Esmark's musical setup is mainly build analog. Instruments like drum computers and synth boxes have been connected in constantly changing chains of fx and filters. Some recorded on tape and fed back into the compositions. Track names are partly reflections of biography and cartography of the place where the material was recorded.The dark and hidden polyphony of their debuts Mara I / Mara II sounds like a dystopic science fiction movie and is a fundamental ground element and origin on which these haunting minimal compositions are based on.