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    Cotti Vs ChefalEat Dirt / Latest TechnologySoul Jazz Records

    Second of four killer Dubstep 12”s (two of which are by Cotti) released on the same day on Soul Jazz Records.


    Cotti’s numerous white label heavyweight Dubstep releases (“I Don’t Give A Dub”, “Calm Down” “Sensi Dub”), his appearances on Soul Jazz Records’ seminal ‘Box of Dub’ albums have made him one of most in-demand producers of the moment.


    This time joined by Chef, one of the most-important backstage names in Dubstep – engineer, dj, record cutter making his debut with this some pure, unadulterated rough dubstep/two-step single.


    Killer!


    Heavy club and radio support from Digital Mystikz, Benga, Skream, Mary Anne Hobbs and more.

    • Cotti – Eat Dirt
    • Cotti Vs Chefal – Lastest Technology
    Cotti VS King SolyTruth Hurts/Bass Changed My LifeSoul Jazz Records

    One of four killer Dubstep 12”s (two of which are by Cotti) released on the same day on Soul Jazz Records.
    Cotti’s numerous white label heavyweight Dubstep releases (“I Don’t Give A Dub”, “Calm Down” “Sensi Dub”), his appearances on Soul Jazz Records’ seminal ‘Box of Dub’ albums have made him one of most in-demand producers of the moment.


    These 2 new exclusive cuts are heavy, two-step-digi-steppas dark dub-influenced cuts with plenty of sound effects and killer bass-lines.


    Heavy club and radio support from Digital Mystikz, Benga, Skream, Mary Anne Hobbs and more.

    • Cotti – Truth Hurts
    • King Soly – Bass Changed My Life
    SecondoA Matter Of ScaleSoul Jazz Records

    Soul Jazz Records release Secondo’s first album of super-funky micro cut-up disco and electronic music. Secondo is Italian/Serbian producer Radovan Scasascia. Born in Zurich in 1975, his super-funky minimal discofied electronic dance music has been appearing sporadically on Soul Jazz Records since 2003 and on his own minimal electronic label, Dreck Records since 2000, where he also releases the music of artists such as AM/PM, Antonelli and Strategy. His most recent appearance was on the Soul Jazz Singles CD alongside Rekid (AKA Radio Slave and one half of Quiet Village), Kode9, Subway, DJ Rupture and other similarly like-minded electronic pioneers.

    Secondo’s love of disco and minimal European electronic music produces a unique funky-electronic cut up style that shows his close links with the micro-house sound of Germany’s Kompakt label as much as that of the New York Disco labels of the late 70s and early 80s. This led to earlier releases such as his celebrated Tom Tom Club cut-up a few years back.

    Secondo’s music features thousands of micro-samples and on “A Matter of Scale”, his first album on Soul Jazz Records, the music successfully reflects his aim of reconstructing these minute sonic fragments into new compositions that somehow maintain the atmosphere of the originals as well as creating new worlds. As much at home with his own material as other peoples, his remixes have appeared on a diverse set of European and American electronic artists – Felix da Housecat, Richie Hawtin, Harrison Crump, James Din A4, Kammerflimmer Kollektief and many more.

    • Secondo – Ought To Say
    • Secondo – Macula
    • Secondo – Kuwait
    • Secondo – Wait For It To Come
    • Secondo – Distrails
    • Secondo – Quantum Lady
    • Secondo – AZ201
    • Secondo – Burns Me Up
    • Secondo – Solstice
    • Secondo – Fine Primo Tempo
    Steppas' Delight 1Dubstep Present To FutureSoul Jazz Records

    Steppas’ Delight tells the story of Dubstep – from its South London roots up to its present status as the most vibrant musical sub-culture in the UK - and its subsequent virus-like growth throughout the world. The album is made up of exclusive new tracks alongside some choice tracks from Dubstep’s recent history and features many of the original groundbreaking names alongside the current underground new wave of Dubstep producers. In the early 2000s Dubstep was a marginal music made by a handful of young producers in the concrete-coated suburbs of South-West London. Using free PC software like Fruity Loops or PlayStation’s music-making software Music 2000 and making their own left-field versions of dark garage records: Fast forward eight years and Dubstep is easily the most vibrant scene in the UK with many of the original Dubstep artists now the most in-demand producers, remixers, DJs and label-owners in the UK today. Steppas’ Delight traces the musical journey of Dubstep from these small beginnings to the current new wave of young artists and producers on the scene today. This release is both a snapshot of the present and future and an essential guide to Dubstep, and tells the story of the music – the artists, labels, clubs, radio stations, cutting houses and more. This release is a continuation of Soul Jazz Records’ prolific Dubstep releases such as the Box of Dub albums and singles from the likes of Digital Mystikz, Skream, Ramadanman, Cotti, Kode9, Ladybug, Warrior Queen and many more … Complete with extensive sleeve-notes, interviews and exclusive photographs the album comes as deluxe-double CD pack with booklet and two heavyweight double-vinyl LP editions. Check out the Guardian review Here STEPPAS' DELIGHT LP VOLUME 1 TRACKLISTING: Kode9 - 9 Samurai Benga - Evolution Search & Destroy - Candy Floss (Loefah Remix) Plastician Feat. Skepta - Intensive Snare Uncle Sam - Round The World Girls (Tes La Rok Mix) The Bug Feat. Warrior Queen - Poison Dart Goth Trad - Genisis Seventeen Evergreen - Ensonique (Bi-Polar man Mix) STEPPAS' DELIGHT LP VOLUME 2 TRACKLISITING: TRG - Broken Heart Quest - Hardfood Silkie - Dam 4 Geiom Feat. Marita - Reminissin Shonx - Canton Gatekeeper Feat. Grizzla - Shade Darker Martyn - Broken Shackleton - Blood On My Hands

    • Kode 9 – 9 Samurai
    • Benga – Evolution
    • Search And Destroy – Candy Floss (Loefah Remix)
    • Plastician Feat Skepta – Intensive Snare
    • Uncle Sam – Around The World Girls (Tes La Rok Mix)
    • The Bug And Warrior Queen – Poison Dart
    • Goth Trad – Genesis
    • Seventeen Evergreen – Ensonique (Bi-Polar Man Mix)
    • Martyn – Broken
    • Shackleton – Blood On My Hands
    • TRG – Broken Heart
    • Joker – Gullybrook Lane (Instrumental)
    • Quest – Hardfood
    • Ikonika – Please
    • Silkie – Dam 4
    • Geiom Feat Marita – Reminissin'
    • Shonx – Canton
    • Gatekeeper Feat Grizla – Shade Darker
    • Peverelist – Roll With The Punches
    TetineLet Your X's Be Y'sSoul Jazz Records

    Whilst Tetine may appear to be the most recent addition to the growing Brazilian Post-Punk/Baile Funk scene that includes the groups C.S.S. and Bonde do Role, the group have actually been in existence the longest, and have an infamy in the Sao Paulo scene that they helped create: "Tetine was my first inspiration in terms of intellect, presence and their amazing performances. It was right there in front of me but it made such a strong impression and I never forgot that was what real music is about: freedom and purity and, of course, in many different ways, FUN! I've never seen something like that coming from Brazil, or actually, anywhere!" Lovefoxx – singer of CSS 

    Bruno Verner and Eliete Mejorado formed the group, Tetine, in Sao Paulo in 1995. The pair now spend their time between London and their hometown and whilst “Let Your X’s Be Y’s” is their first album to be released in the UK, it is in fact their eighth release in Brazil. A wild mix-up of Punk-Funk/New Wave/Post-Punk/Baile-Bass, Tetine’s music is a mixture of raw punky energy and attitude mixed with bass-heavy dance music. Tetine have carved an unusual musical path constantly exploring the boundaries between music, art, video and performance and their infamous live events range from rock gigs to gallery installations; from opening last year’s ‘Tropicalia – A Revolution in Brazilian Culture’ festival at the Barbican Centre in London to numerous performances for galleries, art spaces and festivals from Paris (Palais de Tokyo), to Chicago (The Wire’s Adventures in Modern Music Festival) and Sonar in Spain. As celebrated producers and DJs from the US and UK such as Diplo and Sinden are bringing this new punk/funk/bass/dance music from Brazil to a new audience, Tetine - who have played alongside everyone from Dizzie Rascal to Deize Tigrona - have a serious set of artists as fans from around the world; "Tetine are Feminists, un-followers and inventors of their own scene; an uncut diamond. If Art is really dead, then Tetine belong to a "nameless" genre - the makers of something wild, something alive." Chicks On Speed Aside from their own music, Tetine have also been instrumental in bringing the Brazilian underground music scene to the attention of the UK for a number of years. They compiled and presented the first ever album of Baile Funk outside of Brazil (Funk Carioca, 2005) as well as an essential primer to early-80s Post-Punk from Sao Paulo (Sexual Life of The Savages, released on Soul Jazz Records in 2007). Both these albums have influenced a new generation of DJs and beat-makers in the UK and US. “Let Your X’s Be Y’s” is Tetine’s first album to be released in the UK. It includes their two previous singles on Soul Jazz Records, “A Historia da Garca” and their most recent “I Go To The Doctor”. This album also comes with a limited edition bonus track – the CSS remix of “I Go To The Doctor”. www.tetine.net www.myspace.com/tetine

    • Tetine – I Go To The Doctor
    • Tetine – Eu To Aberta
    • Tetine – Let The X Be X
    • Tetine – Melo Do Carrao
    • Tetine – You're The One
    • Tetine – Everything Must Die
    • Tetine – A Historia Da Garca
    • Tetine – Men In Uniform
    • Tetine – Entertainment No 249
    • Tetine – Ai Amor / Me So Horny
    • Tetine – Olha Ela De Novo
    • Tetine – What A Gift To Get
    • Tetine – Russian Roulette
    • Tetine – Mata Hari Voodoo
    • Tetine – I Go To The Doctor (CSS Remix)
    Cult Of The 13th HourWickednessSoul Jazz Records

    Cult of the 13th Hour is the pseudonym of two of the biggest names in Dubstep at the moment. “Wickedness” first appeared on Soul Jazz Records’ “Box of Dub” alongside Digital Mystikz, Ramadanman, Skream, Cotti and more. This new mix and exclusive heavyweight dub version adds elements of 2-step, Reggae and Dancehall to the equation to give us one of the heaviest sounds around!

    • – Wickedness (Original)
    • – Wickedness (Version)
    New Orleans Funk 2: The Original Sound of FunkSoul Jazz Records

    This is Soul Jazz Records’ new journey into the heart of New Orleans and a guide to the city’s finest Funk music produced in the late 1960s and early 1970s.’ Featuring everyone from The Meters to Eddie Bo, Lee Dorsey to Betty Harris, this is a who’s who of the Crescent City’s most famous and most funky! 


    The city of New Orleans has deep musical roots that stretch back to Africa. New Orleans first gave birth to Jazz music, a Black musical form centred on rhythm, improvisation, freedom and collectivity at the turn of the century. Similarly in the late 1960s New Orleans Funk came to define a unique sound, mixing Caribbean rhythms, New Orleans second-line syncopation and rhythm and blues, all played by the Big Easy’s finest musicians. 


    Whilst Jazz and Funk music spread throughout the world, many African-American musical traditions remained within the city limits such as Mardi Gras and Carnival, Saturday Night Fish Fries, Funeral Marching bands and much more which partly explains why New Orleans music is so unique. 


    The album comes with extensive sleeve-notes, exclusive photography and more, and is an essential guide to the musical landscape of New Orleans and - together with Soul Jazz Records’ earlier New Orleans’ releases - presents the definitive story of New Orleans Funk.
    Although on the mainland coast, New Orleans is also surrounded by lakes giving the city an island feel. Similarly its proximity to Puerto Rico, Cuba, Haiti and the other West Indian Isles means that Latin and Caribbean musical influences are in its veins as much as American musical traditions. The upside of this city’s isolation is that New Orleans musical traditions flourished away from those of the rest of America. A thriving city full of artists, musicians, singers, producers, record companies, studios (well one studio actually) led to a 24-hour, 7-day a week musical life, playing in clubs, bars, brothels, carnivals and parades. 


    The downside of the cities isolation from the rest of the US was that the city never developed a solid music industry to back up the creative over-supply. Whilst New York had Atlantic, Detroit had Motown, Memphis had Stax, Chicago had Chess, Los Angeles had Modern, New Orleans had a multitude of small businesses fighting for space - and often each other. Without the marketing, promotional weight, business nouse and financial clout, New Orleans labels found it hard to get the nationwide distribution necessary to fill the million-odd jukeboxes throughout the country. So whilst every family in America knows the music of Gladys Knight or Smokey Robinson few could tell you about – let alone hum a tune from - Benny Spellman, Inell Young, Warren Lee….This is far from being a reflection of the artists creativity or musicality - as anyone can tell you New Orleans melodies are the catchiest of all - more it is a reflection of the limitations of the local music industry. Some New Orleans artists became successful throughout the US such as Fats Domino in the 1950s and in the late 1960s The Meters and Lee Dorsey, but many artists remained within the city limits. 
    This makes for a fascinating goldmine of music released by a complex myriad of small labels run mainly by New Orleans producers, promoters and artists themselves. New Orleans Funk 2 brings together many of these artists along with text, sleeve-notes and photographs that gives social and historical context to the incredibly funky music of New Orleans.

    • Cyril Neville – Gossip
    • Eddie Bo – If It's Good To You (It's Good For You)
    • Ray J – Right Place Wrong Time
    • The Meters – Chicken Strut
    • Allen Toussaint – Tequila
    • The Prime Mates – Hot Tamales
    • Betty Harris – Show It
    • Lee Dorsey – Four Corners
    • Bonnie and Sheila – You Keep Me Hanging On
    • The Gaturs – Yeah You're Right, You Know You're Right
    • Danny White – The Twitch
    • Inell Young – What Do You See In Her
    • Earl King – Street Parade
    • Eddie Bo & The Soul Finders – The Rubber Band
    • Benny Spellman – Fortune Teller
    • Warren Lee – Mama Said We Can't Get Married
    • Betty Harris – 12 Red Roses
    • Joe Chopper & The Swinging 7 Soul Band – Soul Pusher
    • Eddie Bo – Hey Bo
    • Johnny Moore – Haven't I Been Good To You
    • Jimmy Hicks – I'm Mr Big Stuff
    • Warren Lee – Funky Belly
    • G. Davis and R. Tyler – Hold On Help Is On The Way
    • Art Neville – Bo Diddley
    • Porgy Jones – Dap
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    Sound DimensionMojo Rocksteady BeatSoul Jazz Records
    BACK IN PRINT!!!!!!! 2xLP now with bonus download code!
    Compilation of classic recordings from the heaviest group in the history of reggae!
     
     Sound Dimension have recorded some of the most important songs in reggae music; songs such as 'Real Rock,' 'Drum Song,' 'Heavy Rock,' 'Rockfort Rock,' 'In Cold Blood' -- all classic songs that have become the 'foundation' of reggae music, endlessly versioned and re-versioned by Jamaican artists since the time they were first recorded to the present day.
     
     As the in-house band at Studio One in the late 1960s, Sound Dimension played alongside everyone from The Heptones, Alton Ellis, Ken Boothe, Marcia Griffiths and more.
     
    Similar to their U.S. counterparts, The Funk Brothers at Motown and Booker T. and The MGs at Stax, Sound Dimension recorded on a daily basis incredibly catchy and funky tunes and matched by a seamless musicality.
     
     Featuring musicians of the calibre of Ernest Ranglin, Jackie Mittoo, Eric Frater, Leroy Sibbles, Don Drummond Jr., Deadley Headley and more; Sound Dimension existed from around 1967-70 and all the recordings featured here were originally released during this period.

    REVIEWS:

    "A juicy compilation that does justice to the forgotten of the history of reggae." LES INROCKS

    "Since copyright laws were virtually non-existent in Jamaica for most of the 20th century, it is common to hear innumerable mutations of any given riddim track. Discerning the creators of each song can be a daunting task. From 1967 to ’70, however, the Sound Dimension was the house band at Studio One, creating memorable cuts for the lyrical pantheon of Jamaica to sing and toast over. This 18-song collection of instrumentals shows how pivotal these men were in the sonic architecture of reggae." XLR8R

    "Legendary Studio One band Sound Dimension find themselves on the receiving end of another celebrative retrospective courtesy of the ever-reliable Soul Jazz, bringing together classic recordings of 'Mojo Rocksteady', 'Real Rock', 'Heavy Rock'Rockfort Rock', 'Jamaica Underground' and more. The breadth of this band's influence can be heard throughout the annals of reggae, with these timelessly funky cuts revisited and re-versioned by anyone and everyone since being committed to tape in the '60s. Another great document from Soul Jazz" BOOMKAT

     

    • – Less Problem
    • – Rockfort Rock
    • – Funky
    • – Ten To Ten
    • – Jamaica Underground
    • – Real Rock
    • – Reggae Time
    • – In Cold Blood
    • – Heavy Rock
    • – Great Mu Ga Ru Ga
    • – Park View
    • – Ironside
    • – Mojo Rocksteady
    • – Scorcia
    • – Drum Song
    • – Summertime
    • – Straight Flush
    • – Jamaica Bag
    Box Of Dub 2Dubstep And Future DubSoul Jazz Records

    Once again featuring all-newly recorded material exclusively for this album, ‘Box Of Dub 2’ features tracks of Future Dub and Dubstep from the key artists in the scene, capturing some of the finest music being produced in the UK at this moment. After the killer debut with Box of Dub released earlier in the year to critical acclaim featuring the likes of Digital Mystikz, Skream Kode9, Pinch and many more the amazing amount of publicity around the Dubstep movement continues to get bigger by the day: Skream fronting the cover of DJ Magazine and rave reviews and features in all the leading publications such as The Observer alongside other key dance press. ‘Box Of Dub 2’ once again clearly shows the influences of original electronic dub pioneers such as King Tubby, Scientist and King Jammys have had on the new generation of artists and producers featured on this excellent album Emerging out of South London, Dubstep has grown from its roots in Grime and Drum and Bass scenes to create a new movement of artists influenced by Sound-system culture as well as technology. With heavy bass-lines and complex drum patterns, this is dance music that works for the mind, being both progressive and innovative. The second instalment of this excellent series continues the onward journey of Dubstep, with scene favourites such as Digital Mystikz, Kode 9, Pinch drawing upon new sounds and influences to bring some of the freshest sounds heard in dance music in recent times. With a distinctly UK urban sound, this new album also continues to show the music’s nod towards Jamaican Dub and electronic wizardry. For those of you who can’t wait we also have a super-limited one-off pressing of two killer tracks from the album – one track by Digital Mystikz and one by Kode9. You can buy this now, today, this minute – but hurry this is a very limited 12”.(see singles section) There is also a one-off club-night/launch for the album featuring a seriously heavyweight line-up of DJs and Pas: Skream, Digital Mystikz, Kode9 and Space Ape, Ramadanman, Cotti and the Soul Jazz Soundsystem. As the saying goes – this is going to be a roadblock! Sat 24th Nov, Elektrowerkz, 7 Torrens Street, London EC1. Ticketes are £10, (£8 NUS) or £8 in advance from our Soho store, Sounds of The Universe, 7 Broadwick Street, London W1F 0DA (Tel 020 7734 3341 to order by phone) For more info contact queries@soundsoftheuniverse.com.

    • Ramadanman – Every Next Day
    • Pinch Feat. Rudey Lee – Step 2 It
    • Cult Of The 13th Hour – Wickedness
    • King Soly – Tamil Dub
    • Kode 9 – Stung
    • Digital Mystikz – Thief In Da Night
    • Sub Version – Soul-Jah Boogie
    • Skream – Too Much Sushi
    • Cotti Feat. Kingpin – Let Go Mi Shirt
    • Pinch – Chamber Dub
    • Digital Mystikz – Third One
    • Skream – Sublemonal
    New Orleans FunkSoul Jazz Records

    Album features Ernie K Doe’s ‘Here Come The Girls’, The Meters, Eddie Bo, Professor Longhair, Lee Dorsey, Wild Magnolias and more.


    This is the definitive collection of New Orleans Funk featuring acknowledged masters next to some of the earlier artists who shaped the meaning of funk. The album is also filled with many rare, sought after and undiscovered funk tracks. It covers the period from the emergence of New Orleans Funk in the early 1960's through to the mid-seventies.


    The record is an essential part of anyone in any way interested in Funk's record collection. It has some vital ingredients in it that you can't find elsewhere. With the sound of the New Orleans Funeral March Bands, Mardi Gras Indian Tribes and Saturday Night Fish Fries all as inspiration New Orleans Funk developed into a unique sound. 


    New Orleans is a port town. Originally owned by the French, this was where many slaves were brought from the West Indies. Many of these slaves came from Haiti and brought with them the religion of Voodoo and its drums and music. It became one of the first parts of America to develop a strong African-American culture leading to the invention of Jazz in the early 1900s. 


    A main feature of Jazz in New Orleans were the Jazz Funeral Marching bands. Solemn Brass bands accompanying a coffin would, on burial, be joined by a second line of drummers and dancers which would turn the event into a celebration of the spirit cutting free from earth. This African tradition is strong in New Orleans and still goes on to this day. The backline drums play a syncopated style that is neither on the beat nor the off-beat. It is these rhythms that are the basis of New Orleans Funk. 


    The album comes with a booklet presenting a historical explanation to how and why this music came about, and with lots of information about the people involved.


    Reviews:
    "A Perfect Primer For Funk Fans" Q (Top 5 albums of the year)
    "Probably the finest compilation that Soul Jazz has released. Essential" Time Out

    • The Explosions – Hip Drop
    • Lee Dorsey – Who's Gonna Help Brother Get Further
    • Gentleman June Gardner – It's Gonna Rain
    • Eddie Bo – Check Your Bucket
    • Professor Longhair – Big Chief
    • Huey "Piano" Smith & His Clowns – Free, Single And Disengaged
    • Chuck Carbo – Can I Be Your Squeeze
    • Aaron Neville – Hercules
    • Mary Jane Hooper – I've Got Reasons
    • The Gaturs – Gator Bait
    • Allen Toussaint – Get Out Of My Life Woman
    • Cyril Neville – Tell Me What's On Your Mind
    • Bo Dollis & The Wild Magnolia Mardi Gras Indian Band – Handa Wanda
    • Lee Dorsey & Betty Harris – Love Lots Of Lovin
    • The Explosions – Garden Of Four Trees
    • Ernie & The Top Notes – Dap Walk
    • The Meters – Just Kissed My Baby
    • Marilyn Barbarin – Reborn
    • Dr. John – Mama Roux
    • Danny White – Natural Soul Brother
    • Eddie Bo – Hook 'N' Sling, Pt. 2
    • Ernie K. Doe – Here Come The Girls
    • Robert Parker – Hip-Huggin
    • The Meters – Handclapping Song
    • 2. The Explosions – Hip Drop
    • 3. Lee Dorsey – Who's Gonna Help Brother Get Further
    • 4. Gentleman June Gardner – It's Gonna Rain
    • View full info and tracklisting
    Grupo Oba IluDrums Of Cuba : Afro-Cuban Music From The RootsSoul Jazz Records

    New album of heavyweight Afro-Cuban rhythms recorded in Havana, Cuba by Soul Jazz Records.

    Comes with extensive sleeve-notes. This album features the many Afro-Cuban rhythms associated with the various religious cults existing in Cuba today. These drums are used to bring spirits and gods (Orishas) into the body of worshippers who are then possessed.

    The music originally came from Africa and spread into the new world through the movement of slaves; Soul Jazz Records have recorded and released similar projects in Haiti (Voodoo Drums, Spirits of Life) and Brazil and these new recordings from Cuba feature heavyweight complex rhythms played by some of Cuba’s finest master drummers, all of whom are initiated in the cults including members of the secret Masonic-type Abakua faith.

    Featuring an array of instrumentation – Bata Drums, Conga drums, Bongo, Eribo – many of which are sacred in themselves and only used for religious ceremonies. The music and dance of the Abakuá (or ñáñigo) secret societies are considered by many the most original not least because the history of the societies themselves, the most complex and impassioned of all the organizations of African origin established in Cuba and linked to key political and social events. For anyone interested in Latin music this is a fascinating guide into the roots of Afro-Cuban music and features extensive sleeve-notes giving the music a cultural and social context.

    Recorded at the Cuban state-owned ICAIC studios, these are high quality recordings and the vinyl comes on super-loud heavyweight vinyl for all DJs!

    • Grupo Oba Ilu – Ochosi (Aguere)
    • Grupo Oba Ilu – Makuta
    • Grupo Oba Ilu – Abakua
    • Grupo Oba Ilu – Arara (Variant 1 - Mase)
    • Grupo Oba Ilu – Oggun
    • Grupo Oba Ilu – Arara (Variant 2 - Soyi)
    • Grupo Oba Ilu – Palo
    • Grupo Oba Ilu – Arara (Variant 3 - Gervioso)
    • Grupo Oba Ilu – Elegua (Latopa)
    • Grupo Oba Ilu – Iyesa (Variant 1)
    • Grupo Oba Ilu – Iyesa (Variant 2)
    • Grupo Oba Ilu – Agayu:Toque (Chango-rumba)
    • Grupo Oba Ilu – Guiro
    • Grupo Oba Ilu – Oya:Abakua (Tuitui)
    • Grupo Oba Ilu – Bembe
    • Grupo Oba Ilu – Yuka
    • Grupo Oba Ilu – Chango (Bayuba)
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    Studio One Roots Vol. 3Soul Jazz Records

    Roots music flourished in the 1970’s as Rastafarianism, Black consciousness and self-determinization became the most important aspects of Reggae music. Bolstered by the international success of Bob Marley and Burning Spear (both who began their careers at Studio One), Roots music became the major musical development of Reggae in the 1970’s. Coxsone Dodd and Studio One’s connection to Rastafarianism had begun long before the arrival of ‘roots music’ as a distinct genre that arrived at the very tail end of the 1960s.

    By the start of the 1960’s Coxsone Dodd was making his way to Count Ossie’s Wareika Hills Rastafarian compound to hear Rastafarian drummers play whilst the Skatalites’ front-line horns – Tommy McCook, Don Drummond, Johnny Moore would jam alongside. Similarly, Count Ossie would appear during Sir Coxsone’s dancehall sessions, performing live at the height of the evening. This is the third in the series of Rastafarian inspired music from Studio One, and features classic foundation artists alongside some seriously rare tracks from the label. 

    With the involvement of the crack studio house bands – be it the Sound Dimension, the Soul Defenders or the Brentford Road All-Stars – as well as Clement Dodd and Studio One’s seriously high quality control, these tracks are all a healthy addition to the pantheon of roots music at Studio One. Sleevenotes by David Katz and Stuart Baker.

    • Freddie Mckay – (I'm) A Free Man
    • Jennifer Lara – A Change Is Gonna Come
    • Alton & Zoot – Oppression
    • Winston Flames – In A Armagideon
    • Dillinger – Babylon Fever
    • The Gladiators – Re Arrange
    • Vin Gordon – Fullness
    • Larry Marshall – Better Must Come
    • Cliff Stewart – Burn Collie
    • Im And Count Ossie – So Long Rastafari Calling
    • The Nightingales – What A Situation
    • Clifton Gibbs & The Selected Few – Brimstone & Fire
    • Dub Specialist – Musical Science
    • Prince Jazzbo – Creation Skank
    • Errol Dunkley – Way Down Low
    • Lloyd Forest – Where It's At
    • The Dynamic Four – Let's Make Love
    • Judah Eskender Tafari – Jah Light
    Studio One Dub Vol 2Soul Jazz Records

    Studio One Dub 2 is a second collection bringing together some of the finest dubs from the legendary Studio One Records, Kingston, Jamaica. Dub music was the creation of a generation of brilliant recording studio engineers in Jamaica. But although Clement "Coxsone" Dodd's Studio One is hailed as the greatest of the Jamaican recording labels, and although many talented engineers worked the board at Dodd's Brentford Road studio over the years (including Sylvan Morris, Syd Bucknor, Overton "Scientist" Brown and Dodd himself), Studio One was never typically known as a centre for dub. This is because for many fans the studio's commercial and stylistic heyday was in the 1960s, prior to the rise of dub as a distinct sub-genre of Jamaican music in the 1970s.

    By the 1970s, however, dub music was the rage in Jamaica's sound systems. Always the pioneer — and since Sylvan Morris had left the Studio One operation around 1972 — Coxsone supervised the dubs till leaving Jamaica at the end of the decade. This meant that for the most part, for example, the twelve Studio One dub albums released during the 1970s were mixed by Dodd himself, using the moniker "Dub Specialist." Throughout the decade, the mixes became more sophisticated and atmospheric.

    Along with the first volume of Studio One Dub, the cuts here demonstrate that Studio One's contribution to the innovative musical form of dub was substantial, and go straight to the head of listeners who feel that the only centres for dub were studios such as King Tubby's, Lee Perry's Black Ark, Channel One, or Joe Gibbs's. 

    The tracks on this compilation are taken from this period in the 1970s when dub was the cutting-edge of Jamaican music studio production. Most of them are the dub-version flip-sides of rare Jamaican 45s, and none have appeared on CD before. 

    Sleeve-notes are by Michael E. Veal, author of Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Wesleyan University Press, 2007).

    • Sound Dimension – I'll Be Around
    • Soundstorm – Dub Rock
    • Albert and the Gladiators – Watch Out Version
    • Brentford Reggae Band – Moses Version
    • Brentford Disco Set – Peace Version
    • Brentford Disco Set – Natty Ting A Ling PT.2
    • Marcia Griffiths – Feel Like Jumping PT.2
    • Drum Bago and The Rebel Group – Reggae Version
    • St. Ct. and The Gladiators Band – Soul Locks
    • Freddie and Sound Dimension – How Could You Version
    • Sound Dimension Band – Run Run Version
    • Holt and Sound Dimension – Any Where Version
    • Alton and Sound Vendors – Live and Dub
    • Freddie Mckay – Drunken Sailor Version
    • Ital Sound – Welding
    • Dub Specialist – Dar Es Salaam
    • Dub Specialist – Always Dubbing
    • Dub Specialist – Mojo Papa
    Studio One KingsSoul Jazz Records

    BACK IN PRINT!!!!!!! 2xLP now with bonus download code!

    Studio One’s list of singers launched at the famous label reads like a roll call of Jamaican music. Horace Andy, Alton Ellis, Ken Boothe, Freddie McGregor, Johnny Osbourne and more. This album features classic and rare tracks that span the breadth of the legendary Studio One catalogue: Ska, Roots, Rocksteady, Lovers and more from the 1960s and 70s. 

    2xLP plus bonus download code. CD comes with sleeve-notes are by the author Chris Salewicz.

    REVIEWS:

    "Since the ‘90s, this British label has done aficionados and novices alike an incalculable service, courtesy of their ongoing series featuring Studio One recordings." POP MATTERS

    "Latest Studio One collection from Soul Jazz includes sixties and seventies classics such as Cornel Campbell's version of the Heptones' Pretty Looks, Alexander Henry's Please Be True, Horace Andy's Every Tongue Shall Tell, Delroy Wilson's Won't You Come Home, Anthony Ellis' I Am The Ruler and Joe Higgs' Change Of Plan alongside brilliant obscurities such as Larry Marshall's heartbreaking I've Got To Make It, Freddie McKay's wicked Father Will Cut You Off, Ken Boothe's Be Yourself, Alton Ellis' Well Run Dry and George Phillips' alternative vocal to Delroy Wilson's One One." DUB VENDOR

    "Essential hard to find reggae classics" HARDWAX


    • Larry Marshall – I've Got To Make It
    • Horace Andy – Every Tongue Shall Tell
    • Alton Ellis – The Well Run Dry
    • Johnny Osbourne – Water More Than Flour
    • Anthony Rocky Ellis – I'm The Ruler
    • Cornell Campbell – Pretty Looks Isn't All
    • Alexander Henry – Please Be True
    • Burning Spear – Them A Come
    • Joe Higgs – Change Of Plan
    • Devon Russell – Roots Natty
    • Ken Boothe – Be Yourself
    • Freddie McGregor – I Shall Be Released
    • Freddie McKay – Father Will Cut You Off
    • The Ethiopian – Locust
    • George Philip – One One
    • John Holt – I Don't Want To See You Cry
    • Delroy Wilson – Won't You Come Home
    • 2xLP (+ Download Code)£23.00
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    SutekhNotes From Doctor IslandSoul Jazz Records

    Since 1997, Seth Horvitz, aka Sutekh, the San Francisco based artist, has released consistently inconsistent electronic music on a wealth of international labels; Force Inc./Mille Plateaux, Soul Jazz Records, Source, Background, Plug Research, Leaf, Cytrax/Delay, Tektite, and his own Context. Manipulating and abusing computers, samplers, synthesizers, ping pong tables, and found sounds, he has created everything from minimal house and techno to dense, dissonant noise collage.

    • Sutekh – Kill The Monkey
    • Sutekh – The Diamond House
    Studio One Rub A DubSoul Jazz Records

    In the 1970s, Clement Dodd’s legendary Studio One Records went through an amazing period of re-birth working with new artists such as Willie Williams, Lone Ranger, Michigan and Smiley, Horace Andy as well as continuing to work with classic artists such as Alton Ellis, Freddie McGregor, etc. 

    Re-versioning classic Studio One rhythms became the order of the day in the 1970s, not just with Studio One boss Clement ‘Coxsone’ Dodd, but with every Jamaican producer of note employing their own in-house musicians to copy the music emanating from Brentford Road. 

    The music on Studio One Rub-A-Dub features classic and rare tracks from this amazing period, from the likes of Cornel Campbell, The Heptones, Johnny Osbourne and many other legendary artists. Sleeve-notes are by Chris Salewicz, the acclaimed writer who has written books on Joe Strummer, Bob Marley, The Rolling Stones and many more.

    • Cornell Campbell – My Conversation
    • Lone Ranger – Screw Gone A North Coast
    • Judah Eskender Tafari – Danger In Your Eyes
    • Rapper Robert & Jim Brown – Minister For Ganja
    • Freddie McGregor – How Could You Leave
    • Barry Brown – Give Love
    • Len Allen Jnr – White Belly Rat
    • Johnny Osbourne – Forgive Them
    • Jennifer Lara – Natural Mystic
    • Horace Andy – Happiness
    • Rapper Robert & Jim Brown – Pirate
    • Willie Williams – Keep On Moving
    • Papa Michigan & General Smiley – Jah A The Creator
    • The Ethiopian – Empty Belly
    • Earl 16 – No Mash Up The Dance
    • The Jay Tees – Forward to Jah
    • Lone Ranger – Natty Chalwa
    • 1. Cornell Campbell – My Conversation
    • 2. Lone Ranger – Screw Gone A North Coast
    • 3. Judah Eskender Tafari – Danger In Your Eyes
    • View full info and tracklisting
    Studio One GroupsSoul Jazz Records

    BACK IN PRINT!!!!!!! 2xLP now with bonus download code!

    Studio One Groups is the latest Soul Jazz/Studio One Records release featuring legendary groups from the foundation label of Reggae. Bob Marley and The Wailers, Toots and the Maytals, The Heptones –just three of Reggae’s greatest groups who all started at Clement Dodd’s Studio One Records, “ The University of Reggae”.

    Studio One Groups brings together classic artists alongside lesser-known artists and covers Studio One’s musical output from the 1960s and 70s featuring Ska, Roots, Rocksteady, Dub and more. Clement Dodd’s role in launching and nurturing Reggae groups/singers is unsurpassed. Launching Bob Marley and The Wailers career also meant that Dodd both housed Marley in a flat at Studio One, and employed him to check new American 45s that came out for Studio One artists to cover. 

    From vocal training under luminaries such as Horace Andy and Larry Marshall, to musical education (Leroy Sibbles, lead vocalist with the Heptones, became the key in-house bass player after being taught from scratch by Jackie Mittoo), Studio One’s success was due to Clement Dodd’s ability to see talent, surround himself with it and nurture artists. 

    Careers were launched from even minor roles at Studio One such as Lee Perry (from handyman to singer and producer), Prince Buster (from security to singer and producer), and so forth. Studio One Groups are at the heart of the labels success. The sweet three-part harmonies, so close to the heart of Jamaican music, can be heard throughout every stylistic change of Reggae music – Ska, Rocksteady, Roots and beyond, all featured here. 

    Heavyweight 2xLP + download code.The CD album also comes with exellent sleeve-notes by Rob Chapman, author of the acclaimed Studio One discography, Never Grow Old

    REVIEWS:

    "The Soul Jazz label once again proves how smart they are with excellent Studio One Groups, an almost overwhelming set of killer cuts from bands and singing groups affiliated with Clement "Coxsone" Dodd's "University of Reggae." There's an amazing, deep history to be explored and even when you focus on just the groups, one disc isn't enough to tell the whole story, but this collection functions as both a killer mixtape and exciting introduction for novices." All Music

    "Bob Marley and the Wailers, Toots and the Maytals, the Heptones - just three of reggae's greatest groups who all started at Clement Dodd's Studio One records" Rough Trade

    • The Wailing Souls – Mr Fire Coal Man
    • Righteous Flames – Solid Foundation
    • The Gaylads – Give A Helping Hand
    • The Bassies – Things A Come Up To Bump
    • The Mad Lads – You Will Never Know
    • The Clarendonians – You Can't Be Happy
    • The Consumates – What Is It
    • Carlton and His Shoes – Happy Land
    • The Viceroys – The Struggle
    • The Maytals – I'll Never Grow Old
    • The Heptones – Get in The Groove
    • The Royals – Pick Up the Pieces
    • The Gladiators – Jah Jah Go Before Us
    • Bob Marley and The Wailers – Love & Affection
    • The Stingers – Down Presser International
    • The Cables – Baby Why
    • The Ethiopians – Owe Me No Pay Me
    • The Purpleites – The Pressure Is On
    • The Silvertones – Cheating and Lying
    • 2xLP (+ Download Code)£23.00
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    • CD£12.00
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    Tumba Francesa: Afro-Cuban Music From The RootsTumba Francesa la Caridad de CubaSoul Jazz Records

    Tumba Francesa la Caridad de Oriente is a 140-year old institution in Cuba.

    The music of Tumba Francesa is a unique combination of African drums and French patois vocals alive in Cuba today.

    This is the first in a series of albums reflecting Afro-Cuban culture newly recorded by Soul Jazz Records in Cuba. The Tumba Francesa La Caridad de Oriente won Cuba’s National Award for Community Culture and, in 2003, the title of UNESCO Masterpiece of the Oral and Intangible Heritage of Humanity, the first such award to be bestowed on Cuba. This music was recorded in EGREM studios, the state owned studio in Santiago, eastern Cuba.

    Tumba Francesa la Caridad de Oriente is situated in the economically poor Los Hoyos district of the city, a vibrant epi-centre of Afro-Cuban culture. In the 19th century there were hundreds of Tumba Francesa throughout Cuba. Now only two remain; Tumba Francesa of Santiago de Oriente and nearby Tumba Francesa de Guantanamo.

    Originally mutual aid societies for the ex-slaves who fled the neighbouring Haitian Revolution, Tumba Francesas would put on elaborate shows during carnival dressed in ballroom costumes of 18th century France playing purely African music. Tumba Francesa La Caridad de Oriente continue this tradition today. The music of Tumba Francesa la Caridad de Oriente is at once both modern and traditional, both an important aspect of contemporary Cuba and coming with a vast cultural legacy.

    The CD / LP comes complete with extensive sleevenotes and spoken introduction by the Afro-Cuban poet and writer Pedro Perez-Sarduy and photography by the New York writer, musician and broadcaster Ned Sublette (author of Cuba and It's Music).

    • Tumba Francesa – Camaguey
    • Tumba Francesa – Muerive Yo Dila (Mason)
    • Tumba Francesa – Mapua Live (Yuba)
    • Tumba Francesa – Vamos A Dividir (Mason)
    • Tumba Francesa – Tambores 1
    • Tumba Francesa – Ven Mi Morena (Tahona)
    • Tumba Francesa – Muedine Consa (Yuba)
    • Tumba Francesa – Tambores 2
    Studio One Rude BoySoul Jazz Records

    Rude Boys are synonymous with Jamaican Dancehall culture from the present day going back to the very early days of Sir Coxsone Dodd and Duke Reid’s first sound-clashes in Kingston . Studio One Rude Boy features artists and songs about rude boys and rude boy culture from all periods of Studio One’s history.

    The album features Ska, Rocksteady, DJs, Roots and Dub The album features classic tracks from Jamaica’s finest singers and groups such as The Wailers, John Holt, the Wailing Souls, Dennis Brown alongside super-rare tracks from artists such as Mr Foundation, Dudley Sibbley and The Soul Brothers all recorded under Clement ‘Sir Coxsone’ Dodd’s supervision at the legendary recording studio and record label. Musical backing comes from the legendary in-house bands – The Skatalites, The Sound Dimension, Soul Vendors and Soul Defenders – who provide the classic Studio One rhythms so influential in the history of Reggae.

    • Jackie Opel – You're Too Bad
    • Johnny Osbourne – Murderer
    • John Holt – Hooligan
    • Keith McCarthy – Everybody Rude Now
    • Owen Gray – Ballistic Affair
    • Roy Richards – Get Smart
    • Dillinger – Stop The War
    • Jim Brown – Love In The Dance
    • Desmond Baker And The Clarendonians – Rude Boy Gone A Jail
    • The Wailers – Good Good Rudie
    • Dennis Brown – Make It Easy On Yourself
    • Wailing Souls – Don't Fight It
    • Dub Specialist – Peace Theme
    • Mr Foundation – See Them A Come
    • Dudley Sibley – Run Boy Run
    • Dennis Brown – Johnny Too Bad
    • Bob Andy – Crime Don?t Pay
    • Soul Brothers – Mr Kiss A Bang Bang
    Studio One Scorcher Vol.2Soul Jazz Records

    The legendary Skatalites, alongside the later Studio One in-house bands - the Soul Vendors, Sound Dimension, Soul Defenders and Brentford Road All Stars – were as much a part of the classic Studio One sound as were the singers that they accompanied such as Alton Ellis, Horace Andy, Marcia Griffiths and Bob Marley and The Wailers.

    This album features many of the musicians involved with Studio One who literally defined Reggae music. From the Skatalites members Tommy McCook, Roland Alphonso, Jackie Mittoo to killer sidemen such as trombonist Vin Gordon (A/K/A Don Drummond Jnr), saxophonist Cedric "Im" Brooks, keyboardist and Twelve Tribes of Israel member Pablove Black. 

    Many of the rhythms that these musicians created became the back-bone of the Jamaican musical world and their songs have been replayed and re-versioned by 1000s of Reggae producers ever-since. 

    The album features classic and super-rare tracks all recorded under Clement ‘Sir Coxsone’ Dodd’s supervision at the legendary recording studio and record label. As well as sixteen killer tracks the album comes with new sleevenotes and photography by Dennis Morris and Adrian Boot making this another essential Studio One Reggae release for connoisseurs of Reggae and newcomers alike.

    • The Skatalites – Dick Tracy
    • Soul Vendors – Frozen Soul
    • Vin Gordon – Joe Grazer
    • Pablove Black – Black Wax
    • Cedric Brooks – Father Forgive Him
    • Pablove Black – High Locks
    • Roland Alphonso – Nimble Foot Ska
    • Vin Gordon – Sidewalk Doctor
    • Sugar Belly – Cousin Joe Pt.1
    • Jackie Mittoo – A Big Car
    • Soul Defenders – Sound Almighty
    • Jackie Mittoo, Bagga, Pablove Black – After Christmas
    • Brentford All Stars – Race Track
    • Tommy Mccook – Jamaica Bolero
    • Im And David – Black Is Black
    • Dub Specialist – Gumbay Jump
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    CapracaraOpal Rush (Kit Clayton Body Mixes)Soul Jazz Records

    A killer remix of Soul Jazz's recent acid house smash by San Franciscan techno pioneer turned dirty deep south 'Crunk' style producer, KIT CLAYTON. Like Phuture meets the Ying-Yang Twins!!!

    • Capracara – Opal Rush (Body Mix)
    • Capracara – Opal Rush (Body Mix Instrumental)
    Studio One DJ's Vol. 2Soul Jazz Records

    This second volume of DJs from Reggae’s legendary "University of Reggae", Studio One Records features some of the finest toasters ever to record in Jamaica. The album features classic tracks from DJ greats Dennis Alcapone, Lone Ranger, Prince Jazzbo, King Stitt alongside super-rare tracks from artists such as Bobby Jackie, Jah Jesco and Little Joe all recorded under Clement ‘Sir Coxsone’ Dodd’s supervision at the legendary recording studio and record label. 

    Musical backing comes from the legendary in-house bands – The Skatalites, The Sound Dimension, Soul Vendors and Soul Defenders – who provide the classic Studio One rhythms. So influential in the history of Reggae. As well as eighteen killer tracks the album comes with new sleevenotes by Steve Barrow (Blood and Fire/Rough Guide to Reggae) and photography by Dennis Morris making this another essential Studio One Reggae release for connoisseurs of Reggae and newcomers alike.

    • Dennis Alcapone – Fever Teaser
    • Prince Jazzbo – Pepper Rock
    • Carey Johnson – Correction Train
    • Bobby Jackie & Soul Defenders – Reggae Wiggle
    • Prince Francis – Ethiopia
    • Brigadier Jerry – Ram Dance Master
    • King Stitt – No Man Version
    • Little Joe – Gun Court
    • Prince Jazzbo – Crab Walking (discomix)
    • Lone Ranger – Tribute To Bob Marley
    • Soul Vendors – Whipping The Prince
    • Prince Francis – Rocking Machine
    • King Cry Cry – I Had A Talk
    • Jim Brown – Clippin
    • Jah Jesco – West Gone Black
    • Big Joe – Get Out Bald Head
    • Dennis Alcapone – Home Version
    • Lone Ranger – Keep On Coming A The Dance
    Rekid85 Space / RetroactiveSoul Jazz Records

    Rekid is the alter-ego of Matt Edwards A/K/A Radio Slave, remixer to the stars and dance music’s man of the moment whose work with DJ Hell, Kylie Minogue (where he famously mixed Kylie with New Order’s ‘Blue Monday’), Carl Craig, Talking Heads, Gwen Stefani and even Elton John has made him currently one of the most in-demand remixers working today. Rekid is the pseudonym he uses for his more serious/underground work and "85 Space/Retrospective" are two more amazing slabs of tech/disco/slowed down house, his trademark sound as a taster for his forthcoming album ‘Made In Menorca" released later in the year on Soul Jazz Records. Last year saw the release of the debut Rekid release "Tranzit" on Soul Jazz Records (which sold out on the first day!). With numerous recording projects (Rekid, Radio Slave, Quiet Village, Mathew E, Sea Devils), Matt Edwards’ music breaks down the traditional barriers of dance music – house, broken beat, techno, electro, hip-hop, disco cut-ups – and influences from Walter Gibbons to Andy Weatherall to DJ Harvey to create a truly unique sound.

    • Rekid – 85 Space
    • Rekid – Retroactive
    Sound DimensionJamaica Soul Shake Vol. 1Soul Jazz Records

    After The Skatalites, The Sound Dimension were perhaps the most important instrumental group in the history of reggae music. That they remain relatively unknown is explained by the fact that they mostly functioned as the in-house studio group at Studio One Records performing anonymously behind the stars of the day, the reggae equivalent of Motown’s Funk Brothers.
    During this period the group played on hundreds of hits with Jamaica’s finest vocalists - Alton Ellis, John Holt, Larry Marshall, Cornell Campbell, Dennis Brown, Horace Andy, The Heptones, Bob Andy, Marcia Griffiths, Freddie McGregor and hundreds more.


    Twenty years after the group split-up, their countless classic instrumental tracks recorded at Studio One became the foundation rhythms of the new dancehall music of the 1990s and beyond, countlessly replayed in new forms by artists and producers such as Joe Gibbs, Sly & Robbie, Steely & Clevie etc.


    Featured here is the first ever collection of these original 1960s rhythms in this first ever collection of the music of The Sound Dimension - a mixture of classic tracks alongside super-rare singles only ever released in Jamaica.


    The group’s fluid line-up included Jackie Mittoo, Leroy Sibbles, Cedric Brooks, Vin Gordon, Ernest Ranglin, Leroy Horsemouth Wallace and other legendary reggae giants. The group’s unique sound defined reggae music in its relatively short-lived career.


    REVIEWS/FEATURES
    “ A funky disc, full of great, skanking rhythms and fine playing by some of Jamaica's most revered musicians. It’s difficult to believe that this is the first compilation devoted solely to the Sound Dimension, the group who reshaped the signature Jamaican afterbeat of ska and rocksteady into the sturdy, versatile riddims of reggae, and the instrumentals they created are still being used as the basis of scores of songs to this day.” PITCHFORK


    " The Sound Dimension was simply one of the great rhythm sections of all time, playing with the same paradoxical tightness and tensile give-and-take to be found in the recordings of legendary groove brethren like Booker T and The MGs. It bears repeating that the Soul Jazz collections have set a high standard for audio quality, and Jamaica Soul Shake Vol. 1 is no exception to that. Indeed, those responsible for re-mastering these tracks seem to have found (and released) most of the punch, rumble, and majesty still held within aging original magnetic oxides and vinyl grooves." DUSTED



    • – Heavy Beat
    • – Federated Backdrop
    • – Baby Face
    • – Rathid
    • – Bitter Blood
    • – Love Land
    • – Full Up
    • – Upsetters Dream
    • – Soul Shake
    • – The Thing
    • – My Heart in Rhythm
    • – Man Pon Spot
    • – Holy Moses
    • – Doctor Sappa Too
    • – Hail Don D
    • – Solas
    • CD£11.99
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    Studio One Soul 2Soul Jazz Records

    BACK IN PRINT!!!!!!! 2xLP now with bonus download code!

    Studio One Soul 2 is the long awaited second volume of one of the largest selling Soul Jazz/Studio One titles, Studio One Soul.

    Studio One Soul 2 takes us further into Jamaican music’s fascination with American Soul and Funk music. Featuring a host of classic Reggae artists – Horace Andy, The Heptones, Ken Boothe, Jackie Mittoo, Jacob Miller and many more covering equally classic American Soul and Funk tunes by the likes of Curtis Mayfield, The Five Stairsteps, Marvin Gaye, The Stylistics, Lee Dorsey, Al Green and Syl Johnson.

    Studio One Soul 2 will appeal as much as an introduction to classic reggae as to connoisseurs and is another essential Studio One release. This selection features a mixture of classics, super-rare and unreleased tracks from Studio One, few of which have ever been on CD - all lovingly digitally re-mastered for this release. The vinyl edition also comes on super-loud double vinyl.

    REVIEWS

    "90% of the reggae music I own is contained on a handful of compilation albums from the phenomenal Soul Jazz Records stable. After eulogizing Morgan Khan’s Street Sounds series in my last post, I would have to add that Soul Jazz have done what Khan did for electro for reggae, by doing the hard work for the listener and releasing one quality compilation after another, all packed with the finest reggae songs around." WHITE NOISE

    "Studio One was modeled on the record labels that had their own crack studio house bands, labels and studios like Stax in Memphis, Motown in Detroit, Muscle Shoals in Alabama and Criteria in Florida, so it was natural that at Studio One versions of some of the most influential soul records would be reworked in a Jamaican idiom for playing on the powerful sound systems" SOUNDS STAGE

    • Jacob Miller – Westbound Train
    • Hortense Ellis – People Make The World Go Round
    • Horace Andy – Ain't No Sunshine
    • Soul Vendors – Swing Easy
    • The Heptones – Choice Of Colours
    • Jackie Mittoo & The Brentford Disco Set – Choice Of Music Part 2
    • Prinze Jazzbo – Fool For Love
    • Cornell Campbell – Ten To One
    • Winston Francis – Don't Change
    • Jackie Mittoo – Jumping Jehosophat
    • Tony Gregory – Get Out Of My Life Woman
    • Dub Specialist – Darker Block
    • Little Joe – Red Robe
    • Devon Russell – Make Me Beleive In You
    • Jerry Jones – Compared To What
    • Ken Boothe – Thinking
    • Anthony Creary – Land Call Africa
    • Jackie Mittoo – Fancy Pants