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    New Orleans FunkSoul Jazz Records

    Album features Ernie K Doe’s ‘Here Come The Girls’, The Meters, Eddie Bo, Professor Longhair, Lee Dorsey, Wild Magnolias and more.


    This is the definitive collection of New Orleans Funk featuring acknowledged masters next to some of the earlier artists who shaped the meaning of funk. The album is also filled with many rare, sought after and undiscovered funk tracks. It covers the period from the emergence of New Orleans Funk in the early 1960's through to the mid-seventies.


    The record is an essential part of anyone in any way interested in Funk's record collection. It has some vital ingredients in it that you can't find elsewhere. With the sound of the New Orleans Funeral March Bands, Mardi Gras Indian Tribes and Saturday Night Fish Fries all as inspiration New Orleans Funk developed into a unique sound. 


    New Orleans is a port town. Originally owned by the French, this was where many slaves were brought from the West Indies. Many of these slaves came from Haiti and brought with them the religion of Voodoo and its drums and music. It became one of the first parts of America to develop a strong African-American culture leading to the invention of Jazz in the early 1900s. 


    A main feature of Jazz in New Orleans were the Jazz Funeral Marching bands. Solemn Brass bands accompanying a coffin would, on burial, be joined by a second line of drummers and dancers which would turn the event into a celebration of the spirit cutting free from earth. This African tradition is strong in New Orleans and still goes on to this day. The backline drums play a syncopated style that is neither on the beat nor the off-beat. It is these rhythms that are the basis of New Orleans Funk. 


    The album comes with a booklet presenting a historical explanation to how and why this music came about, and with lots of information about the people involved.


    Reviews:
    "A Perfect Primer For Funk Fans" Q (Top 5 albums of the year)
    "Probably the finest compilation that Soul Jazz has released. Essential" Time Out

    • The Explosions – Hip Drop
    • Lee Dorsey – Who's Gonna Help Brother Get Further
    • Gentleman June Gardner – It's Gonna Rain
    • Eddie Bo – Check Your Bucket
    • Professor Longhair – Big Chief
    • Huey "Piano" Smith & His Clowns – Free, Single And Disengaged
    • Chuck Carbo – Can I Be Your Squeeze
    • Aaron Neville – Hercules
    • Mary Jane Hooper – I've Got Reasons
    • The Gaturs – Gator Bait
    • Allen Toussaint – Get Out Of My Life Woman
    • Cyril Neville – Tell Me What's On Your Mind
    • Bo Dollis & The Wild Magnolia Mardi Gras Indian Band – Handa Wanda
    • Lee Dorsey & Betty Harris – Love Lots Of Lovin
    • The Explosions – Garden Of Four Trees
    • Ernie & The Top Notes – Dap Walk
    • The Meters – Just Kissed My Baby
    • Marilyn Barbarin – Reborn
    • Dr. John – Mama Roux
    • Danny White – Natural Soul Brother
    • Eddie Bo – Hook 'N' Sling, Pt. 2
    • Ernie K. Doe – Here Come The Girls
    • Robert Parker – Hip-Huggin
    • The Meters – Handclapping Song
    • 2. The Explosions – Hip Drop
    • 3. Lee Dorsey – Who's Gonna Help Brother Get Further
    • 4. Gentleman June Gardner – It's Gonna Rain
    • View full info and tracklisting
    Deutsche Elektronische MusikSoul Jazz Records

    AVAILABLE AGAIN! Soul Jazz Records new 2018 edition of their long out of print classic first “Deutsche Elektronische Musik – Experimental German Rock and Electronic Music 1972-83” is ‘a near-definitive guide to some of the world’s most extraordinary music’ (The Guardian).


    Featuring a stunning line-up of groups including Cluster, Can, Faust, Popol Vuh, Neu!, Amon Düül, Harmonia, La Düsseldorf and Tangerine Dream as well as a host of lesser known groups such as Kollectiv, Ibliss, Between and many more. This new edition is fully re-mastered and features all the original artwork and tracks.


    The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream society, the war in Vietnam, imperialism and bourgeois values. The birth of a counter-culture, drug experimentation and social change expanded musical worlds. Germany experienced its own cultural revolution fuelled by these worldwide student and worker revolts and by a generation’s desire to rid itself of the guilt of war.


    German rock and experimental electronic music grew out of this worldwide counter-cultural revolution of 1968. The objectives were to create new music, ‘free’ from the past, many German youth turning their back on mainstream society. From the opening of the first collective/cooperative, Kommune 1, in Berlin, to the formation of the Baader-Meinhof terrorist group and the bombings, kidnappings and killings of the Revolutionary Armed Forces (RAF), young Germans sought out new values and a lifestyle outside of ‘the system’.


    These cooperative and communal experiences led to a number of new collective German bands forming such as Amon Düül, Faust, Can (all featured here) and others and these ideals drove this new movement. A music that gave seed out of the cultural ‘nothingness’ that young Germans felt as a consequence of Germany’s role in the Second World War. A generation who grew up stifled by the recent history of Nazi atrocities, the guilt of their parents’ generation and their disillusionment at the reintegration of old Nazis into mainstream society.



    Influenced equally by the electronic experimentalism of Stockhausen, the progressive rock of Pink Floyd and the black American jazz and soul music played at the occupying armed forces bases, young German artists seamlessly created out of this a new unique music with its own unique identity.


    Double CD pack with large 36-page outsize booklet encased in slipcase. The vinyl edition is made up of TWO separate volume heavyweight loud gatefold double albums (now + free download codes) featuring all sleevenotes and text.

    Double Vinyl Record A is tracks 1-13 (+ Download Code)

    Double Vinyl Record B is tracks 14 - 24 (+ Download Code)

    Digital download does not include track 3 and 23 which are physical only

    REVIEWS:

    ***** GUARDIAN REVIEW (John Savage)

    ***** GUARDIAN REVIEW (Dave Simpson)

    2x LP Record A/CD1:

    1. Can – A Spectacle
    2. Between – Devotion
    3. Harmonia – Dino
    4. Gila – This Morning
    5. Kollektiv – Rambo Zambo
    6. Michael Bundt – La Chasse Aux Microbes
    7. E.M.A.K. – Filmmuzik
    8. Popol Vuh – Morgengruss
    9. Conrad Schnitzler – Auf Dem Schwarzen Kanal
    10. La Düsseldorf – Rheinita
    11. Harmonia – Veterano
    12. Faust – It's A Rainy Day, Sunshine Girl
    13. Neu! – Hallo Gallo

    2x LP Record B/CD2:

    1. Cluster – Heisse Lippen
    2. Ibliss – High Life
    3. Moebius – Hasenheide
    4. Amon Düül II – Fly United
    5. Popol Vuh – Aguirre 1
    6. Ash Ra Tempel – Daydream
    7. Tangerine Dream – No Man's Land
    8. Amon Düül II – Wie Der Wind Am Ende Einer Strasse
    9. Roedelius – Geradewohl
    10. Can – I Want More
    11. Deuter – Soham

    • Can – Aspectacle
    • Between – Devotion
    • Harmonia – Dino
    • Gila – This Morning
    • Kollectiv – Rambo Zambo
    • Michael Bundt – La Chasse Aux Microbes
    • E.M.A.K – Filmmusik
    • Popol Vuh – Morgengruss
    • Conrad Schnitzler – Auf Dem Schwarzen Kanal
    • La Düsseldorf – Rheinita
    • Harmonia – Veterano
    • Faust – It's A Rainy Day, Sunshine Girl
    • Neu! – Hallo Gallo
    • Cluster – Heisse Lippen
    • Ibliss – Hi Life
    • Dieter Moebius – Hasenheide
    • Amon Duul II – Fly United
    • Popol Vuh – Aguirre 1
    • Ash Ra Tempel – Daydream
    • Tangerine Dream – No Man's Land
    • Amon Duul II – Wie Der Wind Am Ende Einer Strasse
    • Roedelius – Geradewohl
    • Can – I Want More
    • Deuter – Soham
    Can You Dig It ?The Music and Politics of Black Action Films 1968 - 75Soul Jazz Records

    ''Can You Dig It?' is as definitive as it gets, and treats its subject seriously, lovingly and with an attention to detail that makes it a necessary purchase. An exemplary collection that is near perfect.' WIRE MAGAZINE

    ‘Can You Dig It?’ charts the rise of ‘Black Action Films’ from 1970-75. It comes as a double-CD collection of the stunning music from these films. The vinyl is on two monster loud separate double albums.
    The Black Action Films
    of the early 1970s gave the Hollywood industry its first African-American cinema – actors, directors, cameramen, editors and writers. These films discussed aspects of the African-American experience in the form of entertainment. Storylines interwove post-civil rights revolution with action stories, many involving pimps, prostitutes, drug dealers or private detectives.

    The films also featured the finest funk and soul black music of the time as stars such as James Brown, Curtis Mayfield, Willie Hutch and Roy Ayers produced some of their finest work, with film budgets allowing for the addition of huge orchestral arrangements by jazz legends such as Quincy Jones, Johnny Pate and JJ Johnson. In the early 1970s, Black Action Films exploded into the cinema with three extremely successful films – ‘Shaft’, ‘Super Fly’ and ‘Sweet Sweetback’s Badasssss Song’. The most profound statement of these films was their actual existence – black actors and black directors entering the previously closed Hollywood film industry. Black Action Films were a representation of politically everything that had gone before and stylistically of everything that was current. Civil rights, Malcolm X, Martin Luther King, Black Power, Black Panthers, Vietnam sit alongside the criminal worlds of policemen, private investigators, bail bondsmen and the criminals, drug dealers, pimps and hustlers that they parole. ‘Can U Dig It?’ brings you everything you always wanted to know about black action films. This is an essential Soul Jazz Records release!


    VOLUME ONE OF VINYL is TRACKS 1-16
    VOLUME TWO OF VINYL is TRACKS 17-34


    FEATURE REVIEW

    The INDEPENDENT

    • Roy Ayers – Coffy Is The Color
    • Gene Page – Blacula
    • Johnny Pate – Shaft In Africa
    • Willie Hutch – Brother's Gonna Work It Out
    • Don Costa – Charley - Main Theme
    • Marvin Gaye – 'T' Plays It Cool
    • Bobby Womack – Across 110th Street
    • J.J. Johnson – Willie Chase
    • James Brown – Down And Out In New York City
    • Quincy Jones – They Call Me MISTER Tibbs
    • Martha Reeves and J.J. Johnson – Keep On Movin' On
    • Dennis Coffey – Theme From Black Belt Jones
    • Curtis Mayfield – Freddie's Dead
    • The Blackbyrds – Wilford's Gone
    • Willie Hutch – Theme Of Foxy Brown
    • Isaac Hayes – Run Fay Run
    • Isaac Hayes – Shaft
    • Curtis Mayfield – Pusherman
    • Joe Simon – Theme From Cleopatra Jones
    • Johnny Pate – You Can't Even Walk In The Park
    • Brer Soul and Earth, Wind and Fire – Sweetback's Theme
    • James Brown – Make It Good To Yourself
    • Isaac Hayes – Pursuit Of The Pimpmobile
    • Grant Green – Travelling To Get To Doc
    • Booker T and the MG's – Time Is Tight
    • Roy Ayers – Aragon
    • Edwin Starr – Easin' In
    • Gordon Staples and The String Thing – Strung Out
    • Nat Dove and The Devils – Zombie March
    • The Impressions – Make A Resolution
    • Solomon Burke and Gene Page – The Bus
    • Jack Ashford – Las Vegas Strut
    • Don Julian – Lay It On Your Head
    • Galt MacDermot – Ed and Digger
    • 2×CD£12.00
      Out of stock
    • 2×LP Vol.1£18.99
      Out of stock
    • 2×LP Vol.2£18.99
      Out of stock
    • MP3 Release£9.99
      Out of stock
    New Orleans Funk 2: The Original Sound of FunkSoul Jazz Records

    This is Soul Jazz Records’ new journey into the heart of New Orleans and a guide to the city’s finest Funk music produced in the late 1960s and early 1970s.’ Featuring everyone from The Meters to Eddie Bo, Lee Dorsey to Betty Harris, this is a who’s who of the Crescent City’s most famous and most funky! 


    The city of New Orleans has deep musical roots that stretch back to Africa. New Orleans first gave birth to Jazz music, a Black musical form centred on rhythm, improvisation, freedom and collectivity at the turn of the century. Similarly in the late 1960s New Orleans Funk came to define a unique sound, mixing Caribbean rhythms, New Orleans second-line syncopation and rhythm and blues, all played by the Big Easy’s finest musicians. 


    Whilst Jazz and Funk music spread throughout the world, many African-American musical traditions remained within the city limits such as Mardi Gras and Carnival, Saturday Night Fish Fries, Funeral Marching bands and much more which partly explains why New Orleans music is so unique. 


    The album comes with extensive sleeve-notes, exclusive photography and more, and is an essential guide to the musical landscape of New Orleans and - together with Soul Jazz Records’ earlier New Orleans’ releases - presents the definitive story of New Orleans Funk.
    Although on the mainland coast, New Orleans is also surrounded by lakes giving the city an island feel. Similarly its proximity to Puerto Rico, Cuba, Haiti and the other West Indian Isles means that Latin and Caribbean musical influences are in its veins as much as American musical traditions. The upside of this city’s isolation is that New Orleans musical traditions flourished away from those of the rest of America. A thriving city full of artists, musicians, singers, producers, record companies, studios (well one studio actually) led to a 24-hour, 7-day a week musical life, playing in clubs, bars, brothels, carnivals and parades. 


    The downside of the cities isolation from the rest of the US was that the city never developed a solid music industry to back up the creative over-supply. Whilst New York had Atlantic, Detroit had Motown, Memphis had Stax, Chicago had Chess, Los Angeles had Modern, New Orleans had a multitude of small businesses fighting for space - and often each other. Without the marketing, promotional weight, business nouse and financial clout, New Orleans labels found it hard to get the nationwide distribution necessary to fill the million-odd jukeboxes throughout the country. So whilst every family in America knows the music of Gladys Knight or Smokey Robinson few could tell you about – let alone hum a tune from - Benny Spellman, Inell Young, Warren Lee….This is far from being a reflection of the artists creativity or musicality - as anyone can tell you New Orleans melodies are the catchiest of all - more it is a reflection of the limitations of the local music industry. Some New Orleans artists became successful throughout the US such as Fats Domino in the 1950s and in the late 1960s The Meters and Lee Dorsey, but many artists remained within the city limits. 
    This makes for a fascinating goldmine of music released by a complex myriad of small labels run mainly by New Orleans producers, promoters and artists themselves. New Orleans Funk 2 brings together many of these artists along with text, sleeve-notes and photographs that gives social and historical context to the incredibly funky music of New Orleans.

    • Cyril Neville – Gossip
    • Eddie Bo – If It's Good To You (It's Good For You)
    • Ray J – Right Place Wrong Time
    • The Meters – Chicken Strut
    • Allen Toussaint – Tequila
    • The Prime Mates – Hot Tamales
    • Betty Harris – Show It
    • Lee Dorsey – Four Corners
    • Bonnie and Sheila – You Keep Me Hanging On
    • The Gaturs – Yeah You're Right, You Know You're Right
    • Danny White – The Twitch
    • Inell Young – What Do You See In Her
    • Earl King – Street Parade
    • Eddie Bo & The Soul Finders – The Rubber Band
    • Benny Spellman – Fortune Teller
    • Warren Lee – Mama Said We Can't Get Married
    • Betty Harris – 12 Red Roses
    • Joe Chopper & The Swinging 7 Soul Band – Soul Pusher
    • Eddie Bo – Hey Bo
    • Johnny Moore – Haven't I Been Good To You
    • Jimmy Hicks – I'm Mr Big Stuff
    • Warren Lee – Funky Belly
    • G. Davis and R. Tyler – Hold On Help Is On The Way
    • Art Neville – Bo Diddley
    • Porgy Jones – Dap
    • 3×LP£24.00
      Out of stock
    • CD£12.00
      Out of stock
    • MP3 Release£7.99
      In stockAdd to Bag
    Delta Swamp RockSoul Jazz Records

    Monster double CD pack with a whopping 68-page book accompaniment / Two volumes of seriously heavyweight vinyl gatefold and 8page insert.

    Featuring The Allman Brothers, Dan Penn, Leon Russell, Tony Joe White, Johnny Cash, Bobbie Gentry, Big Star, Link Wray, Area Code 615 and loads more!

    Delta Swamp Rock is an interstate southern road-trip through the United States of America where country, rock and soul met at the crossroads - an exploration of the musical and cultural links between the cities of Memphis, Muscle Shoals and Nashville in the 1960s and 70s.

    At the start of the 1970s, a new type of music emerged out of the southern states of Alabama, Tennessee, Georgia, Mississippi and Florida. Southern rock, the creation of young blue-collar white Americans, blended rock, soul, country and blues music together to present a new vision of the south – a post-civil rights southern identity complete with a celebration of the regions natural landscape and its way of life.

    The Allman Brothers and Lynyrd Skynyrd epitomised the definitive southern rock groups – a mixture of blues-rock and country with a southern rebelliousness and attitude. Unfortunately both The Allman Brothers and Lynyrd Skynyrd were to be struck by tragedy, which would affect the movement’s rise and fall.

    The backstory to southern rock is the fact that a number of the people involved in its creation had been central to the production of southern soul music in the 1960s mainly in Memphis, Tennessee, and the small town of Muscle Shoals (population around 10,000) deep within the bible-belt, liquor-free, deeply segregated state of Alabama, creating 100s of R&B hits on an almost daily basis.

    Here in Muscle Shoals, with its proximity to Memphis and Nashville, an all-white group of in-house musicians, (famously referred to by Lynyrd Skynyrd in the song ‘Sweet Home Alabama’ as the ‘Swampers’), created countless classic soul records for the likes of Aretha Franklin, Wilson Pickett, Etta James, Clarence Carter and more during the 1960s. 

    This album charts the rise and fall of southern rock from its funky swamp roots in southern soul to its phenomenal success in the first-half of the 1970s, including its influence on Nashville’s ‘outlaw’ country and tracing it right back to the arrival of rock and roll in the 1950s - the first meeting of black and white American music at the crossroads.

    CD One/Volume one vinyl is tracks 1-13.

    CD Two/Volume two vinyl is 14-25

    REVIEWS:

    "An impeccable collection of Southern Rock" THE GUARDIAN (*****)

    "Soul Jazz Records compilations are always worthwhile because of the care and detail they put into these nuggets of musical archaeology. There is not a bad track on Delta Swamp Rock. Southern rock continued the tradition of racial integration through music, that began in Memphis with rock and roll, combining soul, gospel, country and rock to come up with something that was, frequently, groovy in the extreme."  THE TIMES

    "An ambitious document of the tension between conservative musical aesthetics and breakout rock ’n’ roll styles that characterised the early 1970s inheritance of blues, soul and Country in the post- psychedelic South." THE WIRE

    • Lynyrd Skynyrd – The seasons
    • Barefoot Jerry – Smokies
    • Joe South – Hush
    • Bobbie Gentry – Papa Won't You Let Me Go To Town
    • Area code 615 – Stone Fox chase
    • Duane And Greg Allman – God Rest His Soul
    • Cher – I Walk On Guilded Splinters
    • Cowboy – Please Be With Me
    • The Allman Brothers – Ain't Wasting No Time
    • Link Wray – Be What You Want to
    • Boz Scaggs – I'll Be Long Gone
    • Lynyrd Skynyrd – Comin' Home
    • Bobbie Gentry – Seasons Come, Seasons Go
    • Leon Russell – Out In The Woods
    • Tony Joe White – Polk Salad Annie
    • Barefoot Jerry – Come To Me Tonight
    • Duane And Greg Allman – Morning Dew
    • Dan Penn – If Love Was Money
    • Linda Ronstadt – I Won't Be Hangin' Round
    • Waylon Jennings – Big D
    • Big Star – Thirteen
    • Bobbie Gentry – Mississippi Delta
    • Travis Wammack – I Forgot To Remember To Forget
    • Johnny Cash – If I Were A Carpenter
    • Billy Vera – I'm Leaving Here Tomorrow, Mama
    • 2×LP Vol.2£23.00
      Out of stock
    • 2×LP Vol.1£23.00
      Out of stock
    • Deluxe 2×CD£12.99
      Out of stock
    Inell YoungWhat Do You See In HerSoul Jazz Records

    NEW LTD. 300 copies (3rd Press, green label)

    Only available EXCLUSIVELY to customers at Soul Jazz Records/Sounds of the Universe.

    Yes it's true! New Orleans bomb *3!!!

    With original pressings going at over £500 (and our own original 'yellow label' pressing going at £75!) we though we'd give you a chance if you didn't get it the first time around to grab one of the hippest soul/funk tunes ever made!

    THIS 7-inch can ONLY be bought directly here from Soul Jazz Records or Sounds of the Universe websites and shop. 

    • Inell Young – What Do You See In Her
    • Inell Young – I Remember The Summer
    • 7"£9.99
      Out of stock
    Trees SpeakOhmsSoul Jazz Records

    Super-limited new 1000 copies special white vinyl edition!

    -------------------------------------------------------------------------------------------------------------

    When the band Trees Speak, coming out of nowhere, released an exclusive one-off 100-pressing white label 45, described as CAN/NEU! meets LIQUID LIQUID, it sold out so quickly (in less than 30 mins - one for sale on Discogs now at £400!) that Soul Jazz Records decided to release their album almost immediately.

    Here it is! And it's awesome!

    Soul Jazz Records rarely release new music but found the music of TREES SPEAK’s album ‘OHMS’ so stunning and to have so many elements of music that they admired that they felt compelled to release it.

    The group Trees Speak are from Tucson, Arizona and create new music that sounds like GERMAN KRAUTROCK meets NO WAVE/POST-PUNK and PSYCH ROCK – music for fans of CLUSTER, TANGERINE DREAM, CAN, NEU!, SILVER APPLES and early KRAFTWERK.

    The album ‘OHMS’ sounds at times like a tripped out & moody JOHN CARPENTER/GOBLIN/MORRICONE soundtrack that seamlessly segues into propulsive, ‘motorik’ Krautrock instrumentals loaded with fuzzy, hypnotic mellotron, synths and analogue effects, as well as elements of ART ENSEMBLE free jazz, and all at times reaching a kind of post-rave psychedelia. More recent comparisons would include BEAK and GHOST BOX who draw upon similar themes and styles.

    Trees Speak are Daniel Martin Diaz and Damian Diaz plus musicians from the Tucson, Arizona scene such as Giant Sand, XIXA and James Hunter. ‘Trees Speak’ relates to the idea of future technologies storing information and data in Trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

    Trees Speak - Ohms :

    Album of the Month - Splintered Eye/50 Best albums 2020 - Pop Matters/Favourite albums 2020 -The Soap Company/Albums of the Year 2020 -Bear Tree Records/Independent Albums of the Year -Love Records/Albums of the Year -Concrete Islands

    • Trees Speak – Soul Sequencer
    • Trees Speak – Nitrous Cross
    • Trees Speak – Shadow Circuit
    • Trees Speak – Blame Shifter
    • Trees Speak – Spirit Duplicator
    • Trees Speak – Nobody Knows
    • Trees Speak – Sadness In Wires
    • Trees Speak – State Of Clear
    • Trees Speak – Sleep Crime
    • Trees Speak – Knowing
    • Trees Speak – Splendid Sun
    • Trees Speak – Ohms
    • Trees Speak – Out Of View
    • Trees Speak – Psychic Wounds
    • Trees Speak – Silicone Emotions
    • Trees Speak – Octave Cycle
    • Trees Speak – Witch Wound
    Invasion Of The Mysteron Killer Sounds in 3-DSoul Jazz Records

    Kevin Martin (aka The Bug) and Stuart Baker (Soul Jazz Records) have collaborated on a unique project bringing together new, exclusive and in-demand cutting-edge digital music by electronic futurists such Harmonic 313, Diplo, Roots Manuva, South Rakkas Crew and The Bug alongside music from the pioneering electronic scientific dub and radical producers of the Jamaican digital dancehall revolution in music - King Jammy, Steely and Clevie, Sly Dunbar, Prince Jazzbo, King Tubby, Dave Kelly, Firehouse Crew and many more.


    Like the music of The Bug himself (whose seminal ‘London Zoo’ album is an apocalyptic mixture of dancehall, dubstep and grime), the new digital producers featured here all create work that is contemporary (whether dubstep, acid, hip-hop, electronic) and yet linked in some way back to Jamaican dancehall - especially the new digital styles that exploded out of Kingston in the 1980s with King Jammy’s revolutionary computer-based sounds.


    Producer King Jammy learnt his trade under the greatest of all dub producers King Tubby, and this music constantly references back to the origins of dub - but whereas Tubby’s revolution used echo-chambers and analogue tape-splicing, the Jamaican producers featured here were the first to use and embrace computer technology.


    The double album comes in limited edition heavyweight deluxe hardcover 2-CD card-casing complete with a limited-edition graphic novel by Italian comic book designer Paolo Parisi (whose books include subjects as diverse as John Coltrane and Chernobyl). This specially commissioned graphic novel is a science-fiction vision of the future of digital music, featuring King Tubby, Steely and Clevie, Jammy, Jazzbo, complete with Alien Sound Lord Abductors, Aural Freedom Fighters and Digi-Dub Voyagers!


    There are also two super-heavy, super-loud, deluxe gatefold double-vinyl editions (with the first copies also including a limited edition graphic-novel in volume 1 and a free poster in volume 2).
    Invasion of the Killer Mysteron Sounds brings together the most exciting electronic producers in Jamaica with current sound artists in the UK and beyond who all create music based on revolutionary sounds in 3D – Dancehall, Digital and Dub.


     PITCHFORK REVIEW HERE

    • Steely & Clevie – Street Sweeper
    • Lenky & Sly – Now Thing
    • Roots Manuva – Doogoo Dub
    • Dave Kelly – The Return
    • Harvel 'Gadaffi' Hart – Summer Bounce
    • Federation Sound – Flatlands (Brooklyn Dub Mix)
    • Steven 'Lenky' Marsden – Diwali
    • Matt Shadetek – Yoga Rhythm
    • Stereotyp ft. Alleycat – Modern Times
    • Da Grynch and Tippa Irie – Agony
    • Fresh Ear Productions – Hummer
    • Diplo – Diplo Rhythm
    • Harmonic 313 – Bazooka Riddim
    • Marlon Williams – Pitbull
    • Redlight – MDMA
    • The Bug – Aktion
    • Fat Eyes – Clothes Pin
    • Steven Ventura – Throw Your Hands Up
    • Sly Dunbar and Christopher Birch – Corners Boy
    • David Jahson – King of Kings
    • Fat Eyes – Steel Plate
    • South Rakkas Crew – Red Alert
    • Parara and McCoy – Them Can't Hold Yuh Girl
    • King Tubby – Fat Thing Version
    • World Beat – Goldmine
    • Andre 'Suku' Gray – Sign
    • Henfield and Shadowman – Babatunde
    • Firehouse Crew – No False Hair
    • Computer Paul – World Talk
    • Fat Eyes – Overdose
    • Prince Jazzbo – Great Dub
    • Kickin' Productions – What You Gonna Do
    • Pliers – I'm Your Man Dub
    • Wiz Kidz Team – In My Heart Version
    • Jammys Jam2 James – Peenie Peenie
    • Deluxe 2×CD£12.00
      In stockAdd to Bag
    • 2×LP Vol.1£18.99
      Out of stock
    • 2×LP Vol.2£18.99
      Out of stock
    • MP3 Release£8.99
      In stockAdd to Bag
    Brief EncounterHuman/Total SatisfactionSounds Of The Universe

    Only available EXCLUSIVELY to customers at Soul Jazz Records/Sounds of the Universe.

    Stone-cold CLASSIC two-step funky soul bomb!

    Soul Jazz Records/Sounds of the Universe launches its SOUL 7-inch series in fine style with this FANTASTIC SUPER-RARE £150+ double sider.

    THIS 7-inch can ONLY be bought directly here from Soul Jazz Records or Sounds of the Universe websites and shop.

    • – Human
    • – Total Satisfaction
    • 7"£9.99
      Out of stock
    Arthur RussellThe World Of Arthur RussellSoul Jazz Records

    New fully remastered re-release of Soul Jazz Records’ ‘The World of Arthur Russell’, the seminal collection of Arthur Russell’s essential music back in print on awesome limited-edition heavy deluxe triple vinyl and deluxe CD edition.

    ------------------------------------------------------------------------------------------------------

    This album brings together some of Russell’s best-loved and most accessible works including his wide-ranging music both solo and in groups including Dinosaur L (the essential ‘Go Bang’), Loose Joints (the equally classic ‘Is It All Over My Face’) as well as rarities such as the 7” only ‘Pop Your Funk’, Indian Ocean’s ‘Schoolbell/Treehouse’, Lola’s ‘Wax The Van’ and more.

    -------------------------------------------------------------------------------------------------

    “Arthur Russell fused the avant-garde with disco and sounds like nothing else on earth.” The GUARDIAN

    “Russell is the great enigma of the New York music scene” THE WIRE

    “Simply one of the best compilations of this or any year.” RECORD COLLECTOR

    -----------------------------------------------------------------------------------------------------


    Arthur Russell’s music effortlessly crossed musical boundaries making it timeless. His dance music credentials are faultless and this collection features mixes from Larry Levan, Françcois Kervorkian and Walter Gibbons. Similarly, his song-writing, musicality and performance skills are equally cherished as composer Philip Glass wrote, ‘this was a guy who could sit down with a cello and sing with it in a way that no one on earth has ever done before or will do again.’

    When Soul Jazz Records’ The World of Arthur Russell first came out in 2003, Russell’s music had slipped into near obscurity. Nearly 18 years later there are over a dozen releases of his music, reissues of his original albums and more. ‘The World of Arthur Russell’ is the classic first collection of his work available once more.

    • Dinosuar L – Go Bang (Francois K Mix)
    • Lola – Wax The Van
    • Loose Joints – Is It All Over My Face (Larry Levan Mix)
    • Arthur Russell – Keeping Up
    • Arthur Russell – In The Light Of The Miracle
    • Arthur Russell – A Little Lost
    • Loose Joints – Pop Your Funk
    • Arthur Russell – Lets Go Swimming (Walter Gibbons Mix)
    • Dinosuar L – In The Cornbelt (Larry Levan Mix)
    • Arthur Russell – Treehouse
    • Indian Ocean – Schoolbell/Treehouse (Walter Gibbons Mix)
    Trees SpeakShadow FormsSoul Jazz Records

    Super-limited new 1000 copies special ox-blood red vinyl edition!

    -------------------------------------------------------------------------------------------------------------

    It's a big one ... Absolutely stunning second album from Trees Speak new on Soul Jazz Records.

    Trees Speak’s new album ‘Shadow Forms’ is a blend of 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New Nork no wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!

    Trees Speak’ segue together all these elements into ‘Shadow Forms,’ which follows on from their critically-acclaimed debut LP ‘Ohms,’ released on Soul Jazz Records less than six months ago.

    Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

    Trees Speak - Shadow Forms:

    Records of the week-Drift/Album of the week-Resident/Album of the week-Norman/Records of the Year-South/Albums of the Year-Concrete Island/Albums of the month-Reveal/Albums of the Year-Piccadilly/Albums of the Year-Buzzsaw

    • Trees Speak – Large Array
    • Trees Speak – Tear Kisser
    • Trees Speak – Those Who Know
    • Trees Speak – Transforming
    • Trees Speak – Automat
    • Trees Speak – False Ego
    • Trees Speak – Communication
    • Trees Speak – Crystal System
    • Trees Speak – Agonize Signal
    • Trees Speak – Magick Knives
    • Trees Speak – Shadow Forms
    • Trees Speak – Outtake 3
    • Trees Speak – Transmitter
    DiscoSoul Jazz Records

    Fantastic new album of disco, modern soul and boogie from 1978-82 on Soul Jazz Records.


    This album is released to coincide with the massive new 360-page deluxe hardback book Disco – An Encyclopedic Guide To The Cover Art of Disco featuring over 2,000 album cover designs as well as over 700 12” sleeves, including sections on roller disco, disco instruction albums and more. There are also interviews and introductions by Tom Moulton, Nicky Siano, Mel Cheren (West End Records), Ken Cayre (Salsoul), Marvin Schlachter (Prelude) and more. This book is compiled by Disco Patrick and Patrick Vogt, text by Claes Widlund.


    This album here is an amazing collection of rare and independent tracks from Disco’s halcyon period – 1978 to 1982 – expertly compiled by Disco Patrick, who also compiled the new deluxe book. Blurring the musical lines between disco, modern soul and boogie this double album features many exclusive and hard to find records from the era.


    Included here are in-demand classics such as The Fantastic Aleems featuring Leroy Burgess, John Gibbs and the US Steel Orchestra, rare Patrick Adams and Peter Brown productions, Jessie G, The Easton Assassin (a 12” given out free at boxing matches!) and much more!
    The album comes as a double CD, two separate volumes of heavyweight double-album vinyl (with free download codes) and worldwide digital release.

    • The Fantastic Aleems featuring Calebur – Hooked On Your Love (John Morales Mix)
    • Superfunk – Superfunk
    • Jessie G – That's Hot
    • Jupiter Beyond – The River Drive
    • The Sunburst Band – The Easton Assassin
    • John Gibbs and the US Steel Orchestra – Trinidad (Special Disco Mix)
    • Sparkle – Disco Madness
    • Chain Reaction – Sweet Lady
    • Wayne Ford – Dance To The Beat Freakout
    • Sympho-State – You Know What I Like
    • The Fantastic Aleems featuring Corky Hodges – Movin' To The Beat
    • Something Extra – Sexy Lady
    • Stwange Poweple – Get Up
    • Chemistry – Skateboard
    • Cirt Gill and The Jam-A-Ditty Band – Turn This Disco Out
    • Sugar Bear Johnson – When Your Jones Come Down
    • Retta Young – My Man Is On His Way
    • The Imperials – Fast Freddie The Roller Disco King
    • Cordial – Wave
    • 1. The Fantastic Aleems featuring Calebur – Hooked On Your Love (John Morales Mix)
    • 2. Superfunk – Superfunk
    • 3. Jessie G – That's Hot
    • View full info and tracklisting
    • 2×LP Record A£23.00
      Out of stock
    • 2×LP Record B£23.00
      Out of stock
    • Deluxe 2×CD£12.00
      Out of stock
    • MP3 Release£8.99
      Out of stock
    TropicaliaA Brazilian Revolution in SoundSoul Jazz Records

    Tropicalia: A Brazilian Revolution in Sound. Tropicalia is one of the most significant cultural movements in Brazil encompassing music, film, visual art and theatre.

    ‘Tropicalia' is the first album to bring together all the key artists involved in the movement – Os Mutantes, Gilberto Gil, Caetano Veloso, Tom Zé, Gal Costa and many more.

    The Tropicália movement was born in 1968, a momentous year around the world. It was the year of the Martin Luther King and Bobby Kennedy assassinations, the Prague Spring, the Chicago Convention, the Tet Offensive in Vietnam and the anti-war movement, the student rebellion in France, civil rights, the beginning of the end for the Soviet Union and the birth of the women’s movement. In Brazil, army violence that killed three protesters in the opening months of 1968 failed to keep students from protesting the four-year-old repressive Brazilian military dictatorship. It was against this extraordinary backdrop that Tropicália arrived. As a coherent movement allied to worldwide political and cultural unrest, Tropicália lasted little more than a year, yet it had – and continues to have – a profound effect on Brazilian society.

    Mixing psychedelic rock, avant-garde musique concrete (tape loops, sound experiments), samba, funk and soul, Tropicália was so radical – and its social implications so politically profound - that its leading protagonists, Caetano Veloso and Gilberto Gil, were arrested, imprisoned and finally exiled in 1969. Tropicália’s unique ideology mixed high art with mass culture. Tropicália created musical and cultural anarchy, a revolution in Brazilian sound with a legacy later to be internationally championed by such diverse artists as David Byrne, Beck, Kurt Cobain, Stereolab, The Bees and Tortoise. Tropicália artists loved the Beatles and Jimi Hendrix. They loved such forgotten Brazilian musical radio heroes as Dorival Caymmi, Luis Gonzaga and Orlando Silva as much as they were interested in the avant-garde of John Cage and Stockhausen. The Tropicália artists loved Joao Gilberto even though the rise of Tropicália in many ways resulted in the demise of Bossa Nova, the elegant Brazilian music that had swept to international prominence at the start of the Sixties.

    REVIEWS

     "Essential! The vibrant sound of late 60's Brazil" Q MAGAZINE

    "A near perfect primer to Brazilian psychedelica" TIME OUT

    "An exhilarating blend of Bossa Nova, acid rock and avant-garde samba, funk and soul" MOJO

    "Subversive, psychedelic and rocking. A superlative compilation" THE GUARDIAN (CD of the Week)

    FEATURE REVIEWS:

    PITCHFORK

    DUSTED

    STYLUS

    THE GUARDIAN

    • Gilberto Gil – Bat Macumba
    • Os Mutantes – A Minha Menina
    • Gal Costa – Tuareg
    • Gilberto Gil & Os Mutantes – Domingo No Parque
    • Caetano Veloso – Alfomega
    • Gal Costa – Sebatiana
    • Gilberto Gil – Procissao
    • Caetano Veloso – Irene
    • Os Mutantes – Ave Genghis Khan
    • Jorge Ben – Take It Easy My Brother Charlie
    • Tom Ze – Jimmy Renda-Se
    • Os Mutantes – Ando Meio Desligado
    • Caetano Veloso – Tropicalia
    • Tom Ze – Quero Sambal Meu Bem
    • Gal Costa – Vou Recomecar
    • Os Mutantes – Panis Et Circenses
    • Tom Ze – Gloria
    • Os Mutantes – Quem Tem Medo De Brincar De Amor
    • Caetano Veloso – Lost In The Paradise
    • Os Mutantes – Bat Macumba
    • Deluxe CD£11.99
      Out of stock
    • 2×LP£18.99
      Out of stock
    Soul of A Nation: Afro-Centric Visions in the Age of Black PowerSoul Jazz Records

    This album coincides with the massive new exhibition Soul of A Nation - Art in the Age of Black Power at Tate Modern, London.


    Watch Channel 4 news piece here

    Read Guardian feature here

    The album shows how the ideals of the civil rights movement, black power and black nationalism influenced the evolvement of radical African-American music in the United States of America in the intensely political and revolutionary period at the end of the 1960s following the assassinations of Malcolm X, Martin Luther King and the rise of the Black Panther party.

    Featuring groundbreaking artists such as Gil Scott-Heron, Roy Ayers, Don Cherry, Oneness of Juju, Sarah Webster Fabio, Horace Tapscott, Phil Ranelin and many others, Soul of A Nation shows how political themes led to the rise of ‘conscious’ black music as new afro-centric styles combined the musical radicalism and spirituality of John Coltrane and radical avant-garde jazz music alongside the intense funk and soul of James Brown and Aretha Franklin and the urban poetry and proto-rap of the streets.

    The Soul of a Nation exhibition draws on the links between Black art forms – art, music, poetry - and how they came together during the civil rights and black power era as part of the wider black arts movement across the United States.

    Iconic African-Amercian revolutionary figures such as Martin Luther King, Malcolm X and Angela Davis, John Coltrane, Muhammad Ali all appear in the radical artworks of Barkley L. Hendricks, Romare Bearden, Norman Lewis, Lorraine O’Grady and Betye Saar.

    Stuart Baker (founder of Soul Jazz Records) will appear with the curators on the panel of Jazz for Soul of a Nation: Art in the Age of Black Power discussion at the gallery as part of the show. You can book a ticket for this event here

    The Soul of a Nation album comes with extensive sleeve-notes and exclusive photography in a large 36-page outsize booklet and slipcase. Double gatefold vinyl album edition comes with full colour inners + bonus download code and includes full sleeve-notes/photography.

    Read More Reviews of the Soul of A Nation Exhibition:

    Independent

    Time Out

    The Telegraph

    Frieze

    BBC News

    • Gil Scott-Heron – The Revolution Will Not Be Televised
    • Mandingo Griot Society with Don Cherry – Sounds From The Bush
    • Roy Ayers Ubiquity – Red, Black and Green
    • Philip Cohran and The Artistic Heritage Ensemble – Malcolm X
    • Sarah Webster Fabio – Sweet Songs
    • Phil Ranelin – Vibes From The Tribe
    • Horace Tapscott with the Pan Afrikan Peoples Arkestra – Desert Fairy Princess
    • David McKnight – Strong Men
    • Joe Henderson – Black Narcissus
    • Oneness Of Juju – African Rhythms
    • Doug Carn – Suratal Ihklas
    • Duke Edwards and The Young Ones – Is It Too Late ?
    • Carlos Garnett – Mother Of The Future
    • 1. Gil Scott-Heron – The Revolution Will Not Be Televised
    • 2. Mandingo Griot Society with Don Cherry – Sounds From The Bush
    • 3. Roy Ayers Ubiquity – Red, Black and Green
    • View full info and tracklisting
    The WinstonsAmen Brother / Color Him FatherSoul Jazz Records

    PRE-ORDER NOW! Second press coming roughly 20 July

    -----------------------------------------------------------------------------------------------------------

    WORLD EXCLUSIVE limited edition seven-inch 45 ONLY AVAILABLE to customers at Soul Jazz Records and Sounds of the Universe!

    The world's greatest ever break? Here it is - The first official re-release of The Winston's Amen Brother with the LEGENDARY Amen Break as featured on 1000s of hip-hop and jungle releases. This record has been a collectors' 45 for ages and OUT OF PRINT for 50 years - sounding fresh!

    Not only that but the flip-side Color Him Father is a superb Curtis Mayfield-esque ANTHEMIC soul tune - as essential as the A-side.

    WORLD EXCLUSIVE limited edition seven-inch 45 ONLY AVAILABLE to customers at Soul Jazz Records and Sounds of the Universe!

    THIS RECORD IS 100% ESSENTIAL and ONLY available HERE - DO NOT MISS OUT!


    • The Winstons – Amen Brother
    • The Winstons – Color Him Father
    • 7" (SOTU Exclusive)£10.00
      Expected 15 JulPreorder
    Trees SpeakPostHumanSoul Jazz Records

    This is incredibly Trees Speak’s third album on Soul Jazz Records to be released in the space of one year – and it’s amazing!

    Trees Speak’s new album ‘Post-Human’ once again blends 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New York No Wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!

    The new album ‘Post-Human’ draws further upon German krautrock high-concept albums from the likes of Tangerine Dream and Klaus Schulze from the 1970s, as Trees Speak create their own powerful new landscapes of sound that manage to be at once contemporary as well as both timeless and with a sense of science-fiction futurism.

    Trees Speak’ seamlessly segue together all these musical elements into ‘Post-Human,’ a conceptually expansive album which follows on from their critically-acclaimed debut LP ‘Ohms,’ and the follow-up ‘Shadow Forms’ released on Soul Jazz Records less than six months ago.

    This powerful new album is a high-concept collage of retro-futurist science-fiction music, which is fantastically illustrated by a specially commissioned cover design by the artist Eric Lee, a dramatic vision of life after humanity.

    Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.

    The album includes an INDIES ONLY exclusive bonus 45 single with two extra tracks ‘Machine Vision’ and ‘Seventh Mirror’ available with the vinyl edition of this amazing and ground-breaking new album.

    With ‘Post-Human,’ Trees Speak take the listener deep into their unique musical world of unknown visions of the past and the future.

    ABOUT Ohms: Album of the Month - Splintered Eye /50 Best albums 2020 - Pop Matters / Favourite albums 2020 -The Soap Company / Albums of the Year 2020 -Bear Tree Records / Independent Albums of the Year 2020-Love Records / Albums of the Year 2020-Concrete Islands

    ABOUT Shadow Forms: Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year 2020 -South / Albums of the Year 2020 - Concrete Island / Albums of the month - Reveal / Albums of the Year 2020 -Piccadilly / Albums of the Year 2020-Buzzsaw / About Shadow forms / Records of the week-Drift / Album of the week-Resident / Album of the week-Norman / Records of the Year-South / Albums of the Year-Concrete Island / Albums of the month-Reveal / Albums of the Year-Piccadilly /Albums of the Year-Buzzsaw

    About Ohms:

    “This might well be the Dark Side of the Moon of the XXI century” Discogs


    • Trees Speak – Double Slit
    • Trees Speak – Glass
    • Trees Speak – Chamber of Frequencies
    • Trees Speak – Divided Light
    • Trees Speak – Elements of Matter
    • Trees Speak – Magic Transistor
    • Trees Speak – Scheinwelt
    • Trees Speak – PostHuman
    • Trees Speak – Synthesis
    • Trees Speak – X Zeit
    • Trees Speak – Incandescent Sun
    • Trees Speak – Healing Rods
    • Trees Speak – Steckdose
    • Trees Speak – Amnesia Transmitter
    • Trees Speak – Quantize Humanize
    • Trees Speak – Gläserner Mensch
    • Trees Speak – Machine Vision
    • Trees Speak – Hidden Machine
    BoomboxSoul Jazz Records

    Soul Jazz Records’ new Boombox features some of the many innovative underground first-wave of rap records made in New York in the period 1979-82, all released on small, independent, often family-concern record companies, at a time when hip-hop music still remained under the radar.


    This first exuberant wave of innocent, upbeat, party on the block rap records were the first to try and create the sounds heard in community centres, block parties and street jams that first took place in the Bronx in the mid-1970s. But where Flash, Kool Herc and Bambaataa were back-spinning, mixing and scratching together now classic breakbeat records like The Incredible Bongo Band’s Apache or Babe Ruth’s The Mexican, these first rap records were all made using live bands, often replaying then current disco tunes, whilst MCs rapped over the top, creating a unique sound that later became known derisively as old school.


    And while hip-hop started in the Bronx, rap on vinyl began in Harlem where long-time established rhythm and blues producer-owned record companies such as Joe Robinson’s Enjoy Records, Paul Winley’s Winley Records, Delmar Donnel’s Delmar International and Jack Fatman Taylor’s Rojac and Tayster were the first off the mark to realise the commercial potential of rap music - releasing early ground-breaking records that all quickly followed in the wake of the first rap record, The Sugarhill Gang’s Rappers Delight, a million-selling worldwide hit.


    This collection celebrates these first old-school rap records, bringing together rare, classic and obscure tracks released in the early days of rap.


    Deluxe double CD-pack comes with slipcase, 40-page outsize perfect-bound booklet, extensive notes, exclusive photography and original label artwork. Triple-vinyl heavyweight vinyl includes full artwork, text and notes as well as free download code.


    REVIEWS:

    Soul Jazz has a reputation for top-notch compilations that offer crash courses in a variety of styles and genres both beloved and obscure; they are, in essence, the K-Tel of the millennial generation.

    This is one of the best Soul Jazz sets in ages, a legitimate party in a box, overflowing with underground deep cuts that have seldom — if ever — been spotted on other collections - FACT

     ROLLING STONE Best Rap Albums of 2016

    • Mr Sweety G – At The Place To Be
    • Love Bug Star-Ski and The Harlem World Crew – Positive Life
    • Neil B – Body Rock
    • Super 3 – Philosophy Rappin' Spree
    • Bramsam – Move Your Body
    • Black Bird & Kevski – On The Go
    • Count Coolout – Rhythm Rap Rock (CD only)
    • Harlem World Crew – Rappers Convention
    • Willie Wood & The Willie Wood Crew – Willie Rap
    • Bon-Rock & The Rhythm Rebellion – Searching Rap
    • Sugar Daddy – One More Time
    • Spoonie Gee and The Treacherous Three – The New Rap Language
    • TJ Swan – And You Know That
    • Portable Patrol – Cop Bop
    • Master Jay – We Are People Too
    • Sweet G – Boogie Feelin' Rap
    • Mistafide – Equidity Funk
    SaltHung UpSoul Jazz Records

    NEW LTD. 300 copies (2nd Press, yellow label)

    Only available EXCLUSIVELY to customers at Soul Jazz Records/Sounds of the Universe.

    FACT mag. no. 6 BEST FUNK RECORD EVER MADE! 

    Soul Jazz Records' latest EXCLUSIVE New Orleans Funk bomb: SALT - HUNG UP

    Last original copy sold on EBAY for £1450.

    Has not turned up in the last 8 years!

    And for those of you who have never heard the B-side - it's also a killer SUPER HEAVY FUNK/PSYCH WORKOUT.

    Two killer tunes on this amazing exact replica FUNK 45

    THIS 7-inch can ONLY be bought directly here from Soul Jazz Records or Sounds of the Universe websites and shop.


    • – Hung Up
    • – I Can't Believe
    • 7"£9.99
      Out of stock
    Cuba: Music and Revolution - Compiled by Gilles Peterson and Stuart BakerSoul Jazz Records

    Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state of Cuba.

    The album comes as a heavyweight 3xLP and deluxe 2xCD set, complete with extensive sleeve notes, and is jam-packed with heavy bass lines, synth and Wah-Wah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.

    The album is released to coincide with the massive new deluxe large format book Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90, published in November, which is also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records), and which features the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.

    The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba – and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states.

    The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s – who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album have never been heard outside of Cuba.

    Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades – Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.

    -------------------------------------------------------

    REVIEWS:

    "It may only be January, but we already have a strong contender for 'compilation of the year'. Put together by devout crate-diggers and Cuban music enthusiasts Gilles Peterson and Stuart Baker (founder of Soul Jazz Records)" JUNO

    "It's abundantly clear that these compilers are at the very top of their game. Everything here was previously unheard outside of Cuba, making this a feast for the curious" Vinyl District

    "Priceless comp goes beyond Buena Vista" UNCUT

    --------------------------------------------------------------------------------------

    *Please note the vinyl sticker of this album says "+download code" but it's a mistake! There is no download with this particular album due to legal reasons. Sorry for this error!

    • Grupo Irakere – Chequere Son
    • Conjunto Rumbavana – El Son Del Campeon
    • Juan Formell & Los Van Van – Mi Ritmo Caliente
    • Grupo Monumental – Mi Son Caridad
    • Grupo de Experimentación Sonora del ICAIC – Sondeando
    • Las D'Aida – Con Cadencia y Con Dulzura
    • Juan Formell & Los Van Van – Y No Le Conviene
    • Pablo Milanés – Te Quiero Porque Te Quiero
    • Emíliano Salvador – Luna Wanestain
    • Los Reyes 73 – Un Lamento Hecho Cancion
    • Eduardo Ramos – Vocación Revolución
    • Grupo Mounmental – Hasta Las Cuantas
    • Los 5 U 4 – Solo Esta Musica
    • Grupo de Experimentación Sonora del ICAIC – Canción Con Todos
    • Orquesta Los Van Van – Yo Se Que Van Van
    • Grupo Monumental – Nadie Se Siente Cansado
    • Orquesta Ritmo Oriental – Maria, Baila El Son
    • Juan Pablo Torres y Algo Nuevo – Rompe Cocorioco
    • Los Reyes 73 – Grandes Amigos
    • Paquito D'Rivera – La Patica
    • Grupo de Experimentación Sonora del ICAIC – Grifo
    • Raúl Gómez – Dacapo
    • Grupo Irakere – Juana 1600
    • 1. Grupo Irakere – Chequere Son
    • 2. Conjunto Rumbavana – El Son Del Campeon
    • 3. Juan Formell & Los Van Van – Mi Ritmo Caliente
    • View full info and tracklisting
    Arnold BlairTrying To Get Next To YouSoul Jazz Records

    NEW LTD. FIRST EDITION 300 copies. Only available EXCLUSIVELY to customers at Soul Jazz Records/Sounds of the Universe.

    Stone-cold CLASSIC monster soul anthem! Sounds wicked!

    THIS 7-inch can ONLY be bought directly here from Soul Jazz Records or Sounds of the Universe websites and shop.  

    See all the EXCLUSIVE 45s titles only available here!


    • – Trying To Get Next To You
    • – I Won The Big Deal
    New Orleans Funk Vol. 3: The Original Sound of FunkSoul Jazz Records

    This new instalment of New Orleans Funk subtitled 'Two-Way-Pocky-Way, Gumbo Ya Ya and the Mardi Gras Mambo' features more classic New Orleans funk in all its forms.


    The syncopated percussion beat of the second line jazz parade bands, the secret language and dances of the Mardi Gras Indians, the mambo and latin rhythms of Professor Longhair and the city’s many piano players help make New Orleans a unique musical melting pot.


    New Orleans long musical heritage begins at Congo Square with the creation of jazz, the original creole culture clash of African heritage and European instrumentation.


    In the 1960s and into the early 1970s add to this the creative powerhouses of Allen Toussaint, The Meters, Eddie Bo and others alongside the famous musical families of the city – the Nevilles, the Marsalis’s, the Lasties – and we find ourselves at the birthplace of the original sound of funk - New Orleans Funk.


    A seemingly endless line of amazing singers - Lee Dorsey, Betty Harris, Willie West, Eldridge Holmes – released a constant stream of stunning 45s, backed by the super-funk Meters and produced by Allen Toussaint. The multi-talented Eddie Bo, similarly wrote and produced for an elite set of artists including The Explosions, Chuck Carbo and others.


    But limited local record distribution meant that most of these artists remained unknown outside of the city borders and as a consequence many of these records are serious collectors items today.


    Add to this the syncopated poly-rhythm funk of Mardi Gras Indians with a rare version of the carnival classic Two-Way-Pock-A-Way, and the parade band jazz of the Rebirth Jazz Band (with their twisted take on the Blackbyrd’s rare groove classic Do It Fluid) and you have the latest instalment in Soul Jazz Records’ New Orleans Funk series.


    Read Quietus large feature here


    REVIEWS:
    "The hallmark of a great Soul Jazz compilation is the balance between the stone cold classic and the well selected deep cut, and this compilation serves up both well." Quietus
    **** 

     "The Soul Jazz label’s long-running curation of New Orleans’s funky past has already yielded several premier league collections for hungry musical gumbo fans. The latest catch from the Nola freak scene... doesn’t disappoint with its swaggering and swinging line of classic cuts."  The Irish Times


    “Every New Orleans Funk release confirms that Soul Jazz Records should keep a triple A in the genre of Soul/Funk.” 90BPM

    • Willie West w/ The Meters – Fairchild
    • Professor Longhair – Go To The Mardi Gras
    • Betty Harris – Trouble With My Lover
    • Tony Owens – Got A Get My Baby Back Home
    • Lee Dorsey – Little Baby
    • The Dixie Cups – Two Way Poc A Way
    • Eldridge Holmes – If I Were A Carpenter
    • Dirty Dozen Brass Band – Do It Fluid
    • Lee Dorsey w/ The Meters – What You Want
    • The Explosions – Jockey Ride (Parts 1 & 2)
    • Allen Toussaint – We The People
    • Chuck Carbo – Take Care Your Homework Friend
    • Betty Harris – What'd I Do Wrong
    • Eldridge Holmes w/The Meters – The Book
    • The Deacons – Fagged Out
    • Diamond Joe – Gossip Gossip
    • Professor Longhair – Big Chief Part 2
    • The Rubaiyats – Omar Khayyam
    • 1. Willie West w/ The Meters – Fairchild
    • 2. Professor Longhair – Go To The Mardi Gras
    • 3. Betty Harris – Trouble With My Lover
    • View full info and tracklisting
    Studio One SkaStudio One SkaSoul Jazz Records
    Studio One Records and the seminal in-house band The Skatalites both created and defined Ska in the process making Jamaican music famous throughout the world. This compilation features classic vocal and instrumental tracks from The Skatalites, Bob Marley and The Wailers, Delroy Wilson alongside super-rare tracks from the likes of Ken Boothe, The Maytals, Jackie Mittoo, Tommy McCook and many more.
     
    “Ripping Ska compilation. The sound is tremendous as well thanks to Studio One recording techniques - already superior at the birth of Reggae - and Soul Jazz mastering. Nice mix of stomping Skatalites/Tommy McCook instrumentals and vocal tracks from many of the prime exponents of the genre. It's a superior Studio One Ska compilation what's not to like?” The Face
    • Jackie Mittoo – El Bang Bang
    • Ken Boothe & Stranger Cole – Arte Bella
    • The Wailers – (I'm Gonna) Put It On
    • The Skatalites – Addis Ababa
    • Roland Alphonso – President Kennedy
    • Joe Higgs – (I'm The) Song My Enemies Sing
    • The Skatalites – Beardsman Ska
    • Delroy Wilson – I Want Justice
    • Tommy McCook's Orchestra – Sampson
    • The Ethiopians – I'm Gonna Take Over Now
    • Tommy Mccook – Freedom Sounds
    • The Maytals – Marching On
    • The Skatalites – Exodus
    • Rolando Alphonso – Look Away Ska
    • Don Drummond – Don Cosmic
    • Rolando Alphonso – Scambalena
    • Andy & Joey – You're Wondering Now
    TV Sound and ImageSoul Jazz Records

    The 36 track 2CD album comes with 50-page book featuring text, biographies and photography. It also comes in a limited run two volume double-vinyl super-loud super-heavy gatefold sleeve editions. Compiled by Stuart Baker (Soul Jazz Records) and sleevenotes biographies by Jonny Trunk (Trunk Records).

    TV Sound and Image features British composers who worked in television, film and music libraries the second half of the 20th century. 

    Aside from John Barry, whose work on the James Bond films made him a household name, or Tony Hatch and Laurie Johnson, the majority of composers featured here - Simon Park, Keith Mansfield, Reg Tilsley, Syd Dale, Keith Papworth – remain relatively unknown. And yet ironically they have created some of the most recognisable songs in British popular culture, their music widely disseminated on television.

    A quick role call of these would include Neil Richardson (who composed the theme tune to Mastermind) and Barry Stoller (who wrote Match of the Day). The Simon Park Orchestra’s Eye Level, theme song to the BBC series Van der Valk, reached number one in 1973. CCS’s cover of Led Zeppelin’s Whole Lotta Love was the theme tune to Top of the Pops. And so on.

    This album is not however a stroll through the TV memories of the mind, but an exploration of the serious contribution that these creative musicians have on the landscape of popular music in Britain.

    Here then is a guide to the amazing music of many of the composers (both well-known and obscure) responsible for some of the most widely known music ever to come out of Britain in the second-half of the 20th century.

    Reviews:

    Quietus

    Der Spiegel: "spannende Klänge ...  die oft funky und immer lässig klingen"

    "thrilling sounds.... often funky and always chilled"

    New Zealand Herald: ***** "Every track is a killer... This is more than just music to mooch too."

    Irish Times: **** "downright funky"

    Volkskrant: "Ze leverden spanning op maat, die onbekende makers van fenomenale Britse film en tv-muziek. Door de cd TV Sound and Image opnieuw in de aandacht"

    Evening Standard: "deeply funky"

    Uncut Magazine "excellent 36 track set ... welcome additions to your collection"

    Q Magazine: ****

    • Barry Stoller – Condition Red
    • Pentangle – Light Flight
    • Geoff Love – Three Days Of The Condor
    • The Tony Hatch Sound – Man Alive
    • Richard Denton and Martin Cook – Tomorrow's World
    • Brian Fahey – At The Sign Of The Swinging Cymbal
    • Bullet – The Contract Man
    • Syd Dale – Man Friday
    • The Laurie Johnson Orchestra – Echo Four Two
    • Keith Papworth – Hard Hitter
    • John Barry – The Persuaders
    • Roy Budd – Getting Nowhere In A Hurry
    • The Simon Park Orchestra – Dawn to Dusk
    • The Marylebone Orchestra – Fiesta Numero Uno
    • Birds 'n' Brass – Sort of Soul
    • Johnny Gregory and his Orchestra – The Avengers
    • Johnny Harris – Fragment of Fear
    • Roy Budd – Get Carter
    • Neil Richardson – Guide Path
    • Brian Bennett – Canvas
    • Wil Malone – Death Line
    • Syd Dale – Huckleberry Fine
    • The Harry Roche Constellation – Spiral
    • The Ivor and Basil Kirchin Band – Jungle Fire Dance
    • The Laurie Johnson Orchestra – The New Avengers Theme
    • James Clarke – Folk Song
    • The Reg Tilsley Orchestra – Strike Rich
    • The Barry Gray Orchestra – Joe 90
    • Keith Mansfield – Soul Thing
    • CCS – Whole Lotta Love
    • Syd Dale – Artful Dodger
    • John Gregory – Jaguar
    • Nick Ingman – Down Home
    • Barbara Moore – Steam Heat
    • Alan Parker – Angels
    • Alan Moorhouse – Face Up
    • Deluxe 2×CD£12.00
      Out of stock
    • 2×LP Vol.1£23.00
      Out of stock
    • 2×LP Vol.2£23.00
      Out of stock
    • MP3 Release£8.99
      In stockAdd to Bag
    Studio One Dub Vol 2Soul Jazz Records

    Studio One Dub 2 is a second collection bringing together some of the finest dubs from the legendary Studio One Records, Kingston, Jamaica. Dub music was the creation of a generation of brilliant recording studio engineers in Jamaica. But although Clement "Coxsone" Dodd's Studio One is hailed as the greatest of the Jamaican recording labels, and although many talented engineers worked the board at Dodd's Brentford Road studio over the years (including Sylvan Morris, Syd Bucknor, Overton "Scientist" Brown and Dodd himself), Studio One was never typically known as a centre for dub. This is because for many fans the studio's commercial and stylistic heyday was in the 1960s, prior to the rise of dub as a distinct sub-genre of Jamaican music in the 1970s.

    By the 1970s, however, dub music was the rage in Jamaica's sound systems. Always the pioneer — and since Sylvan Morris had left the Studio One operation around 1972 — Coxsone supervised the dubs till leaving Jamaica at the end of the decade. This meant that for the most part, for example, the twelve Studio One dub albums released during the 1970s were mixed by Dodd himself, using the moniker "Dub Specialist." Throughout the decade, the mixes became more sophisticated and atmospheric.

    Along with the first volume of Studio One Dub, the cuts here demonstrate that Studio One's contribution to the innovative musical form of dub was substantial, and go straight to the head of listeners who feel that the only centres for dub were studios such as King Tubby's, Lee Perry's Black Ark, Channel One, or Joe Gibbs's. 

    The tracks on this compilation are taken from this period in the 1970s when dub was the cutting-edge of Jamaican music studio production. Most of them are the dub-version flip-sides of rare Jamaican 45s, and none have appeared on CD before. 

    Sleeve-notes are by Michael E. Veal, author of Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Wesleyan University Press, 2007).

    • Sound Dimension – I'll Be Around
    • Soundstorm – Dub Rock
    • Albert and the Gladiators – Watch Out Version
    • Brentford Reggae Band – Moses Version
    • Brentford Disco Set – Peace Version
    • Brentford Disco Set – Natty Ting A Ling PT.2
    • Marcia Griffiths – Feel Like Jumping PT.2
    • Drum Bago and The Rebel Group – Reggae Version
    • St. Ct. and The Gladiators Band – Soul Locks
    • Freddie and Sound Dimension – How Could You Version
    • Sound Dimension Band – Run Run Version
    • Holt and Sound Dimension – Any Where Version
    • Alton and Sound Vendors – Live and Dub
    • Freddie Mckay – Drunken Sailor Version
    • Ital Sound – Welding
    • Dub Specialist – Dar Es Salaam
    • Dub Specialist – Always Dubbing
    • Dub Specialist – Mojo Papa
    Soul of a Nation 2Soul Jazz Records

    Soul Jazz Records’ new release ‘Soul of A Nation: Jazz is the Teacher, Funk is the Preacher’ is a powerful new collection of radical jazz, street funk and proto-rap made in the era of Black Power (1969-75).

    This is the second ‘Soul of A Nation’ album released by Soul Jazz Records to coincide with the exhibition ‘Soul of a Nation – Art in the Age of Black Power’, critically acclaimed and enormously successful when it opened at the Tate Modern in London last year (as was Soul Jazz Records’ accompanying first album ‘Soul of A Nation – Afro-Centric Visions in the Age of Black Power 1968-79’). The blockbuster international exhibition is now at the Brooklyn Museum, New York and then travels to Los Angeles in 2019.

    This new album features a number of important and ground-breaking African-American artists – The Art Ensemble of Chicago, Don Cherry, Funkadelic, Gil Scott-Heron and more – alongside a host of lesser-known artists all of whom in the early 1970s were exploring new Afrocentric poly-rhythmical styles of music – radical jazz, street funk and proto-rap – while at the same time exploring the Black Power and civil-rights inspired notions of self-definition, self-respect and self-empowerment in their own lives.

    During this era African-American jazz musicians ripped up traditional definitions – rejecting the term ‘entertainer’ to redefine themselves instead as ‘artists’. They worked outside of the mainstream music industry perceiving this artistic relationship to be fundamentally exploitative and politically flawed. Artists instead formed their own pan-arts community-centric collectives, set up their own record labels, ran concerts in alternative performance spaces – art galleries, parks, lofts, community centres – all as a way of taking control of their own creative destinies.

    At the start of 1960s jazz musicians had embarked on an intense period of musical experimentation as artists John Coltrane, Ornette Coleman and Don Cherry sought to dismantle the traditional definitions of jazz by creating new music that broke free from its establishment shackles. By the end of the 1960s, forward-thinking African-American jazz musicians had absorbed the ideas of this radical and avant-garde path but also began to introduce many new elements – not just civil rights concepts of freedom but also black power ideas of self-respect, righteousness and anger.

    Their music developed into a radical and intense Afrocentric mix of jazz, funk, soul and street poetry, all in search of a new musical language that could better represent artistic African-American cultural expression.

    All of the featured artists here were involved in this search in different ways; A shared sense of Afrocentric collectivism joined the dots between the deep avant-garde experimentalism of The Art Ensemble of Chicago (here featuring soul singer Fontella Bass singing the powerful ‘Theme de Yoyo’) to the hyper funk psychedelia of George Clinton’s Funkadelic.

    The poetry of Gil Scott-Heron and Sarah Webster Fabio performed with a backdrop of street funk and heavyweight percussion laid down the template for the birth of rap. The Har-You Percussion Group, a group of young Harlem teenagers, showed how government-sponsored social initiatives helped create great art and music. Gary Bartz and The Oneness of Juju offer spirituality and cosmology. Collectives like The Pharaohs and Detroit’s Tribe add deep jazz and street funk in equal measures. And so on.

    Influenced and radicalised by Black Power and civil rights, all these artists were involved in creating – in the words of the Art Ensemble of Chicago – ‘Great Black Music: Ancient to Future.’

    This album is available as heavyweight triple vinyl (+free download), full and extensive text, exclusive photography, with house inners, and as deluxe CD with slipcase, 40-page outsize booklet and jewel case.

    • The Art Ensemble Of Chicago – Theme De Yoyo
    • The Har-You Percussion Group – Welcome To The Party
    • The Pharaohs – Damballa
    • Baby Huey – Hard Times
    • James Mason – Sweet Power, Your Embrace
    • Byron Morris and Unity – Kitty Bey
    • Funkadelic – Nappy Dugout
    • Rashied Ali & Frank Lowe – Exchange Part 2 (II)
    • Gary Bartz NTU Troop – Celestial Blues
    • Oneness Of Juju – Space Jungle Funk
    • Sarah Webster Fabio – Work It Out
    • Tribe (Wendell Harrison and Phillip Ranelin) – Beneficent
    • Gil Scott-Heron – Whitey On The Moon
    • Don Cherry – Brown Rice
    • 1. The Art Ensemble Of Chicago – Theme De Yoyo
    • 2. The Har-You Percussion Group – Welcome To The Party
    • 3. The Pharaohs – Damballa
    • View full info and tracklisting