilian albums including classics such as Tropicalia, Brazil 70, Bossa Nova, a Bossa Nova cover art deluxe book with Gilles Peterson and releases by Sergio Mendes, Baden Powell, Edu Lobo and more

      This new edition album is released with full original artwork and now comes as limited edition remastered vinyl edition (+ free download), limited edition Japanese heavy card CD edition and digital album.


      • Pirulito – Introduction
      • Pirulito – Batucada No.1
      • Celia Vaz & Wanda Sa – Zanzibar
      • Celia Vaz & Wanda Sa – Amazon River
      • Tutti Moreno & Group – Berimbau
      • Pirulito – Capoeira
      • Joyce – Magica
      • Sivuca – Forro
      • Tutti Moreno & Group – Misturada
      • Pirulito & Raul De Souza – Batucada No.2
      • New LP + Download Code£20.00
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      • CD£12.00
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      • MP3 Release£7.99
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      Venezuela 70 : Cosmic Visions Of A Latin American EarthSoul Jazz Records

      Soul Jazz Records’ new Venezuela 70 is the first-ever album of its kind to take a look at the groundbreaking experimental rock music made in Venezuela and created in the 1970s – during a time when the country was both a modern cultural and economic powerhouse in Latin America on account of wealth from its vast oil supplies. 

      Venezuela lies at the northern part of South America, with neighbouring Colombia to its west and Brazil to its south. The north coast borders the Caribbean.

      Whilst much of 1960s Venezuelan rock music emulated British and USA styles, the 1970s saw the evolution of a new generation of creative artists such as Vytas Brenner, Angel Rada, Pablo Schneider and Miguel Angel Fuster, who all explored the possibilities of mixing together rock with elements of electronica, funk, jazz, latin rhythms simultaneously exploring their links with Venezuelan roots music, creating a new sound which blended a multitude of new and old world influences, uniquely Venezuelan.

      These Venezuelan artists looked to the future while exploring their country’s own musical heritage to create a new cultural identity. Similarities can be drawn with then contemporary movements around the world such as the Trópicalia and post-Trópicalia 1970s scene in Brazil of Os Mutantes, Novos Baianos, Secos e Molhados (all of which feature on Soul Jazz Records’ earlier Brazil 70).

      A similar parallel can be made in Europe with the experimental German groups of the 1970s (Can, Amon Duul, Harmonia, Neu all featured on Soul Jazz Records’ Deutsche Electronische Musik) who deconstructed and reconstructed the links between rock music and electronics to define a new German cultural identity.

      Most of these artists featured on Venezuela 70 remain practically unknown outside of Venezuela’s borders and yet their progressive forward-thinking music is some of the most sophisticated in the world – a stunning ‘melting pot’ mix of underground rock, synthetic electronics, funk, jazz and Latin American rhythms all of which explored new sounds and broke down musical boundaries to create a distinct and unique Venezuelan music and cultural identity.

      • Vytas Brenner – Araguaney
      • Pablo Schneider – Amor En Llamas
      • Un Dos Tres y Fuera – Machu Picchu
      • Miguel Angel Fuster – Polvo Lunar
      • Angel Rada – Basheeba
      • Fernando Yvosky – Barcos De Papel
      • Un Dos Tres y Fuera – Son De Tambor y San Juan
      • Vytas Brenner – Bang-Going-Gone
      • Aldemaro Romero y Su Onda Nueva – Irene
      • Miguel Angel Fuster – Dame De Comer
      • Un Dos Tres y Fuera – San Juan, Tambor y Fuera
      • Ofrenda Vytas Brenner – Caracas Para Locos
      • Grupo C.I.M. – Joropo No. 1
      • Angel Rada – Panico a Las 5am
      • Apocalipsis – Ayudame a Encontrar Mi Camino
      • Miguel Angel Fuster – La Quema De Judas
      135 Grand Street, New York, 1979CD AlbumSoul Jazz Records

      This is the soundtrack to 135 Grand Street, New York, 1979 also released by Soul Jazz Records on DVD. The CD includes all the bands featured in the film ( and comes with bonus tracks not in the film). Wild, raw No Wave meets garage band meets post-punk. Glenn Branca, Rhys Chatham, Evan Lurie (Lounge Lizards), visual artists Frank Schneider and Robert Longo, Wharton TIers are just some of the people in the bands. Check out this bargain price CD!

      • Theoretical Girls – Glazened Eyes
      • UT – Sharp's Loose
      • A Band – Sand and Sea
      • A Band – Mirror Mirror
      • Rhys Chatham – Guitar Trio
      • Chinese Puzzle – Great Wall Of Prague
      • The Static – The Spectacular Commodity
      • Morales – Gay Girl In A Gay Bar
      • Youth In Asia – Talking Heads (Part 1)
      • Youth In Asia – Amnesia
      • Steve Piccolo – Superior Genes
      • Chinese Puzzle – Chinese Funk (CD bonus track)
      • Jill Kroesen – Fay Shism Blues (CD bonus track)
      • Steve Piccolo – It's Hard To Be In Love In Times Like These (CD bonus track)
      • The Static – My Relationship (CD bonus track)
      • Theoretical Girls – Contrary Motion