It's back in stock!!! EXCLUSIVE - ONLY AVAILABLE HERE!

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WORLD EXCLUSIVE limited edition seven-inch 45 ONLY AVAILABLE to customers at Soul Jazz Records and Sounds of the Universe!

The world's greatest ever break? Here it is - The first official re-release of The Winston's Amen Brother with the LEGENDARY Amen Break as featured on 1000s of hip-hop and jungle releases. This record has been a collectors' 45 for ages and OUT OF PRINT for 50 years - sounding fresh!

Not only that but the flip-side Color Him Father is a superb Curtis Mayfield-esque ANTHEMIC soul tune - as essential as the A-side.

WORLD EXCLUSIVE limited edition seven-inch 45 ONLY AVAILABLE to customers at Soul Jazz Records and Sounds of the Universe!

THIS RECORD IS 100% ESSENTIAL and ONLY available HERE - DO NOT MISS OUT!

These are very limited Studio One 12" pressings (worldwide 1000) that sell out on the day they are released. So don't miss out here!

BRAND NEW LTD. EDN. 12" All-time Studio One party ANTHEM. 100% ESSENTIAL MONSTER TUNE - ROCKS ANY DANCEFLOOR!

'Greedy G’ is the ultimate reggae/funk/hip-hop party tune.

The all-time epic sample for Boogie Down Productions’ seminal ‘Jack of Spades’ based on James Brown’s funk bomb ‘Get on the Good Foot’.

The flipside is another Brentford Road All Stars essential cut, ‘Granny Scratch Scratch’, the heaviest, funkiest dub monster ever with bass to shake more speakers than a juggernaut lorry!

Boom!

Soul Jazz Records’ limited-edition black vinyl 1000-copies worldwide LP (+ download code), (as well as CD and digital) issue of this very rare deep spiritual jazz meets Brazilian and Latin album first released as a private-press album in 1978 on flautist Lloyd McNeill’s own Baobob Record label in Washington, DC. The album has been out-of-print for 43 years and is lovingly remastered by Soul Jazz Records.

Tori is a stunning album that blends Brazilian and Latin flavours with deep Spiritual Jazz, recorded in 1978. The album features an unbelievably strong line-up which includes legendary Brazilian figures like Dom Um Romao, Nana Vasconcelos and Dom Salvador alongside jazz heavyweights such as Buster Williams, Howard Johnson, John La Barbera and more. These A-team musicians were all regulars in McNeill’s long-running and highly successfull resident live group in New York all set up to blend deep jazz, Brazilian and Latin music together.

Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.

Soul Jazz Records’ new ox-blood red coloured vinyl limited-edition 1000-copies worldwide LP (+ download code) issue of this very rare deep spiritual jazz album first released as a private-press album in 1970 on flautist Lloyd McNeill’s own Asha Record label in Washington, DC.

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CLASSIC! DEEP Jazz includes the wicked 'Home Rule'

Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.

Soul Jazz Records are releasing Studio One Ska Fire Box Set, a limited-edition one-off pressing exclusive for Record Store Day 2021, collectors seven-inch box set featuring 10 amazing and super-rare Studio One ska tracks on five 7” singles, all produced here in deluxe hard form box each single with separate inner sleeves.

Soul Jazz Records are releasing Funk 70 Box Set, a limited-edition one-off pressing, exclusive for Record Store Day, collectors seven-inch box set, featuring ten superb, rare and classic funk cuts across five individual bespoke 7" singles housed in a hardbox set, with each single housed in individual innersleeves.

Seriously rare, killer and classic funk tunes brought together here in this unique one-off Record Store Day box-set edition.

This release features so many great singles. The super-rare Winstons MASSIVE 45 featuring Amen Brother (the drum break of all drum breaks for all jungle records ever!) as well as the soul anthem Color Him Father. A superb rare Detroit funk cut from Jackie Harris, Joe Bataan’s Latin Strut – the best latin funk tune ever made that helped launch Salsoul Records, rare groove hi-adrenalin funk from Untouchable Machine Shop and finally a KILLER slice of New Orleans funk produced by Eddie Bo with the amazing drums of James Black in the mix.

All tracks have been digitally re-mastered and the singles come housed in a thick, heavyweight deluxe card box.

This box set is a one-off pressing exclusively for Record Store Day.

This is incredibly Trees Speak’s third album on Soul Jazz Records to be released in the space of one year – and it’s amazing!

Trees Speak’s new album ‘Post-Human’ once again blends 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New York No Wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!

The new album ‘Post-Human’ draws further upon German krautrock high-concept albums from the likes of Tangerine Dream and Klaus Schulze from the 1970s, as Trees Speak create their own powerful new landscapes of sound that manage to be at once contemporary as well as both timeless and with a sense of science-fiction futurism.

Trees Speak’ seamlessly segue together all these musical elements into ‘Post-Human,’ a conceptually expansive album which follows on from their critically-acclaimed debut LP ‘Ohms,’ and the follow-up ‘Shadow Forms’ released on Soul Jazz Records less than six months ago.

This powerful new album is a high-concept collage of retro-futurist science-fiction music, which is fantastically illustrated by a specially commissioned cover design by the artist Eric Lee, a dramatic vision of life after humanity.

Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

The album includes an INDIES ONLY exclusive bonus 45 single with two extra tracks ‘Machine Vision’ and ‘Seventh Mirror’ available with the vinyl edition of this amazing and ground-breaking new album.

With ‘Post-Human,’ Trees Speak take the listener deep into their unique musical world of unknown visions of the past and the future.

ABOUT Ohms: Album of the Month - Splintered Eye /50 Best albums 2020 - Pop Matters / Favourite albums 2020 -The Soap Company / Albums of the Year 2020 -Bear Tree Records / Independent Albums of the Year 2020-Love Records / Albums of the Year 2020-Concrete Islands

ABOUT Shadow Forms: Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year 2020 -South / Albums of the Year 2020 - Concrete Island / Albums of the month - Reveal / Albums of the Year 2020 -Piccadilly / Albums of the Year 2020-Buzzsaw / About Shadow forms / Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year-South / Albums of the Year-Concrete Island / Albums of the month-Reveal / Albums of the Year-Piccadilly /Albums of the Year-Buzzsaw

About Ohms:

“This might well be the Dark Side of the Moon of the XXI century” Discogs

Super-limited new 1000 copies special ox-blood red vinyl edition!

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It's a big one ... Absolutely stunning second album from Trees Speak new on Soul Jazz Records.

Trees Speak’s new album ‘Shadow Forms’ is a blend of 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New Nork no wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!

Trees Speak’ segue together all these elements into ‘Shadow Forms,’ which follows on from their critically-acclaimed debut LP ‘Ohms,’ released on Soul Jazz Records less than six months ago.

Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

Trees Speak - Shadow Forms:

Records of the week-Drift/Album of the week-Resident/Album of the week-Norman/Records of the Year-South/Albums of the Year-Concrete Island/Albums of the month-Reveal/Albums of the Year-Piccadilly/Albums of the Year-Buzzsaw

Cold Wave #2

Ltd. Edn. Dayglo sleeve + PURPLE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

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Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

This is the second release of Soul Jazz Records’ new Cold Wave overview.

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This second edition Cold Wave #2 comes in two vinyl editions – a one-off pressing purple coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

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These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

Most of the featured artists are based in Europe and include Krikor from France, Beta Evers and L.F.T. from Germany, Lena Willikens, Job Siffre and De Ambassade from the Netherlands, Toulouse Low Trax from Germany, Dave I.D. and Broken English Club from the UK, and V.C.V.S from Georgia

All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.

IN STOCK NOW!

BRAND NEW LTD. EDN. 12" All-time Studio One party ANTHEM now available for the first time ever on loud 12" with version on the flip. 100% ESSENTIAL MONSTER TUNE - ROCKS ANY DANCEFLOOR!

Ltd. Edn. Dayglo sleeve + ORANGE VINYL 2xLP, + mini-fanzine/ Ltd. Edn. Dayglo sleeve + BLACK VINYL 2xLP, + mini-fanzine/ Dayglo CD + Slipcase + Booklet

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Soul Jazz Records new ‘Cold Wave’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

This is the first release of Soul Jazz Records’ new Cold Wave overview and a second volume will be released just four weeks later.

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This first edition of Cold Wave comes in two vinyl editions – a one-off pressing orange coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the limited edition first pressing of this album comes with its own free pull-out fanzine on the groups featured. The CD edition comes with artist booklet/fanzine and slipcase. All editions are printed in special dayglo colour finish.

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These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

Aside from the first electronic, no wave, and post-punk artists cited as influences –Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

Most of the featured artists are based in Europe and include Krikor, Dissemblance and VQOA from France, De Ambassade from the Netherlands, Moisture from Sweden, Kriedler from Germany, Céline Gillain and Carcass Identity from Belgium. One exception is FIT Siegel out of Detroit, connecting the electronic pathways of Europe to the Motor City.

All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.

Back in stock!

Soul Jazz Records new Studio One release Rocksteady Got Soul is a collection of uplifting and superb rocksteady and soulful reggae from the late 1960s and early 1970s. Studio One is the number one label in the history of reggae and he album features - as ever with Studio One - an impeccable and unbeatable line-up of reggae superstars all soaring at the height of their creative powers. Alton Ellis, John Holt, The Heptones, Jackie Mittoo, The Ethiopians, Lee Perry and more.

The album is a mix of classic tunes and rhythms alongside super-rarities that were released in a dazzlingly complex web of Studio One labels and issues, deftly navigated with new sleevenotes from author and Studio One authority Rob Chapman. But enough with the chatter, just spin the platter - these tunes rule the town, hands down!

This Soul Jazz/Studio One album is released as deluxe gatefold double-vinyl + house inners + download code. Also as jewel case CD housed in card slipcase. Both formats come with full sleeve notes/discography and exclusive photography. (The album is also available digitally on day of release onwards)

Soul Jazz Records’ new Studio One collection ‘Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio One’ features a stellar selection of 70s roots music – classic and rare tracks recorded at Clement Dodd’s musical empire at 13 Brentford Road in the 1970s.

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Rastafarian-inspired Roots music was an ever-important aspect of Studio One’s output from the start of the 1970s onwards and this album features many of the ground-breaking groups and artists that established the sound of Jamaica during this decade and beyond.

Featured here are seminal artists such as Freddie McGregor, The Wailing Souls, The Gladiators, Horace Andy, Devon Russell, Cedric Brooks, Count Ossie, Judah Eskender Tafari alongside a host of lesser-known rare cuts made at Studio One from artists such as The Prospectors, Viceroys and Pablove Black.

Studio One and founder Clement Dodd’s connection with Rastafarianism dates back to the early 1960s, with Dodd accompanying members of the Skatalites up to the hills of Kingston to listen to the music of the Rastafarianism Count Ossie and his drummers. The album sleevenotes discuss how Clement Dodd’s musical links, as well as his role in heading the most important record label in Reggae, are in many ways linked to the beliefs of Rastafarianism.

This album is released as a heavyweight black vinyl double-album with gatefold sleeve, full notes and download code, deluxe CD with full booklet and slipcase and digital album.

Super special 20th anniversary SILVER vinyl!

Incredibly inspired electronic retro-futurists who were so ahead of their time that they eventually imploded. This is a classic album!

In the space of five short years (and as many albums) at the end of the 20th century Add N To X caused havoc with their unique retro-futurist electronic music. Add N To X’s musical intensity proved too much for the group who split up in 2002. Their album On The Wires of Our Nerves, complete with its classic cover image, recorded on Soul Jazz Records’ then new offshoot label Satellite Records, launched them into the spotlight and included two NME Singles of the Week ‘Black Regent’ and ‘King Wasp’. Over twenty years since it was first released and long out of print the album 'On The Wires of Our Nerves’ stands up one of the most forward-looking electronic albums of then and now.

This classic album is released in a very limited one-off pressing transparent vinyl edition as an Record Store Day exclusive title

LONG OUT OF PRINT One-off RSD 2021 special limited edition black vinyl

"Steve Reid played with Sun Ra, knew Coltrane, played at Motown. I mean this is a guy who at 19 was playing drums with Fela Kuti in Africa. He is a musical genius. It’s a creative joy and honour to work with him."Kieran Hebden (Fourtet) After a number of groundbreaking live shows between Kieran Hebden (Fourtet) and legendary New York drummer Steve Reid, these two artists have embarked on two amazing new recording projects.

The first release is the Steve Reid Ensemble (featuring Kieran Hebden) "Spirit Walk". This will be followed by a second album by Kieran Hebden and Steve Reid which will be released by Domino Records at the beginning of 2006. Both albums blend electronic experimentation within the frame-work of Steve Reid’s musical heritage. Gilles Peterson will be touring the UK in November alongside The Steve Reid Ensemble. An ardent fan of the music, Peterson has contributed the sleeve-notes to "Spirit Walk" along with another long-time musical admirer Val Wilmer. Steve Reid is a true pioneer of boundary-breaking music.

This latest project/collaboration is a continuation of a musical path that stretches back to the late 1960s. A self-taught master jazz drummer Steve Reid played in Sun Ra’s Arkestra as well as being a session musician at both Motown Records (he plays on for instance Martha and The Vandella’s "Heatwave") and in James Brown’s in-house band at the legendary Harlem Apollo. In the mid-60s Reid went to West Africa, playing and learning the music of Ghana, Nigeria (playing with Fela Kuti), Liberia, Sierra Leone, Senegal. On returning to New York he joined Sun Ra’s The Science Myth Solar Arkestra.

In 1968 as a conscientious objector to the Vietnam war he was sentenced to 4 years in prison where he then taught a Black history course to his fellow inmates. In the 1970’s Reid formed the Legendary Master Brotherhood as well as running his own record company, Mustevic Sound, which released a series of his albums (2 of which have earlier been released by Soul Jazz Records). In a career now spanning over 40 years Steve Reid has worked with artists such as Lester Bowie, Miles Davis, Charles Tyler, Arthur Blythe, Ornette Coleman, Gary Bartz, Chief Bey, Archie Shepp, Sam Rivers, Dee Dee Bridgewater, Leon Thomas and more. This new project is the latest part in Steve Reid’s musical odyssey.

"A truly phenomenal artist. This is the album we've all been waiting a long time for. Steve Reid is steeped in musical history and yet this album has a modernity all of it's own." Gilles Peterson.

LAST COPIES

This is the new 20th anniversary edition of one of Soul Jazz Records’ classic Studio One releases now available as a one-off pressing special blue vinyl very limited-edition pressing ( 2000 copies worldwide).

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Studio One Roots set the standard for Soul Jazz Records’ long-standing series of Studio One collections and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae.

This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining crack-session men groups of Jamaican reggae history - The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. As ever the album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.

Stand-out tracks include Alton Ellis’s Blackish White, a surreal and powerful Afro-centric dream, Count Ossie Nyabinghi and Rastafarian drummers genre-defying interpretation of Booker T and The MGs ‘Meditation’, Willie Williams awe-inspiring versioning of the Skatalites' seminal Rastafari anthem Addis Ababa and many, many more.

This album has been fully digitally remastered, analog cut and packaged complete with the following: Original sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Honest Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves.

REVIEWS:

"Having established himself as one of Jamaica's top producers the day Studio One opened its doors in the early '60s, Clement "Coxsone" Dodd was unable to maintain his status during the roots era of the subsequent decade. This can be attributed to a couple of factors. One was Dodd's apparent reluctance to record the new, overtly Rasta-inspired music. The other was an infusion of new blood into the Jamaican music business. Eager to make a name for themselves, producers like Joe Gibbs, Bunny Lee, Lee "Scratch" Perry, and Winston "Niney" Holness managed to supplant the island's "big three" (Dodd, Duke Reid, and Prince Buster) in the process, driving the music's evolution in the '70s.

There isn't a weak number across these 16 tracks, from the Gaylads' ode to "Africa" and Devon Russell's version of the heavyweight "Drum Song" rhythm, to a trio of stunning instrumentals: Jackie Mittoo and the Cyclones with nyahbinghi drummer Count Ossie on "Meditation," Lenny Hibbert's sparkling vibe work over Mittoo's "Ghetto Organ" ("More Creation"), and Sound Dimension's "Congo Rock."

The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection." All Music

New edition of this seminal album available as a 1000 copies edition only on new premium RED vinyl!

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'A truly phenomenal artist.' GILLES PETERSON

'Steve Reid is one of the greatest drummers. He is a musical genius' KIERAN HEBDEN (Four Tet)

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As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, , Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver!

Reid was born in the South Bronx, and grew up in Queens, New York. He played in the house band at Harlem's Apollo Theatre, accompanying James Brown, as well as playing in Sun Ra's Arkestra. He lived next to John Coltrane, worked in a department store with Ornette Coleman, had a son who played drums with NWA. He began his career as a teenager in the 1960s as a drummer at Motown when he played on Martha and The Vandellas "Heatwave" (aged 14).

At the end of the 1960s Reid was sentenced to four years in jail as a conscientious objector of the Vietnam war. On his release from prison in 1974, he formed the Legendary Master Brotherhood and started the independent record label, Mustevic Sound, to release his debut LP Nova in 1976. This album is released in its entirety and with full original cover art here. Nova was the first in a series of stunning independent records he released in the 1970s.

At the start of the 21st century, his career took a new twist when Steve Reid began a successful collaboration with Kieran Hebden (Four Tet). Hebden referred to Reid as his ‘musical soul mate’, resulting in a number of joint albums.

Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.

New fully remastered re-release of Soul Jazz Records’ ‘The World of Arthur Russell’, the seminal collection of Arthur Russell’s essential music back in print on awesome limited-edition heavy deluxe triple vinyl and deluxe CD edition.

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This album brings together some of Russell’s best-loved and most accessible works including his wide-ranging music both solo and in groups including Dinosaur L (the essential ‘Go Bang’), Loose Joints (the equally classic ‘Is It All Over My Face’) as well as rarities such as the 7” only ‘Pop Your Funk’, Indian Ocean’s ‘Schoolbell/Treehouse’, Lola’s ‘Wax The Van’ and more.

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“Arthur Russell fused the avant-garde with disco and sounds like nothing else on earth.” The GUARDIAN

“Russell is the great enigma of the New York music scene” THE WIRE

“Simply one of the best compilations of this or any year.” RECORD COLLECTOR

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Arthur Russell’s music effortlessly crossed musical boundaries making it timeless. His dance music credentials are faultless and this collection features mixes from Larry Levan, Françcois Kervorkian and Walter Gibbons. Similarly, his song-writing, musicality and performance skills are equally cherished as composer Philip Glass wrote, ‘this was a guy who could sit down with a cello and sing with it in a way that no one on earth has ever done before or will do again.’

When Soul Jazz Records’ The World of Arthur Russell first came out in 2003, Russell’s music had slipped into near obscurity. Nearly 18 years later there are over a dozen releases of his music, reissues of his original albums and more. ‘The World of Arthur Russell’ is the classic first collection of his work available once more.

OUT NOW!

Soul Jazz Records new ‘Two Synths, A Guitar (and) A Drum Machine’ is a new collection of current D-I-Y post-punk bands shaped by the mutant sounds of no wave, punk funk and New York Noise bands from the late 70s and early 80s that collided with the world of underground dance music found at the Paradise Garage, Mudd Club in New York City (ESG, Arthur Russell, Bush Tetras, Talking Heads, Suicide, Liquid Liquid).

Other influences cited here include Manchester and Sheffield’s industrial post-punk sounds of the 1980s (Joy Division, Cabaret Voltaire, Gang of Four) as well as the 1970s German electronic experimentalism of Cluster, Neu!, Harmonia and Can.

Featured artists from around the globe include Los Angeles D-I-Y band Automatic, New Fries from Toronto, artist/music collaborators Toresch from Germany, Susumu Makai from Japan/UK, Vex Ruffin from the Phillipines/California and Madmadmad, Gramme, Tom of England and other UK groups

That all the bands featured here manage to make distinctive contemporary music out of these 80s roots is testament to the wide range of other musics that are seamlessly absorbed into a modern melting pot of sound – hip-hop, the electronic European avant-garde, rave culture, and more.

The double vinyl comes in two editions:

1) Limited edition indies EXCLUSIVE heavyweight green double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

2) Limited edition heavyweight black double vinyl housed in bespoke individual inner sleeves with its own free pull-out fanzine on the groups featured.

The album is also available as a CD and digital release

Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state of Cuba.

The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

The album is released to coincide with the massive new deluxe large format book Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90, published in November, which is also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), and which features the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba – and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states.

The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

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REVIEWS:

"It may only be January, but we already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

"It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

"Priceless comp goes beyond Buena Vista" UNCUT

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*Please note the vinyl sticker of this album says "+download code" but it's a mistake! There is no download with this particular album due to legal reasons. Sorry for this error!

Seminal punk from Akron, Ohio. Two KILLER tracks of early raw punk from the rubber city packaged in miniature 7" replica of the Bizarros/Rubber City Rebels original shared release. Awesome and heavy!

Owned and founded by Clement "Coxsone" Dodd, Studio One's output serves as a comprehensive guide to the history of Reggae music. The music on Studio One Rockers covers all areas of Reggae such as Ska, Rocksteady, Roots and Dancehall, all areas in which Studio One led the field.

Studio One Rockers features many legendary Studio One tracks brought together for the first time by Soul Jazz Records. From the beginning of Reggae, when the Skatalites developed a new sound of Ska in 1962 up until today, Studio One has been the number one innovator in Jamaican music.

Included in this compilation are classic Ska tracks ("Phoenix City"), Rocksteady ("Feel Like Jumping"), Roots music ("Truth and Rights"), Dancehall (Freddy McGregor, Michigan and Smiley) and many more.

Featured here are many of the classic tracks from Studio One. From Dawn Penn's legendary "No, No, No" to classics such as Horace Andy's "Skylarking" and Marcia Griffith's "Feel Like Jumping".

The Coxsone Soundsystem in the early 60s was one of the three main soundsystems operating in Jamaica alongside his competitors, Prince Buster and Duke Reid. The Studio One catalogue is possibly the largest in Jamaican music and this release is the first in a series of Studio One compilations on Soul Jazz Records.

This album comes with an in depth interview with Mr C.S. Dodd, about how he set up and ran his record label in the 1960s and 1970s.

"Compilation of the month. 100% Essential" SEVEN "Compilation of the month. A compilation of unbelievable quality. Awesome" MUZIK "A who's who of Jamaican music" MUSICWEEK "An essential slice of musical history" WAX "The most credible compilation of reggae you can 

INSANE and awesome record from one of the first and finest San Francisco punk bands ever! Originally released in 1978 on Chris D's own Upsetter Records. Bespoke reproduction with open out double-sided 4 page sleeve. Out of print for 30 yrs! Four tracks of raw energy for ten quid - or u can buy the original for a few £100! The bomb!

Superb independent UK DIY punk from 1979 - unbelievably hard to find an original copy.

Crazy fold-out sleeve bespoke exact replica DIY PUNK 45!

Surely one of the best punk records ever! Los Angeles 1978 double-sider - KILLER indeed!