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    Studio One Rocksteady Got SoulSoul Jazz Records

    Back in stock!

    Soul Jazz Records new Studio One release Rocksteady Got Soul is a collection of uplifting and superb rocksteady and soulful reggae from the late 1960s and early 1970s. Studio One is the number one label in the history of reggae and he album features - as ever with Studio One - an impeccable and unbeatable line-up of reggae superstars all soaring at the height of their creative powers. Alton Ellis, John Holt, The Heptones, Jackie Mittoo, The Ethiopians, Lee Perry and more.

    The album is a mix of classic tunes and rhythms alongside super-rarities that were released in a dazzlingly complex web of Studio One labels and issues, deftly navigated with new sleevenotes from author and Studio One authority Rob Chapman. But enough with the chatter, just spin the platter - these tunes rule the town, hands down!


    This Soul Jazz/Studio One album is released as deluxe gatefold double-vinyl + house inners + download code. Also as jewel case CD housed in card slipcase. Both formats come with full sleeve notes/discography and exclusive photography. (The album is also available digitally on day of release onwards)

    • Alton Ellis – It's True
    • The Heptones – You Turned Away
    • The Gladiators – Mr Sweet
    • The Jail Breakers – Work It Up
    • Lee Perry & The Gaylads – Run Rudie Run
    • The Heptones – Young Generation
    • Jackie Mittoo – Good Feeling
    • C. Marshall – I Need Your Loving
    • Alton Ellis – I'll Be Waiting
    • The Clarendonians – The Tables Gonna Turn
    • Ken Parker – When You're Gone
    • Sound Dimension – Traveling Home
    • Errol Dunkley – Get Up Now
    • John Holt – My Heart Is Gone
    • Freedom Singers and Larry Marshall – Monkey Man
    • The Ethiopians – Let The Light Shine
    • Im and David – Money Maker
    • The Viceroys – Lose and Gain
    Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio OneSoul Jazz Records

    Soul Jazz Records’ new Studio One collection ‘Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio One’ features a stellar selection of 70s roots music – classic and rare tracks recorded at Clement Dodd’s musical empire at 13 Brentford Road in the 1970s.

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    Rastafarian-inspired Roots music was an ever-important aspect of Studio One’s output from the start of the 1970s onwards and this album features many of the ground-breaking groups and artists that established the sound of Jamaica during this decade and beyond.

    Featured here are seminal artists such as Freddie McGregor, The Wailing Souls, The Gladiators, Horace Andy, Devon Russell, Cedric Brooks, Count Ossie, Judah Eskender Tafari alongside a host of lesser-known rare cuts made at Studio One from artists such as The Prospectors, Viceroys and Pablove Black.

    Studio One and founder Clement Dodd’s connection with Rastafarianism dates back to the early 1960s, with Dodd accompanying members of the Skatalites up to the hills of Kingston to listen to the music of the Rastafarianism Count Ossie and his drummers. The album sleevenotes discuss how Clement Dodd’s musical links, as well as his role in heading the most important record label in Reggae, are in many ways linked to the beliefs of Rastafarianism.

    This album is released as a heavyweight black vinyl double-album with gatefold sleeve, full notes and download code, deluxe CD with full booklet and slipcase and digital album.

    • Freddie McGregor – I Am a Revolutionist
    • The Silvertones – Burning In My Soul
    • Wailing Souls – Without You
    • Devon Russell – Jah Jah Fire
    • Trevor Clarke – Sufferation
    • The Gladiators – Sonia
    • Judah Eskender Tafari – Always Trying
    • The Viceroys – Ya Ho
    • Im and Count Ossie – Give Me Back Me Language And Me Culture
    • The Gladiators – Serious Thing
    • The Prospectors – Glory For I
    • Wailing Souls – Things and Time
    • Pablove Black – Inner Peace
    • The Gladiators – Peace
    • Horace Andy – Mr. Jolly Man
    • Wailing Souls – Rock But Don't Fall
    • Albert Griffiths and The Gladiators – Righteous Man
    • The Viceroys – So Many Problems
    Studio One RootsSoul Jazz Records

    LAST COPIES

    This is the new 20th anniversary edition of one of Soul Jazz Records’ classic Studio One releases now available as a one-off pressing special blue vinyl very limited-edition pressing ( 2000 copies worldwide).

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    Studio One Roots set the standard for Soul Jazz Records’ long-standing series of Studio One collections and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae.

    This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining crack-session men groups of Jamaican reggae history - The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. As ever the album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.

    Stand-out tracks include Alton Ellis’s Blackish White, a surreal and powerful Afro-centric dream, Count Ossie Nyabinghi and Rastafarian drummers genre-defying interpretation of Booker T and The MGs ‘Meditation’, Willie Williams awe-inspiring versioning of the Skatalites' seminal Rastafari anthem Addis Ababa and many, many more.

    This album has been fully digitally remastered, analog cut and packaged complete with the following: Original sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Honest Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves.

    REVIEWS:

    "Having established himself as one of Jamaica's top producers the day Studio One opened its doors in the early '60s, Clement "Coxsone" Dodd was unable to maintain his status during the roots era of the subsequent decade. This can be attributed to a couple of factors. One was Dodd's apparent reluctance to record the new, overtly Rasta-inspired music. The other was an infusion of new blood into the Jamaican music business. Eager to make a name for themselves, producers like Joe Gibbs, Bunny Lee, Lee "Scratch" Perry, and Winston "Niney" Holness managed to supplant the island's "big three" (Dodd, Duke Reid, and Prince Buster) in the process, driving the music's evolution in the '70s.

    There isn't a weak number across these 16 tracks, from the Gaylads' ode to "Africa" and Devon Russell's version of the heavyweight "Drum Song" rhythm, to a trio of stunning instrumentals: Jackie Mittoo and the Cyclones with nyahbinghi drummer Count Ossie on "Meditation," Lenny Hibbert's sparkling vibe work over Mittoo's "Ghetto Organ" ("More Creation"), and Sound Dimension's "Congo Rock."

    The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection." All Music

    • The Cyclones With Count Ossie – Meditation
    • Cornell Campbell & The Brentford Rockers – Natty Don't Go
    • Freddy Mcgregor With The Sound Dimension – Africa Here I Come
    • Bunny & Skitter – Lumumbo
    • Willie Williams & The All Stars – Addis A Baba
    • L.Crosdale With Drummond Bago & the Rebel Group – Set Me Free
    • Leroy Wallace & The New Establishment – Far Beyond
    • Lennie Hibbert – More Creation
    • Alton Ellis & The Sound Dimension – Blackish White
    • Winston Jarrett & The Sound Dimension – Fear Not
    • Devon Russell – Drum Song
    • The Gaylads – Africa
    • Black Brothers & The New Establishment – School Children
    • Linton Cooper & The Brentford Disco Set – You'll Get Your Pay
    • Sound Dimension – Congo Rock
    • Zoot Simms – African Challenge
    • 1. The Cyclones With Count Ossie – Meditation
    • 2. Cornell Campbell & The Brentford Rockers – Natty Don't Go
    • 3. Freddy Mcgregor With The Sound Dimension – Africa Here I Come
    • View full info and tracklisting
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    Studio One Rockers (Black vinyl edition)Soul Jazz Records

    Owned and founded by Clement "Coxsone" Dodd, Studio One's output serves as a comprehensive guide to the history of Reggae music. The music on Studio One Rockers covers all areas of Reggae such as Ska, Rocksteady, Roots and Dancehall, all areas in which Studio One led the field.


    Studio One Rockers features many legendary Studio One tracks brought together for the first time by Soul Jazz Records. From the beginning of Reggae, when the Skatalites developed a new sound of Ska in 1962 up until today, Studio One has been the number one innovator in Jamaican music.


    Included in this compilation are classic Ska tracks ("Phoenix City"), Rocksteady ("Feel Like Jumping"), Roots music ("Truth and Rights"), Dancehall (Freddy McGregor, Michigan and Smiley) and many more.


    Featured here are many of the classic tracks from Studio One. From Dawn Penn's legendary "No, No, No" to classics such as Horace Andy's "Skylarking" and Marcia Griffith's "Feel Like Jumping".


    The Coxsone Soundsystem in the early 60s was one of the three main soundsystems operating in Jamaica alongside his competitors, Prince Buster and Duke Reid. The Studio One catalogue is possibly the largest in Jamaican music and this release is the first in a series of Studio One compilations on Soul Jazz Records.


    This album comes with an in depth interview with Mr C.S. Dodd, about how he set up and ran his record label in the 1960s and 1970s.


    "Compilation of the month. 100% Essential" SEVEN "Compilation of the month. A compilation of unbelievable quality. Awesome" MUZIK "A who's who of Jamaican music" MUSICWEEK "An essential slice of musical history" WAX "The most credible compilation of reggae you can 

    • Sound Dimension – Real Rock
    • Marcia Griffiths – Feel Like Jumping
    • Freddy Mcgregor – Bobby Babylon
    • Horace Andy – Skylarking
    • Lennie Hibbert – Village Soul
    • Brentford All-Stars – Greedy G
    • Johnny Osbourne – Truth And Rights
    • Ernest Ranglin – Surfin
    • Michigan & Smiley – Eye Of Danger
    • Dawn Penn – No, No, No
    • The Skatalites – Phoenix City
    • Prince Jazzbo – Crabwalking
    • Jackie Mittoo – Hot Milk
    • Lone Ranger – Badder Dan Dem
    • Cedric Brooks – Ethiopia
    Count Ossie & The Mystic Revelation Of RastafariTales Of MozambiqueSoul Jazz Records

    Soul Jazz Records are releasing Count Ossie and The Mystic Revelation’s seminal 1975 album Tales of Mozambique in an expanded double album/single CD/digital format, fully remastered and with the inclusion of two bonus rare single-only tracks, full sleevenotes, exclusive photographs and interview.

    Count Ossie is the central character in the development of Rastafarian roots music, nowadays an almost mythical and iconic figure. His importance in bringing Rastafarian music to a populist audience is matched only by Bob Marley’s promotion of the faith internationally in the 1970s.

    Count Ossie’s drummers performed on the first commercially released single to integrate Rastafarian traditional music with popular music: the vocal group The Folkes Brothers’ groundbreaking song ‘Oh Carolina’, recorded for producer Prince Buster in 1959. In 1966 his drummers greeted the momentous arrival of Haile Selassie at Kingston airport.

    His legendary jam sessions up in his Rastafarian compound in the hills of Wareika, Kingston, are famous for the many Jamaican musicians who attended including The Skatalites players – Roland Alphonso, Don Drummond, Johnny Moore, Lloyd Knibbs – and many others.

    The Mystic Revelation of Rastafari formed in Kingston, Jamaica, in 1970, a union of Count Ossie’s Rastafarian drummers – variously known as his African Drums, Wareikas or his Afro-Combo – and the saxophonist Cedric Im Brooks’ horns group, The Mystics.

    The Mystic Revelation of Rastafari are the defining group in bringing authentic Rastafarian rhythms into the collective consciousness of popular music, their unique music is at once rooted in the deep traditions and rituals of traditional drumming and chanting alongside a forward-thinking, even avant-garde, artistry influenced by the likes of John Coltrane, Sun Ra, Pharoah Sanders and other pioneering African-American jazz artists radicalised and charged by the civil rights movement of the 1960s.

    Tales of Mozambique is a truly unique and fascinating ground-breaking album.

    Count Ossie and The Mystic Revelation of Rastafari are the central group featured on Soul Jazz Records recent "Rastafari - The Dreads Enter Babylon” a collection showing the influence of Rastafari in Reggae and Jamaican popular culture.

    Soul Jazz Records will also be releasing Count Ossie and The Rasta Family 'Man From Higher Heights’ in the near future.

    * Bonus tracks

    REVIEWS

    " All roads in Rastafarian roots music lead to Count Ossie.He’s the lead character in this compelling subplot, the musician who was one of the first to put Rasta tenets into the heart of popular music.

    He did so from his camp in the hills above Kingston, Count Ossie and his drummers casting a spell on the musicians who gathered to check him out and then went on to spread the word about the powerful nyabinghi rhythms and mesmerising percussion.

    This is a reissue of the 1975 album Count Ossie made with his Rastafarian drummers and saxaphonist Cedric ‘Im’ Brooks’s group The Mystics.

    It’s a groundbreaking, majestic work, by turns righteous in tone and joyous in execution. It’s the sound of Ossie and his ensemble narrating a history lesson and you’d be daft not to want to find out more."  IRISH TIMES

    • – Sam's Intro
    • – Tales Of Mozambique
    • – Selam Nna Wadada (Peace & Love)
    • – No Night In Zion
    • – I Am A Warrior
    • – Wicked Babylon
    • – Let Freedom Reign
    • – Lock, Stock And Barrel
    • – Nigerian Reggae
    • – Run One Mile
    • – Rasta Reggae*
    • – Samia*
    Studio One DJ PartySoul Jazz Records

    Soul Jazz Records’ new Studio One DJ Party is the latest instalment from the mighty Studio One Records catalogue, a wicked new collection of the finest DJs and toasters ever to inhabit the world of reggae – seminal Jamaican artists including Prince Jazzbo, Dillinger, Dennis Alcapone, Michigan & Smiley, Lone Ranger as well as a host of lesser known artists and rare cuts from Studio One.

    From the earliest days when Clement ‘Sir Coxsone’ Dodd ran his Downbeat soundsystem up and down the length of Jamaica, DJs and toasters such as King Stitt and Count Machukie were always a part of the sound of Studio One, introducing new records and exciting audiences with catchphrase lines such as:

    “No matter what the people say these sounds lead the way

    It's the order of the day from your boss deejay” King Stitt

    So when DJ emerged as a distinct reggae style at the start of the 1970s, Studio One was, as always, way ahead of their competitors. Legendary artists of the calibre of Dillinger, Dennis Alcapone and Prince Jazzbo all queued up to record for the equally legendary label.

    At the end of the 1970s, as dancehall exploded onto the island, Clement Dodd was once again able to maintain Studio One’s position on the throne as the number one sound in the Jamaica, fighting off upstart competitors such as Channel One and Joe Gibbs who tried to replicate Studio One’s unique sound. During this period Clement Dodd released a series of stunning dancehall releases from young DJ/dancehall artists at the label including Lone Ranger and Michigan & Smiley.

    This selection spans the early 70s up until the mid-1980s, from the earliest days of deejay toasting right up until digital dancehall, ground-breaking tracks over the finest selection of the ultimate Studio One rhythms and tracks. Who could ask for more?

    Studio One DJ Party includes specially commissioned sleevenotes by Chris Lane, founder of the legendary British reggae label Fashion Records, as well as fantastic original artwork commissioned by the illustrator Ski Williams. The album is released as double heavyweight vinyl (+download code), and distinctive Soul Jazz Records CD with slipcase.

    • Screechie Dan – We A Don
    • Lone Ranger – My Number
    • Dennis Alcapone – Riddle I This
    • Kentrus – It A Fi Bun
    • Lone Ranger – Apprentice Dentist
    • King Sporty – DJ Special
    • Prince Jazzbo – Little Joe
    • Ragga Muffin – Ragga Muffin
    • Mad Roy – Universal Love
    • King Sporty – Choice Of Music
    • King Stitt – Rhyming Time
    • Prince Jazzbo – Fire Coal Version
    • Dillinger – Fountain on The Mountain
    • Michigan & Smiley – Thank You Jah
    • Prince Garthie – Raindrops
    • Jah Buzz – Automatic Clapping
    • Dennis Alcapone – El Paso
    • Big Joe – Nanny Version Skank
    Soul Jazz Records Presents Fashion Records : Style & FashionA-Class Top Notch Hi Fi Sounds In Fine StyleSoul Jazz Records

    Soul Jazz Records are proud to present this new collection of music from the great Fashion Records, one of the most important and iconic independent labels to come out of the UK, and which ran from 1980 for nearly 20 years.

    In that time Fashion released hundreds of records that successfully reflected, and indeed set, the changing styles and perspectives of reggae music in the UK – from UK dancehall and lovers rock in the 1980s through to the mighty rise of jungle in the second half of the 1990s.

    While nearly all other UK reggae labels focused on releasing Jamaican music – from the early days of Island and Trojan in the 1960s, through Island and Virgin in the 1970s, and Greensleeves that came up in the 1980s – Fashion’s focus was firmly on music produced in the UK. This unique British perspective shaped both lyrical content and musical fashion. And like all the great music labels – from Studio One to Blue Note – Fashion was able to create a significant roster of its own artists.

    Amazingly for a small independent label, a number of Fashion artists achieved mainstream UK chart and crossover success – including Laurel & Hardy, Smiley Culture and General Levy. But although this success was welcomed, crossing over into the mainstream was never the main focus for the label owners Chris Lane and John McGillivray (who also runs the successful Dub Vendor record shop) whose starting point was always primarily focused on producing quality music first.

    In the early 1980s, Fashion Records captured the rise of the emerging British dancehall scene in its ascendency. The large roster of first generation British-born artists and MCs on the label – including General Levy, Papa Face, Smiley Culture, Bionic Rhona, Asher Senator, Laurel & Hardy, Top Cat and many more – often gave a unique and sometimes humorous British lyrical perspective to Fashion releases, discussing everyday subjects, from police harassment to road safety!

    Throughout much of the 1980s and into the 1990s Fashion continued to release an almost relentless array of UK dancehall releases as well as continuing with lovers rock, and the occasional dub releases. Then, in the mid-90s, with the dancehall and reggae releases still coming on strong, Fashion released a superb series of early jungle tracks linking Jamaican and British MCs and dancehall artists with young jungle mixers, re-mixers and producers. By this time dancehall artists General Levy and Cutty Ranks had become the staple vocal samples of literally hundreds of white label jungle records and Fashion took advantage of this, often getting young producers to work in exchange for sample clearances – don’t get mad, get even!

    This album is a subjective and scatter-gun ride through some of the many unique and heavyweight tracks to come out of the Fashion stable that we love – some classics, some lesser-known, all 100% killer!

    The album is released on heavyweight triple vinyl (+ download code), deluxe double CD with outsize booklet and slipcase, and digitally. The album comes with extensive sleevenotes featuring interviews with Fashion founders Chris Lane and John MacGillvary, as well as exclusive photography and original artwork and flyers.



    • Papa Face featuring Red Man – Dance Pon De Corner
    • Dee Sharp – Let's Dub It Up
    • Cutty Ranks – Limb By Limb (DJ SS Remix)
    • General Levy – Mad Them
    • Laurel & Hardy – You're Nicked
    • Bunny General – Played By This Ya Sound
    • General Levy & Hard 'n' Pure – Wikkeda!!
    • Carlton Lewis – Small Talking
    • Poison Chang – Shot Fe Bust (Marvellous Cain Remix)
    • Dee Sharp – Rising To The Top
    • Papa Face With Keith Douglas – DJ Jamboree
    • General Levy – Heat
    • Carlton Lewis – Sweet Soul Rocking
    • Top Cat – Ruffest Gun Ark (DJ Rap Mix)
    • Papa San – DJ Business
    • Papa Face & Bionic Rhona – To The Bump
    • Cutty Ranks – As You See It
    • Janice Walker – You'll Never Need Somebody
    • Asher Senator – Bubble With I
    • 1. Papa Face featuring Red Man – Dance Pon De Corner
    • 2. Dee Sharp – Let's Dub It Up
    • 3. Cutty Ranks – Limb By Limb (DJ SS Remix)
    • View full info and tracklisting
    Studio One Black Man's Pride 3 : None Shall Escape The Judgement Of The AlmightySoul Jazz Records

    This is the latest new installment of Soul Jazz Records’ on-going collection of Rastafarian music at Studio One, featuring classic material from legendary roots and culture artists The Gladiators, Horace Andy, Freddie McGregor, Sugar Minott and the Wailing Souls, alongside a superb selection of rarities from Sir Coxsone’s musical empire made up of one-off and practically unknown Rastafarian artists who recorded on a myriad of Studio One off-shoot labels in the 1970s – The Manchesters, Mellodies, The Nightingales and others.

    In this new collection, we see that once again the prescient Clement Dodd was a man who saw the wider picture. In the 1960s it was Sir Coxsone who identified the creative potential of The Wailers, Toots and the Maytals, Heptones, Burning Spear and many, many others. In the 1970s Studio One released an untouchable selection of the finest as styles moved from reggae to deejay to dub and, in the latter half, the emergence of dancehall.

    But what is also clear is that throughout this era Studio One released an incredible amount of roots music, and not just the most commercially obvious. For alongside the career-building catalogues of Burning Spear, The Wailing Souls, The Gladiators and so on, one needs to be an ardent Studio One collector to know some of the truly raw Rastafarian music featured here. Groups such as The Manchesters or The Nightingales feel as if they were recorded straight out of the churchical chants of the mansions.

    Black Man’s Pride explains the links between the ideology of Clement Dodd at Studio One and the Rastafarian faith, which was the creation of Afro-Jamaicans and concerned above all else with a black consciousness and empowerment, a rediscovering of the personal and racial identity of black people. The movement began in the 1930s and, in tandem with this black consciousness, called for a rejection of the British imperial culture that dominated Jamaica, while creating an identity based on a re-appropriation of an African heritage.

    The Rastafari movement was like a pivot, bringing together and balancing many vectors of ideologies. Marcus Garvey’s Back to Africa movement, trades union discourse, anti-colonialism and nation independence, maroon self-definition and independence, the spirit of African rebellion in the Caribbean. For Clement Dodd, a black man and producer growing up in Kingston in this era, Rastafari was simply a part of his everyday world – from witnessing Count Ossie’s grounations to the faith of many Jamaican artists at Studio One – from the Skatalites onwards.

    Featured here alongside these classic and rare tracks from Studio One are new and extensive sleeve notes with track-by-track notes by Rob Chapman, author of the acclaimed Downbeat Special and Never Grow Old Studio One books.

    The album is released as double heavyweight gatefold vinyl (+ free download code), CD with slipcase and booklet, and digital album.

    • Horace Andy – Conscious Dread Lock
    • The Gladiators – A Prayer To Thee
    • Freddie McGregor – Beat Down Babylon
    • The Manchesters – Selassie Bandman
    • The Mellodies – Dread Oppression
    • Big Joe – Jah Jah Help Us
    • Horace Andy – Oh Lord Why Lord
    • Lloyd Jones & The Super Natural Six – Get Up and Try
    • The Wailing Souls – Can't Catch Me
    • The Nightingales – Jehovah
    • Alphanso Stewart – It's No Secret
    • Errol Dunkley – Satisfaction
    • Mr Manchester – Give Natty Dread Glory
    • Lincoln (Sugar) Minott – Wrong Doers
    • Noel Campbell & The Gladiators Band – Sufferation
    • African Brothers – No Cup No Brock
    • Zoot Simms – When The Time Comes
    • Glen Miller – Whey No Dead
    Brown SugarI'm In Love With A Dreadlocks: Brown Sugar and The Birth Of Lovers Rock 1977 - 80Soul Jazz Records

    Soul Jazz Records are releasing this first ever collection of the pioneering British reggae Lovers Rock group Brown Sugar including rare singles, dubs and extended mixes. The album comes with extensive sleevenotes and interviews with Dennis Bovell, Pauline Catlin, John Kpiaye and Winston Edwards (Studio 16).

    Brown Sugar were formed by three young teenage girls – Pauline Catlin, Caron Wheeler and Carol Simms in South London in 1976. In the short period of time 1976-1980, the group – working with Dennis Bovell on the mixing desk and John Kpiaye (‘Brownie T) in the studio – recorded barely a handful of singles on the new Lovers Rock label, a number of which went to the top of the UK reggae charts. But success stopped there, and with no album release and no industry support the group broke up in the early 1980s.

    Following their split Caron Wheeler became the lead vocalist for the hugely successful group Soul II Soul, Carol Simms launched a solo career as Kofi (re-making a number of Brown Sugar songs with producer Mad Professor) and Pauline Catlin returned to education.

    Despite their relatively low-key mainstream public exposure Brown Sugar (and the label on which their first records appeared) announced to the world a new genre of reggae music, Lovers Rock, which spoke for the first time with the sensibility of a new segment of British society; that of first generation-born Black British female youth.

    And while Lovers Rock became synonymous with sweet love songs, Brown Sugar’s music in fact expressed far more; a righteous pride and consciousness in being Black and British, a political stance more often associated with UK roots groups like Black Slate, Aswad, Misty in Roots and other British reggae acts in the late 1970s. Brown Sugar were in fact their own genre of ‘conscious lovers rock’ – an expression of ideological black cultural pride.

    Brown Sugar’s handful of three-minute love songs (often plus extended dubs) somehow manage to encapsulate all the complexities of identity, sexual politics and youthful righteousness of Afro-Caribbean youth living in Britain in the 1970s. Songs such as ‘I’m in Love with A Dreadlocks’, ‘Our Reggae Music’, ‘Black Pride’ and ‘Dreaming of Zion’ spoke with a straightforward righteousness and consciousness that few roots groups could hope to match. The fact that they were all teenagers is even more striking.

    In the mid-70s British reggae came into being as first generation Black Britain was able to find a voice able to express the issues of growing up British with Caribbean roots. This came about in two different ways – the British roots music of (essentially male) groups such as Aswad, Steel Pulse and Black Slate – and Lovers Rock, the expression of a black essentially (but not totally) female consciousness – Brown Sugar, Louisa Mark, 15-16-17, Marie Pierre, Janet Kay, Carroll Thompson, Jean Adebambo and others. And significantly, while British roots music was a variant on a Jamaican style, Lovers Rock was uniquely British – the first authentic British reggae sound.

    Dennis Bovell comments, “For Lovers Rock we needed a pulpit, a way of saying ‘this is the style’. Sound systems were already saying ‘this is lovers,’ brandishing it in the dance. Our intention was to create a style of music that my generation could identify with – one that had a beat, and you could dance to with your partner in a sound system setting.”

    Dennis Bovell’s mixes for the group gave a further dimension to Brown Sugar records – a sound system mentality, adding sound effects and dub elements. ‘I’m in Love with A Dreadlocks’ was the debut release for both Brown Sugar and the Lovers Rock label, a fitting calling card for both. The record was a hit on many sound systems across the UK, reaching the top of the reggae charts.

    John Kpiaye: “They never put out an album. And all these records were seven-inch singles; when 12-inches turned up it just killed the seven-inch.”

    Although the career of Brown Sugar was short-lived, their legacy and influence remains significant and now, 40 years on from these first records, all of the members are still involved in music. Pauline Catlin has recently re-launched her career under a new moniker, Shezekiel; Carol Simms, aka Kofi, remains a successful solo artist, one of the queens of Lovers Rock; Caron Wheeler, after leaving Soul II Soul at the end of the 1980s, embarked on a solo career, before re-joining the soul super-group which she continues to front to this day.

    This new collection brings together all the groups essential recordings for the first ever time and is released as double gatefold heavyweight vinyl + free download (+ full sleevenotes), CD with large booklet, and digital album.

    • – Black Pride
    • – Our Reggae Music
    • – Hello Stranger
    • – I'm In Love With A Dreadlocks
    • – Hurtin' (with Dennis Bovell)
    • – I'm So Proud
    • – Runaway Love
    • – Dreaming Of Zion
    • – Loving Dreadlocks Dub
    • – You and Your Smiling Face
    • – Do You Really Love Me
    • – Proud
    • – Confession Hurts
    Sugar MinottSugar Minott At Studio OneSoul Jazz Records

    Long-out-of-print re-release of this classic Sugar Minott album on Soul Jazz Records bringing together the best of his classic material recorded at Studio One in the 1970s.

    Lincoln Sugar Minott was born in Kingston, Jamaica in 1956. He grew up in a poor area of West Kingston and from an early age developed a love of Reggae music and the music of Studio One in particular. As a teenager, he became selector for Sound of Silence Keystone and Gathering of Youth local sound-systems. By the late 1970s Minott had risen to become one of the biggest stars in Jamaican music.

    Sugar Minott began his career at Studio One. After auditioning in front of Clement ‘Sir Coxsone’ Dodd in the early 1970s, he became the first artist to record new songs over classic rhythms, singing over original Studio One tapes – the significance of which led directly to the birth of dancehall, as Channel One, Joe Gibbs and hundreds of other Jamaican producers quickly began releasing their own material based on these same classic Studio One rhythms replayed by Sly and Robbie, The Aggrovators, Soul Syndicate, Roots Radics and many others.

    “I knew Studio One spiritually before I knew Studio One physically. You know I grew up beside a dancehall and Sir Coxsone’s sound used to play there from when I was a boy. So from that influence you know I used to love Studio One sound so much, I became a sound selector. So that was my first involvement with getting to know Studio One music like The Heptones, Alton Ellis, Ken Booth, the whole works and that was my life from a youth.”

    After Sugar Minott’s debut many other artists followed suit at the label such as Freddie McGregor, Johnny Osbourne, Lone Ranger and Michigan & Smiley leading to one of the most creative periods for the label. This is the first retrospective of Sugar Minott at the label and most of these recordings have never been widely available outside Jamaica.

    • Sugar Minott – Vanity
    • Sugar Minott – Please Be True
    • Sugar Minott – Hang On Natty
    • Sugar Minott – Never Give Up
    • Sugar Minott – Jahovia
    • Sugar Minott – Give A Hand
    • Sugar Minott – Try Love
    • Sugar Minott – Roof Over My Head
    • Sugar Minott – Jah Jah Lead Us
    • Sugar Minott – Is It True
    • Sugar Minott – Love Gonna Pack Up
    • Sugar Minott – Give Me Jah Jah
    • Sugar Minott – Jah Jah Children
    • Sugar Minott – Party Time
    • Sugar Minott – Change Your Ways
    • Sugar Minott – Jah Almighty
    Studio One Lovers RockSoul Jazz Records

    Soul Jazz Records new Studio One album is a fantastic selection featuring all-star legendary Studio One vocalists – Alton Ellis, Marcia Griffiths, The Heptones, Horace Andy, Freddie McGregor, Sugar Minott – alongside a host of classic and super-rare Lovers Rock cuts all of which Clement Dodd recorded at the Brentford Road studio.

    Lovers rock brought together many elements and here you will find sweet harmonies, late 1960s rocksteady, 1970s soul covers, discomixes, recuts and new rhythms – which all fit together in a timeless twilight of love & harmony – as if lovers silhouetted by a Kingston sunset.

    Here you will find stone-cold classic Studio One tunes – Marcia Griffiths ‘Truly’, Horace Andy’s I’ll Be Gone super-rare cuts like Carlton and The Shoes killer 70s versions of Never Give Your Heart Away and Let Me Love You (vocal cut to Jackie Mittoo’s mighty Wall Street), The Invaders sweet lovers rocksteady bomb ‘Sweet Soul Rocking’ (currently for sale at £2,500 on discogs!) and many more!

    This new album comes with sleevenotes by Lloyd Bradley, the acclaimed author of Bass Culture, Sounds Like London and Reggae: The Story of Jamaican Music. The album is pressed on heavyweight double gatefold vinyl (+ free download), deluxe slipcase CD and digital.

    • Alton Ellis – Tumbling Tears (12" Discomix)
    • The Heptones – I Hold The Handle
    • Carlton and The Shoes – Never Give Your Heart Away (70s 12" Version)
    • The Minstrels – Yours Until Tomorrow
    • Jerry Jones – Oh Me Oh My
    • Horace Andy – I'll Be Gone
    • Carlton and The Shoes – Let Me Love You (12" Discomix)
    • The Invaders – Soulful Music
    • Sugar Minott – Ghetto Girl
    • Marcia Griffiths – Truly
    • Devon Russell – My Woman's Love
    • Billy Cole – Rock All Night
    • Freddie McGregor – I Don't Know
    • Cornel Campbell – Didn't I
    • Horace Andy – Wanna Be Free
    • The Heptones – My Ting A Ling (12" Discomix)
    • Alton Ellis – Someone (Extended Mix)
    • The Righteous Flames – I Was Born To Be Loved
    • 1. Alton Ellis – Tumbling Tears (12" Discomix)
    • 2. The Heptones – I Hold The Handle
    • 3. Carlton and The Shoes – Never Give Your Heart Away (70s 12" Version)
    • View full info and tracklisting
    Studio One Freedom SoundsSoul Jazz Records

    Studio One Freedom Sounds is the new collection from Soul Jazz/Studio One focussing on the intense period in the second half of the 1960s when Studio One’s vast and unbeatable output of ska, soul, rock steady and reggae made it literally one of the hottest musical empires in the world.

    During this highly successful period, Clement ‘Sir Coxsone’ Dodd released hundreds and hundreds of superlative singles seemingly on an almost daily basis, in the process making huge stars out of Jamaican singers such as Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel and many more.


    Powered by the finest in-house musicians working in Jamaica, whether it was The Skatalites, Jackie Mittoo’s Soul Brothers, The Sounds Dimension or The Soul Vendors, Studio One functioned as hit factory on the scale of Motown in the USA, shaping and defining reggae music for decades to come.


    Singlehandedly Studio One’s founder Clement Dodd was able to create the most successful vertically-integrated record company that Jamaica had ever known with pressing plant, printers, studio, shops, and sound systems all running at once, with over 50 employees and hundreds of artists working with Studio One during this time.

    Studio One Freedom Sounds tells the story of Studio One in the 1960s with a stunning set of ska, soul, rock steady and reggae killer tunes as well as informative sleevenotes and track-by-track info by Noel Hawks. The album is released as heavyweight double vinyl (+ free download code), deluxe CD and digital album.

    • Don Drummond & The Skatalites – Rain Or Shine
    • The Gaylads – Morning Sun
    • Delroy Wilson – Just Because Of You
    • Alton Ellis – Sunday Coming
    • Jackie Opel – I Am What I Am
    • Peter Tosh – I Am The Toughest
    • Delroy Wilson – Get Ready
    • Mr Foundation – Timo-Oh
    • Roland Alphonso & The Soul Brothers – Provocation
    • Leroy & Rocky – Love Me Girl
    • Slim & Delroy – Look Who Is Back Again
    • The Skatalites – Spread Satin
    • Barrington Spence – Contemplating Mind
    • Ernest Ranglin – Psychedelic Rock
    • Bob Marley & The Wailers – Destiny
    • Roland Alphonso – Reggae In The Grass
    • Zoot Simms – We Can Talk It Over
    • Jackie Mittoo – Hi Jack
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    Black Man's Pride 2 (Studio One)Soul Jazz Records

    This is the second installment of deep roots Rastafarian reggae at Studio One and features classic music from some of the most important figures in reggae music – Alton Ellis, The Heptones, Jackie Mittoo, The Gladiators – alongside a host of rarities and little-known recordings, such as a truly rare Mystic Revelation of Rastafari seven-inch single, Willie William’s first ever recording ‘Calling’ and Horace Andy’s righteous (and equally rare) masterpiece ‘Illiteracy.’

    Black Man’s Pride 2 extends the legacy of Studio One’s ground-breaking path in roots reggae which began at the end of the 1960s and continued throughout the 1970s. The album tells the story of how the rise of Studio One Records and the Rastafari movement were interconnected, through the adoption of the Rastafari faith by key reggae artists – everyone from the Skatalites and Wailers in the 1960s, major singers such as Alton Ellis and Horace Andy at the end of the decade, through to major roots artists such as The Gladiators in the 1970s – and how Clement Dodd consistently recorded this heavyweight roots music throughout Studio One’s history.

    The extensive sleeve-notes to this album also discuss the links between Rastafari and Studio One in time and place, noting how both the religion and Clement Dodd’s musical empire had their roots in the intense period of pre-independence Jamaica in Kingston, expanded in the 1960s following the visit of Haile Selassie in 1966, and how roots music then came to dominate reggae music in the early 1970s. Also discussed is how the outsider stance of both reggae music and the Rastafari movement relate back many hundreds of years to the original rebel stance of the Maroons, escaped slaves who set up self-sufficient enclaves in the hills of the Jamaican countryside.

    There is also a track-by-track history by the noted Studio One writer Rob Chapman (Never Grow Old). This new album comes as heavyweight gatefold double vinyl (+ download code), deluxe CD and digital album.

    REVIEWS of Black Man's Pride:

    "Soul Jazz’s albums are different: not only have they encouraged a new, younger audience, parallel to the one that enjoys rare funk and spiritual jazz, to appreciate this music, their records are coherent. They’re not just a heap of tunes that happen to be sharing a black vinyl apartment. They’re themed and meld musically. They have a reason to exist.
    In this instance, that reason is an exploration of 70s vocal roots reggae with a theme of black pride and dignity." Record Collector

    • Horace Andy – Illiteracy
    • The Heptones – Be A Man
    • The Manchesters – Natty Gone
    • The Gladiators – Down Town Rebel
    • Willie Williams – Calling
    • Roland Alphonso & Brentford All Stars – Sir D Special
    • Keith Wilson – God I God I Say
    • Alton Ellis – Almost Anything
    • Bobby Kalphat & The New Establishment – Adis A Wa Wa
    • Peter Broggs – Sing A New Song
    • Mystic Revelations Of Rastafari – Let Freedom Reign
    • Larry & Alvin – Free I Lord
    • Ernest Wilson & The Sound Dimension – Freedom Fighter
    • Jackie Mittoo – Happy People
    • Prince Lincoln – Daughters Of Zion
    • High Charles – Zion
    • Winston Jarrett – Love Jah Jah
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    Dancehall (2017 edition)Soul Jazz Records

    Soul Jazz Records are releasing this new 10th anniversary 2017 edition of their classic album  ‘Dancehall – The Rise of Jamaican Dancehall Culture’. This long-out-of-print collection is now available as a triple-vinyl edition and double CD pack.

    The album is a lightning-flash collection of all-time classic and definitive dancehall classics as well as a stellar selection of more obscure tracks. Featuring Yellowman, Tenor Saw, Sister Nancy, Ini Kamoze, Chaka Demus & Pliers, Michigan & Smiley, Super Cat, Cutty Ranks, Eek-A-Mouse, Gregory Isaacs and more, this album features non-stop floor-filling party tune rockers throughout!

    Dancehall is released to coincide with the new 2017 edition of the stunning 400+ photos deluxe coffee table book ‘Dancehall – The Rise of Jamaican Dancehall Culture’, featuring Beth Lesser’s amazing Dancehall photography (also newly published by Soul Jazz Records). This book has become the definitive cultural reference book for Jamaican dancehall and features hundreds of killer photographs, extensive text and interviews with many of the artists.

    ‘A vibrant anthology of all that mattered: the sound systems, studios, producers, singers and deejays.’  The Guardian

    • Yellowman – Bam Bam
    • Tenor Saw – Pumpkin Belly
    • Reggie Stepper – Cu Oonuh
    • Chaka Demus and Pliers – Murder She Wrote
    • Pinchers – Agony
    • Michigan & Smiley – Diseases
    • Ini Kamoze – World A Music
    • Junior Murvin – Cool Out Son
    • General Echo – Arleen
    • Cornel Campbell – Boxing
    • Cutty Ranks – Chop Chop
    • Lone Ranger – M16
    • Super Cat – Trash and Ready
    • Gregory Isaacs – Soon Forward
    • Jacob Miller & Trinity – I'm Just A Dread / One Shot
    • Eek A Mouse – Wa Do Dem
    • Sister Nancy – Only Woman DJ With Degree
    • Trinity – Uptown Girl
    • General Echo – Track Shoes
    • Cornel Campbell – Mash You Down
    • Horace Ferguson – Sensi Addict
    • Clint Eastwood – Jump and Pawn
    Black Man's PrideSoul Jazz Records

    While the righteousness of blackness is at the heart of the Rastafarian faith, this collection illustrates how black pride remained a central theme, if not the defining essence, at the very core of all the music created at Studio One Records.

    Black Man’s Pride is the striking new Studio One collection of deep heavyweight reggae featuring Horace Andy, Alton Ellis, The Gladiators, Sugar Minott, The Heptones, Freddie McGregor, Cedric Brooks & more.

    In order to understand the centrality of black identity in the music created at Studio One, we need look no further than Clement ‘Sir Coxsone’ Dodd who, who created the first black-owned record company in Jamaica.

    In similar fashion Alton Ellis’s defining ‘Black Man’s Pride’ brings up emotions that are at the heart of many of these uplifting songs. Alton Ellis’ birthplace was the Trench Town ghetto of Kingston, also the birthplace of The Wailers, Ken Boothe and many other Studio One luminaries.

    Clement Dodd established a musical empire firmly rooted by the core musicians working at Studio One many of whom came out of the Alpha School for Wayward Boys, run by Roman Catholic nuns, whose luminaries include Don Drummond, Johnny Moore, Leroy ‘Horsemouth’ Wallace, Cedric Brooks, Vin Gordon, Tommy McCook & more.

    Many of the songs featured here come from the transitory phase in reggae at the start of the 1970s. After the exhilaration of Ska and following the cooling down of Rocksteady. While reggae awaited the arrival of roots, Studio One’s vocalists were already producing some of the moodiest music imaginable! Here are 18 heavyweight tunes, both classic cuts and super-rare tunes!

    This new album is released as a heavyweight gatefold double-LP edition (+ download code), CD and digital with full text.

    REVIEW

    "The bottomless pit that is Coxsone Dodd’s Studio One label(s) yields more gems. Soul Jazz and before it, Heartbeat in the US, United Artists, Bamboo and various other labels in the UK have released numerous collections, yet the catalogue remains largely under-exploited, despite the late Mr Dodd’s tireless efforts to wring every last cent from it in unlikely ways. Little wonder that some reggae fans, spoilt by knowledge and racks of original vinyl, can be inclined to shrug when another comp emerges: there have been so many. However, Soul Jazz’s albums are different: not only have they encouraged a new, younger audience, parallel to the one that enjoys rare funk and spiritual jazz, to appreciate this music, their records are coherent. They’re not just a heap of tunes that happen to be sharing a black vinyl apartment. They’re themed and meld musically. They have a reason to exist.

    In this instance, that reason is an exploration of (mostly) 70s vocal roots reggae with a theme of black pride and dignity. This music was recorded as a cultural statement, if not a cry, from the roots; strong stuff, deep, dark and heavy. But don’t mistake that for leaden. It may have bass frequencies that drive your neighbour’s dog under the sofa, thinking it’s 5 November all over again, but this is no gloomy exercise in musical storm clouds. Right from Alton Ellis’s title-donating opening tune, there are aspects of Black Man’s Pride that will have you skipping around the room, literally or mentally, and thanking Jah that you didn’t spend the money it cost you on a pizza, dough balls and Diet Coke meal deal. This is not musical junk food, it’s a keeper fit to lift the heart whenever needed.

    One reason for this is the sequencing. Glen Miller (not that one) may have a light, soulful voice but the rhythm track he’s riding on Love And Understanding is a minor chord churner, as sad as a wet Sunday. But it’s held up on either side by Sugar Minott (and an uncredited Gladiators) floating through Woman Shadow (as sung by The Meditations as Woman Is Like A Shadow), and The Nightingales’ gorgeously swinging Rasta Is Calling, a glorious take on Delroy Wilson’s Cool Operator rhythm that’s a sod to find on 45. The Heptones make a rational case for Equal Rights in a manner that ought to have been perky enough to win them at least an audition for a CBBC presenter’s role. Their lead singer Leroy Sibbles pops up uncredited on John Holt’s heart-lifting yet cool Let’s Build Our Dreams. Heavy 70s roots is gloomy? Nope. Jamaica’s ghettos were suffering; they didn’t need more misery.

    There’s also judicious joining up of vocals and their dubwise 45 flipsides: The Gladiators’ Roots Natty is one such. I heard the vocal, and immediately wished it was the devastatingly moving dub cut. Compiler Stuart Baker evidently thought likewise, so it extends to the version. For variety, there’s a lone sax instrumental to wreck things up too: Cedric Brooks’ melodic Why Can’t I.

    There’s room for the unique, deep and breathy voice of Larry Marshall. More “international” stars Horace Andy and Dennis Brown are here too, recorded as youths, as is a teenage Freddie McGregor on a rootsy rewrite of Cat Stevens’ Wild World – with what sounds like JS Bach on synth! The set shuts with Johnny Osbourne’s sophisticated and spiritually openhearted Forgive Them.

    With an informative, eminently enjoyable sleeve note about the growth of roots reggae and its place in Rastafarianism and black awareness, fittingly Black Man’s Pride lacks nothing." Ian McCann, RECORD COLLECTOR

    • Alton Ellis – Black Man's Pride
    • Horace Andy – Child Of The Ghetto
    • Dennis Brown – Created By The Father
    • The Gladiators – Roots Natty
    • The Classics – Got To Be Cool
    • The Nightingales – Rasta Is Calling
    • Glen Miller – Love & Understanding
    • Sugar Minott – Woman Shadow
    • Lloyd Jones & The Supernatural Six – Red In A Babylon
    • Dudley Sibley & The Soul Gang – Love In Our Nation
    • The Heptones – Equal Rights
    • Glen Miller – You Must Be Love
    • Winston Jarrett – Up Park No Mans Land
    • Cedric Im Brooks – Why Can't I
    • Larry Marshall – Let's Make It Up
    • Freddie McGregor – Children Listen To The Wise Words
    • John Holt – Build Our Dreams
    • Johnny Osbourne – Forgive Them
    Studio One SupremeSoul Jazz Records

    By the 1970s Studio One and Clement ‘Sir Coxsone’ Dodd had already proved himself to be the defining force in Reggae for almost two decades. From running the Downbeat sound system on the lawns and yards of Kingston in the late 1950s to opening Studio One at 13 Brentford Road at the start of the 1960s, ushering in Ska and Rocksteady and establishing the careers of most of Jamaica’s artists – everyone from Bob Marley and The Wailers, Ken Boothe, Toots and The Maytals, The Skatalites, Jackie Mittoo and more – Clement Dodd had until this point dominated the Jamaican musical world.

    And yet, incredibly, Clement Dodd was barely half way through his musical path, maintaining Studio One’s number one position in the Jamaican music scene throughout the 1970s with a combination of musical and creative innovation and an endless capacity to adapt and create new musical fashions. By the end of the 1970s Dancehall had become the defining sound on the island. Dancehall was essentially a tribute by other Jamaican producers and artists to the classic music of Studio One created in the 1960s as young artists across the island created new songs, while musicians recreated these original classic foundation Studio One rhythms. As on other occasions, Clement Dodd rose to this new musical challenge by producing a whole new era of classics for Studio One.

    The roots of Dancehall begin with the DJs of the early 1970s, who were the first to sing new material over earlier classic rhythms. Early DJ pioneers such as Dillinger and Prince Jazzbo both feature here toasting over classic songs - The Mad Lad’s Ten to One and The Eternals’ Queen of the Minstrel. But it is the new wave of artists who arrived at Studio One at the onset of Dancehall which enabled Studio One to maintain its number one status as the whole of Kingston’s rival music producers – Channel One, Joe Gibbs and many others – attempted to challenge this position.

    Sugar Minott, Michigan and Smiley, Willie Williams, Lone Ranger had all grown up listening to the classic Studio One music of the 1960s and were able to pay the greatest compliment to the label by creating the defining new music of this new era with songs that combined all the musical and technological developments of the 1970s – dub, deejaying, discomixes, syndrums, synthesizers and more – into the sound of the future: Dancehall.

    Throughout this era Clement Dodd also continued to work with a number of original and returning artists – such as Alton Ellis, Horace Andy, Freddie McGregor, Johnny Osbourne – updating old rhythms and creating new ones while employing the in-house band variously known as The Brentford All-Stars/Rockers/Disco Set to update these sounds in order to maintain Studio One’s number one position as the defining force in Reggae.

    This is Soul Jazz Records’ latest new collection of classic and rare Studio One recordings and is released on triple LP (+ download code), deluxe CD and digital album.

    • Johnny Osbourne & The Prophets – Keep That Light
    • Dillinger – Natty Ten To One
    • Lone Ranger – Natty Dread On The Go
    • Prince Jazzbo – Minstral
    • Johnny Osbourne – Jah Promise
    • Freddie McGregor – Wine Of Violence
    • Papa Michigan and General Smiley – Compliment To Studio One
    • Willie Williams – Easy
    • Lone Ranger – Quarter Pound Of Ishen
    • Alton Ellis – A Fool
    • Jackie Mittoo & Brentford All Stars – In Cold Blood
    • Jim Nastic – Chanting
    • Brentford Rockers – Bushmaster
    • The Gladiators & Brentford Disco Set – Happy Man
    • Dub Specilaist – Still Dubbing
    • Sugar Minott – Jah A Love You
    • Horace Andy – Show and Tell
    • Freddie McGregor – Rastaman Camp
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    Count Ossie & The Rasta FamilyMan From Higher HeightsSoul Jazz Records

    This album is a strictly 1000-copies only worldwide digitally remastered exact repro LP+ download code. Also available as a very limited Japanese card sleeve edition CD - first copies only! Also digital album.

    ----------------------------------------------------------------------------------------------------------------

    Soul Jazz Records are releasing Count Ossie and The Rasta Family’s long lost reggae album ‘Man From Higher Heights’ (originally released in 1983), digitally remastered and with full original artwork.

    This release follows on from the earlier release of Count Ossie and The Mystic Revelation of Rastafari ‘Tales of Mozambique’ (1975) also by Soul Jazz Records.

    Recorded in Kingston, Jamaica, somewhere between the last Mystic Revelation album and the 1983 official release of ‘Man From Higher Heights’ it remains unclear whether this album is a mixture of original recordings overlayed with additional players, or Ossie’s post-Mystic Revelation players remaining true to the spirit of Count Ossie (who had died in a car crash in 1976).

    Either way it is a fascinating and successful blend of heavyweight Rastafarian roots rhythms and drumming alongside deep jazz improvisation and tripped out psychedelic fuzz guitar.

    The album was first released in 1983 on the British label VIsta Sounds with no mention of the line-up of the group. It has been out of print for over 30 years and remains one of the most mysterious of all releases relating to Count Ossie and the Mystic Revelation of Rastafari.

    Count Ossie is the central character in the development of Rastafarian roots music, an almost mythical and iconic figure. His importance in bringing Rastafarian music to a populist audience is matched only by Bob Marley’s promotion of the faith internationally in the 1970s.

    Count Ossie’s drummers made the first ever song to integrate Rastafarian traditional music into popular music - The Folkes Brothers’ song ‘Oh Carolina’, recorded for producer Prince Buster in 1959. In 1966 his drummers greeted the arrival of Haile Selassie at Kingston airport. His Rastafarian compound in the hills of Wareika, Kingston, hosted jam sessions between his drummers and Jamaica’s finest musicians, Roland Alphonso, Don Drummond, Johnny Moore and others.

    Count Ossie and the Group’s Man From Higher Heights remains one of the most elusive of his highly progressive Rastafarian inspired recordings, the final release in Count Ossie’s career.

    Also available:

    Count Ossie and The Mystic Revelation of Rastafari – Tales of Mozambique (SJR LP/CD235)

    Rastafari – The Dreads Enter Babylon 1955-83 (SJR LP/CD312)

    • – Africa We Want Fe Go
    • – Cruisng Down The Line
    • – Misfits
    • – Crossing River Jordan
    • – Mystic Memories
    • – Drums For Wise Man
    • – Chanting Higher Heights
    The Skatalites: Independence Ska and The Far East SoundSoul Jazz Records

    Fantastic new collection of rare and classic killer ska from the legendary Skatalites, one of the most important groups in the history of Reggae.

    This album was first released only as a limited-edition  collectors 7-inch box set (now deleted) and is now available for the first time as a double LP edition (+ Download Code), CD and digital release - complete with 10 extra bonus tracks and new extensive sleeve notes!

    The Skatalites brought the sound of Jamaica to the world. At the start of the 1960s, in the space of just a couple of years Don Drummond, Tommy McCook, Jackie Mittoo, Ernest Ranglin, Johnny ‘Dizzy’ Moore, Lloyd Knibbs, Lloyd Brevett and others defined the exciting beat of ‘Ska’ as the sound of newly independent Jamaica.

    As the house band at Clement ‘Sir Coxsone’ Dodd’s newly launched Studio One Records at 13 Brentford Road, the group comprising the finest jazz musicians on the island played on literally 1000s of recordings – Bob Marley and The Wailers, Toots and The Maytals, Delroy Wilson, Ken Boothe, Alton Ellis and many, many more.

    During their existence (1963-65) The Skatalites also recorded 100s of their own songs, released either under their own name, or The Studio One Orchestra, or that of band members Drummond, McCook etc. This is the first collection on Soul Jazz Records to bring you some of their finest material – from classics such as ‘Guns of Navarone’, ‘El Pussy Cat Ska’, ‘Christine Keeler’ through to some serious rarities such as Dizzy Johnny and The Studio One Orchestra’s ‘Sudden Destruction’ and Don Drummond’s ‘Coolie Boy’.

    The Skatalites’ ska sound brought together aspects of jazz, latin, rhythm and blues, proto-Rastafarianism (tracks such as ‘Full Dread’, ‘Beardsman Ska’) and more. The intensity and energy of their sound was matched by the experimentation of the troubled genius of Don Drummond whose ‘far east’ modal trombone sound added a complex melancholy to the music of the Skatalites (the group split-up after Drummond was charged with murdering his wife, dancer Margarita Mahfood).

    • The Skatalites – Guns Of Navarone
    • The Skatalites – Christine Keeler
    • The Skatalites – El Pussy Cat Ska
    • Dizzy Johnny and The Studio One Orchestra – Sudden Destruction
    • Roland Alphonso – Scambalena
    • The Wailers – Tell Them Lord
    • Don Drummond and The Skatalites – Russian Ska Fever
    • Roland Alphonso and The Skatalites – Independent Anniversary Ska (I Should Have Known Better)
    • Bongoman Byfield and The Skatalites – Marcus Garvey
    • Don Drummond and Roland Alphonso – Heaven and Earth
    • Bongoman Byfield and The Skatalites – Jack Ruby Is Bound To Die
    • Don Drummond and The Skatalites – Further East (aka Trolley Song)
    • The Skatalites – Beardsman Ska
    • Don Drummond and The Skatalites – Surplus
    • The Skatalites – Fidel Castro
    • Tommy McCook and The Skatalites – Suavito
    • Don Drummond and The Skatalites – Coolie Boy
    • Tommy McCook – Adam's Apple (Don't Bother Me No More)
    • Tommy McCook and The Skatalites – Full Dread
    • The Skatalites – King Solomon
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    Studio One Dub Fire SpecialSoul Jazz Records

    Soul Jazz Records’ new ‘Studio One Dub Fire Special’ brings together 18 heavyweight dub cuts all recorded at 13 Brentford Road in the 1970s.

    Featuring a stellar selection of dub cuts to classic and foundation songs recorded at Studio One with music from the legendary in-house bands - The Sound Dimension, New Establishment, Soul Defenders and Brentford All-Stars – featuring the likes of reggae’s finest musicians - Jackie Mittoo, Leroy Sibbles, Cedric Brooks, Freddie McGregor and more.

    These fresh dub sounds employed the mighty mixing desk skills of The Dub Specialist, aka Clement ‘Sir Coxsone’ Dodd and studio engineer supremo Sylvan Morris to full effect. Studio One Dub Fire Special features our latest chapter of raw, stripped-down bass and drum sounds direct from Studio One.

    "Brilliant, absolutely superb collection, a hand-picked selection of dubs straight out of Studio One" David Rodigan

    * (no digital in USA)

    • – Cairo
    • – Lourenco Marques
    • – Callie Roots
    • – Libra Dub
    • – Dakar
    • – Better Dub
    • – Rockers Hop
    • – Roots Dub
    • – Moving Dub
    • – Just Can't Dub
    • – Meet 7 Million
    • – Scorpio Dub
    • – Nairobi
    • – Dub Creation
    • – Virgo Dub
    • – This Race
    • – Darker Black
    • – Capricorn Dub
    100% Dynamite (New Edition)Soul Jazz Records

    This is the new digitally remastered expanded edition of Soul Jazz Records’ biggest ever selling reggae release, 100% Dynamite: Ska, Soul, Rocksteady and Funk in Jamaica.

    If you didn't get it the first time now's your chance to find out where it all began - all killer no filler!. If you did and wore it out get it now with bonus tracks and free download code!

    Since the album’s original release nearly twenty years ago, 100% Dynamite has become a cornerstone of funky reggae music: Eighteen killer tracks that show the influence that American Jazz, Funk and Soul music had on Jamaican Reggae.

    100% Dynamite features come serious Jamaican funk by Jackie Mittoo, The Upsetters and Toots & The Maytals, the cream of Jamaica's jazz musicians such as Tommy McCook, Cedric Brooks and Lennie Hibbert. Also included here are heavyweight Reggae versions to Soul classics by Marlena Shaw’s ‘Woman of the Ghetto’, Aretha Franklin’s ‘Rocksteady’, Syl Johnson’s ‘Is It Because I’m Black’, William DeVaughan’s seminal ‘Be Thankful’ and more.

    100% Dynamite also features revolutionary tunes such as Johnny Osbourne’s ‘We Need Love, Sound Dimension’s ‘Drum Song’ and Lloyd Robinson’s ‘Cuss Cuss’, songs that helped define a unique sound for Jamaican music in the sixties and seventies.

    These influences went both ways – check Brentford All Stars massive ‘Greedy G’, the basis for Boogie Down Productions’ ‘Jack of Spades’, or Willie Williams’ ‘Armagideon Time’ later covered by The Clash.

    This new expanded edition features seminal tracks from the greatest Jamaican producers – Clement Dodd, Lee Perry, Winston Riley (Techniques) and many more.

    The album is available as CD, heavyweight double vinyl (+download), plus digital.

    ORIGINAL REVIEWS

    "Compilation of the month" MUZIK

    "Brilliant" TIME OUT

    "Album of the week" MIXMAG

    "Compilation of the f***ing year" MELODY MAKER

    "Buy this excellent compilation immediately" MOJO

    "I think there’s a good argument to be made for 100% and 300% Dynamite records - along with Dave Godin’s Deep Soul Treasures (Taken From The Vaults) – Vol 1 & 2, Motown Chartbusters Vol. 3 and Blue Note: Blue Juice Vol. One - being among the finest compilations ever assembled. Anyone who has never heard Sister Nancy’s ‘Bam Bam’ or the Brentford Allstars' 'Greedy G' needs to remedy that situation straight away and anyone who is tired of hearing Althea & Donna’s ‘Uptown Top Ranking’, Willie Williams' 'Armageddon Time' and Wayne Smith’s ‘Under Me Sleng Teng’ needs to have a word with themselves anyway." THE QUIETUS

    • Willie Williams – Armageddon Time
    • The Maytals – Night and Day
    • The Marvels – Rock Steady
    • The Upsetters – Popcorn
    • Bunny Clarke – Be Thankful
    • Tommy McCook – Green Mango
    • Brentford All Stars – Greedy G
    • Lennie Hibbert – Real Hot
    • Horace Andy – My Soul
    • Johnny Osbourne – We Need Love
    • Bunny Clarke – I Love The Way You Love
    • Jackie Mittoo – Stereo Freeze
    • Phyllis Dillon – Woman Of The Ghetto
    • Cecric Im Brooks – Give Rasta Glory
    • Alton Ellis – Son Of Man
    • Sound Dimension – Granny Scratch Scratch
    • Lloyd Robinson – Cuss Cuss
    • Sound Dimension – Drum Song
    • Ken Boothe – Is It Because I'm Black
    Hustle! Reggae Disco (Expanded Edition)Soul Jazz Records

    Expanded edition which now features five extra tracks!

    This ground-breaking album features non-stop killer reggae versions of original funk and soul classics in a disco style. Reggae disco updates of seminal classics by Anita Ward (‘Ring My Bell’), Chaka Khan (‘I’m Every Woman’), Michael Jackson ‘Don’t Stop ‘til You Get Enough,’ Sugarhill Gang (‘Rappers Delight’ here performed by Derrick Laro & Trinity for producer Joe Gibbs) and more, all showing the hidden but inseparable link between the dance floors of New York, Kingston and London.

    New bonus tracks to this collection include Derrick Harriott’s funky take on Eddie Drennon’s ‘Do It Nice and Easy’, the classic disco reggae of Risco Connection’s performing McFadden and Whitehead’s ‘Ain’t No Stopping Us Now’ and the London rare groove lovers rock of Charmaine Burnett singing Barbara Acklin’s soul classic ‘Am I The Same Girl’.

    ‘Hustle! Reggae Disco’ has been one of Soul Jazz Records’ best-selling releases since its first release 15 years ago (and subsequently featured heavily in the early Grand Theft Auto games!). This new edition comes complete fully re-mastered and with all original titles plus new tracks. This new expanded edition now comes as a triple album (+ download code), CD and digital album.

    ‘The effect of American R&B and soul music on Jamaican reggae is well documented, but the story doesn't stop there, for disco (and more so now for rap and hip-hop) have also been subsumed into the reggae mix, and while one might suspect that the resulting hybrid would die of its own implausibility, the feral mix of disco with reggae rhythms is so darn infectious that it hardly matters. Once you take your brain out of the frame and just let your feet go, this collection is a dancer's delight all done up in full-blown disco style, but with huge dub-style rhythm tracks … if you're looking for an impossibly infectious dance collection, this is it.’ All Music

    • Blood Sisters – Ring My Bell
    • Derrick Laro and Trinity – Don't Stop Til You Get Enough
    • Chariot Riders – Do It Nice & Easy
    • Black Harmony – Don't Let It Go To Your Head
    • Latisha – I'm Every Woman
    • Ernest Ranglin – In The Rain
    • Family Choice – Reggae Beat Goes On
    • Risco Connection – Ain't No Stopping Us Now
    • Xanadu and Sweet Lady – Rappers Delight
    • Sharon Forrester – Love Don't Live Here Any More
    • Carol Cool – Upside Down
    • One Blood – Be Thankful For What You've Got
    • Charmaine Burnett – Am I The Same Girl
    • 1. Blood Sisters – Ring My Bell
    • 2. Derrick Laro and Trinity – Don't Stop Til You Get Enough
    • 3. Chariot Riders – Do It Nice & Easy
    • View full info and tracklisting
    Studio One Rocksteady Volume 2 : Rocksteady, Soul and Early Reggae at Studio OneSoul Jazz Records

    Soul Jazz Records’ new journey into the mighty vaults of Clement Dodd’s Studio One steps once more into the fertile musical environment of Jamaican music in the late 1960s and early 1970s, from the sweet harmony vocals of seminal 1960s Rocksteady right up to the nascent birth of Reggae and Roots music at the start of the 1970s.

    Sleevenotes to this album are by Steve Barrow, author of ‘Rough Guide to Reggae’ as well as Soul Jazz Records’ own ‘Reggae Soundsystem Cover Art’ books.

    While Ska at the start of the 1960s had taken American rhythm and blues as its main influence, Rocksteady focused on the emergence of American Soul music – with Jamaican vocal harmony groups such as The Gaylads, John Holt & The Paragons, Carlton & The Shoes showing a particular fascination with the close harmonies of Curtis Mayfield and The Impressions and other US soul acts. Here The Heptones even feature with a cover of Bob Dylan’s ‘I Shall Be Released’.

    The influence of Soul music on Jamaican rock steady and reggae is almost palpable, so much so that one wonders how much more successful singers like Delroy Wilson, Alton Ellis, Slim Smith and John Holt would have been had they been born in Chicago, Detroit or Memphis

    Artists such as Alton Ellis, Delroy Wilson and Owen Gray defined the era – a slowed down beat as Jamaican political and social heat slowly increased as the 1960s progressed into the start of the 1970s –  and the music evolved further from rock steady into roots reggae.

    Wicked tunes!

    Double vinyl + download code, Deluxe CD, Digital album.

    Reviews:

    "Every tune is a bonaflide classic" Pitchfork

    Read full Pitchfork article here

    • Hortense Ellis – Sitting In The Park
    • The Termites – Rub Up Push Up
    • Carlton and The Shoes – Never Let Go
    • Alton Ellis – I'm Still In Love With You
    • Owen Gray – Give Me A Little Sign
    • The Bassies – Big Mistake
    • Hortense and Alton Ellis – Breaking Up Is Hard To Do
    • Slim Smith – Born To Love
    • Cannon and The Soul Vendors – Bad Treatment
    • John Holt – Strange Things
    • The Actions – Giddy Up
    • Larry Marshall – It Makes Me Feel
    • The Paragons – Change Your Style
    • Jerry Jones – Trying Times
    • The Heptones – I Shall Be Released
    • The Gaylads – The Soul Beat
    • Delroy Wilson – Run Run
    • The Soul Two – Puppy Love
    • Delroy Wilson – Riding For A Fall
    RastafariSoul Jazz Records

    Soul Jazz Records new album Rastafari: The Dreads Enter Babylon 1955-83 charts the many links between reggae music and the Rastafarian religion.

    Spanning nearly 30 years of revolutionary music and featuring the music of Count Ossie, Johnny Clarke, The Mystic Revelation of Rastafari, Ras Michael and The Sons of Negus, Bongo Herman, Roy Ashanti (The Congos), Earth & Stone, Mutabaruka and many more, this is an in-depth look at some of the most unique and righteous music ever made and comes complete with a 40+ page outsize booklet, containing exclusive photography and extensive historical and contextual sleevenotes.

    The new religion of Rastafari emerged in Jamaica during a time of intense political and social change in the 1930s. The first stirrings of anti-colonialism and workers’ rights were in motion, while Marcus Garvey’s Back-to-Africa movement was beginning to wane. But the pivotal catalyst to the birth of the Rastafari faith was the crowning of a black king in Africa in 1930.

    One of the earliest mentions of Ethiopia in Jamaican music can be found on mento singer Lord Lebby and the Jamaican Calpysonians’ 1955 recording ‘Etheopia’. In the song Noel Williams, aka Lord Lebby, discusses Ethiopianism, the political movement that calls for a return to Africa for black people.

    The 1960s saw the emergence of the first Rastafarian music on record with Count Ossie’s Rastafarian drummers. The visit of Haile Selassie to Kingston in 1966 was like an electric current throughout Kingston’s music scene – many of who had become adherents to the Rastafari faith.  By the 1970s Rastafarianism become practically synonymous with reggae, as many roots reggae artists became known throughout the world, led by the success of Bob Marley and The Wailers.

    At the source of the music of Rastafari is the figurehead master drummer and leader Count Ossie, who first bought the deeply spiritual nyabinghi and burro rhythms heard and played at sacred Rastafarian grounation (reasoning) sessions into popular Jamaican music through his many collaborations and performances with artists – from The Skatalites to The Folks Brothers - and producers – including Clement Dodd, Prince Buster and Harry Mudie.

    At the start of the 1970s Count Ossie formed the Mystic Revelation of Rastafari with saxophonist Cedric Brooks, which immediately became the most significant group of the Rastafari faith, bringing together authentic rasta nyabinghi drumming together with spiritual and avant-garde jazz influences of Sun Ra, John Coltrane and Albert Ayler into a truly unique and groundbreaking sound.

    As ‘roots reggae’ artists in the 1970s continued to spread the word of Jah (God) in their music, Rastafari reggae became the ultimate rebel sound throughout the world.

    This album comes in three separate formats: Deluxe CD with slipcase and 40-page outsize booklet featuring stunning photography plus text, deluxe limited-edition heavyweight gatefold-vinyl edition + free download code (w/full sleeve notes etc) and as a worldwide digital release.

    REVIEWS/FEATURES:

    "This may be the most righteous compilation to come from the Soul Jazz stable to date, as they focus on links between the Rastafarian religion and reggae music." IRISH TIMES

    "Soul Jazz's most recent in a line of high-quality compilations" PITCHFORK

     "Ambitious but incredibly informative compendium from Soul Jazz Records" BLEEP

    "Outstanding compilation from the masters, Soul Jazz"  HOT SALVATION

    "Fascinating compilation of deep Rastafari themed music" DUB VENDOR 

    Read full Pitchfork feature here

    • Count Ossie & The Rasta Family – Africa We Want Fe Go
    • Johnny Clarke – None Shall Escape The Judgement
    • Laurel Aitken – Haile Selassie
    • Count Ossie & The Mystic Revelation of Rastafari – Tales of Mozambique
    • Ras Michael – Booma Yeah
    • Mutabaruka – Say
    • Bongo Herman & Jah Lloyd – African Drums
    • Ashanti Roy – Hail The Words Of Jah
    • Count Ossie & The Mystic Revelation of Rastafari – Sam's Intro
    • Bongo Herman, Les and Bunny – Salaam
    • Winston and Ansell – Zion I
    • Techniques All Stars – Zion I Version
    • Lord Lebby & The Jamaican Calypsonians – Ethiopia
    • Count Ossie and Leslie Butler – Soul Drums
    • The Heaven Singers – Rasta Dreadlocks
    • Rod Taylor – His imperial Majesty
    • QQ – Betta Must Come
    • Earth and Stone – Jah Will Cut You Down
    • Count Ossie & The Mystic Revelation of Rastafari – Narration
    • Ronald Downer & Count Ossie – A Ju Ju Wa
    • 1. Count Ossie & The Rasta Family – Africa We Want Fe Go
    • 2. Johnny Clarke – None Shall Escape The Judgement
    • 3. Laurel Aitken – Haile Selassie
    • View full info and tracklisting
    Coxsone's Music 2 : The Sound Of Young JamaicaSoul Jazz Records

    Over 40 tracks!

    This is the second collection to bring together many of the visionary producer Clement ‘Sir Coxsone’ Dodd’s early recordings made with Jamaica’s most exciting young artists and musicians who helped define the world of reggae music over the decades following Jamaican Independence.

    These recordings were made when Sir Coxsone ruled the dancehalls of Kingston in the late 1950s and early 1960s with his number one Downbeat Sound System, where songs were tested out on dub plates at a dance to see a crowd’s reaction - the most popular of which were then released commercially.

    Featuring early material by Roland Alphonso, Don Drummond, Tommy McCook (all of whom would form The Skatalites), Toots and The Maytals, young singers such as Bob Marley and The Wailers, Delroy Wilson, Owen Gray all captured in their formative days.

    The music here spans a wealth of styles – Jamaican rhythm and blues, jazz, gospel, proto-ska, Rastafarian – all of which were drawn upon to create the future sounds of Jamaican reggae that Sir Coxsone and the artists featured would soon create at Studio One which opened its doors in 1963.

    This collection is released on heavyweight triple-vinyl plus download code, double CD with slipcase and digital download. Sleevenotes and text is by the author Noel Hawks.

    • Roland and his Alley Cats – Jerk Pork
    • Neville Esson – Lovers Jive
    • Monty & The Cyclones – Lazy Lou
    • Owen Gray – Get Drunk
    • Monty & The Cyclones – Dog It
    • Clancy Eccles – More Proof
    • Tommy McCook & The Skatalites – Exodus
    • Clue J and his Blues Blasters – Swanee River Rock
    • Delroy Wilson – Spit In The Sky
    • Roland Alphonso – Federal Special
    • Owen Gray – Grandma Grandpa
    • Don Drummond – Cuban Blockade
    • Theophilus Beckford With Clue J & His City Slickers – Little Lady
    • Tommy McCook – Away From You
    • Clancy Eccles With Hersan & His City Slickers – I Live And I Love
    • Roland Alphonso and His Alley Cats – Hully Gully Rock
    • Delroy Wilson – Lion Of Judah
    • Tommy McCook – Two For One
    • Toots & The Maytals – Sweet Sweet Jenny
    • Roland Alphonso – Grand National
    • Owen Gray With Hersan & His City Slickers – Sinners Weep and Mourn
    • Tommy McCook – Peanut Vendor
    • Toots & The Maytals – Shining Light
    • Lascelles Perkins with Clue J & His Blues Blasters  – Lonely Moments
    • Toots & The Maytals – Six and Seven Books Of Moses
    • Cecil Lloyd – It Happens
    • Bonny & Scully – Don't Do It
    • Don Drummond – Scrap Iron
    • Lascelles Perkins with Clue J & His Blues Blasters  – Creation
    • Tommy McCook – Don't Slam The Door
    • Winston & Bibbie and The Rhythm Aces – Joybells Of Independence
    • Roland Alphonso – Jack Ruby
    • Toots & The Maytals – Hallelujah
    • Bob Marley & The Wailers – Habits
    • Frank Anderson & Tommy McCook – Wheel and Turn
    • Busty & Cool – Kingston To Mo'Bay
    • Don Drummond – Mr Propman
    • Higgs & Wilson – Mighty Man
    • Tommy McCook and Roland Alphonso – Trotting In
    • Bunny & Skitter with Count Ossie and His Wareikas – Cool Breeze
    • The Mellow Larks – Light Of My Life
    Studio One ShowcaseSoul Jazz Records

    Studio One Showcase brings together a new fine selection of classic tracks from Horace Andy, Freddy McGregor, Johnny Osbourne, Lone Ranger, Sugar Minott, The Heptones, Wailing Souls and other seminal reggae artists all recorded at Studio One in the 1970s.

    By the start of the 1970s, Clement Dodd’s Studio One record label was at a crossroads. The previous two decades had given the producer and record label more success than most aspired to in a lifetime. From the mid-1950s on, the Downbeat Soundsystem had conquered all opponents – from Duke Reid to Prince Buster – and shaped and led the musical landscape of the dancehall. In the 1960s, the establishment of Studio One Records at 13 Brentford Road in Kingston, Jamaica, had led to a Ford Motors-esque production line of hits that similarly defined reggae music.

    But the 1970s was to prove Clement ‘Sir Coxsone’ Dodd’s most challenging and yet ultimately the most creative decade of all. Like the most zealous and resourceful of pioneers, Studio One was about to embark on a stunning era of reinvention, adaptation, stripping down and versioning, each step of which marked new musical developments in reggae music – roots reggae, deejay, dancehall, rub a dub and more.

    This album presents an overview of this exciting and ground-breaking decade of the 1970s at Studio One, during an era where, despite challenges from new producers, political turmoil, and almost constant musical and technological innovations in reggae, Clement ‘Sir Coxsone’ Dodd was able to maintain his position as the pioneering leader in reggae music, and to maintain Studio One is the number one sound in reggae music. Always.

    • Horace Andy – See A Man's Face
    • Cedric Im Brooks and Count Ossie – Right On Rasta
    • Prince Jazzbo – Jah Dread
    • Myrna Hague – What About Me
    • Michigan & Smiley – Time To Be Happy
    • The Wailing Souls – Stick Together
    • Sugar Minott – Have No Fear
    • Judah Eskender Tafari – Just Another Day
    • Dillinger – Chuky Skank
    • Freddie McGregor – Bredda Labba Labba
    • Frankie Wilmoth – Stay With Me
    • Johnny Osbourne – People A Watch Me
    • The Gladiators – Tribulation
    • The Heptones – Hard To Confess
    • Lone Ranger – Fish Tea
    • Jennifer Lara – Ain't No Love
    • The Willows – Send Another Moses
    • The Gaylads & The Brentford Set – Joy In The Morning