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    Airto de MoreiraSamba De Flora (1980)Soul Jazz Records

    Soul Jazz Records are re-releasing Airto Moreira’s classic album ‘Samba de Flora’, out of print for 30 years ever since its original release in 1988. The album is very limited to just 1000 copies only, pressed on both vinyl and CD.

    The impact of Airto Moreira in both the world of American jazz and in Brazilian music is unparalleled. At the start of the 1970s Airto was invited to join Miles Davis’ groundbreaking ‘electric’ group, which with albums such as the seminal ‘Bitches Brew’ helping Davis regain his title from John Coltrane as the most important jazz artist of all time.

    Two years later Airto helped establish two of the most important jazz fusion groups of all time: Weather Report, with Wayne Shorter, Joe Zawinul and Miroslav Vituous; and Return to Forever, with Chick Corea, Stanley Clarke and Flora Purim.

    Airto Moreira also began his solo career in the USA in 1970, and alongside his wife, the singer Flora Purim, and Brazilian artists such as Hermeto Pascoal, Sivuca, Deodato, Raul de Souza, Azymuth, all played a major part in the Latinised sound of American jazz fusion throughout the 1970s.

    By this time Airto established himself in the USA in the 1970s, he had already had a formidable career back in Brazil in the 1960s as an important figure in the Bossa Nova movement, which soon after spread throughout the world. Airto played in a number of important groups during this time – Quarteto Novo Sambalanco Trio and Sambrassa Trio (all of with Hermeto Pascoal) – which proved to be three of the most ground-breaking groups of this era.

    The album ‘Samba de Flora’, including the seminal jazz dance title track, is a masterpiece of jazz and Brazilian fusion and features Airto Moreira alongside Flora Purim, fellow Brazilian artist Raul de Souza and heavyweight USA jazz musicians Alphonso Johnson, percussionist Don Alias (from Stone Alliance), Cuban conga player Cachete and Argentinian pianist Jorge Dalto.

    The album was originally released on the small independent Montuno Record label (which was run out of the unassuming Record Mart record store situated in the Times Square underground subway station!) and has been unavailable for many, many years.

    This album is fully re-mastered and re-released by Soul Jazz Records for the first time ever, packaged in full original artwork on both vinyl (+ download code) and CD.

    • Airto – Parana
    • Airto – Samba De Flora
    • Airto – La Puerta
    • Airto – Dedos
    • Airto – Yanah Amina
    • Airto – El Fiasco
    • Airto – Mulambo
    • Airto – Latin Woman
    AliveSkindo Le LeSoul Jazz Records

    NEW SUPER LTD. first edition of 300 copies. Only available EXCLUSIVELY to customers at Soul Jazz Records/Sounds of the Universe.

    Alive's massive jazz dance/ latin/brazilian bomb 'Skindo Le Le' originally featured on Soul Jazz Records' London Jazz Classics. 

    A firm favourite at Gilles Peterson and Patrick Forge's Dingwalls (our first shop was originally above the club) we are now - 25 years on! -  releasing this monster jazz dance anthem as a very limited 300 edition collectors 45 single.. 

    THIS 7-inch can ONLY be bought directly here from Soul Jazz Records or Sounds of the Universe websites and shop.  

    See all the EXCLUSIVE 45s titles only available here!



    • – Skindo Le Le
    • – City Life
    • 7"£9.99
      Out of stock
    Black Fire ! New Spirits !Soul Jazz Records

    Soul Jazz Records’ new release Black Fire! New Spirits! is a deluxe double CD (and limited triple LP) exploring deep, radical and spiritual jazz in the USA in the period 1957-1975.

    In the 1960s and into the 1970s jazz music in the USA was in an almost constant state of revolution, with the music and lives of African-American artists radicalised by the advent of the civil rights movement, Black Power, and a new spiritual awakening.

    For over 20 years now Soul Jazz Records have been exploring this rich area of deep and spiritual jazz music with an array of albums such as Freedom, Rhythm and Sound, Universal Sounds of America, New Thing, Soul Jazz Love Strata East and more. Soul Jazz Records have also released a steady stream of reissues of lost and classic deep jazz releases over the years from artists such as Art Ensemble of Chicago, Steve Reid, Pharaoh Sanders and others.

    This new album features groundbreaking and revolutionary artists such as Don Cherry, Archie Shepp, The Last Poets and Yusef Lateef as well as many rare and deep lost tracks from lesser known artists such as Creative Artists Ensemble, Granchan Moncur, Lloyd McNeill, Tyrone Washington and others.

    This album coincides with the recent ‘Black Fire! New Spirits! Images of A Revolution: Radical Jazz in the USA 1960-75’ book, published by Soul Jazz Books, which as well as including pioneering artists such as John Coltrane, Miles Davis, Roland Kirk and Alice Coltrane also features many of the artists included in this album. 

    REVIEWS

    "This double-disc set is the companion soundtrack to Soul Jazz's book of the same name. It documents 14 wide-ranging tracks by well-known foundational artists and those who followed the New Thing path to other realms during a fertile period during and after the Civil Rights Era. Soul Jazz has always done an admirable job both in curation and presentation." All Music

    Read full All Music review here

    • Yusef Lateef – Chang, Chang, Chang
    • The Last Poets – It's A Trip
    • Don Cherry – Utopia and Visions
    • Richard Davis – Dealin'
    • Archie Shepp and Jeanne Lee – Blase
    • Harold McKinney and The Creative Profile – In The Moog
    • Grachan Moncur III and The Jazz Composers Orchestra – Angela's Angel
    • Creative Arts Ensemble – Flashback Of Time
    • David Lee Jr – Second Line March
    • Lloyd McNeill and Marshall Hawkins – The Banjo Lesson
    • Tyrone Washington – Universal Spiritual Revolt
    • Pheeroan Ak Laff – Tzaddi Vau (Part 1)
    • Joe Henderson – Black Narcissus
    • Doug Hammond – Spaces and Things
    Black Fire! New Spirits! PosterSoul Jazz Records

    Large deep, spiritual jazz poster for your bedroom wall, innit.

    Oh yes! 50 x 70cm KILLER poster!!

    Choose "Poster Freepost" if you want this poster sent with any other vinyl order item (LP/12" vinyl only) at NO extra postage charge (poster will be folded into six parts)

    Choose "Poster+Tube" if you want the poster rolled up and sent in a customised, protective tube (more expensive to cover postage)

    THIS ALSO means if you want more than one poster then you should only put 'Poster+Tube' for one of the posters and select 'Poster freepost' for any others as the rest will be free shipping.

      Chris BowdenTime Capsule (1992)Soul Jazz Records

      The stunning and ground-breaking album from the composer and saxophonist Chris Bowden back in print 20 years on!

      “This is the album that connected it all.” Gilles Peterson 2018

      Chris Bowden’s debut album Time Capsule was first released on Soul Jazz Records in 1992 to universal and widespread critical acclaim. Now 20 years on a new wave of current jazz artists led by the likes of Kamasi Washington in the USA and a host of British artists - Shabaka Hutchings /Sons of Kemet, The Ezra Collective, Moses Boyd, Nubya Garcia, Fourtet, Yussef Kamaal, Tenderlonious, Binker & Moses - have brought this original ground-breaking album into the limelight once more as a pivotal starting point, sharing many of the aesthetics of these current artists at work today.

      Musically all are inspired by the spiritual jazz of John Coltrane, Alice Coltrane, Pharoah Sanders, Archie Shepp, Don Cherry et al paired with a modern electronic music sensibility. Chris Bowden’s Time Capsule has stood the test of time like few other albums (as the title of the album suggested), and remains a pivotal, wholly-successful and original experimental musical collage, a radical inspiration and forebearer to many of the best progressive jazz and electronic artists working today.

      The album has been fully hi-spec re-mastered and is available as a limited-edition heavyweight double-vinyl release with gatefold sleeve (+ free download code), slipcase CD and digital album.


      A selection of original reviews:

      “Lush strings and woodwind with a powerful combination of dub beats and classical orchestration. True future music.” The Face

      “A divine soundtrack that Miles Davis would rise from his grave for. Heaven-sent laid back lusciousness.” Muzik

      “Reminiscent of Miles Davis, Stravinsky and Star trek. Drop dead gorgeous.” True

      “A beautiful and mysterious record.” Mixmag

      “Out on the left field, past the edge of the solar system, music exploring new territory, forging new alliances with outer space and the future.” DJ

      “A vibrant filmic quality. Bowden is out on his own. Essential.” Straight No Chaser

      “True futurism: Satie, Webern and attitude creating a serious listening experience.” Echoes

      “An ambitious and adventurous excursion. A deep, complex and ever-changing piece that makes the competition look half-baked.” Observer

      “Sounding like a Michael Nyman tune that took a wrong turn and bumped into a Miles Davis record.” (Album of the week) The Guardian

      “Supreme” NME

      “Astro-jazz, luxurious strings and psycho-acoustic electronica. A journey to the centre of the head” ID

      • Chris Bowden – Natural Selection
      • Chris Bowden – Mother And Daughters Now Mothers
      • Chris Bowden – Forbidden Fruit
      • Chris Bowden – Epsilon Transmission
      • Chris Bowden – Epsilon
      • Chris Bowden – Love Lies Bleeding
      • Chris Bowden – Time Capsule
      • Chris Bowden – Mind And Matter
      • Chris Bowden – Retrospective
      • Chris Bowden – Solo
      • Chris Bowden – Extra Vehicular Activity (EVA)
      • Chris Bowden – Life Support
      • Chris Bowden – Telescopic One
      • Chris Bowden – Telescopic Two
      • Chris Bowden – Telescopic Three
      • Chris Bowden – Sane
      • Chris Bowden – Angel Falls
      • Chris Bowden – Mothers Too
      • Chris Bowden – Deaf Out
      Brazil USA 70: Brazilian Music In The USA In The 1970sFeaturing Airto, Deodato, Sergio Mendes, Flora Purim, Sivuca, Donato & moreSoul Jazz Records


      All of the music featured here on this new Soul Jazz Records collection was created by Brazilian artists living and working in the USA in the 1970s.

      The album brings together some of these finest works and comes complete with extensive notes that explains the path these musicians took from Brazil to the USA and shows the political and musical links between Brazil and the USA that created the conditions for this unique fusion of these two distinct cultures, North American Jazz and Brazilian music, that occurred in the 1970s.

      In the early 1970s North American jazz musicians were eager to work with upcoming Brazilian musicians. Miles Davis invited Airto Moreira to join his new ‘electric’ band, Dom Um Romao (part of Sérgio Mendes’ legendary Brazil ‘66 in the 1960s) joined the fusion group Weather Report, Flora Purim and Airto both became a part of Chick Corea’s new project Light As A Feather, Wayne Shorter collaborated with Milton Nascimento, George Duke recorded Brazilian Love Affair, and so on.

      With all the attention placed on them from these important jazz artists, North America became the new musical playground for a large number of these Brazilian artists – Airto Moreira, Flora Purim, Sérgio Mendes, Luiz Bonfá, Eumir Deodato, João Donato and many others.

      Most of these musicians had already experienced success through the earlier popularity of bossa nova in the 1960s, either at home in Brazil or in the USA. But by the end of the 1960s many Brazilian artists had left their own country, as the military dictatorship became progressively more authoritarian and repressive. In the USA, through their critically acclaimed work for Miles Davis, Weather Report, Light As A Feather etc., all of these artists were now given reign to explore new musical terrains away from the restrictions of both a musical genre and a state censor back in Brazil.

      The album comes as a deluxe gatefold double vinyl LP, complete with download code, full sleeve notes, exclusive photography, double inner sleeves. The CD contains CD plus a large 40-page outsize booklet all housed in Soul Jazz slipcase.

      • Airto – Samba De Flora
      • Duke Pearson and Flora Purim – Sandalia Dela
      • Sergio Mendes & Brasil '66 – Batucada (The Beat)
      • Deodato – Skyscrapers
      • Milton Nascimento – Catavento
      • Airto – Tombo in 7/4
      • Luiz Bonfá – Bahia Soul
      • Dom Um Romao – Braun-Blek-Blu
      • Moacir Santos – Kathy
      • João Donato – Almas Irmãs
      • Sivuca – Ain't No Sunshine
      • Milton Nascimento – Rio Vermelho
      • Tamba 4 – Consolation (Consolação)
      • Flora Purim – Moon Dreams
      • Dom Um Romao – Escravos de Jo
      • Airto – Andei (I Walked)
      • 1. Airto – Samba De Flora
      • 2. Duke Pearson and Flora Purim – Sandalia Dela
      • 3. Sergio Mendes & Brasil '66 – Batucada (The Beat)
      • View full info and tracklisting
      Theon Cross / PokusCandace of Meroe / Pokus OneSoul Jazz Records

      This is a one-time only pressing of this 12" single and will be deleted on release. Two killer tracks that are not on the vinyl version of the Kaleidoscope album. Theon Cross's superb Candace of Meroe and Pokus' equally striking Pokus One

      • Theon Cross – Candace of Meroe
      • Pokus – Pokus One
      • Limited-edition one-off 12" single£12.99
        In stockAdd to Bag
      Hieroglyphic BeingThe Red NotesSoul Jazz Records

      "Hieroglyphic Being translates five years of experimentation into his best LP to date" Vinyl Factory

      "Album of the week" BLEEP

      "Chicago dance music hero Hieroglyphic Being releases one of the strongest albums of his incredible career" Pop Matters

      ----------------------------------------


      Stunning new album from Chicago’s finest electronic futurist Hieroglyphic Being, aka Jamal Moss, newly released on Soul Jazz Records. This is his third album for the label, following on from The Acid Documents (2015), and African With Mainframes (w/ Noleian Reusse) K.M.T. (2016).

      Born and based in Chicago, Moss’s music embodies two of the cultural foundation blocks of the city’s musical lineage; that of Chicago’s original Acid House sound (c. 1986) - Frankie Knuckles, Phuture, Marshall Jefferson et al, alongside a rigorous experimental sound searching that taps into the cosmic musical lineage of pioneering artist Sun Ra whose Arkestra landed and was based in the city from 1946-61, and the equally pioneering work of The Art Ensemble of Chicago in the 1960s and 70s.

      The association with Sun Ra is by no means hypothetical, Moss recorded with the Arkestra leader Marshall Allen and a host of free jazz players for the album Hieroglyphic Being & JITU Ahn-Sahm-Buhl’s ‘We Are Not The First.’ (2015).

      Similarly, his relationship to Chicago’s original acid house pioneers of the late 1980s is no hyperbole. Originally mentored by artist/producers Adonis and Steve Pointdexter, Moss also runs his own Mathematics label, releasing a constant stream of new music by foundation acid house pioneers Lil’ Louis, Adonis and many others.

      Moss grew up in the south side of Chicago. After being thrown out of the home of his adoptive parents, he then spent three years homeless living on the streets of Chicago, living a nocturnal existence as a gigolo in Chicago’s alternative clubs. He began his career as a DJ at the pioneering Liquid Love parties at Chi-town’s legendary Power House (home of Ron Hardy’s Music Box) around 1989.

      What clearly defines Moss’s music is that while sometimes pushing the limits of sound to an ear-splitting dimension of experimentation and DIY-electronics – the music is always clearly a progression of the lineage of black music. In the words of fellow Chicagoans, The Art Ensemble of Chicago, it is simply ‘Great Black Music.’ And yet in this uniquely defined sound, Moss somehow manages to draw into this world elements of industrial music, German electronic music (Cluster, Harmonia etc), Detroit’s sci-fi techno artists (Atkins, Saunderson, Craig) and more.

      ‘Outsider House’ ‘Afro-Futurist’ ‘Rhythmic Cubism’, Moss’s near indescribable sound plays testament to the notion that he is perhaps the last of the line of producers directly influenced by Ron Hardy at the Music Box, uniquely qualified to write a new chapter of Chicago’s rich musical history.

      Red Notes is the prolific artists new revelatory and unique project – in his own words ‘A homage to the Blue Note Jazz sound of Thelonious Monk, John Coltrane, Herbie Hancock’ fused together with the classic Chicago House and Acid sensibilities of Larry Heard, Armando, Adonis et al, into a newly imagined futuristic and barrier-less musical landscape.

      Featuring organic and synthetic electronic instrumentation, Hieroglyphic Being here fuses real-time live instrumentation and over-dubbed technologies to dramatic effect, as analog and electronic worlds collide.

      In honour and dedication: Thelonious Monk , Weather Report, Black Herman, Larry Heard, Herbie Hancock, Marshall Allen, Danny Thompson, Sun Ra, David Hotep, Daniel Carter, Orphy Robinson, Shabaka Hutchings, Mark Sanders, Evan Parker, Yaw Tembe, Pat Metheny, Miles Davis, Armando Gallop, Jon Hassell, Heldon, Pekka Airaksinen, Popol Vuh, Joe Zawinul, Moebius, Plank, Neumeyer, Adonis.

      Instrumentation: with Organic Flute, Piano, Guitar, Drums, Alto Sax, Hammond Organ, Korg Triton, Linn Drum, Korg DDD-1, Dr5 Drums, Casio RZ 1, Ensoniq Mirage Fairlight CMI Series III, Moog Mother 3, Allen & Heath Zed 24 mixer, Auria App for Sequencing.

      The striking artwork features stunning graphics and illustration from Paolo Parisi (who also created the artwork for the Africans With Mainframes album as well the series of Acid Mysterons albums all on Soul Jazz Records)

      "Jamal Moss has composed a modern afrofuturist suite as though in a state of perpetual grace" QUIETUS

      Read full review here

      • Hieroglyphic Being – Youth Brainwashing and The Extremist Cults
      • Hieroglyphic Being – The Melody Lingers
      • Hieroglyphic Being – The Seduction Syndrome
      • Hieroglyphic Being – Awake and Energize
      • Hieroglyphic Being – Video Jazz
      • Hieroglyphic Being – The Red Notes (Original)
      • Hieroglyphic Being – The Emotional Listener
      • Hieroglyphic Being – The Red Notebook
      • Hieroglyphic Being – The Tone Bather
      • 1. Hieroglyphic Being – Youth Brainwashing and The Extremist Cults
      • 2. Hieroglyphic Being – The Melody Lingers
      • 3. Hieroglyphic Being – The Seduction Syndrome
      • View full info and tracklisting
      Hu VibrationalUniversal MotherSoul Jazz Records

      Hu Vibrational's new album mixes deep percussive African rhythms and Afro- Jazz with elements of hip-hop and electronica recorded in Los Angeles, California. This is the second album by Hu Vibrational to be released on Soul Jazz Records and for those of you bought the first release this will not disappoint! Produced by West Coast left-field hip-hop/electronic/jazz artist Carlos Nino A/K/A Ammon Contact, the album features Adam Rudolph, Hamid Drake and Brahim Fribgane as well as special guest and deep jazz legend Yusef Lateef. Adam Rudolph and Hamid Drake have between them played and recorded with Pharoah Sanders, Herbie Hancock, Bill Laswell, Jah Wobble, Don Cherry and many more. With previous releases on Soul Jazz Records (Beautiful) and Scott Heren’s (Prefuse 73) Eastern developments label, Hu Vibrational’s deep spiritual music draws on the links between Africa, Jazz music and avant-garde Hip-Hop. Adam Rudolph co-founded the Mandingo Griot Society and has been working together for over recent years as musical partner to the great Yusef Lateef. He also runs the Go:Organic Orchestra a 22 piece percussion group. Carlos Nino A/K/A Ammon Contact has had releases on Ninja, Soul Jazz Records, Eastern Development and Plug Research. As well as being an integral part of Hu Vibrational he has also produced Dwight Trible and The Life Force Trio, Build An Ark and the Go;Organic Orchestra.

      • Hu Vibrational – Twins
      • Hu Vibrational – Luna
      • Hu Vibrational – We Call To Her
      • Hu Vibrational – Amma
      • Hu Vibrational – Meta M'Bulu
      • Hu Vibrational – Hakuna
      • Hu Vibrational – Nammu
      • Hu Vibrational – Her Dream Of Peace
      • Hu Vibrational – Born Form The Sea
      • Hu Vibrational – Mandala
      • Hu Vibrational – M'Bip
      • Hu Vibrational – Ninety-Six Lotus Blossoms
      • Hu Vibrational – Red Ochre Cowrie
      • Hu Vibrational – In The Field Featuring Yusef Lateef
      • CD£12.00
        Out of stock
      • 2×LP£18.99
        Out of stock
      • MP3 Release£7.99
        Out of stock
      Hu VibrationalBeautiful: Boonghee Music 2Soul Jazz Records

      Soul Jazz are releasing this new album that mixes deep percussive Afro- Jazz with elements of Hip-Hop recorded in Los Angeles, California. The album features members of the West Coast left-field Hip-Hop/Electronica community such as Daedelus and Carlos Nino A/K/A Ammon Contact alongside Adam Rudolph and Hamid Drake. Adam Rudolph and Hamid Drake have between them played and recorded with Pharoah Sanders, Herbie Hancock, Bill Laswell, Jah Wobble, Don Cherry and many more. With previous releases on Scott Heren’s (Prefuse 73) Eastern developments label, Hu Vibrational’s deep spiritual music draws on the links between Jazz music and avant-garde Hip-Hop. Adam Rudolph co-founded the Mandingo Griot Society and has been working together for over recent years as musical partner to the great Yusef Lateef. He also runs the Go:Organic Orchestra a 22 piece percussion group. Carlos Nino A/K/A Ammon Contact has had releases on Soul Jazz Records, Eastern Development and Plug Research. As well as being an integral part of Hu Vibrational he has also produced Build An Ark who feature on the recent tribute to Sun Ra release alongside Theo Parrish, Recloose, Jimi Tenor, Alex Attias and more.

      • Hu Vibrational – Joyous
      • Hu Vibrational – Joyful Road
      • Hu Vibrational – We Walk
      • Hu Vibrational – Friends And Gardens (For Don Cherry)
      • Hu Vibrational – Feet On A Beautiful Planet
      • Hu Vibrational – Locomotion
      • Hu Vibrational – Path Of Peace (For Yusef Lateef)
      • Hu Vibrational – Walkabout It
      • Hu Vibrational – Copa Setic Interlude
      • Hu Vibrational – On The Now (For Big Black)
      • Hu Vibrational – In The House
      • Hu Vibrational – Sunkissed
      • Hu Vibrational – Return To Earth
      Inner City Beat !Soul Jazz Records

      Soul Jazz Records new release Inner City Beat! Detective Themes, Spy Music and Imaginary Thrillers  is a unique CD (and 2LP) release + an exclusive limited-edition specially created 60-page graphic novel (by the mysterious cult 1960s pulp-fiction writer Mark ‘Badly’ Antringham).

      The music on the album is a killer selection of funky, deep, rare, exciting and dancefloor heavyweight ‘spy themes’, ‘detective music’ and thrillers from the 1960s and 1970s. The music spans heavyweight break-beat funk, deep and heavy jazz, super-catchy mod themes, imaginary super-charged orchestral soundtracks and more.

      These tracks are put together from British library music companies (DeWolfe, KPM, Conroy, Amphonic) all of whom supplied music regularly to television and films around the world during this period, often for use in detective and spy programmes, series and films.

      Created as work for hire in anticipation of television or film usage, many were never broadcast and have thus remained unheard, stored in the vaults for many years. Other tracks featured were used as incidental or title music in long-forgotten 1960s detective and cult programs.

      And whilst the names of the artists and composers featured on this album have remained relatively obscure (Syd Dale, Reg Tilsley, Johnny Pearson, Barry Stoller etc), the music they created is in fact some of the most well known and highly accessible music in the world - due to its widespread usage on these detective and thriller (and many other genre) television shows and films during this period.

      In the 1960s and 1970s, these British music libraries used to promote these recordings to television and film productions on limited-run vinyl pressings (usually housed in generic sleeves). Mostly pressed in runs of less than 1000 copies, the best and rarest of these original records are today highly sought after items and included here is a fine selection of some of these rare, collectible and very groovy tracks.

      To accompany this unique album, Soul Jazz have also commissioned the creation of a special 60-page graphic novel which features the stunning artwork of the elusive illustrator John C. Patterson in partnership with the celebrated 1960s pulp fiction cult novelist Mark ‘Badly’ Antringham. The graphic novel is set in the imaginary seedy streets of East London in the 1960s in a world full of corrupt police, political intrigue and violent sadistic criminals.

      As well as the CD release this album also comes as a heavyweight deluxe gatefold super-loud double vinyl release (with free download code). The graphic novel comes free with the physical release (CD and double vinyl LP) of the album Inner City Beat.

      There is also a worldwide digital download release for this Soul Jazz Records release.

      REVIEWS:

      "The collection demonstrates how some short theme tunes and pieces of incidental music also received serious play as stand alone tunes." The Irish Times


      "The clever, contrasting arrangements suit the thriller in your own head as much as the B-movies of the sixties and seventies. Stylish!" Die Presse, Austria


      “A masterpiece. Splendid remastering. An orgasm.” Rock & Folk, France 


      • Peter Reno & Barry Stoller – Sparks
      • Syd Dale – Danger Musicians At Work
      • Clive Hicks – Drums In Transit
      • Norrie Paramor – Theme From New Scotland Yard
      • Francis Coppetiers – Funky Chimes
      • Dave Richmond – Gotta Getaway
      • Dave Richmond – Heavy Lead
      • Reg Tilsley – Ode To A Stone
      • Ernest Copley – Fuel Injection
      • Brass Incorporated – On A Bicycle Made For Three
      • Tilsley Orchestral – The Ratcatchers
      • Ernest Copley – Dynamic Patterns
      • David Lindup – Men Of Action
      • Brass Incorporated – Come One, Come All
      • Francis Coppetiers – Crosstalk
      • The International Studio Group – High Diplomacy
      • Syd Dale – The Hell Raisers
      • Johnny Pearson – Product Efficiency
      • Johnny Hawksworth – Conveyor Belt
      • The International Studio Group – Police Five
      • Johnny Pearson – Grand Prix
      • David Lindup – Superformance
      • Ernest Copley – Crossflow
      • Johnny Hawksworth – Workshop
      KaleidoscopeSoul Jazz Records

      Soul Jazz Records’ new album ‘Kaleidoscope – New Spirits Known and Unknown’ brings together many of the ground-breaking artists involved in the new jazz scene that has developed in the UK over the last few years. Featured artists include Matthew Halsall, Yazmin Lacey, Ill Considered, Tenderlonious, Theon Cross, Emma-Jean Thackray and many, many more in this ground-breaking release.

      As well as sharing a pioneering spirit in these new artists’ approach to frontier-crossing musical boundaries, a further theme of this album is that many also share a determination to independent practices - and most of these artists’ recordings featured here are either self-published or released on independent labels. While the attention of this new wave of jazz artists has up until now has been London-based, this album shows how this movement is spread across the whole of Britain (and indeed beyond).

      ‘Kaleidoscope – New Spirits Known and Unknown’ shows that while there is commonality in these artists approach to music, there is a wide variety of styles – from deep spiritual jazz, electronic experimentalisation, punk-edged funk, uplifting modal righteousness, deep soulful vocals and much more.

      Soul Jazz Records’ new release comes as a superb one-off pressing special deluxe triple album edition which comes with a bonus limited-edition one-off pressing 7" single, a standard triple album, and a deluxe double CD pack. This album also comes with extensive sleevenotes, artist interviews and exclusive photography.

      --------------------------------------------------------------------------------------------------------------

      Soul Jazz records are also releasing an exclusive one-off pressing double-headed 12” single featuring Theon Cross and Pokus released on the same day as the ‘Kaleidoscope’ album release. These two tracks do not feature on the vinyl edition of the album - this 12" single will will also be deleted on day of release.

      • Matthew Halsall & The Gondwana Orchestra – When The World Was One
      • Yazmin Lacey – 90 Degrees
      • Hector Plimmer – Communication Control
      • Ill Considered – Long Way Home (Live At The Crypt)
      • The Expansions – Mosaic
      • Chip Wickham – Red Planet
      • Levitation Orchestra – Odyssey
      • Emma-Jean Thackray – Walrus
      • Tenderlonious and The 22archestra – The Shakedown
      • Pokus – Pokus One
      • Theon Cross – Candace Of Meroe
      • Joe Armon-Jones & Maxwell Owin – Tanner's Tango
      • Collocutor – Gozo
      • Makaya McCraven – Untitled
      • Nat Birchall – Ancient World
      • Ruby Rushton – Moonlight Woman
      • Ebi Soda – Dimmsdale
      • The Cromagnon Band – Thunder Perfect
      • SEED Ensemble – Mirrors
      • Ishmael Ensemble – Kito's Theme
      • Vels Trio – Yellow Ochre (Part 1)
      • 1. Matthew Halsall & The Gondwana Orchestra – When The World Was One
      • 2. Yazmin Lacey – 90 Degrees
      • 3. Hector Plimmer – Communication Control
      • View full info and tracklisting
      LaraajiCelestial VibrationSoul Jazz Records

      This is the stunning debut album from Laraaji. ‘Celestial Vibrations’ was originally released in 1978 under the name Edward Larry Gordon, and then first issued by Soul Jazz Records/Universal Sound in 2010.

      Soul Jazz Records are now issuing this hypnotic piece newly re-mastered album once again in a very limited vinyl edition of 1000 and new CD as a full Laraaji release.

      ‘Celestial Vibrations’ is a cosmic ambient journey sounding unlike anything else when it was first released in 1978 - and sounding utterly unique today.

      Laraaji’s album was first issued in New York as a private-pressing record with only very minimal distribution. His distinctive use of the harp-like open-stringed zither and kalimba creates a hypnotic trance like musical landscape.

      Laraaji first came to fame in the 1980s as a worldwide ambient artist working with Brian Eno on EG Records. At this time Laraaji worked with a wide range of experimental musicians - Jon Hassell, Harold Budd, Michael Brook, Bill Nelson, Roger Eno, Nana Vasconcelos and Bill Laswell.

      Since Soul Jazz Records/Universal Sound first released ‘Celestial Vibrations’ seven years ago (now long deleted), Laraaji’s career has had a renaissance, releasing a string of new albums including a fascinating collaboration with Blues Control for the FRKYWS label, as well as reissues of earlier albums including a three-album cassette only release last year.

      Today Gordon continues his unique musical and spiritual path - performing his music mainly for meditation at yoga global retreats. He runs his own ‘Therapeutic Laughter Workshop’ where he coaches people in the mindful use of laughing for its health benefits.

      The album is issued as a limited-edition deluxe vinyl and CD edition. (previously released as Edward Larry Gordon ‘Celestial Vibration’)

      • – All Pervading
      • – Bethlehem
      Lloyd McNeill QuartetWashington Suite (1970)Soul Jazz Records

      Soul Jazz Records’ new ox-blood red coloured vinyl limited-edition 1000-copies worldwide LP (+ download code) issue of this very rare deep spiritual jazz album first released as a private-press album in 1970 on flautist Lloyd McNeill’s own Asha Record label in Washington, DC.

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      CLASSIC! DEEP Jazz includes the wicked 'Home Rule'

      Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

      McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.


      • – Home Rule
      • – Just 71% Moor
      • – 2504 Cliffbourne Pl.
      • – Fountain In The Circle
      • – City Tryptych
      • – Fountain In The Circle
      Lloyd McNeillToriSoul Jazz Records

      Soul Jazz Records’ limited-edition black vinyl 1000-copies worldwide LP (+ download code), (as well as CD and digital) issue of this very rare deep spiritual jazz meets Brazilian and Latin album first released as a private-press album in 1978 on flautist Lloyd McNeill’s own Baobob Record label in Washington, DC. The album has been out-of-print for 43 years and is lovingly remastered by Soul Jazz Records.

      Tori is a stunning album that blends Brazilian and Latin flavours with deep Spiritual Jazz, recorded in 1978. The album features an unbelievably strong line-up which includes legendary Brazilian figures like Dom Um Romao, Nana Vasconcelos and Dom Salvador alongside jazz heavyweights such as Buster Williams, Howard Johnson, John La Barbera and more. These A-team musicians were all regulars in McNeill’s long-running and highly successfull resident live group in New York all set up to blend deep jazz, Brazilian and Latin music together.

      Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.

      McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.

      • Lloyd McNeill – O Mercado (Brazilian Market)
      • Lloyd McNeill – Tori (Segment One)
      • Lloyd McNeill – Tzigane
      • Lloyd McNeill – Tori (Segment Two)
      • Lloyd McNeill – Sambinha
      • Lloyd McNeill – Time Still / Passaro - Pifaro (Flute Bird)
      • Lloyd McNeill – Tori (Segment Three)
      • Lloyd McNeill – Tranquil
      Lloyd McNeillElegiaSoul Jazz Records

      Super rare deep spiritual jazz album with a heavy Brazilian influence featuring Nana Vasconceles, Dom Salvador, Portinho, Cecil McBee and more. Originally released privately by the artist and flautist Lloyd McNeill in 1980 and out of print for nearly 40 years.

      Soul Jazz Records' newly remastered edition of ‘Elegia’ is released as a limited-edition 1000-copies worldwide on Vinyl (+ download) and 1000-copies worldwide CD edition.
      Lloyd McNeill is a cultural polymath – a multi- disciplinarian flautist, painter, academic, poet, and photographer – who has worked with everyone from Mulatu Astatke to Nina Simone, Eric Dolphy and Nana Vasconcelos (and as a painter was befriended by Picasso!). McNeill grew up during the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. All of his music was only ever released on his own private-press record label, echoing the Civil Rights and African-American themes of the era - black economic empowerment and self- sufficiency – and there is a beautiful spirituality in all his music.

      This is the fifth Lloyd McNeill album that Soul Jazz Records have made newly available and follows on from the earlier McNeill albums ‘Asha’ (1969), ‘Tanner Suite’ (1969), ‘Washington Suite’ (1970) and 'Treasures’ (1976) all now reissued by Soul Jazz Records.

      • Lloyd McNeill – Samba For The Animals
      • Lloyd McNeill – Behind The Wind
      • Lloyd McNeill – Asha II
      • Lloyd McNeill – Elegiac Suite For Elizabeth
      • Lloyd McNeill – Striped Pants
      • Lloyd McNeill – Memory Cycle
      Lloyd McNeillTreasures (1980)Soul Jazz Records

      Soul Jazz Records are releasing flautist Lloyd McNeill’s album ‘Treasures’ (1980). Originally released on the artists’ own private press Baobab label in New York, the album is a serious collectors’ piece, a heavyweight and fascinating fusion of deep spiritual jazz with Brazilian and rhythms and melodies. The album has been out of print for nearly 40 years. This is a very limited edition pressing of 1000 vinyl + 1000 CDs only.

      This groundbreaking album is the culmination of Lloyd McNeill’s many years involved with Brazilian musicians and features the great percussionist Nana Vasconcelos alongside fellow Brazilian’s Portinho and Dom Salvador alongside US jazz musicians including bassist Cecil McBee.

      In a 50-year musical career, McNeill has worked with many artists including Nina Simone, Eric Dolphy, Mulatu Asatke and Sabu Martinez.

      McNeill grew up during the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. All of his music was only ever released on his own private-press record label, echoing the Civil Rights and African-American themes of the era - black economic empowerment and self-sufficiency – and there is a beautiful spirituality in all his music.

      In the late 1960s McNeill became teacher of both jazz and painting at the New Thing Art and Architecture Center in Washington and in 1969 was the first African-American professor hired to teach African-American Music History, at Rutgers University.

      This is the fourth Lloyd McNeill album that Soul Jazz Records have released and follows on from the recent release of ‘Treasures’ (1976) and the earlier albums ‘Asha’ (1969), ‘Tanner Suite’ (1969) and ‘Washington Suite’ (1970) all of which are being re-pressed to coincide with this new release.

      This album is fully re-mastered from original source and is re-released for the first time ever on Soul Jazz Records in a very limited edition of 1000 vinyl (+ download code), 1000 limited edition CD pressing and digital.

      • Lloyd McNeill – Griot
      • Lloyd McNeill – As A Matter Of Fact
      • Lloyd McNeill – Salvation Army
      • Lloyd McNeill – You Don't Know What Love Is
      Lloyd McNeill QuartetAsha (1969)Soul Jazz Records

      New edition of this very rare deep spiritual jazz album, the debut release from flautist Lloyd McNeill released on his private-press Asha Record label and recorded in Washington, DC in 1969 (originally only 500 copies were ever made).  First reissued on Soul Jazz Records’ Universal Sound sub-label in 2011 (long deleted) and now available newly digitally remastered on Soul Jazz Records main label.

      Lloyd McNeill is a multidisciplinary artist – a painter who lived in Paris in 1965 and was a friend of Picasso, a musician who has worked with Nina Simone, Nana Vasconceles, Ron Carter, Cecil McBee and many more and a music anthropologist, poet and teacher.

      In the 1960s he was involved in the civil-rights movement and produced music for ballet, paintings and installations. His music mixes jazz with Latin, Brazilian and African rhythms that McNeill learnt was studying anthropology in his travels through much of Africa and Brazil (where he joined with Dom Salvador, Paulinho da Viola, Paulo Maura and Martinho da Vila).

      The album comes with extensive sleevenotes and interview with Lloyd McNeill as well as exclusive photos and text. Vinyl is heavyweight vinyl pressing + download code limited to 1000 worldwide.

      Lloyd McNeill features on two earlier Soul Jazz releases, 'New Thing' and 'Freedom, Rhythm and Sound". Soul Jazz Records have also recently reissued Lloyd McNeill's stunning 'Washington Suite' album recorded in 1970.

      • – Asha
      • – As A Matter Of Fact
      • – Two Thirds Pleasure
      • – Dig Where Dat's At
      • – St. Margaret's Church
      • – Effervescence
      • – Warmth Of A Sunny Day
      • LP + Download Code£24.00
        Out of stock
      • CD£12.00
        In stockAdd to Bag
      • MP3 Release£7.99
        In stockAdd to Bag
      NEW EDITION Freedom, Rhythm and Sound BOOKBy Gilles Peterson and Stuart BakerSoul Jazz Records

      Large format (12" x 12") plexi-bound deluxe book, 180 page, 100s of killer sleeves!

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      Soul Jazz Records are proud to present this amazing collection of sleeves from the deepest, deepest jazz music ever - compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records).

      This is a unique collection of cover artwork of revolutionary jazz music between 1965-83. Martin Luther King, Malcolm X and the civil rights movement of the 1960s loom large as self-determination, economic power and musical freedom led to jazz artists finding new paths – both musical and economic.

      Years before the D-I-Y cultural revolution of punk, Sun Ra, John Coltrane, Pharoah Sanders, Don Cherry, Ornette Coleman, the Art Ensemble of Chicago and others ‘took control’ of their own work by recording, releasing and distributing their own music themselves.

      The record sleeves of this era are as iconic and historically unique as the music itself and a striking reflection of the time; pre-desktop publishing, pre-internet these small-run (sometimes as low as 500 copies), self-made sleeves are graphically bold and radical.

      ‘Freedom, Rhythm and Sound’ is the first ever collection of this fascinating goldmine of album art, which represents the first wave of inspired independent production within popular music.

      ‘Freedom, Rhythm and Sound’ includes a large introduction contextualising the music and artwork as well as features on many of the people involved. Alongside the musicians mentioned above these include Rashied Ali, Steve Reid, Mary Lou Williams, Horace Tapscott, Lloyd McNeil, Tribe, The Last Poets, The Pharoahs, Philip Cohran, Black Artists Group and many others.



        New Thing!Deep Jazz in the USASoul Jazz Records

        New Thing! tells the story of Deep Jazz in the USA. Post-Civil Rights, Post- Martin Luther King and Malcolm X, Post-John Coltrane, this album shows how radical musicians developed musically, politically and spiritually at this time. 

        New Thing! shows how these musicians redefined themselves and their music to present a new Black American music that encompassed Jazz with Eastern music and philosophies, space travel, classical music, ballet and African music alongside other American musics such as Gospel, Funk, Soul and Blues. The period of music covered on New Thing is from 1970-1985. (One exception and a forerunner to much of this music, the Sun Ra track "Angels and Demons at Play" is from 1957! and clearly shows a man ahead of his time in his music and ideas). New Thing! features heavyweight Jazz artists such as Alice Coltrane, Art Ensemble of Chicago, Sun Ra and Archie Shepp alongside many other less-well known, but equally important artists such as Rashied Ali (who played alongside John Coltrane) and Stanley Cowell (who started one of the first independent labels for this music, Strata-East Records, along with Charles Tolliver). 

        The music on New Thing! ranges from the deep street funk of "Street Rap" and "Funky AECO" to hypnotic eastern-influenced tracks such as "Tibetan Serenity" and radical left-field tracks such as Rashied Ali and Frank Lowe’s "Duo Exchange". The album comes with extensive sleevenotes and exclusive photos (many by celebrated photographer Val Wilmer, herself an important chronicler of this period in music).

        • – Maulawi - Street Rap
        • – Travis Biggs - Tiebetan Serenity
        • – Lloyd Mcneil - Home Rule
        • – Stanley Cowell - El Space-o
        • Deluxe 2×CD£12.99
          Out of stock
        Enrique Rodriguez and The Negra Chiway BandFase LiminalSoul Jazz Records

        Powerful new spiritual jazz from Chile on Soul Jazz Records!

        This album comes as a very limited one-off unique pressing of 1000-edition vinyl, limited editon CD and digital release.

        Enrique Rodríguez and the Negra Chiway Band group have an instantly powerful and unique sound that is reminiscent of the ensembles of Sun Ra and his Arkestra as well as Horace Tapscott and his Pan-Afrikan Peoples Arkestra, one that channels the righteous spirits of Alice Coltrane, John Coltrane, Pharoah Sanders, Archie Shepp and McCoy Tyner together with a stunning Latin rhythmical and new consciousness and percussive energy. Added to this are elements of the Samurai film soundtracks of Akira Kurosawa, Popol Vuh’s musical spirituality (especially their work with film director Werner Herzog), Tibetan Buddhism and over-blowing chants, that all combine to give a truly unique new sound.

        Enrique Rodríguez is a composer, percussionist, keyboardist, and producer from Santiago, Chile, whose work shows many similarities with the music featured on Soul Jazz Records’ recent collection ‘Kaleidoscope - New Spirts Known and Unknown’, featuring new forward-looking jazz artists including Mathew Halsall, Theon Cross, Emma-Jean Thackray and Makaya McCraven.

        Like all these artists, Rodríguez’s work is a progressive and experimental fusion of earlier influences that combine into a new and definitely 21st century ground-breaking sound that, on account of its South American setting, give the group its truly unique feeling. Hypnotic modal piano riffs, powerful brass and flutes, an army of Latin percussion instruments, and addictive vocal chants all combine in this powerful mix of radical 60s Afro-centric jazz, eastern spirituality and cosmology, and Latin American rhythmical movement.

        Awesome!

        • Enrique Rodriquez and The Negra Chiway Band – Dónde ?
        • Enrique Rodriquez and The Negra Chiway Band – Descenso
        • Enrique Rodriquez and The Negra Chiway Band – Vindakalla-Welukan (Autoconfrontación)
        • Enrique Rodriquez and The Negra Chiway Band – No Quiero Seguir Así
        • Enrique Rodriquez and The Negra Chiway Band – Acabar de Conocerse
        • Enrique Rodriquez and The Negra Chiway Band – Paso Firme
        • Enrique Rodriquez and The Negra Chiway Band – Dónde ? (Alternate Take)
        • 1. Enrique Rodriquez and The Negra Chiway Band – Dónde ?
        • 2. Enrique Rodriquez and The Negra Chiway Band – Descenso
        • 3. Enrique Rodriquez and The Negra Chiway Band – Vindakalla-Welukan (Autoconfrontación)
        • View full info and tracklisting
        Soul Jazz Records presents Eddie RussFresh Out (1974)Soul Jazz Records

        Soul Jazz Records are re-releasing keyboardist Eddie Russ’s seminal debut deep jazz LP Fresh Out (and the first album ever released on Soul Jazz Records!) in a new limited edition COLOURED vinyl 1000 copies worldwide (+ free download code) and new CD edition.

        Eddie Russ's Fresh Out was independently released in Detroit in 1974 and has remained a collector's item ever since. Russ was an important figure to emerge from the vibrant underground jazz scene that thrived in Detroit in the early 1970s, existing in the cultural and economic desolation of the city after the departure of Motown in the late 1960s.

        This scene included the musical collective Tribe (including members Wendell Harrison, Marcus Belgrave, Phil Ranelin, Harold McKinney and Doug Hammond) and Kenny Cox’s Strata Records. Eddie Russ’s Fresh Out was first released in 1974 on the independent Jazz Masters record label.

        As well as including the classic jazz dance cut The Lope Song, Eddie Russ’s Fresh Out featured the debut of the group The Mixed Bag who subsequently recorded for both Tribe and Strata Records. Eddie Russ released two further classic jazz funk albums in the late 1970s, See the Light and Take a Look at Yourself.

        • Eddie Russ – The Lope Song
        • Eddie Russ – All But Blind
        • Eddie Russ – Shamading
        • Eddie Russ – Hill Where The Lord Hides
        • Eddie Russ – You Are The Sunshine Of My Life
        • Eddie Russ – Watergate Blues
        Soul Jazz Records presents Steve ReidRhythmatism (1976)Soul Jazz Records


        Soul Jazz Records are issuing the awesome deep jazz album Rhythmatism (1976) from the legendary Steve Reid long out of print in a new edition very limited 1000-copies COLOURED vinyl (+download code) and CD.

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        ‘Steve Reid is one of the greatest drummers.

        He is a musical genius’ KIERAN HEBDEN (Four Tet)

        ‘A truly phenomenal artist.’ GILLES PETERSON

        ‘Steve Reid reflects the spirit of a generation- Art Ensemble of Chicago, John Coltrane, Pharoah Sanders, the Black Artists Group.’ THE WIRE


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        Drummer and composer extraordinaire Steve Reid’s Rhythmatism is one of his deepest and most radical of albums of all time and features some of the heaviest jazz players - Arthur Blythe ‘AKA Black Arthur’, Charles Tyler, David Wertman and others – joining Reid. The album was originally released on Reid’s own Mustevic Sound label in 1976

        As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, , Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver!

        Reid was born in the South Bronx, and grew up in Queens, New York. He played in the house band at Harlem's Apollo Theatre, accompanying James Brown, as well as playing in Sun Ra's Arkestra. He lived next to John Coltrane, worked in a department store with Ornette Coleman, had a son who played drums with NWA. He began his career as a teenager in the 1960s as a drummer at Motown when he played on Martha and The Vandellas "Heatwave" (aged 14).

        At the end of the 1960s Reid was sentenced to four years in jail as a conscientious objector of the Vietnam war. On his release from prison in 1974, he formed the Legendary Master Brotherhood and started the independent record label, Mustevic Sound, to release his debut LP in 1976. Rhythmatism is released in its entirety and with full original cover art here and is one of a series of stunning independent records he released in the 1970s.

        At the start of the 21st century, his career took a new twist when Steve Reid began a successful collaboration with Kieran Hebden (Four Tet). Hebden referred to Reid as his ‘musical soul mate’, resulting in a number of joint albums.

        Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.

        • Steve Reid – Kai
        • Steve Reid – Rocks (for Cannonball)
        • Steve Reid – Center Of The Earth
        • Steve Reid – C You Around
        • Steve Reid – One Minute Please
        Soul of A Nation: Afro-Centric Visions in the Age of Black PowerSoul Jazz Records

        This album coincides with the massive new exhibition Soul of A Nation - Art in the Age of Black Power at Tate Modern, London.


        Watch Channel 4 news piece here

        Read Guardian feature here

        The album shows how the ideals of the civil rights movement, black power and black nationalism influenced the evolvement of radical African-American music in the United States of America in the intensely political and revolutionary period at the end of the 1960s following the assassinations of Malcolm X, Martin Luther King and the rise of the Black Panther party.

        Featuring groundbreaking artists such as Gil Scott-Heron, Roy Ayers, Don Cherry, Oneness of Juju, Sarah Webster Fabio, Horace Tapscott, Phil Ranelin and many others, Soul of A Nation shows how political themes led to the rise of ‘conscious’ black music as new afro-centric styles combined the musical radicalism and spirituality of John Coltrane and radical avant-garde jazz music alongside the intense funk and soul of James Brown and Aretha Franklin and the urban poetry and proto-rap of the streets.

        The Soul of a Nation exhibition draws on the links between Black art forms – art, music, poetry - and how they came together during the civil rights and black power era as part of the wider black arts movement across the United States.

        Iconic African-Amercian revolutionary figures such as Martin Luther King, Malcolm X and Angela Davis, John Coltrane, Muhammad Ali all appear in the radical artworks of Barkley L. Hendricks, Romare Bearden, Norman Lewis, Lorraine O’Grady and Betye Saar.

        Stuart Baker (founder of Soul Jazz Records) will appear with the curators on the panel of Jazz for Soul of a Nation: Art in the Age of Black Power discussion at the gallery as part of the show. You can book a ticket for this event here

        The Soul of a Nation album comes with extensive sleeve-notes and exclusive photography in a large 36-page outsize booklet and slipcase. Double gatefold vinyl album edition comes with full colour inners + bonus download code and includes full sleeve-notes/photography.

        Read More Reviews of the Soul of A Nation Exhibition:

        Independent

        Time Out

        The Telegraph

        Frieze

        BBC News

        • Gil Scott-Heron – The Revolution Will Not Be Televised
        • Mandingo Griot Society with Don Cherry – Sounds From The Bush
        • Roy Ayers Ubiquity – Red, Black and Green
        • Philip Cohran and The Artistic Heritage Ensemble – Malcolm X
        • Sarah Webster Fabio – Sweet Songs
        • Phil Ranelin – Vibes From The Tribe
        • Horace Tapscott with the Pan Afrikan Peoples Arkestra – Desert Fairy Princess
        • David McKnight – Strong Men
        • Joe Henderson – Black Narcissus
        • Oneness Of Juju – African Rhythms
        • Doug Carn – Suratal Ihklas
        • Duke Edwards and The Young Ones – Is It Too Late ?
        • Carlos Garnett – Mother Of The Future
        • 1. Gil Scott-Heron – The Revolution Will Not Be Televised
        • 2. Mandingo Griot Society with Don Cherry – Sounds From The Bush
        • 3. Roy Ayers Ubiquity – Red, Black and Green
        • View full info and tracklisting
        Soul of a Nation 2Soul Jazz Records

        Soul Jazz Records’ new release ‘Soul of A Nation: Jazz is the Teacher, Funk is the Preacher’ is a powerful new collection of radical jazz, street funk and proto-rap made in the era of Black Power (1969-75).

        This is the second ‘Soul of A Nation’ album released by Soul Jazz Records to coincide with the exhibition ‘Soul of a Nation – Art in the Age of Black Power’, critically acclaimed and enormously successful when it opened at the Tate Modern in London last year (as was Soul Jazz Records’ accompanying first album ‘Soul of A Nation – Afro-Centric Visions in the Age of Black Power 1968-79’). The blockbuster international exhibition is now at the Brooklyn Museum, New York and then travels to Los Angeles in 2019.

        This new album features a number of important and ground-breaking African-American artists – The Art Ensemble of Chicago, Don Cherry, Funkadelic, Gil Scott-Heron and more – alongside a host of lesser-known artists all of whom in the early 1970s were exploring new Afrocentric poly-rhythmical styles of music – radical jazz, street funk and proto-rap – while at the same time exploring the Black Power and civil-rights inspired notions of self-definition, self-respect and self-empowerment in their own lives.

        During this era African-American jazz musicians ripped up traditional definitions – rejecting the term ‘entertainer’ to redefine themselves instead as ‘artists’. They worked outside of the mainstream music industry perceiving this artistic relationship to be fundamentally exploitative and politically flawed. Artists instead formed their own pan-arts community-centric collectives, set up their own record labels, ran concerts in alternative performance spaces – art galleries, parks, lofts, community centres – all as a way of taking control of their own creative destinies.

        At the start of 1960s jazz musicians had embarked on an intense period of musical experimentation as artists John Coltrane, Ornette Coleman and Don Cherry sought to dismantle the traditional definitions of jazz by creating new music that broke free from its establishment shackles. By the end of the 1960s, forward-thinking African-American jazz musicians had absorbed the ideas of this radical and avant-garde path but also began to introduce many new elements – not just civil rights concepts of freedom but also black power ideas of self-respect, righteousness and anger.

        Their music developed into a radical and intense Afrocentric mix of jazz, funk, soul and street poetry, all in search of a new musical language that could better represent artistic African-American cultural expression.

        All of the featured artists here were involved in this search in different ways; A shared sense of Afrocentric collectivism joined the dots between the deep avant-garde experimentalism of The Art Ensemble of Chicago (here featuring soul singer Fontella Bass singing the powerful ‘Theme de Yoyo’) to the hyper funk psychedelia of George Clinton’s Funkadelic.

        The poetry of Gil Scott-Heron and Sarah Webster Fabio performed with a backdrop of street funk and heavyweight percussion laid down the template for the birth of rap. The Har-You Percussion Group, a group of young Harlem teenagers, showed how government-sponsored social initiatives helped create great art and music. Gary Bartz and The Oneness of Juju offer spirituality and cosmology. Collectives like The Pharaohs and Detroit’s Tribe add deep jazz and street funk in equal measures. And so on.

        Influenced and radicalised by Black Power and civil rights, all these artists were involved in creating – in the words of the Art Ensemble of Chicago – ‘Great Black Music: Ancient to Future.’

        This album is available as heavyweight triple vinyl (+free download), full and extensive text, exclusive photography, with house inners, and as deluxe CD with slipcase, 40-page outsize booklet and jewel case.

        • The Art Ensemble Of Chicago – Theme De Yoyo
        • The Har-You Percussion Group – Welcome To The Party
        • The Pharaohs – Damballa
        • Baby Huey – Hard Times
        • James Mason – Sweet Power, Your Embrace
        • Byron Morris and Unity – Kitty Bey
        • Funkadelic – Nappy Dugout
        • Rashied Ali & Frank Lowe – Exchange Part 2 (II)
        • Gary Bartz NTU Troop – Celestial Blues
        • Oneness Of Juju – Space Jungle Funk
        • Sarah Webster Fabio – Work It Out
        • Tribe (Wendell Harrison and Phillip Ranelin) – Beneficent
        • Gil Scott-Heron – Whitey On The Moon
        • Don Cherry – Brown Rice
        • 1. The Art Ensemble Of Chicago – Theme De Yoyo
        • 2. The Har-You Percussion Group – Welcome To The Party
        • 3. The Pharaohs – Damballa
        • View full info and tracklisting